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The Rise and Rise of Jessica Chastain

American actress and producer Jessica Chastain seemed to become a household sensation overnight. She stormed the Hollywood scene in 2011 with a stellar year in film which took her from struggling actress to award-winning leading lady. Though her fame appeared to be a meteoric success story, Chastain had quietly been laying the groundwork for her career since she was a teenager. While peers Kate Winslet and Michelle Williams were starring in blockbuster films and TV shows, Chastain was starring in amateur Shakespeare productions in the Bay Area.

After being awarded a scholarship to the prestigious Julliard performing arts school in New York, Chastain took on small roles in TV shows such as ER and Agatha Christie’s Poirot. Each job led to another, slightly bigger one until she was cast in the role of Salomé in the 2013 film of the same name. Her director and co-star was none other than Al Pacino, who recommended her to Terrence Malick who, in turn, recommended her to Steven Spielberg. She went on to star in 11 films over a period of 4 years, a feat which placed her firmly in the spotlight and has led to her being named one of Time magazine’s 100 Most Influential People. We take a look at some of her best films to date.

Salomé (2013)

Oscar Wilde’s most controversial work, Salomé is a story of lust, greed, and revenge. Following the story of King Herod, his stepdaughter Salomé, and John the Baptist, the play has been the basis of many stage productions throughout the years. Director Al Pacino’s take was the first of its kind – an attempt to merge the stage with film, creating a purely theatrical piece that could be viewed in the cinema. Not only was he hugely successful in his attempt, but he also launched the career of Chastain in the process. Her performance paved the way for her to gain bigger, better roles in mainstream Hollywood.

Could Jessica Chastain be the best leading lady in Hollywood?

The Help (2011)

A period drama based on the Kathryn Stockett 2009 novel of the same name, The Help tells the story of a young woman and aspiring journalist, Eugenia “Skeeter” Phelan, who writes a book from the perspective of her maids, exposing the horror that they were faced with on a daily basis. Not only did the film receive four Academy Award nominations, but it also saw Chastain receive her first Academy Award nomination, cementing her trajectory into superstardom.

Molly’s Game (2016)

In one of her most memorable performances to date, Chastain plays the role of Molly Bloom, a former elite skier in this dramatic retelling of her life story. Based on the book of the same name, Molly’s Game is an eye-opening look into the underground poker scene in Hollywood, one in which A-list actors played against each other for thousands of dollars under the watchful eye of Molly Bloom. Featuring characters that have been speculated to be based on the likes of Matt Damon and Tobey Maguire, this Netflix favorite has been described by film critic Richard Roeper to be one of the greatest poker movies of all time.

Miss Sloane (2016)

A 2016 political thriller which couldn’t be more different from Chastain’s recent horror It: Chapter 2, the film follows Elizabeth Sloane, a fierce lobbyist who campaigns for gun control legislation. Chastain’s performance is spellbinding, demonstrating her precision and skill at taking on a character study and leaving you wanting more from the movie. If it wasn’t apparent to audiences by now, then Chastain’s performance in Miss Sloane is the final confirmation anyone needs that she has earned her place among hr A-List peers.

Of course, with 11 movies released in the space of 4 years, there are obviously many, many more to choose from, however, these performances are notable in various ways. From her launch into the stratosphere with Salomé to her expertly executed character study in Miss Sloane, there is no doubt that Chastain has gone from overnight success to one of the greats. So, which one are you going to watch first?

Artist Spotlight: Dead Pony

A quick glance at Dead Pony’s quarantine playlist, and the wide range of influences informing the band’s sound becomes immediately clear. Dua Lipa, Ariana Grande, and Kylie Minogue sit comfortably alongside the likes of Wolf Alice, Nirvana, and Hinds. The Scottish pop-punk outfit – consisting of singer and guitarist Anna Shields, Blair Crichton on lead guitar and backing vocals, Liam Adams on bass, and drummer Aidan McAllister – always had a knack for writing catchy rock tunes, from the Queens of the Stone Age-esque ‘Sugar Sweet’ to the driving ‘Speak of the Devil’. But their latest single, ‘Everything is Easy’, the first in a series of songs to be unveiled in 2020, is their most direct fusion of rock and pop yet, bringing together thumping bass, crisp drums, and an infectious hook, while the playfully processed backing vocals offer a nice extra touch. It marks an exciting new chapter for the recent LAB signees, who will no doubt continue to gain traction throughout the year.

We caught up with Anna Shields of Dead Pony for this edition of our Artist Spotlight series, where we showcase up-and-coming artists and give them a chance to talk a bit about their music.

How did you decide to form Dead Pony?

Blair and I formed Dead Pony because we both loved music and writing music. Over the past couple of years we have just been gigging and writing music loads and it has started to all come together.

Do you share similar influences?

I think in some ways yes and others no. We all have very similar tastes in music and we can all agree when a banger is a certified banger. But I think our individual tastes also bring a lot of important and versatile influence to the band. I’ve always really loved the classic icons such as Stevie Nicks, Debbie Harry and Madonna. Blair is heavily influenced by Queens of the Stone Age and The Dandy Warhols, Aidan is more Nirvana and Metallica whereas Liam loves Kings of Leon and The Smiths.

How has your approached to songwriting changed since you formed the band?

Yeah it definitely has. We all write music and find inspiration in different ways. For instance, I find writing music, particularly lyrics, quite an intimate and vulnerable thing at times and it can take me hours or sometimes days to write a song. Whereas, Blair can sit down and bash out 3 phenomenal songs in 30 minutes. There’s nothing wrong with either of these methods but over the years I think we’ve really found a good balance between pouring yourself into a song and also writing something that is fun and sounds cool. Now that we have found that sort of writing. Now that we’ve found what works best for us when writing music, we can really work well together and bounce ideas off of each other. I think that a lot of my anxieties surrounding music writing has eased over the years and we all feel comfortable sharing music that we’ve written with one another. Even if it is shit.

 

You recently signed to LAB Records. How does that feel?

It feels really really brilliant. We’ve been working so hard for the past few years as most bands do starting out, and it just feels so class that all of our hard work has finally started to pay off. I’m immensely proud of myself and of the boys and I just can’t help but hope and think that this is the beginning of something really good for us.

Can you talk about your new single, ‘Everything is Easy’? What was the inspiration behind it?

Blair and I wrote Everything is Easy last summer after having a conversation about the silly things we believed growing up. It started off with Blair telling me that his dad used to tell him as a child that one day, he just found a little snotter on the wall and decided to pick it off and raise it as his own. That snotter grew up to be Blair. I always loved that story and it just got me thinking of how gullible we all are as children and how, when that feeling of mystery and wonder that goes along with naivety starts to evaporate you realise how silly the things were you believed as a child and how upset you were when you realised that your parents were lying to you. We tried to capture this feeling in the song in a fun and playful nature. I think it’s a song that everyone can relate to as everyone has a story about something wild they believed to be true as a child.

What do you have in store for us for the rest of the year?

Unfortunately due to lockdown we’ve had to put a pause on gigging at the moment. However, we’ve got another two singles coming out on LAB Records and another few fun things planned for the rest of the year. We just can’t wait to get back to gigging and to play these songs live again.

Sun Cycles Releases ‘INTO CONFUSION’

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Sun Cycles, a rising singer-songwriter out of Omaha, U.S, has presented her latest single INTO CONFUSION. The song thrives on catchy lyrics and a mellifluous production that brings out a dark unknowing mood. 

INTO CONFUSION comes before the release of the forthcoming EP IMAGINARY, which is due to be released this summer. With this song released, we are eager to see what is next for Sun Cycles.

INTO CONFUSION is available on Spotify.

Chelsea Wolfe and Jess Gowrie Form New Band, Mrs. Piss, Share New Singles

Singer-songwriter Chelsea Wolfe and Jess Gowrie have announced the formation of a new band called Mrs. Piss. The duo have also shared two new tracks, ‘Downer Surrounded by Uppers’ and ‘Knelt’, which you can listen to below. The singles are taken from the group’s upcoming debut LP titled Self-Surgery, due on May 29 via Sargent House.

Wolfe and Gowrie started working on their collaborative project while touring in support of Wolfe’s 2017 album Hiss Spun. They recorded their debut album as Mrs. Piss at the Dock Studio in Sacramento, California and at Wolfe’s home studio the Canyon, with Wolfe on vocals and guitar and Gowrie on drums, guitar, bass, and programming.

Wolfe, who released her latest solo LP Birth of Violence last year, said in a statement:

Working on this project brought Jess and I so much closer as songwriters and production partners, after reuniting as friends and bandmates. It was freeing and fun to channel some wild energies that I don’t typically put into my own music. We tried not to overthink the songs as we were writing them, but at the same time we did consciously put a lot into crafting them into our own weird sonic vision. This project was a chance for us to do things our own way, on our own terms, and we plan to invite more womxn musicians along for future Mrs. Piss recordings.

Gowrie added:

To me, Mrs. Piss represents a musical chemistry cut short long ago that now gets a second chance. Creating with Chelsea has always been very liberating for me, and we both push each other to try new things: anything and everything. Both of us have grown so much as writers and musicians since our first band together (Red Host), and with the journeys we had to take separately to get there, we both have so much more to say; so much more pain and anger to express. That said, we also had a lot of fun doing it, not to mention how freeing it is to not give a f-k and to just create.

Self-Surgery Tracklist:

01. To Crawl Inside
02. Downer Surrounded by Uppers
03. Knelt
04. Nobody Wants to Party With Us
05. M.B.O.T.W.O.
06. You Took Everything
07. Self-Surgery
08. Mrs. Piss

 

 

Artist Spotlight: recovery girl

Named after character from the anime series My Hero Academia, recovery girl is the moniker of electronic producer Galen Tipton, hailing from Columbus, Ohio. Following 2018’s nightbath, their latest self-titled effort was initially released as an EP back in January and recently reissued by Orange Milk as a full-length record, featuring songs from February’s gross/scratch as well as seven remixes. This new, expanded edition is a dynamic, glitched-out powerhouse of experimental pop – or so-called ‘hyperpop’ – in the same vein as 100 gecs and PC Music, though Tipton infuses their own unique personality into those stylings. Highlight ‘that girl is my world (you transphobic piece of shit)’ is as compelling as its title, propelled by a fluid song structure that perfectly complements the track’s theme, while ‘don’t be my light’ incorporates hardcore elements into its already abrasive mix. ‘gross’ drills into your head with its propulsive, intoxicating rhythm, while opener ‘big loud & violent’ is a downright banger.

We caught up with Galen Tipton for this edition of our Artist Spotlight series, where we showcase up-and-coming artists and give them a chance to talk a bit about their music.

What inspired you to start making music?

If I had to trace it back to one moment definitely Guitar Hero 2. Not only did it inspire me to get interested in playing and making my own music, it actually got me interested in listening to music for pleasure and seeking out more of what I liked. 

What are some of your influences?

my biggest influences right now are

Giant Claw, Seth Graham, Holly Waxwing, Space Candy, Braz OS, Floor Baba, Maximal Life, John Object, Soriphen, Phoebe Em, Diana Starshine, Heimer

Why did you choose that particular character from My Hero Academia as your moniker?

 i really identify with her abilities to heal nearly any wounds. the project started off as a way as therapy for me; a way to work through, heal and “bounce back” from trauma and hopefully give others the energy to do the same. its just as a reminder to myself that no matter what pain i go through i have the power to process, grow, and heal no matter how bad it gets

What were some of the inspirations behind recovery girl?

 the biggest inspiration behind this project is definitely laura les of 100 gecs. I’ve been wanting to make pop music for years but have just in general been very embarrassed and dysphoric about my voice. hearing laura’s work for the first time made everything click for me and I almost immediately started working on stuff, not really planning on releasing anything, but just as something just for me to show myself that I could do it if I wanted to. having enough support and positive feedback from friends and peers helped me turn this into a full fledged project.

besides the obvious pc music and post pc music/hyperpop/whatever you want to call it influences i take a lot of influence from digital hardcore acts like machine girl, street sects, deli girls, etc. im really interested in the fusion of pop and hardcore sounds and want to blur the lines between them as much as possible. i grew up on all types of hardcore and metal and whenever I start performing recovery girl sets i want to get people moshing as much as dancing

What was the recording process like?

when it comes to vocals and lyrics im still pretty self conscious about recording and performing, so i would find different ways to “trick” myself into being comfortable. a lot of times i would record over an instrumental or loop of a song that already exists and that I’m comfy with then delete that instrumental and build a track around those vocals, basically remixing and sampling myself. lately ive been recording myself singing chorus’ of pop songs that already exists just to have some sort of familiar reference, then chopping up and sampling that recording and splicing it into the track. as a producer mainly, i’m more interested in using my vocals as a glue to hold different instrumental ideas and passages together and help translate my more exuberant production ideas into a pop lense. from an instrumental stand point i was just trying to be as loud and raw as i possibly could, not thinking too hard about anything and stopping myself from adding too much detail, trying make the project as focused and straight forward as possible without sacrificing energy.

Could you talk a bit about the remixes that appear on the new deluxe edition of the record?

the remixes are all done by friends and musicians i admire and want the world to be watching out for and paying attention to ! there were many other artists who were not able to create and submit remixes in time for release but with all the stems out there now we should be seeing some more amazing remixes out soon !

What are your plans for the future?

currently im working on a few singles and am at the early stages of demoing out a full length for recovery girl. because the project has been very sample heavy up to this point, i’m currently working on building soundbanks of sounds i am making myself to use in the project as a challenge to myself. when it comes to the work released under my own name, ive got an EP dropping this summer as well as full length follow up to my recent Orange Milk release that is nearly done.

would really love to tour either under the recovery girl project or galen tipton project, and there are small chances of either of those happening later in the year depending on how everything plays out with the covid situation.

American Land by Chiara Zonca

Chiara Zonca, a beloved photographer and artist, based out of Canada, has revealed a superb series named American Land. In this photo-based series, Zonca focuses on the texture study on the American West.

Find more brilliant work by Chiara Zonca here.

Artist Spotlight: Johanna Warren

Portland singer-songwriter Johanna Warren’s music transcends boundaries. To her, all art forms are connected; whether she’s processing life through the medium of music, film, or the Japanese healing technique Reiki, the goal is always to try to find harmony and balance. Warren’s fifth solo album, fittingly titled Chaotic Good, strikes that exact balance, delving into the deepest parts of the human soul in an effort to crystallise peace out of conflict. Confronting the pain caused by a toxic relationship, the record stands out from the rest of her discography for just how raw and visceral it can sound – she channels her full-throated anger on highlight ‘Twisted’, in which her usually hushed delivery reaches a hair-raising crescendo as she howls, “I will not be displaced/ By how much I love you.” Recorded in part at Elliot Smith’s New Monkey Studio, Smith’s spirit looms large over the album, especially on the haunting ‘Bed of Nails’ and the dynamic ‘Part of It’. On piano ballads ‘Only the Truth’ and ‘Bones of Abandoned Futures’, Warren showcases her knack for combining poetic storytelling with hypnotic, dreamy melodies that coarse through your veins like medicine. The struggle might be ongoing, but at the end of it all, there is balance.

We caught up with Johanna Warren for this edition of our Artist Spotlight series, where we showcase up-and-coming artists and give them a chance to talk a bit about their music.

What inspired you to start writing music?

I felt clumsy at best (paralyzed, frequently) in “normal” social situations, but had a lot going on inside. Music made more sense to me than talking.

Who are some of your biggest influences, musical or not?

Plants, mushrooms, Dolly Parton, dolphins, the Buddha, Jesus, UFOs, death, the internet, Kendrick, Alejandro Jodorowsky.

What role does spirituality play in your music?

I don’t make a distinction between “spirituality” and anything else. It’s all sacred, it’s all profane. And it’s all music.  

Could you talk about your experience doing the Plant Medicine Tour?

That was one of the most beautiful experiences of my life. I wanted to use my concerts as a way to talk about our connection to nature, to raise awareness about herbalism and the importance of eating clean, local food because I felt a certain indebtedness to the plants for my own healing. I played about 75 shows all over the US, and at every one I’d invited local farmers and herbalists to come sell their tinctures, teas, salves, etc. and talk to their communities about what they’re up to and how people can get involved. It was incredibly optimism-inspiring to be greeted every single night by a glowing crew of big-hearted humans and their plant allies, and to watch communities forming and strengthening around those relationships.   

How was the process of writing and recording your new album?

Chaotic, and good.

Do you have a favourite song from the album?

Twisted. 

What’s next?

I just finished writing a screenplay and am hoping to get it in pre-production this summer so we’ll be ready to dive into filming as soon as that’s possible again.

Prospa Release ‘Ecstasy (Over & Over)’

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Prospa, a UK-based duo, have released their latest single Ecstasy (Over & Over). The single marks their second this year, after the release of The One, earlier in the year. 

Ecstasy shines on punchy synths, rave-ready beats and dancing energy. It’s fun to put it in conclusion. Talking about the track, Prospa said: “This track is very special to us, it’s the one that most people have asked us about in our sets, one that we feel is a step forward in our sound yet still has our watermark. We hope everyone feels the love from this song in such a time.” 

The duo has also been busy working towards a bi-weekly show called Rave Science FM, to showcase their discoveries during this odd time.

Ecstasy (Over & Over) is available on Spotify.

Our Culture Recommends: Films for Quarantine

As the world adjusts to the ongoing impact of Covid-19, Our Culture hopes it can distract you for a little while with a selection of film recommendations from our writers and contributors. We’ve pulled from film’s long history to give you some remarkable choices. We hope this eclectic range excites, inspires, and engages you. Let’s begin!

The Raid (2011) – as selected by Elias Michael

Gareth Evans’ Indonesian martial arts action crime thriller offers up one hell of a ride. The Raid follows an elite squad and a rookie as they attempt to navigate a high rise building controlled by a ruthless drug lord. Featuring some of the best scenes of martial arts, violence, and action you’ll ever see on screen, The Raid offers a fast paced, simple but edge of your seat viewing that will have you entertained for its entirety. If you’re looking for carnage, look no further. The Raid can currently be seen on Netflix. 

Joe Taslim and Yayan Ruhian in The Raid.

Spirited Away (2001) – as selected by Eric Ng

Spirited Away is a Japanese fantasy animation following a 10-year old girl Chihiro and her parents who’ve stumbled upon a mysterious spirit realm. In an unfortunate event, Chihiro’s parents are turned into massive pigs. Trapped in this bizarre and supernatural place, she will need to find the courage to free her parents and return to the normal world.

As we are all now trapped in this not-so-uplifting situation, Spirited Away provides you with 2 hours of fantastic cinema that allow us to escape our current reality and dive straight into the film’s magical world. From Hayao Miyazaki’s masterful animation and character design that still look top notch to this day, to Joe Hisaishi’s mellow yet beautiful score that will stay in your head, Spirited Away is a great introduction for those unfamiliar with Japanese animation and Studio Ghibli. Spirited Away can currently be seen on Netflix.

Chihiro and Kaonashi.

Godzilla vs. the Sea Monster (1966) – as selected by Christopher Stewardson

Jun Fukuda’s Godzilla entries are some of the most bold and colourful of the Showa era (1954-1975), and Godzilla vs. the Sea Monster is no exception. With his brother lost at sea, Ryota (Toru Watanabe) steals a yacht to find him. His unwitting companions include two friends who lost a dance competition to win their own yacht (a competition which Ryota was too late to enter), and Yoshimura (Akira Takarada), a petty criminal who stole the yacht in the first place. After this unlikely band are attacked at sea by a giant claw, they drift ashore on Letchi Island. This is no ordinary island however, and is in fact the base of operations for the Red Bamboo; a terrorist organisation with their own giant monster, Ebirah.

Shinichi Sekizawa’s script makes for exciting and witty entertainment. Takarada in particular takes Sekizawa’s comedy touches and crafts a character who steals every scene he’s in. The pace is tight and rarely lets up, with human and monster scenes intertwining for a thrilling climax. Often overlooked by fans and critics, Godzilla vs. the Sea Monster deserves a second look. Godzilla vs. the Sea Monster can be seen in the Criterion Collection’s Godzilla: The Showa-Era Films 1954-1975 box set.

Godzilla battles the shrimp-like Ebirah.

Nightcrawler (2014) – as selected by Modestas Mankus

Set in Los Angeles, Nightcrawler follows Louis Bloom (Jake Gyllenhaal), a psychopathic thief who realises he can start a business by capturing videos of horrendous criminal activities and accidents. When he realises that he can make more money by finding exclusive footage, he resorts to creating his scenes rather than discovering them.

Dan Gilroy, the writer and director of the film, has delivered a taught thriller here. It is well-paced and questions the ethics and motivations of modern media. If you are looking for something tense, and refreshing, you will love Nightcrawler. Nightcrawler can currently be seen on Netflix.

Jake Gyllenhaal and Riz Ahmed in Nightcrawler.

Ran (1985) – as selected by Elias Michael

Akira Kurosawa’s unforgettable masterpiece draws from Shakespeare’s King Lear in this epic blood-soaked drama. An aging warlord decides to abdicate and gives his rule to his three sons. However, greed and betrayal grow as bloodshed and violence takes centre stage in a spectacle that delivers incredible set pieces, story, music, and direction. Kurosawa’s film examines the reality of war and the collapse of family. As of the 15th of May 2020, Ran has 11 days left on Mubi, but the film is very much worth the purchase on Blu-ray or Criterion. If you’re looking for a film widely regarded as one of the best of all time, Kurosawa gives you Ran.

Akira Kurosawa’s masterpiece.

The Guilty (2018) – as selected by Eric Ng

The Guilty is an intense Danish crime thriller that follows Asger Holm (Jakob Cedegren), a temporarily demoted police officer working as an emergency phone dispatcher. Asger takes up a call from Iben (Jessica Dinnage), a woman who tells Asger that she’s been kidnapped. When the call suddenly disconnects, Asger tries to do everything he can to find her. 

With a solid 88 minute runtime, The Guilty is a bumpy and intense ride that keeps you hooked from the first ring of the phone. As this film is set in a single location, the set up really helps to put audiences into Asger’s perspective. As events unfold, you cannot help but gasp at the shocking truth of the story’s nature. While the events of the search are at the forefront, the film also gradually reveals Asger’s backstory; creating layers to our polarising protagonist.

If you are fan of intense thrillers that keep you on the edge of your seat, The Guilty is a film you need to check out! The Guilty can currently be seen on Netflix.  

Jakob Cedergren as Asger Holm.

Stay tuned for more recommendations from Our Culture in the coming weeks. Let us know your thoughts on our choices!

At the Turquoise Lake​​ by Gabor Nagy

Gabor Nagy, a photographer known for some brilliant series that explore landscapes from above, has delivered once again with a new series named At the Turquoise Lake.

Writing about the experience and the process it took to get these photos Nagy stated: “I’ve found these vivid phenomenons while I scanned through the Highlands of Iceland for river patterns and new photo locations on Google Earth. To reach this location we had to drive 5 hours on extremely tough terrain, and we even had to cross River Tungnaá by foot – so we timed our arrival to be at the riverbed in the morning so we could “easily” walk through the running water.”

Find more work by Gabor Nagy here.