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How a Foldable Digital Piano Makes Serious Daily Practice Possible in Small Homes

Can someone practise piano seriously in a small apartment or compact home? Yes. A well-designed foldable digital piano can provide a full-sized playing experience without taking over the room.

For many learners, limited space is one of the biggest barriers to regular practice. A fixed piano setup can occupy a permanent corner, which may not suit a bedroom, studio apartment, shared home, or multipurpose living area. 

The TERENCE V70 foldable digital piano addresses this issue by combining a full-size 88-key layout, fully weighted hammer-action keys, a 50W four-speaker sound system, an intuitive LED touch panel, modern connectivity, and a body that folds for easier storage. 

Why Small Homes Need a Flexible Piano Setup

Modern living spaces often serve more than one purpose. A living room may also function as a workspace, dining area, or study zone. In such homes, a large instrument that stays in place all day can feel inconvenient.

A foldable piano offers a more adaptable setup. It can be opened for practice and stored more easily when the session ends. This allows learners to create a dedicated practice routine without permanently sacrificing valuable floor space.

This type of design is especially useful for students, working professionals, families, and apartment residents who want to take piano learning seriously.

A Full 88-Key Layout for Long-Term Learning

The V70 features an 88-key full-size keyboard. This gives learners access to the complete range commonly used in piano music and helps them become familiar with standard key spacing.

A smaller keyboard may be enough for basic exercises, but it can become restrictive as a player improves. More advanced pieces often require wider movement across the keyboard, both hands working together, and access to lower and higher notes.

Choosing a full-sized instrument from the beginning can reduce the need for another upgrade later. For buyers looking for a foldable piano for serious practice, the 88-key layout supports both early lessons and continued development.

Fully Weighted Keys for Better Control

Key response plays an important role in effective practice. The V70 uses fully weighted hammer-action keys, giving players more resistance beneath their fingers than a lightweight keyboard.

This helps learners practise finger control, timing, dynamics, chord control, and expressive playing. Weighted keys can also make scales, technical exercises, and longer pieces feel more purposeful.

The V70 delivers real piano feel in a foldable design, making it suitable for learners who want practical storage without giving up a substantial playing experience.

A 50W Four-Speaker Sound System

Sound quality can influence how enjoyable and productive a practice session feels. The V70 includes a 50W four-speaker sound system, allowing players to hear their performance clearly without depending on separate external speakers.

The built-in system supports daily practice by keeping the setup simple. Learners can sit down and begin playing without connecting additional audio equipment.

Clear sound can also help players notice differences in timing, note balance, phrasing, and dynamics. This makes the speaker system useful for both technical exercises and complete pieces.

A Foldable Body Designed for Real Homes

The main practical advantage of the V70 is its foldable structure. Once practice is over, the piano can be folded for easier storage, helping users reclaim space in a room used for other activities.

TERENCE is positioned as a modern piano brand for real homes and smaller spaces. Within its foldable range, the V70 is presented as a premium model built around fit, feel, sound, and daily usability.

The folding design is not only about saving space between sessions. It helps make regular practice more realistic for people who do not have a separate music room.

The TERENCE V70 foldable digital piano can become part of a daily routine without permanently dominating the living space. This balance may also reduce buyer regret by addressing both long-term learning needs and practical storage concerns.

Why the V70 Is the Premium Foldable Model 

The V70 is designed for serious beginners, returning players, and learners who want an instrument that can remain useful as their skills progress. Its main advantages are concentrated in the areas that matter most for consistent daily practice:

  • Full-size 88-key layout: Supports early lessons, wider-ranging exercises, and more advanced repertoire without limiting the available playing range.
  • Fully weighted hammer action: Provides more realistic resistance, control, and rebound for deliberate technique practice.
  • 50W four-speaker sound system: Delivers fuller sound for home practice without requiring separate external speakers.
  • Foldable body: Makes it easier to reclaim space between sessions in apartments, bedrooms, and multipurpose rooms.
  • Intuitive controls and modern connections: The LED touch panel makes it easy to move between functions, while Bluetooth Audio supports lesson material and accompaniment, MIDI connects with compatible music software and learning tools, headphones allow quiet practice, and OTG adds a wired recording option.

These features position the V70 as the premium model in TERENCE’s foldable lineup rather than a temporary first keyboard. They address both sides of the buying decision: the feel and sound needed for longer-term practice, and the storage flexibility required by modern homes.

The available 30-day return period may help buyers assess whether the piano suits their room and routine, while the one-year warranty provides additional reassurance.

Serious Practice That Fits the Home 

Serious piano practice is possible in a small home when the instrument is designed around both learning and everyday living. For learners who want substantial key feel in a space-conscious design, the V70 offers a practical premium balance of full-size range, weighted touch, fuller home sound, modern connectivity, and easier storage.

Best AI Tools for Building Websites

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When I was a kid, I always thought that websites were and could only be created by super-skilled professionals (and those with money to hire them). Juggling designers, developers, hosting providers, dragging boxes around the screen, and countless revisions. While I wasn’t wrong at that time, a lot of innovation has happened since then. The process looks very different now. A study suggests that around 35% of websites online are either AI-assisted or AI-generated. That’s because AI tools for building websites do much of the heavy lifting at speed. Website building is much more accessible today.

However, most AI tools don’t all work the same way. As such, there’s a particular kind of paralysis that hits the moment you decide to build a website. The “which builder won’t waste my time and money” paralysis. So this guide lists the top options to get you from nothing to something live online.

Top Five AI Tools for Building Websites

Wix

Wix has added powerful AI capabilities to its arsenal. It’s now a full-fledged hybrid website builder. Coming in hot is its smart AI Website Builder. Users describe their business goals and style in plain language, and it generates a fully custom website. For those who still want manual control, Wix still offers tons of templates and an intuitive drag-and-drop editor. But that’s not where the offerings end. Users can either work with an AI agent or the dedicated editor to further customize the output, from colors to animations.

Key Features:

  • Comes with more than 2000 website templates
  • Supports custom domain creation
  • Analytics and actionable insights for business optimization

Pricing:

  • Free Package
  • Light Package – $17 per month (billed annually)
  • Core Package –  $29 per month (billed annually)
  • Business Package – $39 per month (billed annually)
  • Business Elite Package – $159 per month (billed annually)

Real Use Case:

Online store owners on Amazon or eBay who want to expand with a standalone website can do it with Wix. They can prompt the AI agent to get a structured multi-page draft with product galleries built in.

Jimdo

AI tools for building websites
Image Credit: Jimdo

Built for solopreneurs, Jimdo focuses on making website creation approachable. No coding or design know-how. Like Wix, users need to provide the AI with website specifics. And that’s all it needs to generate one functional website. It also pulls in existing business details from sources like Google and Facebook. So users are not starting from a blank form. Jimdo even provides dedicated design features and allows custom domains. Not to mention the included tools for running the website. Get customers. Get paid.

Key Features:

  • Built-in SEO and business management tools
  • Total online visibility across channels
  • AI-powered website creation for web and mobile

Pricing:

  • Free Package
  • Start Package – $12 per month (billed annually)
  • Grow Package –  $20 per month (billed annually)
  • Unlimited Package – $50 per month (billed annually)

Real Use Case:

Jimdo can help a solo hairdresser or local repair shop become visible to online customers and clients. With its AI website builder, they can get hours, location, and a booking link live within a day. Zero design decisions required.

Design.com

AI tools for building websites
Image Credit: Design.com

Design.com is best understood as an AI branding platform with a built-in website builder. It can generate a fully designed website tailored to the business name, industry, and style preferences. Keyword entry is also helpful for finding unique website templates that align with the business vision. From there, this platform allows the customization of colors, fonts, and layouts. It can also produce logos, business cards, social media assets, and marketing materials. Ideal for entrepreneurs launching a new brand from scratch.

Key Features:

  • AI website builder with integrated branding tools
  • More than 3,000 ready-made templates for multiple industries
  • Easy-to-use website editor

Pricing:

  • Free Package
  • Pro Package – $15 per month (billed annually)
  • Business Package –  $30 per month (billed annually)

Real Use Case

Freelance photographers can generate a logo, then immediately spin that into a portfolio website with Design.com. Pair it with business cards and social media graphics without using separate design software.

Lovable

AI tools for building websites
Image Credit: Lovable

Made for people who need something functional. Lovable offers AI tools for building websites. At its core, it generates complete websites directly from natural-language prompts. AEO and SEO optimized. The process doesn’t end with the first draft. Users can continue refining the output. Either through follow-up prompts or visual editing. That covers colors, layouts, and texts. With Lovable, static pages aren’t the only option. It can also integrate more features. Like forms, payments, and user accounts.

Key Features:

  • Over a hundred templates for quick actions
  • Supports more than 400 integrations
  • Prompt-based website generation

Pricing:

  • Free Package
  • Pro Package – Starts at $25 per month
  • Business Package –  Starts at $50 per month
  • Enterprise Package – Custom Pricing

Real Use Case:

Lovable enables startup founders to build a working website that developers can continue to expand into a full web application. All they need to do is describe a SaaS landing page with pricing, testimonials, and other essential components.

Olitt

Olitt gets rid of the manual layout, drag-and-configure workflow. With its AI features, users can create a website by entering their business name and clicking “Generate.” But what makes it stand out is that it builds with context. Carefully tailored websites with components that align with the business type and location. Inline editing? Supported. Make updates on the fly by tweaking headings, images, layouts, and sections. On top of that, Olitt is packed with SEO tools, blogging, and e-commerce capabilities.

Key Features:

  • Context-aware content and website generation
  • Email, live chat, SMS, social media DMs, and WhatsApp syncing
  • Schema generator for boosting online visibility

Pricing:

  • Free Package
  • Hobby Package – $10 per year
  • Starter Package –  $36 per year
  • Pro Package – $59 per year
  • Business Package – $159 per year

Real Use Case:

Attracting nearby customers is made easier with Olitt. Home cleaning companies can use it to launch a website with service pages, online booking, and pricing information.

Choosing the Best AI Tools for Building Websites in 2026

Shortening the time between having an idea and publishing a professional online presence. That’s what AI tools for building websites offer. Not just the quick creation of attractive pages.

Wix is an all-around choice for businesses that find comfort in an established ecosystem. Jimdo makes website creation accessible for beginners. Design.com combines branding with website generation. Lovable performs great at making prompt-driven websites. Olitt helps entrepreneurs launch customer-ready websites with little effort.

At the end of the day, the correct pick depends on how much control you want and what you’re actually building. So choose the one that matches your experience level, business goals, and plans. This way, you spend far less time building websites and far more time growing them.

Best Autumn 2026 Exhibitions in Global Art Capitals: From London and Paris to New York, Amsterdam, Hong Kong, Mexico City and Santander

Autumn is traditionally the most exciting season in the international art calendar, as museums and galleries unveil their most ambitious exhibitions alongside the return of collectors, curators and artists from the summer break. The 2026 autumn art season is no exception. Galleries and museums in London, Paris, Amsterdam, Hong Kong, New York and Mexico are presenting a great selection including landmark retrospectives of pioneering artists and major institutional debuts, while an entirely new cultural destination will be revealed in Santander.

Whether you’re planning an art-focused city break or following the international exhibition circuit, her are some of the most exciting exhibitions to visit this autumn.

London: Amar Kanwar at Serpentine, Nan Goldin at Hayward Gallery, Khalif Tahir Thompson at Victoria Miro and Cindy Sherman at Hauser & Wirth

London’s autumn programme reflects the city’s enduring strength in both contemporary art and photography. The Hayward Gallery presents the long-awaited return of Nan Goldin with her first UK institutional exhibition in more than twenty years. Opening in November as part of the Southbank Centre’s 75th anniversary celebrations, the exhibition combines photographs, moving image works and a major new film, reaffirming Goldin’s unparalleled ability to transform deeply personal stories of love, grief, addiction and queer identity into universally resonant works of art.

At the Serpentine, Indian artist and filmmaker Amar Kanwar transforms Serpentine North into an immersive visual and sonic environment centred on the premiere of The Charcoal Man, a new seven-screen installation. Kanwar’s poetic explorations of memory, justice and ecology continue his distinctive practice of blending documentary, cinema and installation.

Meanwhile, Victoria Miro presents new paintings by Khalif Tahir Thompson, whose richly textured domestic scenes explore Black identity, intimacy and everyday life with extraordinary colour and psychological depth.

Photography takes another intriguing turn at Hauser & Wirth London, where Cindy Sherman debuts works from her new Fabric Matrons series. Continuing her lifelong investigation into constructed identity, Sherman examines ageing, visibility and femininity through elaborately staged portraits that blur the boundaries between fashion photography, portraiture and performance.

Cindy Sherman at Hauser & Wirth London

13 October – 23 December 2026

Nan Goldin at Hayward Gallery 

24 November 2026 – 7 March 2027

Amar Kanwar at Serpentine North
23 September 2026 – 31 January 2027

Nan Goldin, Diana in the bath, 2024
© Nan Goldin, courtesy the artist and Gagosian
Cindy Sherman Untitled #709, 2026
Chromogenic color print
106.7 x 159.7 cm / 42 x 62 7/8 in
© 2026 Cindy Sherman / Artists Rights Society (ARS), NY
Courtesy the artist and Hauser & Wirth

New York: Lee Krasner and Jackson Pollock at The Metropolitan Museum of Art

The Metropolitan Museum of Art’s autumn programme places performance and visual art into dialogue through its ambitious Met Live Arts season, but one exhibition stands out above all: Krasner and Pollock: Past Continuous.

Rather than retelling the familiar mythology surrounding Jackson Pollock, the exhibition re-examines one of modern art’s most influential creative partnerships by placing Lee Krasner firmly at its centre. Running from October through January, the exhibition traces how both artists continually influenced one another while developing radically individual artistic languages, offering a more nuanced understanding of Abstract Expressionism.

Krasner and Pollock: Past Continuous at The Metropolitan Museum of Art, New York

October 4, 2026 to January 31, 2027

Lee Krasner (American, 1908–1984), Bald Eagle, 1955, Oil, paper, and canvas collage on linen, 77 × 51 1/2 in. (195.6 × 130.8 cm), ASOM Collection © 2026 Pollock-Krasner Foundation / Artists Rights Society (ARS), New York

Paris: Alexander Calder at Hauser & Wirth Paris and ‘Remember Me’, Masterpieces of Photography from the Pinault Collection

Paris delivers two of the season’s highlights. At Hauser & Wirth ParisCalder: François Premier revisits a pivotal period in Alexander Calder’s career following his return to France during the early 1950s. Monumental mobiles, delicate gouaches and rarely exhibited sculptures reveal the remarkable inventiveness of an artist whose work continues to redefine the relationship between sculpture, movement and space.

Meanwhile, the Pinault Collection presents a major new photography exhibition at the Bourse de Commerce. ‘Remember Me’ features masterpieces of photography from the Pinault Collection from a stellar cast of photographers including Man Ray, Barbara Kruger, Annie Leibovitz and Claude Cahun. The exhibition opens during the bicentenary year of photography, and reinforces the institution’s growing reputation for ambitious presentations exploring the evolving role of photography in contemporary artistic practice.

Curated by Matthieu Humery, Advisor for Photography of the Pinault Collection, with the collaboration of Lola Regard, Projects Officer, “Remember Me” takes its name from an original work by Barbara Kruger that will be shown in the Rotunda of the museum. The exhibition will feature 700 works by more than 70 artists.

Alexander Calder at Hauser & Wirth Paris

19 October – 19 December 2026

‘Remember Me’, Masterpieces of Photography from the Pinault Collection is at the Bourse de Commerce, Paris from 7 October to 31 December 2026. 

Man Ray, Noire et Blanche, 1926
Silver-based print. 20.6 x 27.5cm. Copyright Man Ray 2015 Trust/ Adago, Paris, 2026. Pinault Collection.
Alexander Calder The Black Star 1953
Gouache and ink on paper29 3/4″ x 41 1/2”
© 2026 Calder Foundation, New York / ADAGP, Paris
Courtesy of Calder Foundation, New York / Art Resource, New York

Amsterdam: Robert Zandvliet at GRIMM Gallery 

The opening of GRIMM’s new Amsterdam gallery is marked by a solo exhibition from Dutch painter Robert Zandvliet.

His Paradaidha series transforms the idea of the garden into expansive, almost abstract landscapes composed of layered greens and shifting fields of colour. Drawing inspiration from Claude Monet’s Nymphéas, Zandvliet moves effortlessly between observation and abstraction, creating meditative paintings that reward prolonged looking while questioning how nature is represented through paint.

Robert Zandvliet at GRIMM Amsterdam 

September 5 – October 3, 2026

Hong Kong: Lucio Fontana at Hauser & Wirth

Hauser & Wirth Hong Kong presents one of the year’s most significant surveys of Lucio Fontana, focusing on the revolutionary Buchi (Holes) and Tagli (Cuts) works that transformed post-war art.

Curated by Luca Massimo Barbero in collaboration with the Fondazione Lucio Fontana, Spatialism: Pioneering the Contemporary explores how Fontana rejected the traditional picture plane in favour of works that physically opened the canvas to light, movement and infinite space. More than half a century after their creation, these iconic slashed canvases remain astonishingly contemporary.

Lucio Fontana Spatialism. Pioneering the Contemporary at Hauser & Wirth Hong Kong

17 September – 19 December 2026

Mexico City: Richard Prince, Álvaro Urbano and Raúl Silva at Museo Jumex

Museo Jumex presents the first major survey of Richard Prince in Latin America, offering audiences an opportunity to reconsider one of contemporary art’s most provocative figures.

Alongside Prince’s retrospective, the museum continues its commitment to supporting new artistic practices through an immersive installation by Álvaro Urbano created specifically for the museum, while Raúl Silva receives his first solo exhibition in Mexico, highlighting the institution’s balance between internationally established artists and emerging voices.

MUSEO JUMEX autumn/ winter exhibitions 

RICHARD PRINCE: TELL ME EVERYTHING
26 September 2026 to 7 February 2027

ÁLVARO URBANO: HELEN
16 October 2026 to 7 February, 2027

RAÚL SILVA: GATEWAY
16 October 2026 to 7 February, 2027

Richard Prince, Untitled (Fashion), 1982-1984 © Richard Prince. Courtesy Richard Prince Studios.

Santander: Reveal of Spain’s New Cultural Landmark 

Perhaps the season’s most significant cultural opening is Faro Santander, a major new arts centre housed within the transformed former Banco Santander headquarters in northern Spain.

Its inaugural exhibitions are remarkably ambitious. Masterpieces from the Banco Santander Collection spans five centuries, bringing together works by Titian, Rubens, Velázquez, Goya, Picasso, Miró and Antoni Tàpies, while Modern Mexico in the Gelman Santander Collection features masterpieces by Frida Kahlo, Diego Rivera, Rufino Tamayo and Leonora Carrington.

The opening programme is completed by The Symptomatic Surreal, an exhibition exploring Leonora Carrington’s formative period in Santander during the Second World War. Together, these exhibitions establish Faro Santander not simply as another museum but as one of Europe’s most important new cultural destinations, combining historical collections with an ambitious vision for the future of contemporary art.

Faro Santander dates:

Masterpieces from the Banco Santander Collection
8 September 2026 – February 2027
Modern Mexico in the Gelman Santander Collection
8 September 2026 – 10 January 2027
The Symptomatic Surreal: Leonora Carrington
8 September 2026 – 10 January 2027

Across continents, the strongest exhibitions of autumn 2026 share a common thread: they place historical masters into conversation with contemporary voices while challenging established narratives. From Nan Goldin’s intimate chronicles of lived experience and Amar Kanwar’s poetic political installations to Lee Krasner’s long-overdue reassessment and Lucio Fontana’s revolutionary spatial experiments, this season demonstrates that the most compelling exhibitions are those that encourage audiences to look again—at art history, at society and at themselves.

For anyone planning an international gallery itinerary or in search of a dose of culture during their travels, autumn 2026 has a wide range of cultural highlights for lovers or art and photography. 

Frida Kahlo Diego en mi pensamiento, 1943
© 2026 Banco de México Diego Rivera & Frida Kahlo Museums Trust
Amar Kanwar, The Peacock’s Graveyard, 2023 (film still). Digital video installation. 7 screens. dimensions variable. 28min 16sec. Courtesy of the artist and Marian Goodman Gallery

15 New Songs Out Today to Listen To: Susanna Hoffs, Helen, and More

There’s so much music coming out all the time that it’s hard to keep track. On those days when the influx of new tracks is particularly overwhelming, we sift through the noise to bring you a curated list of the most interesting new releases (the best of which will be added to our Best New Songs playlist). Below, check out our track roundup for Tuesday, August 4, 2026.


Susanna Hoffs – ‘Casablanca’

Susanna Hoffs bills her new album, The Frame, as the sound of gathering around a table with her closest friends, sharing stories about her life. It features contributions from Rufus Wainwright, Edie Brickell, Dan Wilson, Greg Leisz, Ryan Lerman, Desure, Jesse Harris, Ny Oh, Grant Milliken, Larry Golding, and Spencer Zahn. Hoffs’ framing rings true on the lead single ‘Casablanca’, which was inspired by a rewatch of the titular film as well as walking through the French Quarter with Bob Weir in 1988.

Helen – ‘Linda’s Head’ and ‘Dead Shark II’

Helen – the shoegaze trio made up of Grouper’s Liz Harris, bassist Scott Simmons, and drummer Jed Bindeman – are returning with their first album in over a decade. Along with the announcement, they’ve shared two tracks from Linda’s Head, the title track and ‘Dead Shark II’, which latch onto shoegaze and twee-adjacent signifiers in exquisitely dreamy fashion.

 

Hana Stretton – ‘From’

Hana Stretton’s intimately transportive new album, tiarn, is out at the end of the week, and today she’s shared one final preview. ‘From’, which opens as a hushed piano ballad, cuts to the record’s mournful core. “I made ‘FROM’ as a dark storm rolled over,” the artist explained. “I opened all the windows and recorded it with my dog Roo asleep next to me. I used a hairbrush for the guitar, played some synth and a tiny harp. I realise now that it’s about how to weather our own storms without hardening. To keep reaching for warmth and kindness in our stubbornly sharp world.”

@ – ‘Punish My Mind’

Have you ever heard “a chill song about self-torture”? That’s how Philadelphia based art-folk duo describe ‘Punish My Mind’, the latest single from their upcoming record Autosmile, which was first previewed by the title track, one of the best songs of June. “It has a fat wind arrangement and a of vocal harmonies. We hope you like it,” they added.

June McDoom – ‘Without You’

June McDoom has announced her debut album, Follow the Light, with the enchanting lead single ‘Without You’. “I wrote ‘Without You’ about that feeling of realizing how meaningless life can feel without the person/people you love, and how you can feel like nothing without them around,” the singer-songwriter explained. “I wanted the arrangement to reflect the emotional journey of that realization. The ending celebrates the awareness and commitment to never take that person for granted, because it’s never too late to change how you’ve been.”

Margaret Glaspy – ‘Reminder’

Ahead of the release of her fourth album I Am Both this Friday, Margaret Glaspy has served up one more preview, the gnawingly self-aware ‘Reminder’. “That song’s a message to myself for when it feels like I’m doing nothing of value, reminding me that it’s important to keep showing up in lots of little ways instead of giving up altogether,” the singer-songwriter reflected. “It’s an example of something I never would’ve written if I were still praying to the gods who told me everything needs to be neat and tidy and symmetrical.”

Told Slant – ‘Draw Blood’

If you’ve ever been to New York City, even briefly, you probably have strong feelings toward it. And part of those feelings may be captured in Told Slant’s sharply mournful new single, ‘Draw Blood’, from their forthcoming album What’s Up. “I think there is a frustration on this record, a set of grievances that feels so overwhelming to me, that the only way I felt I could express it was in religious appeals,” Felix Walworth remarked. “When you are defeated entirely, what do you have other than prayer?”

gash – ‘risking heaven’

Eau Claire experimentalists gash have shared ‘risking heaven’, the second single from their forthcoming album at least you know what you’re laughing at. It follows last month’s ‘good and bad’.

 

Graham Hunt – ‘Getting Older’

Graham Hunt has previewed his new album, American Pyramid, with a jaunty track called ‘Getting Older’. It follows earlier cuts ‘Riverboat Blues’ and ‘Waiting For You To Come Home’.

Charlotte Greve – ‘Own Lap’

German-born, Brooklyn-based saxophonist, composer, and singer Charlotte Greve has unveiled ‘Own Lap’, a sprawling cut from her forthcoming LP WATERBODIES that marks her first work to be adapted into an orchestral context. It’s dedicated to Greve’s late grandmother and two close friends who had recently suffered through hardship, “strong people,” in her words, “who had the ability and strength to keep their head up and keep going.”

Rowena Wise – ‘Unlearning of Love’

Patient and affecting, ‘Unlearning of Love’ is the final offering from Rowena Wise’s sophomore album, Bad Things Feel Good*, ahead of its release on Friday. “Non-monogamy was part of the context in which I wrote this song,” she explained. “I was experiencing the confusion of loving multiple people at once, but more than that, I was wondering what a new connection could become when there were fewer assumptions or expectations around it. There was a real tension in not knowing where friendship ended and romance began, or whether it needed to become either. That openness could feel scary and obscure, but it was also exciting, meaningful and incredibly expansive. Getting to know people in that more open way taught me as much about myself as it did about others – how differently people love, communicate, attach and move through the world.”

Black Bananas – ‘Eddie’s Album’

Black Bananas have dropped ‘Eddie’s Album’, the slinky second preview of their upcoming album Bad Bunch. Out September 4 via Fire Records, it marks the group’s first effort since 2014’s Electric Brick Wall.

HUG – ‘Catatumbo’

HUG is the trio of Devendra Banhart, Gyan Riley, and Noah Georgeson, who will release their self-titled collaborative album on September 11 via Luaka Bop. Today, they’ve shared the quietly wondrous ‘Catatumbo’, which is built on a loop that Georgeson and Banhart first created twenty years ago, when they were living together in Venice Beach.

Diary – ‘Drive It’

New York-based quintet Diary have shared a new single, ‘Drive It’, taken from their debut full-length, Spiral Bound. The hypnotic track comes paired with a video directed by Nadia Bedj and choreographed by Lilly Fridlyand.

Grouper Side Project Helen Return With New Album, Share Songs

Helen – the trio comprising Grouper’s Liz Harris, bassist Scott Simmons, and drummer Jed Bindeman – have announced their first album in over a decade. The follow-up to 2015’s The Original Faces is called Linda’s Head, and it arrives October 2 via Kranky. Today’s announcement comes with the release of two songs, the title track and ‘Dead Shark II’, which enchantingly merge shoegaze and twee sensibilities. Take a listen below.

Grouper’s most recent LP, Shade, arrived in 2021.

Linda’s Head Cover Artwork:

Linda's Head Helen

Linda’s Head Tracklist:

1. Faraway
2. Starline
3. endless Sky
4. Linda’s Head
5. darkblue
6. Dead shark
7. Dead shark II
8. black and quiet love
9. Stay with me
10. Canyon

June McDoom Announces Debut Album ‘Follow the Light’, Shares New Single

June McDoom has announced her debut album, Follow the Light, which will arrive on October 16 via Jagjaguwar. The shimmery, spellbinding lead single, ‘Without You’, is out today alongside a music video directed by Bing Cao. Check it out and find the album’s cover art and tracklist below.

“I wrote ‘Without You’ about that feeling of realizing how meaningless life can feel without the person/people you love, and how you can feel like nothing without them around,” McDoom explained. “I wanted the arrangement to reflect the emotional journey of that realization. The ending celebrates the awareness and commitment to never take that person for granted, because it’s never too late to change how you’ve been.”

McDoom crafted the songs on her debut LP with her longtime partner, Evan Wright. She cites Dionne Warwick, Minnie Riperton, Pentangle, and Cocteau Twins’ Victorialand as some of its reference points.

Follow the Light Cover Artwork:

Follow the Light cover art

Follow the Light Tracklist:

1. Human Angel
2. Without You
3. Outside the Window
4. Forever
5. Get Out of My Life
6. Grandpa
7. Dream Dub
8. Memory
9. Mountain
10. Searching to Find
11. Weaver
12. Follow the Light

Interview: Opus Kink

A saxophone and trumpet rise like possessed mosquitos as a jittery beat bombs it down an imaginary highway. Into this mariachi-disco a man starts intoning lyrics – half preacher, half ribald speed date. “Nail up a stranger, I will be your saviour,” he sings. The song is ‘Crucify’, which appears near the end of Opus Kink’s arresting debut, The Sweet Goodbye. “It’s about being a performer,” says frontman Angus Rogers, “and the ridiculousness and silliness of wanting to put yourself up on stage.” The biblical imagery of the figure who carries the sins of his followers (and the dead rock stars who have been made in his image) is something Rogers is both experiencing and commenting on, as the singer and guitarist of one of the most hotly tipped bands in recent memory. With his shaven head, long neck and silver earrings, Rogers himself looks shamanic, and speaking to him it’s clear that he is bursting with deep pockets of intellect and romanticism. He is a calligraphic drawing of an artistic force squeezed into the paper bag of a rock frontman, like a clean Pete Doherty or a less dandyish Brett Anderson, switching between language that is florid and then cutting immediately to the chase. There’s also something perfect about the fact that this interview is being conducted at 11am on a Monday morning in an anonymous hotel lobby: an extremely Opus Kink-esque situation in its mix of the elevated and the prosaic.

On The Sweet Goodbye, the sextet paradoxically seize at the throat of the modern world while subtly decrying modernity itself. It summons up the horror, glamour, and beauty of Britain like a saucy seaside postcard written in blood. On ‘Come Over, Do Me Wrong’ he’s a glazed over fuckboi (“Dead face, cold glove, come over do me wrong”), on ‘I’m a Pretty Showboy’ he’s Narcissus trapped on a reality show (“Every breath is wasted/ All is vanity/ But I’m a pretty showboy/ I don’t want to be free”), while the title track suggests the last rites of a power-drunk dictator.  There’s a streak of wild theatricality about Rogers too – a wick of unpredictability which can be lit to capture the wild man spirit of Oliver Reed. “The characters are a heavy mix of me and facets of my personality,” he says, “but it’s blown up and enlarged. It changes every night too with every performance.”

Musically, they are harder to pin down: genres seem insufficient at describing songs, like the aforementioned title track that goes from an inebriated, Jonathan Fire*Eater-esque grind to a nursery rhyme cakewalk featuring a devilish choir of zombies. Is it “baroque pop,” is it “jazz-metal”? So much so that the band have invented their own genres: “witch disco” and “chainsaw pop,” which actually make complete sense once you hear the album. At the same time it speaks to a defiance at being boxed in. That extends to responses to my questions like, “How did you meet?”

“We met loom-caning,” Rogers says, with deadpan sincerity.

Despite The Sweet Goodbye being their debut, the Brighton-based band began almost a decade ago in 2017 and started releasing material in 2020. Rogers describes the group, which also features brothers Sam (bass) and Finn Abbo (drums), Jazz Pope (keyboards), Jed Morgans (saxophone), and Jack Courtney (Trumpet), as brotherly. “It’s like six people’s lives ebbing and flowing in with what we’re doing. We have our disagreements but we appear to not have it in us to let it boil over into physical action. If you’ve been together for eight, nine years and it’s never fallen apart, it’s unlikely to. “What’s it like trying to balance six creative voices together? “You have to overcome quite a lot of frustrations and kill a lot of darlings,” he says. “But I would rather do that and have an end result of something I couldn’t have envisaged.”

The band are currently on a whistle-stop tour of record shops to mark The Sweet Goodbye‘s release, but that hasn’t stopped their creative juices flowing. “We’ve got 20 new songs,” says Rogers. “We’ve stripped things back, we’re using strange drum machines, the sound’s become a lot more skeletal. I don’t have the guitar with me. Even at this stage, we’re excited to write the next album.” Rogers says his songwriting is a kind of therapy. “You learn uncomfortable things about yourself,” he says. “There’s a real capacity for growth and learning in that. The most difficult part is unlearning all the things which made you want to hide in the first place.”


Opus Kink’s The Sweet Goodbye is out now via So Recordings.

The Best Songs of July 2026

Every week, we update our Best New Songs playlist with several tracks that catch our attention, then round up the best songs of each month in this segment. Here, in alphabetical order, are the best songs of July 2026.


Billboard Style, ‘Billboard Style’

Victoryland and Forth Wanderers put out two of the most overlooked records of the past year; the former’s My Heart Is a Room With No Cameras in It stood out in the quiet release month of January, while the latter’s first album in seven years, The Longer This Goes On, arrived with little fanfare last July. But Forth Wanderers’ Ben Guterl and Victoryland’s Dan Howard have developed a steady collaborative relationship over the years, combining their DIY forces for a new project, Billboard Style, that should count as a supergroup. The eponymous first single from their debut album glorifies the sort of longing that obliterates memory and reorients your entire nervous system, mirrored in fuzzy guitars, clenched-fist drums, and a hook that worms its way into your brain regardless of whether you recognize the singer’s muffled voice. The line “I’m a blank slate” surely also applies to Billboard Style as a fresh creative endeavour, and the duo run with the thrill of it. 

Coco & Clair Clair, ‘Coldplay’

Coco & Clair Clair’s new single is gauzy cloud-rap perfection, eerily close to what I imagine a team-up between IAN SWEET and Erika de Clasier might yield. But the Atlanta duo imbue ‘Coldplay’ with their unique brand of humour and longing, juxtaposing the romantic naiveté of looking at the stars with “that one scene in Zola where the white girl is hanging out of the roof of the car and bouncing around with her tongue out before all hell breaks loose.” Clair Clair, in her dreamy verses, can’t help but fall for a guy despite admitting he’s “such a tool,” while Coco advises her to make the night out all about herself instead. Which leads to the most hilariously scathing line I’ve heard all year: “Your man’s pee probably ain’t very clear/ Some would say it was all yellow.” Coldplay are not the punchline, for once, but they make for a fantastic setup. Stay hydrated, boys.

Greg Freeman, ‘Indu’

On ‘Indu’, Greg Freeman is struck by the kind of love that can rub against an introvert’s natural impulses. “I wanna feel like a drummer/ Felt but not shown,” he quips, “That’s one type of science/ That’ll get you hurt/ With me as the crime scene/ She’s the fingerprint expert.” So the first single from the Vermont-based singer-songwriter’s new album, All Set the Bone, finds him at his most vividly expressive, as imprisoned by the time difference that keeps the lovers apart – the verses are quick and nervy – as he is invigorated by its very existence. “All I want to do is look at you,” he sings purely as the chorus opens up, but it becomes clear he fears that you might soon be defined by its absence, which is felt but not shown. Is she “Looking at me with the moonlight in your eyes,” or is it just the night sky staring down at him? For five sprightly minutes, the difference barely matters.

Nia Archives, ‘Get Me Down’ [feat. Jorja Smith]

Rather than competing for space, Nia Archives and Jorja Smith’s voices melt seamlessly together on ‘Get Me Down’, two old friends reuniting for Archives’ first-ever feature. The track is awash in anticipation: poised at first, all gleaming synths and airy space, then insistent, punctuated by frenetic breakbeats. Yet their vocal interplay never allows it to be thrown off course, simply demonstrating the line rendered almost indecipherable by the surrounding chaos: “Need some and you’re missing out.” If you missed out on Archives’ new album Emotional Junglist, ‘Get Me Down’ is a sublime entry point. 

Ninajirachi and Porter Robinson, ‘WannaCry’

There was little doubt that Ninarijachi and Porter Robinson’s long-awaited collaboration would land upon its release: it’s been nearly four months since ‘WannaCry’ made its live debut at Coachella, and the pair have taken it to festivals around the globe, including Primavera, where I first caught a glimpse of it. The fact that it links two of the biggest, nostalgia-coded electronic artists is bolstered by a sweet backstory, which is that the first concert Nina Wilson ever attended was a Porter Robinson show, an experience she likened to “a Victorian-age child being shown an iPod.” We’re all Victorian-age children with iPods listening to I Love My Computer or either one of Robinson’s 2020s albums, but what gives the track repeat value isn’t its history or aesthetic so much as its emotional force. Who else would write a song about an infamous 2017 ransomware attack and conjure empathy for the virus? “And it’s a message, I know what you are,” it calls, “I’ve already been there, and I’m already gone.” For these two, technology is a portal to our corrupted hearts, as fleeting as anything.

Slayyyter, ‘brand new chanel$’

If you’ve ever been cheated on, you know it takes a moment for the realization to hit. In its gradual intro, ‘brand new chanel$’ hovers in that space longer than most pop songs: “Was it worth causing all my darkest days?” Slayyyter asks, voice drenched in reverb over dreamy guitars. Then the beat creeps in, and through the locked-in melody her state of frenzy elicits pure excitement, building up to the sort of confectionary pop that dominated both mainstream and indie airwaves a decade ago. A blast from the past may not offer more than a shot of dopamine, but it’s enough to hold the pop star through the night, especially when she’s only got days before playing the biggest festival in the world. Slayyyter may be all alone in a giant field in the accompanying video, but she’s made this – a song lyrically more devastating than almost anything on WOR$T GIRL IN AMERICA – her euphoric summer anthem. And instead of capitalizing on the angst of ‘BEAT UP CHANEL$’, she ultimately twists the single to remind us how far she’s come. While he’s stuck “at those nasty little after parties,” she’s being called up to the big leagues. Why waste time on the phone with him?

Open Mike Eagle and Kenny Segal, ‘She Swear I’m Colorblind’ [feat. billy woods]

It’s unfortunately rare that a track released on the final day of the month makes it onto this column, but this inclusion is more than a case of recency bias. Open Mike Eagle and Kenny Segal are longtime friends and occasional collaborators, and DOOMED!, “a rap album about a relationship that ends in every possible universe,” is their first full-length collaboration, to be released by Backwoodz, the label run by billy woods, who guests on the newest single ‘She Swear I’m Colorblind’. The track has lingered around the edges of my mind for days: Aaron Shaw’s saxophone and flute keeps the tension at a low simmer, brewing as Open Mike Eagle’s insecurity rises to the surface. “I could walk 500 miles still wouldn’t be no cure,” he raps in total resignation, as if turning a shared favourite into an insult. woods, granted a moment to think, is more vivid and evocative in his description, tuning into minute details like the ringing of keys etched into the beat. “It’s everyday things fashioned into weapons.” Musically, there’s no crescendo, only a muffled echo of the argument, then silence. This musical conversation, at least, is easy to listen to.

Top AI Tools for Writing SQL

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No developer dreams of troubleshooting the entire day after missing a comma or making an incorrect JOIN. But remembering every function, clause, or optimization technique is not exactly easy peasy. And since SQL remains one of the most valuable skills in data work, many are looking for ways to do the job more efficiently. Recent Stack Overflow data revealed that 84% of developers already use or plan to use AI tools in their workflows. So it’s no surprise that AI tools for writing SQL are gaining more and more traction.

With these AI tools, extensive SQL knowledge is no longer needed to get started. They remove the barrier to entry. Turning plain-language requests into working SQL. Explaining queries. Generating database schemas. Helping teams interact with complex datasets.

Here are five worth knowing. Each option dramatically speeds up SQL development.

Top Five Best AI Tools for Writing SQL

SQLAI

AI tools for writing SQL
Image Credit: SQLAI

SQLAI is built around a simple loop. Type a plain-English request, then get a ready-to-use SQL. That means users need to describe what they want to retrieve. No need to manually assemble SELECT, JOIN, and WHERE clauses. Beyond this, it has a bucket of SQL and NoSQL generators. Tools for optimizing, validating, explaining, and formatting. It even connects to the live database and allows rule-based instructions. These ensure that AI generates with schema-aware context and is consistent with standards.

Key Features:

  • Supports multiple SQL dialects for different database systems
  • AI-powered text-to-SQL conversion
  • Schema autosuggest for tables and columns

Pricing:

  • Free Package
  • Hobby Package – $5 per month
  • Starter Package – $8 per month
  • Explorer Package – $12 per month
  • Pro Package – $24 per month

Real Use Case:

Marketing analysts can tap into SQLAI to reduce reliance on the data team. When an e-commerce shop on eBay needs data about Q3 orders by region, the AI can read the connected schema and build the query.

Chat2DB

Chat2DB is a full-featured SQL client. Thanks to the AI text-to-SQL baked in, users can eliminate manual query writing. By connecting various data sources, they can generate SQL queries optimized for better performance using schema analysis. Besides this, Chat2DB can explain queries, visualize database structures, and help analyze execution plans. With its context-aware engine, developers can expect to get actionable insights at speed.

Key Features:

  • Supports more than 10 LLMs and over 30 databases
  • SQL formatting and one-click SQL error fix
  • Shareable charts and dashboards for team collaboration

Pricing:

  • Free Trial
  • Starter Package – $9 per month/user
  • Pro Package – $16 per month/user
  • Team Package – $40 per month/user
  • Enterprise Package – Custom Pricing

Real Use Case:

Software companies can leverage Chat2DB to generate reporting queries. So they can better maintain several PostgreSQL and MySQL databases and review execution plans before production deployment.

Text2SQL

AI tools for writing SQL
Image Credit: Text2SQL

Text2SQL keeps the scope narrow on purpose. Developers can paste or import a schema, describe what they want in plain English, and get back SQL. An optional plain-language explanation is available if needed. As such, it stays useful for both experienced developers and those still learning database syntax. It also stretches past SQL into Excel formulas and regex. Text2SQL just recently added Insights. A unified interface where users access queries, results, and visualizations.

Key Features:

  • Public API for tool integration
  • Supports over 10 SQL and NoSQL databases
  • Natural language to SQL generation

Pricing:

  • Free Trial
  • Pro Package – $29 per month
  • Team Package – $58 per month
  • Enterprise Package – Custom Pricing

Real Use Case:

Support engineers at SaaS companies can pull a customer’s account history to troubleshoot a ticket without looping in engineering. Using Text2SQL, they can easily describe the lookup in a sentence and get a ready-to-run query back. This cuts reporting turnaround times.

Vanna AI

Vanna AI comes as an open-source, MIT-licensed Python framework. Not a polished app or a product. It combines retrieval-augmented generation (RAG) with an organization’s own database knowledge. So instead of being a standalone SQL generator, developers connect it to any LLM provider and database. Schema, queries, and documentation training are necessary. Then, users can ask questions in plain language and get SQL back. This enables more accurate SQL generation for complex enterprise databases.

Key Features:

  • Database-aware SQL generation
  • Supports self-hosted and cloud deployments
  • Accessing accurate answers from data

Pricing:

  • Open source version
  • Explorer Package – $50 per month
  • Team Package – $500 per month
  • Enterprise Package – Custom Pricing

Real Use Case:

Data engineering teams can wire Vanna into an internal Slack bot. This allows any employee to ask questions in plain language and get a runnable query with results.

AI2SQL

AI tools for writing SQL
Image Credit: AI2SQL

AI2SQL helps users generate SQL without memorizing syntax. It supports everything from simple SELECT statements to more advanced joins, nested queries, and aggregations. The SQL writing workflow goes like this: users describe the result they need, pick the dialect, and get a query with a plain-language explanation attached. So users are learning syntax as they go. Not just copying output. There’s even a toolkit to explain, optimize, fix, format, and run data.

Key Features:

  • Advanced text-to-SQL conversion
  • Supports 6 databases and 6 dialects
  • Live schema reading and analysis

Pricing:

  • Free Trial
  • Start Package – $9 per month
  • Pro Package – $19 per month
  • Team  Package – $39 per month

Real Use Case:

Pulling a Snowflake query without waiting on an analyst is possible with AI2SQL. Product managers can build a churn report and attach a plain-English explanation so engineering can double-check it quickly.

Choosing the Standout AI Tools for Writing SQL in 2026

The best AI tools for writing SQL only remove much of the repetitive work involved in building queries. That means developers still need to understand databases. Don’t expect AI to pull off a magic trick without guidance.

SQLAI shines for everyday SQL generation. Chat2DB combines AI with a capable database client. Text2SQL offers fast natural-language query generation. Vanna AI stands out when enterprise database context matters. AI2SQL balances productivity with SQL education.

And that bears the question: which one should you actually use? It’s the one that matches the level of control you want over the query it returns. Nonetheless, these AI tools can reduce development time while helping you write cleaner, more accurate queries.

Best AI Tools for Building Chatbots

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ChatGPT popularized advanced chatbots around 2022. Now, data says that around 987 million people use AI chatbots. Both businesses and developers understand that it‘s part of the rising customer expectations. But getting a chatbot can easily turn into three browser tabs, a half-read API doc, and a Slack message asking if anyone on the team knows Python. This is where AI tools for building chatbots prove their value.

These AI tools provide smarter ways to build conversational experiences without spending months coding every interaction. Some help non-technical users launch support bots in hours. Others give developers complete control over conversation logic and integrations. Expand your horizons by discovering the smartest AI tools for building chatbots highlighted in this guide.

Top Five Best AI Tools for Building Chatbots

Botpress

Botpress combines visual workflow design with large language models. Developers can choose between a visual development environment and a fully managed service. The Botpress Studio gives developers the tools to build conversational assistants. Developers with a budget and no time can opt for Built by Botpress to let teams handle the end-to-end process. Either way, users get chatbots or agents that can manage complex workflows. Not just simple question-and-answer exchanges.

Key Features:

  • Building chatbots for customer support, lead generation, and product recommendation
  • Instagram, Messenger, Slack, Teams, Telegram, and WhatsApp integration
  • Knowledge Bases for customizing RAG

Pricing:

  • Free Package
  • Plus Package – $189 per month
  • Team Package – $939 per month
  • Enterprise Package – Custom Pricing

Real Use Case:

An e-commerce brand operating on Etsy or Amazon can benefit from Botpress’s chatbots. It can help a brand run product recommendation flows that pull live inventory data. This can also escalate tasks to a human agent as soon as a customer mentions a return.

Voiceflow

AI tools for building chatbots
Image Credit: Voiceflow

Nailing customer interactions is what Voiceflow’s offerings help with. It focuses on designing, testing, and launching conversational experiences. No extensive coding knowledge required. Teams can visually map interactions, connect chatbots to knowledge bases and external services, and deploy assistants across multiple channels. This way, chatbots are sure to guide users, answer questions, and handle workflows. With Voiceflow, it’s easier to build AI assistants instead of relying on scripted conversations.

Key Features:

  • Making chatbots for faster and more intuitive digital support
  • Multi-channel support and deployment across web, phone, and mobile
  • Handles customer support, lead generation, onboarding, and product assistance

Pricing:

  • Free Trial
  • Agencies & Partners Package – Custom Pricing
  • Businesses Package – Custom Pricing

Real Use Case:

Voiceflow helps car-sharing marketplaces like Turo achieve top-notch customer support. The company used the platform to switch from a traditional chatbot to an advanced, multilingual AI chatbot. It improves their satisfaction rate and response rate.

Flowise

Flowise is an open-source visual builder for creating LLM applications and AI chatbots. Writing Python here is not necessary. Developers can connect models, vector databases, APIs, memory, and retrieval pipelines. All within a drag-and-drop interface. Its Chatflow features let users build chatbots and single-agent systems. These support knowledge retrieval and tool calling. Flowise even comes with a feedback loop. This allows humans to review chains of tasks performed by agents.

Key Features:

  • APIs, SDKs, and Embedded Chat for extending applications
  • Creating chatbots with RAG from various data sources
  • Complete control over AI workflows

Pricing:

  • Free Package
  • Starter Package – $35 per month
  • Pro Package – $65 per month
  • Enterprise Package – Custom Pricing

Real Use Case:

Software companies can build an internal chatbot trained on engineering documentation with Flowise. This would enable developers to quickly retrieve API references, coding standards, and deployment guides.

Chatbase

AI tools for building chatbots
Image Credit: Chatbase

A no-code builder that turns existing content into deployable conversational AI agents. Advanced chatbots that handle customer support for resolving issues and boosting revenue. That’s the premise of Chatbase. Users can upload PDFs, website content, product documentation, or help center articles. This equips the tool with the knowledge and data to answer business-specific questions. Not just generic AI responses. Plus, deployment across websites requires very little setup.

Key Features:

  • Training chatbots using plain language
  • Scenario testing to ensure accuracy, consistency, and edge case handling
  • Offstage agent for reviewing escalations and refining instructions

Pricing:

  • Free Package
  • Hobby Package – $40 per month
  • Standard Package – $150 per month
  • Pro Package – $500 per month
  • Enterprise Package – Custom Pricing

Real Use Case:

Chatbase assisted Buy Now, Pay Later provider Aplazo in enhancing merchant acquisition. With Chatbase’s open-ended chat support, the company integrated an AI assistant into its landing page. Explaining the value proposition. Answering questions. Qualifying leads.

Rasa

Rasa creates reliable AI chatbots and agents. And it’s an established open-source conversational AI platform. Using an open developer framework with a coding copilot, developers can control how the AI assistants reason, respond, and perform. Its newer CALM engine lets an LLM interpret what a user means. All while the code still defines exactly what the agent is allowed to do next. What’s more, Rasa has a built-in studio for optimizing experiences and monitoring performances.

Key Features:

  • Multi-agent orchestration
  • Building chatbots through code or visually
  • Dedicated omnichannel, voice, and IVR capabilities

Pricing:

  • Free Edition
  • Pro Package – Custom Pricing
  • Business Package – Custom Pricing

Real Use Case:

Telecommunications company Swisscom used Rasa to optimize LLM usage. Not only did it help cut operational costs by 50%, but it also significantly enhanced customer satisfaction.

Choosing the Leading AI Tools for Building Chatbots in 2026

Modern AI tools for building chatbots are far from those scripted “Press 1 for support” experiences. Businesses and developers now need options that answer complex questions, find information, qualify leads, and complete multi-step tasks.

So which one do you actually pick? It depends on how much patience you’ve got and who’s building it. Botpress offers powerful enterprise automation. Voiceflow makes conversation design simple. Flowise gives developers visual control over modern LLM workflows. Chatbase quickly transforms existing content into an intelligent support assistant. Rasa provides flexibility for organizations that need complete control over conversational AI.

Pick based on that, not the logo you’ve heard of most. Doing so makes sure you end up with the one that makes it much easier to make useful, scalable, and capable chatbots.