Girl and Girl have dropped a new single, ‘Mother’, taken from their upcoming debut LP Call a Doctor. Arriving on the heels of lead single ‘Hello’, the track comes paired with a video directed by Andy Freer and Dan Flood. Watch and listen below.
“I wrote ‘Mother’ about my beautiful mum and how our relationship has matured and evolved from my late teens to my mid-twenties,” Girl and Girl frontperson Kai James explained n a statement. “Shifting from this all-knowing being into something a bit more human. There’s beauty in that shift, relief at the fact that no one’s perfect, but then fear and doubt, too, as you step out and slowly learn to trust and back yourself.”
Call a Doctor comes out May 24 via Sub Pop and Virgin Music Australia.
Marina Allen has announced her third album, Eight Pointed Star, which is set for release on June 7 via Fire. Lead single ‘Red Cloud’ is out now, alongside a video directed by Wes Anderson collaborator Eliel Ford. Check it out and find the album artwork, tracklist, and Allen’s upcoming tour dates below.
“The imagery surrounding Nebraska has always been really vivid for me,” Allen said of the song in a statement. “My mom would tell me about how my grandma would ride a pony to school named Daisy. I guess it brought an awareness of how much the world has changed in such a short time, but it also really tripped me out as a kid. We’d be watching The Wizard Of Oz and I felt like Dorothy was my heritage. So much of your family narrative defines who you are, and so much of it isn’t true, or you hear it wrong, or you only pick up this one part, passed down by somebody else who only picked up one part. I wanted to play with that. I had all of these images swirling around me, with me at the center, and none of the sources were reliable.”
Allen made Eight Pointed Star with producer Chris Cohen. “As much as you can have will and ambition, those things often get in the way of a fluidity to life, and where you’re supposed to be,” she added. “You can make yourself dizzy wanting to be somewhere you’re not. With Eight Pointed Star I’m trying to harness that beginner’s mind again, while having the scars and wisdom that come from biting into the fruits of knowledge.”
Eight Pointed Star Cover :
Eight Pointed Star Tracklist:
1. I’m the Same
2. Deep Fake
3. Red Cloud
4. Swinging Doors
5. Bad Eye Opal
6. Easy
7. Love Comes Back
8. Landlocked
9. Between Seasons
Marina Allen 2024 Tour Dates:
Fri Apr 5 – Montreal, QC – Beanfield Theatre *
Sat Apr 6 – Toronto, ON – Masonic Temple Concert Hall *
Sun Apr 7 – Detroit, MI – El Club *
Mon Apr 8 – Milwaukee, WI – Vivarium *
Wed Apr 10 – Minneapolis, MN – Fine Line *
Thu Apr 11 – Chicago, IL – Thalia Hall *
Fri Apr 12 – Cleveland, OH – The Roxy at Mahalls *
Sat Apr 13 – Pittsburgh, PA – Mr. Smalls *
Mon Apr 15 – Washington, DC – 9:30 Club *
Tue Apr 16 – Philadelphia, PA – Union Transfer *
Wed Apr 17 – Boston, MA – Royale Boston *
Thu Apr 18 – New York, NY – Webster Hall *
Fri Apr 19 – Norwalk, CT – District Music Hall *
Sat Apr 20 – Woodstock, NY – Levon Helm Studio *
Thu Jun 13 – Los Angeles, CA – Scribble
Wed Jun 19 – New York, NY – Union Pool
Fri Jun 21 – London, UK – The Slaughtered Lamb
Mon Jun 24 – Stockholm, SE – Cirkus ^
Tue Jun 25 – Oslo, NO – Sentrum Scene ^
Wed Jun 26 – Copenhagen, DK – DR Koncerthuset ^
Sat Jun 29 – Nijmegen, NL – De Vereeniging ^
Sun Jun 30 – Groningen, NL – SPOT / De Oosterpoort ^
Charlotte Day Wilson has released a new song, ‘Canopy’, lifted from her upcoming album Cyan Blue. It follows the previously shared singles ‘I Don’t Love You’ and ‘Forever’. The track is “meant to remind us that losing love & leaving can be just as inspiring as finding it,” according to Wilson. Check it out via the accompanying video, filmed by Sylvain Chaussée and styled by Mellany Sanchez, below.
Cyan Blue is due for release on May 3 on Stone Woman Music/XL.
Since releasing his last solo album, Time to Melt, in 2021, Sam Evian has helped produce acclaimed records by Big Thief, Helena Deland, Palehound, and more. A few years earlier, he’d decamped to the Catskills alongside his partner Hannah Cohen and their dog, Jan, establishing Flying Cloud Studios, which he now runs out of a new barn on the property. But while he likened the process behind Time to Melt to curating a DJ set in an attempt to create a cohesive listen out of dozens of demos, his breezy yet layered and hypnotic fourth album – the first release on his new imprint, Flying Cloud Recordings – was more about curating the people and space around it. Sfter Sufjan Stevens set off fireworks in the meadow on New Year’s and Evian invited a group of friends and fellow musicians to dive into a nearby creek – hence, Plunge – sessions began in the early winter months of 2023. Collaborators on the album include Liam Kazar, Sean Mullins, El Kempner of Palehound, and Big Thief’s Adrianne Lenker, and as much as Evian maintained his role as an engineer and host, he also took the opportunity to step outside of it and – inspired by many of the rock records from the ’60s and ’70s he was introduced to at an early age – embrace his wilder musical instincts.
We caught up with Sam Evian to talk about some of the inspirations behind Plunge, including Glyn Johns, his dog Jan, the Catskills, and more.
Glyn Johns
I know you watched the Get Back documentary in the studio. Why did his role as an engineer and his overall presence in the film fascinate you?
To talk about Get Back, it’s a two-part thing. It’s the fascination with the characters, and then the fascination, for me, with the workflow, especially in the latter half, when they got into the studio with Billy Preston and they finally got the gear working. That’s where my jaw was on the floor the entire time, and it reaffirmed a lot of ideas that I already had about making music in a studio with people: no isolation, no headphones, no tuning devices, no click tracks; just this environment where you can sit in a room together and make music and capture it. I think that’s not necessarily a retro or vintage idea. I think it’s just a cool way to make music, and you see it happening across the board and on so many great records these days. Glyn Johns being the operator behind all of that was so intriguing to me, and he’s such a legacy. It’s crazy to me that during that session, there was a pretty strict out for him, which was, “Actually, I have to go work with Led Zeppelin after this.” [laughs]
He’s so effortless. He has a wonderful bedside manner in the studio with the artists in the way that he’s swinging mics around and working his magic. I mean, they named techniques after him because of the way that he recorded drums; it’s called the Glen Johns overhead technique, and I employ it a lot here at the studio. He was really smart about the way he did things, but he also wasn’t a lab coat. He was emotional and he was beautiful, he wore fantastic clothes and played the part and hung out with the musicians and had musical ideas that were really valid. I could go on and on about Glyn, but I loved his part in Get Back. I loved seeing him, and it’s not often you get to see the behind-the-scenes people like him – especially when you’re talking about the Beatles.
Did it change your perception of him in some way or inspire you to dive deeper into his work?
It was just kind of a nice reminder. I was watching him get drum sounds and I’m like, “Oh yeah, that’s how I like to do it too.” Watching the way they had the studio workflow set up – they had the vocals going through a PA, which is not very typical, but I do that all the time here. Just little things like that. He was so casual, and they were all so casual with all those microphones and the way they were just getting tossed around that room. It reinforced a lot of those ideas, and I took them with me into the Plunge sessions, which were structured in a really similar way: teaching the band these arrangements in the moment and capturing them live with live vocals and live performances. I employed a lot of the same engineering techniques, and we worked on tape. But I just love him as a character in the story – they don’t necessarily interview him or talk about him a lot in Get Back, but he’s always there in every scene, moving or twiddling with something, or Paul looks over and says, “What do you think, Glyn?” There is a part where I think it’s him and Paul at the piano together, and he’s making suggestions, hanging over the piano. He went on to do Dylan and the Stones and the Who and the Kinks, just a lot of records from that era.
Funnily enough, your dog was the first inspiration that El [Kempner] of Palehound talked about in our interview around Eye on the Bat, which was funny and sweet. Of course, I’d love to hear it from you as well: What energy does she bring to the studio?
She’s my caretaker, and she’s like my co-producer. She sits – [moves camera] this is the console, and there’s her spot. She’s actually in the house right now because she wanted to hang out with Hannah. She gets some kind of noise in on every song, but most importantly, she sculpts the workflow, because she’ll look at me and be like, “Hey, I think you’ve been sitting in this one place for too long and we should go outside.” She really guides my day in this amazing way. She’s one of those classic best friend dogs and has has amazing instincts. She’s part of every session, she’s such a good studio dog, she’s so quiet, and she’s just always there. All the artists that come here, I think they love her presence in the studio. She’s really grown into her role here over the last several years, and she makes me a better person. I guess that’s what a lot of of relationships do. But I love talking about Jan, I’m such an obsessive dog owner. It’s impossible for me not to include her in any list that I’ll ever be asked to make.
Pasta
We talked about cooking as a theme in your last record. Was pasta a go-to dish during the sessions for this one?
It’s kind of a tradition, every session I’ll make fresh pasta. The sauce always changes depending on the season; Plunge was a winter record, and I made a Sunday sauce, which is a real traditional red sauce – a gravy, as the Italian Americans call it. But just the food aspect in general is so important to how sessions happen here. I worked in the city for a long time and worked in Brooklyn, and I found it difficult to guide people through a day when they’re receiving their nutrients through a takeout container, which is so often the case if you’re working in the city. People are all ordering different things, and, like, the drummer’s eating a burrito that’s a little too big and makes them sleepy. So I love being able to sculpt the entire experience, including the food and the community here at the studio, and I see how effective it is to cook together. It’s funny, I was hanging out with El during the Palehound session, and they’d just got back from Greece, so they brought a bunch of recipes with them and we cooked together. So you share recipes, and pasta is something that I share with people. I love making it fresh, and it’s a really satisfying way to end a day in the studio. Hannah is an amazing cook, too, and it’s just become as important as any of the gear I have here – we gotta be in the kitchen chefin’ in it for the musicians that are here.
Friends and community
They’re everything, and that’s why the record sounds the way it does. A good deal of why I make music is the social aspect of just sharing this language with people that are important to me. The more we do it, the closer we become, and it’s a beautiful community. Cooking them and showing them love in that capacity extends into the music; you can hear it in the record, I think, that these people had 12 days of, like, summer camp – except it was the winter [laughs]. But it was a retreat, and we’re all being cared for and we’re all caring for one another. It’s part of how I run the business here in the studio, and doing it for my own session was really special. Especially considering it was a christening of this new space that I’m in, which is a barn that’s separate from the house; Hannah and I renovated it over the course of four years. When I was doing Time to Melt, I was running the studio in the house itself, and then last year finished this barn and moved out here. Plunge was like one of the first records that I got to work on out here, so it was kind of an experiment and a cathartic moment.
I brought all these beautiful musicians and friends together to share that moment. El and Liam [Kazar], who plays guitar on the record, and Hannah [Cohen] and Sean [Mullins], who’s the drummer – he’s got a project called Moon Mullins. My friend Santiago Mijares came up from Mexico City because we just became really fast friends after he came here with a band to record called Petite Amie, and also his bandmate, Fernando Bueno, they both play in this band called Little Jesus. Santi came up and it was just this communal experiment of a record. Time to Melt was the opposite. It was COVID, I couldn’t spend time with people, I was isolated and making music alone and having people do overdubs remotely, so this was just completely the opposite experience, and it was so fun.
Adrianne Lenker’s new album, Bright Future, comes out the same day as yours, and I read about her bringing a jug of maple syrup over and then contributing like a guitar solo on ‘Why Does It Take So Long?’. What did it feel like to hear your ideas and transformed in that communal environment?
The production, for me, more than it was about any technical aspect, was just about curating this group of people. I said to myself before the session started, “I’m going to be open and accept everyone’s ideas and let the record flow in the direction that it wants to,” rather than being like, “Oh, that’s cool, but I kinda had this other thing in mind,” or “Can you try a different part there?” The embrace of everyone else’s character was really important to me on this one. One day the power went out and Liam cooked a candlelight dinner for everyone, and Annie showed up with a jug of maple syrup and hung out and kind of christened the Session and and really helped me commit to the ideas that I had, which were doing things live. She was like, “Oh, you have to do that. You should sing now, it’s great.” Phil [Weinrobe], who engineers Annie’s solo records, came and helped me get the studio set up. He’s like my brother, we’ve worked together in the city for a long time. We got the drum sounds together, and it was so nice to have his ear and general character present for the first couple of days.
They made a story of it in the press release, but it really did start with a giant party. There were like 40 people here in the middle of the woods on New Year’s, and we lit off fireworks, and I made everyone do a midnight plunge in the stream, which goes around this property. It was 12 days of bliss for me, because I really got to let go a bit of my job, which is traditionally to be the producer – I look at production and engineering kind of like a hospitality position, and not to say I withdrew any of my hospitality to my guests, which I certainly did not, but I got to embrace a bit of chaos which I normally leave to the artist. As a producer on projects, I help temper things and organize things and find consistency and start and finish records and keep people happy during that process. But during this one, I really let myself be the opposite end of that, and I think that’s why the sounds are kind of scrappy in a way. We did it on tape – I made sure the microphones were on, I didn’t get too obsessive about it, and then just kept myself in a music mindset. Being amongst friends, it was really fun to let myself go there.
The magnetism of the Catskills
Last time, we talked a bit about how moving thereinspired your creative flow, but not so much the place itself or its “magnetism,” as you call it. What have you grown to love about it in the years since?
I’ve been here now since the end of 2018. I was living in the city, and I had this idea that I wanted to come upstate to make a record in 2017, and that’s what I did. I rented a house from a mutual friend, I brought the band up, I brought gear up – it was kind of a random house, I didn’t know exactly where I was going, I just knew that it was upstate and it was going to be really cool and in the woods. It was such a fascinating and beautiful two weeks, in July 2017, that I just became obsessed with the idea of living up here. I drew a circle on the map, and that house that I initially rented is only two or three miles away from where I am now. It’s all kind of in this area – talk about magnets – just within miles of the Ashokan Reservoir, which is a man-made reservoir that is fed from the Esopus River – a large percentage of New York City’s drinking water comes from this reservoir, and it’s this beautiful reservoir perched in the mountains. Of course, there’s a back-end story, which is, they flooded a town to make this reservoir back in the turn of the century. But it’s a fascinating area, and I immediately felt drawn to it. I think a large body of water certainly can be a magnet for energy, especially when it’s surrounded by mountains and streams. So I drew a circle on the map back then and ultimately ended up here.
It feels like every year I’m here, I learn a new thing, or I get better at living up here. It’s not frontier living, but we’re in the woods, and it’s rugged. There’s power outages and trees coming down, and the winter is cold and punishing and dark, but every year I feel like I learn a new way to get through it and to experience life here. I have neighbors that are in their seventies, and they’re so inspiring to me that they have gardens and figure out ways to thrive. It’s a beautiful place to live and be creative, and it’s also been a joy to share that with people who come here. We got really lucky coming up here before the pandemic, because obviously the housing market went crazy and it’s become difficult to find housing for people up here. All of our neighbors are either old timers who we’ve been here since the ‘60s and ‘70s and have all this wisdom or they’re young, creative types who are interested in making this new homesteady, living approach work for them. I don’t think I could ever leave. I think about where else I could live – maybe I could retire to an island somewhere in the Mediterranean [laughs], but until then, it’s an incredible place to be and to make music.
What kind of wisdom do you get from your older neighbours?
There’s the functional wisdom of just understanding the land and understanding, you know, “You can eat this, you can’t eat this, this is poisonous.” And then there’s the other side of things, which is what it’s like to grow old here and keep yourself engaged with life and keeping your curiosity and your wonder and living in nature. I mean, that’s such a beautiful way to grow old. Our neighbour Linda is someone I’m so inspired by, and she actually just lost her husband, Joe, and now she’s alone. This place is a hollow, basically – it’s nestled in the mountains and there’s a creek that runs down the whole hollow that’s very ancient. Her family was like, “You should leave, it’s gonna be so hard to be out here alone. It’s a difficult life as an old person being alone.” And she was like, “Are you kidding? I’ll never leave. This is my place.” That day, the power went out for a full day because a tree came down on some of the power lines, and one of our other neighbors went and brought her a generator.
There’s a community here, and we all look after one another. I feel like you don’t get that so much in the cities or even in the suburbs. I feel like typical American life can be so singular, and it can be really hard to find a community that takes care of itself. We have a library where people meet and play ping pong and exchange vegetables that they grew and stuff like that. It’s rare and pretty beautiful. I grew up in a more suburban town, where neighbors don’t bring over vegetables or really look after one another, and they kind of keep to themselves – they mow their lawns, they do their suburban life, bring their kids to school. But here, it’s different. The challenge of the environment brings us all together, and and we also celebrate it when it’s beautiful. Which, it’s about to get really beautiful – I walked outside yesterday, and it was sunny, and there’s this thing that happens when the ground thaws out a little bit, and you can smell the earth. It just hits you, like this life after a cold winter. It feels so incredible and visceral.
Music from 1970-1971
You call these the best years in music. Was it partly what you grew up on?
Well, I grew up on jazz. My parents are jazz musicians. I still listen to jazz and study it, and that was the music I initially fell in love with. So it’s not necessarily what I grew up on, but my dad was also a Beatles head, and he was at Shea Stadium at their concert in ‘65. He was also at Woodstock and told me about seeing Jimi Hendrix and all that stuff. So I got hints of it growing up, and then it just has settled in with me as music I always come back to. Practically speaking, in 1970 you had All Things Must Pass, which George came out with the same year Let It Be came out. You also had Velvet Underground Loaded, Kinks with Lola versus Powerman, Lennon with Plastic Ono, Hendrix with Band of Gypsys, Neil with After the Gold Rush. It’s on and on, and it bleeds into ‘71 with Sly, There’s a Riot Going On, Marvin Gaye, What’s Going On?, Nilsson Schmilsson. If you just Google records that came out in those two years, it’s overwhelming and absurd, just to think of the quality and the frequency at which these records were happening. It’s really the end of the sixties in those two years – it’s this cohesive punch of all those ideas that were stewing, and it blows my mind. And Glyn Johns worked on like 50% of those records. [laughs]
It’s the high point of analog – you could argue that it this went into the seventies and even the early eighties, but for me – I work on a recording console that’s from ‘74 and a multi-track tape machine that’s from the same year – I feel like the medium of analog recording was at its best in those early years of the ‘70s. It was the perfect set of limitations. A lot of people were mostly working on 8-tracks in those years, and the 16-track came very shortly after. So you have this very critical little moment, this little diamond of songwriting and music in combination with the format – it just made for an amazing few years. There could be an entire college syllabus on those two years alone.
In ‘71, Serge Gainsbourg put out Melody Nelson, which is one of my favorite records of all time. Recently I was in Paris, and I got to go visit his house, and it was really insane and inspiring. I’m digging back into that world, and I’m hoping to incorporate some of that into the next wave of things that I work on; some of his ideas on orchestration and arrangements were just incredible and lush.
His parents
One of the ideas that struck me lyrically was the way you’re intertwining your own story with your dad and your family as a whole, in a way processing your parents’ relationship through your art. That also ties into what we were talking about earlier in terms of growing old.
Yeah, that’s very much where all the songs came from. My parents have been making a lot of changes in their lives the last couple of years; experimenting, changing things, moving, spending time apart, coming back together. I found it truly inspiring to watch them. You know, it’s hard, when you’re older, to change, and it’s been wonderful to watch them search and look for happiness and and peace and change at this stage in their lives. In trying to imagine and see them, I of course see myself, I see my childhood. It’s an investigation into my own upbringing and my own person, why I am the way I am. If you investigate where you’re coming from, you’re just holding up a mirror to yourself. But it was a fascinating experiment and kind of difficult to commit to initially, because it’s hard to turn the focus, to shine a light and feel like you’re investigating something that isn’t necessarily yours. But I think it came back to me. I guess a lot of the subject matter can be intense for me to think about, but it helped me find some really potent songs, I hope.
In what sense did it come back to you?
I mean, you are your parents, really, as much as we want to escape it. I just started seeing patterns and relating to them and seeing them in myself. It’s kind of like therapy, I guess, but that’s what music is for me.
This interview has been edited and condensed for clarity and length.
In the art world, Jiawei Fu is the bridge that crosses from culture to culture, from emotion to emotion, and from narrative to narrative, creating pieces that give us the ability to travel from one country to another and to find oneself in stories. Taken from her hometown Guangzhou, China and now maturing in Los Angeles, USA, in the works of her as an interior designer and painter, the motifs and vivid colors used resemble a calling to tell stories while building communication.
Jiawei’s central artistic element is the message that she has learned from her family to always be mindful about communicating which can improve life quality. For her, communication is much more than words; it can be taken as a form of expression which goes beyond words. Her works of art become a way of conveying in a pictorial form the intricacies of human communication and an invitation to the audience for a conversation that goes beyond language. Fu says, Each work there is a real life story behind. They come from people in my life, across my life or outside my life. As an artist/interior designer, storytelling is always the most important part of my creative person because I believe that’s what holds people together.
The painting of Jiawei is mainly made of egg tempera, which is one of the specific features of this painting technique. This ancient make, also called tempera, is matching pigment with a water-soluble binder like egg yolk. The final work of art can be painted on many different kinds of material such as wood, canvas, or paper, but it will always appear bright and hard. It is in this detail-oriented depiction that the artist’s soul stirs, her brushes sparking creativity with every stroke that carries purpose.
Within her expansive body of work, two distinct series stand out: “Deceitful Lovers” and “My Yellow is Your Blue”.
“Deceitful Lovers” the artist goes to the depth of romantic love, giving lies various ways they are used to cause harm within it. Every piece in the series becomes a window into the universe of conspiracy, with the subtle, indicative gestures and the iron-rich colors showing what lies beneath the surface. From various love stories watched by her and understanding the delusion and truths behind them, Jiawei uses love stories in a way that will make viewers come to a point of questioning the perspective of love and true story-line, in her painting series.
If there are indeed 100 types of love, it follows that there would be an equal number of lies.
—– Message of Deceitful Lovers.
Charging, 24” x 18”, 2021, Acrylic & eggyolk on canvas
We will always be finding our “soul mate” on social media. Loving this finger and that face. Since when the idea of “love” becomes such harsh, cruel, and commercial? We just merge ourselves into the hard shell and become the hard shell.
While the series titled “My Yellow is Your Blue” is an abstract representation of the serene and pure bond between ours and and their eyes. The subject is revealed via intricate layers of acrylic, plaster and egg yolk. It allows the artist to depict the close ties between people. Each canvas becomes the proof of the importance of empathy and appreciation, as Jiawei succeeds in translating the events of human touch into the language of skyline, emphasizing beauty and delicacy. “Translation” explores the concept that some emotions can be universal and are not limited by language or its cultural barriers. The title itself conveys this, “Translation”, suggests that Jiawei might want to illuminate this idea that emotions can be universally understood.
Viewing conflicts as opportunities to discover bridges and a sense of belonging in such a relentless era.
—– Message of My Yellow is Your Blue.
When it rains, it pours, 8” x 16”, Acrylic/plaster and eggyolk on canvas
In a space burdened with weight Where gravity asserts its sway I thirst for the rain and pain
Her artistic undertakings are not simply restricted to the limits of painting but it touches the interior design as well. Just like her roles serving as an interior designer at companies like Kelly Wearstler and Studio UNLTD, Jiawei is able to stake a statement by telling stories via the spatial environment. The artist does this by creating unique environments through her designs which not only evoke emotion but also start conversations which play a part in bringing people together.
Jiawei’s achievements not only gained her a reputation in her home city, but also drew the coveted attention of the international audience, culminating in shows in leading cities like New York, Berlin, and Monaco. A number of reputable publishers have used her works including American Art Collector and Vogue China, securing her place as a star in the world of art.
At its heart, Jiawei Fu’s art, is a story of how language and communication can become a means of reaching across divides and gaining understanding. Her art speaks to the viewer, drawing them in an exciting expedition that triggers curiosity and reflection, leading them to view life anew. In an era that put meetings at a crest of distinctiveness and disagreement, her work acts as a ray of hope reminding us of the universal language that is there to unite us all – the language of art.
Technology has been revolutionizing the world we live in, and the land of online casinos and gaming is certainly no exception. From payment methods to security and user bonuses, everything has been affected by recent innovations in tech. If you’ve been unaware of what has changed since online casinos first hit the scene in the 90s, it’s a lot. This article will only focus on recent changes from blockchain technology, artificial intelligence, and augmented and virtual reality. These three things might seem minuscule in the grand scheme of things, but they’ve made great waves for bettors and operators around the world.
Blockchain Technology
The biggest benefit blockchain technology offers online casinos is the increased security and privacy it offers users. Blockchain’s decentralized nature means that it doesn’t rely on a central point of control like traditional methods, making it less susceptible to hacking and fraud. Each transaction is encrypted and linked to the previous transaction, creating a secure and unchangeable ledger. In an industry where financial and personal data are at stake, this is invaluable.
It can also be a place where the outcomes of games can be posted. Instead of taking an online casino’s word for it, users can verify it for themselves while playing online slots and other games. It’s a way to promote transparency and fairness in an industry where people are all too quick to point fingers and say that games are rigged.
Blockchain has also brought about cryptocurrency, which has been a huge improvement for online casinos. Bank transfers, credit cards, and eWallets are no longer the only way to deposit funds at an online casino. Virtual currencies allow players to deposit funds on an anonymous network where their identities are hard to connect to their wallets, leading to better privacy and the ability to play at online casinos worry-free for users in countries where gambling online is in a legal grey area.
Artificial Intelligence
While we are still far from true artificial intelligence, Learned Language Models and complex algorithms are paving the way in many aspects of online gaming. Two of the most important ones for users, perhaps, are customer service and better promotions.
Better Customer Service
Customer service has always been a struggle for online casinos, and while live chat has come leaps and bounds from the old method of email or phone calls, it’s still often not enough. There can often be long wait times, and this is where AI can step in. Some users have simple questions that can easily be answered by a dynamic chatbot. If an online casino only uses real customer service representatives, these questions take time away from people who have actual problems and questions that require a more nuanced response.
AI-powered chatbots can easily interpret the question and craft a custom response to help users. If the user feels that the response wasn’t enough, they can either initiate another prompt or request to speak with a customer service representative. This can help cut down on wait times and give users a faster response than a human might be able to.
Custom Tailored Promotions
Custom promotions are another aspect that AI and advanced algorithms can explore. Through the power of data analysis, AI can quickly parse thousands of points of data and craft custom bonuses intended to retain the current player base and bring back players that might have left for another casino or stopped altogether. With custom promotions, players can get bonuses that actually mean something instead of the typical reload bonus or random sports bet bonus that they’re unlikely to use if they only play online slots real money.
Augmented and Virtual Ritualy
AR and VR are two other technological advancements that online casinos are taking advantage of we speak and will improve upon in the future. For one, VR can further bring the casino into your home. Simply dawn a headset and you’ll be sitting at a table with other players playing poker, blackjack, or any other mode of table game. AR can allow users to “walk” around a casino floor, playing casino slot games or heading over to the virtual bar to mingle with other users, increasing the social aspect of online casinos.
Online casinos have already taken advantage of live dealer tech, blasting live streams of dealers halfway around the world into people’s homes where they can interact with the dealer and other people at their table. AR and VR can easily take this step further and improve upon what they’ve already built. There have even been VR examples of this already in a game called VRChat, albeit for virtual chips without the aspect of real money—but this proves that the interest in an immersive gambling experience is there and players are eagerly awaiting for the day that they can enter the world of VR and place live bets.
Starz888 emerges as a compelling destination for Bangladeshi punters seeking the exhilaration of online betting and casino gaming. With a vast array of sports and events on offer, the sportsbook section caters to every type of bettor, from beginners to seasoned veterans. Whether it’s football, cricket, or tennis, 888Starz boasts competitive odds and a plethora of betting options, making it a standout choice for sports enthusiasts.
Equally impressive is the online casino section, which transports players into a world of glamour and excitement. From classic table games like blackjack and roulette to a diverse selection of slots, Starz888 ensures a thrilling casino experience with the potential for sizable winnings.
When it comes to legality, Starz888 operates within a gray area in Bangladesh. While the country’s stringent gambling laws prohibit land-based casinos, the regulations regarding online betting are less clear. Hence, Starz888 serves as a popular, albeit unofficial, platform for Bangladeshi players looking to indulge in gambling activities.
New clients are welcomed with open arms, thanks to enticing bonuses and promotions. Starz888 offers a range of incentives, including deposit bonuses, free bets, and loyalty rewards, designed to enhance the betting experience and offer players more value for their money. These attractive offers not only bolster initial engagement but also encourage long-term loyalty among punters.
Elevate Your Game with Starz888’s Exclusive Deals
Starz888 rolls out the red carpet for its Bangladeshi clientele with an enticing suite of bonuses and promotions crafted to enrich the betting and gaming experience. Newcomers are greeted with a generous Welcome Bonus, offering a 100% match on their first deposit up to BDT 10,000. This presents an excellent opportunity for players to double their playing funds right from the start.
The minimum deposit to qualify for this offer is BDT 1,000, ensuring that it’s accessible to a broad spectrum of players. To keep the gameplay fair and balance the scales, there are wagering requirements set at 30x the bonus amount. This means players need to wager thirty times the bonus value they receive before any winnings become withdrawable.
In addition to the Welcome Bonus, Starz888 keeps the adrenaline pumping with weekly promotions such as Free Bet Fridays and Cashback Weekends. The Free Bet Friday allows players to claim a BDT 500 free bet each week, provided they’ve made at least one deposit of BDT 2,000 during the week. Meanwhile, the Cashback Weekend offers a safety net by returning up to 10% of net losses incurred over the weekend, up to BDT 5,000. These offers come with their own terms, including minimal wagering requirements of 20x for the cashback bonus and a validity period of 7 days to keep the excitement alive.
A Deep Dive into Starz888’s Sportsbook Glory
At the heart of Starz888’s appeal lies its comprehensive sportsbook, tailored to quench the thirst of Bangladeshi punters for diverse sports betting options. With an impressive lineup of over 30 sports, including crowd-favorites like football, cricket, and tennis, Starz888 stands as a beacon for betting enthusiasts in Bangladesh. These sports, particularly cricket, hold a sacred place in the hearts of the nation, and the platform does justice by covering national and international matches, including the highly anticipated Bangladesh Premier League.
What sets Starz888 apart is not just the variety of sports but also the depth of betting options it provides. Punters can engage in traditional betting types such as match-winners and point spreads, as well as more nuanced bets like over/under scores and player-specific props, adding layers to the betting experience. This versatility ensures both novices and pros can tailor their strategies and enjoy betting to its fullest.
Another highlight is the availability of live broadcasts for a plethora of events. This feature not only elevates the excitement by allowing bettors to watch the action as it unfolds, but also aids in making more informed in-play betting decisions. The quality of odds offered is another area where Starz888 shines, providing competitive and favorable odds that stand up to scrutiny against its competitors.
Betting Markets and Types of Bets
Starz888 distinguishes itself with a rich array of betting markets, catering to every punter’s preference. Beyond the conventional single bets, where a bet is placed on a single outcome, the platform also encourages adventurous betting strategies through express (accumulator) bets. This type allows players to combine multiple selections into one bet, significantly increasing potential returns if all predictions are correct. For those who prefer a more calculated risk, system bets are available.
These bets do not require all selections to win, offering more flexibility and a safety net of sorts. Additionally, Starz888 offers live betting options, enabling punters to place bets on events as they are unfolding, adding an exhilarating real-time dimension to the betting experience.
Unravel the Magic of Starz888 Casino
Starz888’s online casino section emerges as a brilliant constellation in the gambling universe, captivating Bangladeshi punters with its vast and varied gaming cosmos. Among its glittering attractions, players can voyage through a galaxy of classic table games, including the strategic depths of blackjack, the spinning fortunes of roulette, and the fast-paced excitement of baccarat. Not to mention, the poker rooms buzz with an electrifying aura, inviting both seasoned players and novices to test their mettle.
The slots selection is a universe in itself, featuring everything from traditional three-reel classics to the latest video slots packed with innovative features and engaging storylines. These digital slot machines boast an average Return to Player (RTP) rate of around 96%, ensuring a fair balance between player winnings and thrilling gameplay.
Starz888’s online casino doesn’t just impress with its quantity but also stands out through its commitment to quality and player satisfaction. The seamless integration of a wide array of games, attractive RTP rates, and the support of esteemed game providers make it a premier destination for Bangladeshi punters seeking endless entertainment and the chance for substantial winnings.
Game Developers On The Platform
Starz888 collaborates with industry giants to ensure a top-tier gaming experience for its users. Among the famous names, NetEnt stands out for its innovative slot designs and engaging gameplay mechanics. Microgaming, a pioneer in the industry, is renowned for its vast selection of games, including progressive jackpots that have made headlines for their colossal payouts. Evolution Gaming brings the thrill of live casino games to players’ screens, with live dealers and real-time action that mimic the excitement of being in a physical casino. These providers not only guarantee quality and fairness, but also continuously push the boundaries to offer players unique and entertaining gaming experiences.
Seamless Transactions at Starz888
Starz888 caters to Bangladeshi punters with an array of payment methods designed to ensure hassle-free deposits and withdrawals. Recognizing the need for convenience and efficiency, the platform supports a versatile mix of transaction options, including popular local bank transfers, credit and debit cards (Visa, Mastercard), as well as e-wallets like Skrill, Neteller, and ecoPayz. The minimum deposit requirement is set at a low threshold of BDT 500, making it accessible for punters with varying bankrolls.
Withdrawals are just as streamlined, with Starz888 setting commendable daily withdrawal limits up to BDT 300,000, catering to high rollers and casual players alike. The withdrawal process is designed to be swift, with most transactions being processed within 24 to 48 hours, contingent on the chosen payment method.
Experience the Future of Betting with Starz888 App
In line with its commitment to delivering a seamless and cutting-edge gambling experience, Starz888 proudly introduces its official mobile app, blending sophistication with user-friendly design. The Starz888 app is tailored to meet the needs of the modern punter, featuring a sleek interface that allows for easy navigation between its sportsbook and casino sections. The design principles emphasize clarity and speed, ensuring that users can place bets, play games, and manage their accounts with minimal taps.
Available services on the app include all the popular sports betting markets, live betting options, and access to the full range of casino games—from the adrenaline-pumping action of slots to the strategic complexities of table games. This ensures that users have the full Starz888 experience at their fingertips, any time and any place.
One of the key advantages of the Starz888 app is its optimized performance for mobile devices, guaranteeing smooth gameplay and rapid loading times, even on less powerful smartphones. Additionally, the app offers exclusive bonuses and promotions for mobile users, adding an extra layer of rewards for those who choose to play on the go.
Quick Guide to Starz888 Registration
Creating an account with Starz888 is your gateway to a world of unmatched online gambling entertainment, offering a smooth pathway to the vast array of sports betting and casino games tailored for Bangladeshi users. This step-by-step guide aims to simplify the registration process, ensuring that you can quickly start exploring and enjoying the offerings of Starz888 without any hassle. Here’s how to get started:
Visit the Official Starz888 Website: Open your preferred web browser and go to the official Starz888 site. Ensure you’re visiting the correct website to protect your personal information.
Find the Registration Button: Typically located in the top right corner of the homepage, the registration button is your first step towards creating a new account.
Fill in the Registration Form: A form will pop up asking for basic information such as your full name, email address, contact number, and preferred currency. Fill in all the required fields accurately.
Set a Secure Password: Choose a strong and secure password for your account. It’s recommended to use a mix of letters, numbers, and symbols to enhance security.
Agree to Terms and Conditions: Read through the terms and conditions of Starz888 carefully. If you agree, check the box indicating your consent.
Complete the Verification Process: Some cases may require you to verify your identity to complete the registration. This could involve sending a copy of your ID or a utility bill for address verification.
Confirm Your Registration: After filling out the form and complying with any verification requests, submit your registration. You will likely receive a confirmation email or SMS. Follow any further instructions provided to finalize your account setup.
Secure Betting with Confidence
Starz888 prides itself on operating with a robust licence accredited by the esteemed Curaçao Gaming Authority, ensuring a regulatory framework that upholds high standards of fair play and integrity. Their commitment to providing a safe, secure, and reliable online gambling environment is evident through this licence. Cutting-edge security measures, including state-of-the-art SSL encryption technology, are employed to protect the financial assets and personal data of clients, shielding all transactions and sensitive data from unauthorized access.
Additionally, the platform strictly adheres to Anti-Money Laundering (AML) and Know Your Customer (KYC) policies, further establishing a secure and trustworthy space for online gaming. Starz888 acknowledges that a great betting experience goes beyond the thrill of the game to encompass peace of mind, ensuring users that their information is in safe hands.
Ben Chasny has released the third and final single from Six Organs of Admittance’s upcoming album, Time is Glass, which arrives on April 26 via Drag City. Following ‘The Mission’ and ‘Summer’s Last Rays’, ‘New Year’s Song’ comes with a video directed by frequent collaborator Cam Archer. Check it out below.
Local Natives have announced their sixth album, But I’ll for You. The follow-up to 2023’s Time Will Wait For No One will be out on April 19 via Loma Vista, and it’s led by the single ‘April’. Check out director Jonathan Chu’s video for it below, and scroll down for the album cover and tracklist.
“But I’ll Wait For You is the companion piece to our 2023 release Time Will Wait For No One,” the band explained in a press release. “Maybe not an answer to a question but an exhale to an inhale. There is so little that’s in our control but among all this chaos, we can choose to be there for each other.”
But I’ll for You Cover Artwork:
But I’ll for You Tracklist:
1. Alpharetta
2. Throw It In The Fire
3. Neon Memory
4. Camera Shy
5. As Soon As You Arrive
6. Ending Credits
7. Raincoat
8. April
9. Walk Before You Run
10. But I’ll Wait For You
Throughout the week, we update our Best New Songs playlist with the new releases that caught our attention the most, be it a single leading up to the release of an album or a newly unveiled deep cut. And each Monday, we round up the best new songs released over the past week (the eligibility period begins on Monday and ends Sunday night) in this best new music segment.
On this week’s list, we have Two Shell’s new collaboration with FKA twigs, the hypnotic and addictive ‘Talk to Me’; ‘Real House’, the piercingly devastating opener of Adrianne Lenker’s new album; ‘Letter to My Daughter’, the poetic and soulful second single from Bat for Lashes’ new album; Porter Robinson’s exhilarating new single ‘Cheerleader’; Waxahatchee’s ambiguous yet triumphant Tigers Blood track ‘Evil Spawn’; ‘Steady Song’, a warm yet haunting track off Alena Spanger’s solo debut; and h. pruz’s gentle, heartfelt new single ‘Dawn’.
