In the design sphere, where boundaries are often rigidly defined, a new visionary emerges, challenging norms with creativity and versatility. Meet Tassiana Laurre, an interior designer breaking moulds by crafting captivating spaces, innovative products, and iconic brand identities. Seamlessly blending form and function across diverse mediums, she breaks past  conventional labels, crafting immersive experiences resonating with authenticity and elegance.

“For me, design harmoniously intersects functionality and aesthetics, transforming not only physical spaces but also how people experience and interact with environments,” explains Tassiana, a graduate of Strate School of Design in Paris and Italy’s Politecnico Di Milano. She sees design as a means to address societal challenges, foster innovation, and build community, enriching lives with beauty and efficiency.

With cross-disciplinary knowledge and a fresh perspective, Tassiana integrates new materials and processes into her work, distinguishing her in the industry. Beginning her journey at Studio Ange, she contributed to notable projects like the Mandarin Oriental Residences in Beverly Hills and the Ulla Johnson luxury fashion store in Los Angeles with Kelly Wearstler’s award-winning team.

Tassiana’s success lies in her blend of artistic ingenuity and strategic insight. Her leadership at My Exclusive Collection, crafting the brand identity for their French Haute Parfumerie, exemplifies this. Drawing from Guerlain’s legacy, she designed the perfumery’s bottle, logo, website, and social media content, leaving an indelible mark on the brand.

Recognized internationally, Tassiana’s work has been featured in publications like Elle Romania and Vogue Mexico, showcasing her diverse portfolio spanning interior design, art direction, and brand identity across France, Italy, and the United States.

Rooted in a childhood fascination with art and architecture, Tassiana’s journey is guided by her motto, “Innovate with Purpose, Design with Soul.” Her love for interiors, nurtured by her grandmother’s passion for antiquing, fuels her constant exploration and self-discovery through design.

While her proficiency in design and technology, coupled with multilingualism, enables her to work seamlessly with international clientele, interior design remains Tassiana’s passion. Her latest project on the French Riviera demonstrates her knack for infusing spaces with sophistication and creativity.

In 2018, Tassiana established Laurre Studio of Design, undertaking projects for My Exclusive Collection and Doctor G, alongside residential ventures like the Côte d’Azur project, embodying the essence of the French Riviera. Additionally, she plans to launch an international design consultancy firm, catering to those seeking to enhance living spaces with expert advice.

Tassiana Laurre’s journey exemplifies a relentless pursuit of innovation and excellence in design. Through her transformative approach, she continues to leave an indelible mark on the world of design, shaping environments that evoke emotions, tell stories, and enhance lives.

Experiencing a foreign country, facing difficulties alone, and not understanding the language can evoke feelings of loneliness and helplessness. In 2023, the Cinematographer and filmmaker Han Wang’s film Alone poignantly showcased these emotions through the experiences of an individual in unfamiliar surroundings. Despite its brief eighteen-minute duration, the film has received 2023 Los Angeles Film Award – Best Docudrama and nominations at numerous film festivals, affirming not only the talent of the actors but also honoring the contributions of everyone behind the scenes.

The film centers on the life of an elderly Chinese woman and her grandson living in the United States. As the film opens, the grandson prepares a list of groceries for his grandmother, advising her to take care of herself before he leaves with friends. As the film’s name Alone, the grandmother spends her evening dining solo, reading the newspaper on the sofa, and eventually falling asleep. The next day, a neighbor informs her of her grandson’s unsuccessful attempts to reach her by phone. Discovering the home phone service is disconnected, the grandmother resolves to pay the bill herself. Her limited English proficiency, however, complicates this task, and she manages to succeed only with the neighbor’s assistance.

Conveying a director’s message in a mere ten minutes is challenging, yet Han Wang skillfully uses his lens to immerse the audience in the film, allowing them to connect deeply with the grandmother’s experiences. Initially, Wang captures the elderly woman seated on the sofa, engrossed in a Chinese newspaper, setting the stage for her character as someone who does not speak English. This scene lays the groundwork for the story’s progression.

Wang then directs the camera to a post-it note and a photo left by the grandson on the refrigerator. The grandmother’s interaction with her grandson’s photo reflects her love, dependence, and yearning. When she attempts to pay the phone bill alone, Wang focuses on her despair as she sits helplessly on the ground outside the store, struggling to understand the bill. Through the use of music and cinematography, the film reaches a climax, highlighting the elderly woman’s profound sense of isolation in a foreign land.

In this film, Wang’s expertise in lens usage, attention to detail, and character portrayal deeply immerses the audience in the elderly woman’s solitary inner world. Through changes in lighting, shadow, and camera angles, warm memories are skillfully woven into the narrative, allowing viewers to empathize with her feelings. Wang’s photography transcends the depiction of solitary living conditions for the elderly, exploring themes of family, love, and companionship with depth and sensitivity.