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Boards of Canada Announce New Album ‘Inferno’

Earlier this month, Boards of Canada teased their return by sharing a piece of music that marked their first new material in 13 years. Today, they’ve officially announced a new album: Inferno is due for release on 29 May 2026 via Warp. No single has been released to accompany the news, but we do know the duo’s fifth LP, following 2013’s Tomorrow’s Harvest, features 18 new tracks. ‘Tape 05’, which the group uploaded on YouTube on April 16, doesn’t appear in the tracklist. Check it out along with the album cover and an announcement clip below.

Inferno Cover Artwork:

Inferno cover

Inferno Tracklist:

1. Introit
2. Prophecy At 1420 MHz
3. Hydrogen Helium Lithium Leviathan
4. Age Of Capricorn
5. Father And Son
6. Somewhere Right Now In The Future
7. Naraka
8. Acts Of Magic
9. Memory Death
10. The Word Becomes Flesh
11. Into The Magic Land
12. Blood In The Labyrinth
13. Deep Time
14. All Reason Departs
15. Arena Americanada
16. The Process
17. You Retreat In Time And Space
18. I Saw Through Platonia

Fashion in the Desert: 5 Best Coachella 2026 Weekend 2 Looks

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With such an impressive lineup, we’ve been eager to see all the Coachella 2026 outfits that hit the stages. Weekend 1 did not disappoint, and Weekend 2 is shaping out to be just as exciting. Fashion in the desert has once again taken centre stage, with Coachella 2026 blending bohemian staples and statement pieces against the iconic Indio backdrop. As artists and influencers continue to turn the festival grounds into a runway, Weekend 2 is already delivering a fresh wave of standout looks that capture the creativity, individuality, and bold spirit that define Coachella fashion. 

Justin Bieber 

 

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In true laid-back Bieberchella fashion, the Saturday headliner rocked a sleeveless Greg Ross hoodie with relaxed barrel shorts. Carrying on with the pink theme, he also wore a pink beanie and sunglasses to elevate the outfit while keeping his signature casual and cool style.  

Olivia Rodrigo  

 

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 Brought out by pop artist and former TikTok star Addison Rae, Olivia performed her new song “drop dead” wearing an R&M Leathers custom baby pink bra top, which featured a ruffle trim and a bow to resemble a wrapped present. Her stylists Chloe and Chenelle Delgadillo finished this coquette-inspired bralette look with a pair of vintage low-rise Diesel jeans, which is very on-trend right now.  

Trinity Rodman 

 

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 Stepping off the football field, and stepping into the Colorado desert, professional soccer player, Trinity Rodman, was indefinitely one of the best dressed at Coachella this year. Wearing a black bikini top paired with ripped blue baggy jeans, she layered chunky mixed-metal jewellery on top, going back to Coachella’s effortless, boho-chic roots. 

Sombr 

 

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 Sombr came back to the stage for Weekend 2, dressed in all black again. This time wearing a black-gold sequin embellished military drummer hussar jacket featuring a silver fringe and tassels. This outfit draws inspiration from one of Michael Jackson’s most iconic looks. 

BINI 

 

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 Jazz-pop singer Laufey in a romantic white dress brought on P-pop girl group, BINI for a guest appearance. Styled by Filipino fashion designer Marian Zara with the help of Frances Torres, the members wore Western-inspired festival fashion with their own twist for Coachella. Consisting of colourful custom warrior outfits featuring y2k flowers, BINI’s looks were definitely unforgettable and stood out. 

How Brite Casino Platforms Are Changing the Way Finnish Gamers Deposit and Play in 2026

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Finland’s online entertainment market has quietly become one of the most interesting case studies in European open banking adoption. Between 2023 and early 2026, the share of Finnish adult consumers who used an instant bank transfer method at least once to fund an online account rose from an estimated 44 percent to a little over 71 percent, according to aggregated figures from Nordic payment analysts. The shift has been driven less by marketing and more by a simple structural fact. Finnish consumers already authenticate to their bank accounts several times a week through the TUPAS and Finnish Trust Network systems, and a payment rail that reuses that same login feels faster, cleaner, and more familiar than any card or voucher alternative. Within that context, operators that route deposits through Brite and similar Pay-N-Play infrastructure have reshaped how Finnish consumers compare platforms at the moment of first signup.

The practical result is that the deposit step, long treated as a technical footnote on entertainment platforms, has become a competitive frontline in the Finnish market. Platforms that load a familiar bank authentication screen in under three seconds now outperform those that route through card networks or third-party wallets on both conversion and return visit metrics. Finnish consumers comparing options often land on roundups of brite kasinot that summarize deposit timings, withdrawal windows, and identity verification flow before the consumer ever opens an operator page, and the quality of that pre-comparison layer now shapes the first-click decision more than headline bonus figures do. Comparison editors tracking the Nordic market report that roughly two thirds of first-time visitors to a Finnish entertainment platform in 2026 arrive through an external comparison page rather than through direct search for a brand name, and the deposit flow highlighted on that comparison page is the single strongest predictor of whether the visitor converts to a registered account within the first session.

Why Open Banking Fits the Finnish Market So Naturally

Finland has a higher baseline level of digital bank authentication than almost any other European market. The Finnish Trust Network, operated jointly by the major domestic banks and the national identity infrastructure, underpins everything from tax filings to healthcare appointments, so a consumer who opens a new online account is already accustomed to logging in through a familiar bank screen. Brite and the broader category of account-to-account payment providers plug directly into that habit. The transaction moves through the consumer’s own bank interface, the identity is confirmed by the bank itself rather than by the operator, and the funds settle within seconds rather than across a card processing cycle. That alignment between an established authentication habit and a modern payment rail is the reason Finnish adoption has outpaced most comparable markets over the past two years.

How Pay-N-Play Removed the Registration Friction

A second structural change has been the maturation of Pay-N-Play architecture, which uses the bank login itself as the registration step. Rather than asking the consumer to create a username, fill in personal details, and wait for a verification email, the platform pulls the minimum regulatory identity fields directly from the bank authentication and opens the account in a single continuous flow. On a well-implemented Brite-enabled platform, the time between landing on the site and completing a first deposit has compressed from an industry average of about seven minutes in 2021 to roughly 90 seconds in early 2026. That reduction matters because it eliminates the single largest source of abandonment in the consumer journey. Analysts tracking Finnish platforms through 2025 reported that abandonment at the registration step fell by more than half on sites that moved from traditional forms to bank-authentication onboarding, and that the retained consumers showed higher satisfaction scores on first-session surveys.

Why Withdrawal Speed Has Become the New Headline Metric

Deposit speed was the first metric to shift, but withdrawal speed has become the more influential comparison point in 2026. Traditional card withdrawals often sat in a review queue for 24 to 72 hours before reaching the consumer’s bank account, a delay that Finnish consumers had come to accept as an industry norm. Open banking withdrawals, routed back through the same authenticated rail the deposit used, typically arrive in the consumer’s bank account within 10 to 15 minutes on a fully automated platform. That difference is visible to the consumer and has rapidly become the primary metric that Finnish comparison pages lead with when ranking operators. Platforms that have not modernized their withdrawal infrastructure now face a structural disadvantage in the local market, because a first-time consumer who requests a small test withdrawal after an initial deposit learns almost immediately whether the operator processes payouts quickly. That single signal, received inside the first session, carries more weight in retention modeling than any bonus offer or promotional hook presented at signup.

Image by Linnea Virtanen

How Brite and Comparable Rails Handle Identity and Compliance

One of the less-visible reasons Brite-enabled platforms perform well in Finland is how they handle the regulatory identity layer. Under European open banking rules, payment initiation requires strong customer authentication directly at the bank, which means the operator never handles the consumer’s banking credentials and the consumer’s identity is verified against the authoritative bank record rather than against a document upload. For Finnish consumers this replaces the older friction of uploading a passport or ID card photo during onboarding, which remains a common step on non-Brite platforms. Compliance teams on the operator side also benefit, because the identity record and the payment record are linked at the source, reducing the reconciliation work that historically slowed account verification cycles. The result is an onboarding and deposit flow that is simultaneously faster for the consumer and cleaner for the operator, without any reduction in the strength of the identity check that regulators require.

What Draws Finnish Consumers Back for a Second Session

The first deposit is only the opening move in the consumer journey, and the metric that separates platforms in the Finnish market is whether a first-session visitor returns for a second session within seven days. Open banking rails contribute to that return rate in three ways. First, the repeat deposit experience reuses the same familiar bank screen, so the friction of a second funding event is close to zero. Second, withdrawals arrive quickly enough that the consumer completes a full cycle inside the first week, which reinforces trust at a point where older card-based flows often left money in limbo. Third, broader cultural work on how digital services earn repeat engagement, including recent coverage of a notable album release from 2023 and similar case studies of consumer attention inside creative industries, reminds platform operators that return behavior is driven by cumulative small signals rather than by a single large hook. Finnish entertainment platforms that get the payment loop right tend to earn the benefit of the doubt on smaller product decisions, and that accumulated trust is what produces the retention curves the market has come to expect from open banking operators.

A Side-by-Side View of Deposit Methods Used by Finnish Consumers

The table below summarizes the four deposit methods Finnish adult consumers encounter most often on entertainment platforms in early 2026, the typical speed and verification characteristics of each, and the approximate share of Finnish first deposits each method accounted for during the 2025 calendar year based on aggregated operator data.

Deposit Method Typical Speed Identity Step Share of 2025 Finnish Deposits
Open banking via Brite or similar Under 10 seconds Handled at the bank login About 58 percent
Debit or credit card 30 to 60 seconds 3-D Secure redirect About 22 percent
Digital wallet 15 to 45 seconds Separate wallet account About 12 percent
Prepaid voucher Instant once code entered No live identity check About 8 percent

 

The distribution has shifted noticeably over the past two years, with open banking gaining ground steadily at the expense of cards and vouchers. The most common reason Finnish consumers give for the switch is not speed alone but the absence of a separate registration form and the familiarity of returning to their own bank screen rather than entering card numbers into an unfamiliar interface. That pattern is consistent with findings from the Nordic consumer payments panel, which has tracked a similar shift in neighboring markets on a slightly delayed timeline.

How European Payment Regulation Shapes the Experience

The Finnish experience sits inside a broader European regulatory frame that has become increasingly relevant for how consumers interact with digital entertainment platforms. The second Payment Services Directive, updated guidance from national supervisors, and ongoing work on the third iteration of the directive collectively determine how payment initiation services operate across member states. Published European Banking Authority payment services guidance clarifies how strong customer authentication applies to account-to-account payment flows, how open banking APIs must handle consumer consent, and how operators that rely on licensed payment initiation providers need to structure their integration to remain compliant. For Finnish consumers the practical effect is that the deposit experience on a Brite-enabled platform is underpinned by a regulatory framework with meaningful teeth, which is part of the reason the category has earned steady consumer confidence over the last two years. The direction of travel in that framework, including forthcoming changes to liability allocation in authorized push payment cases, will continue to shape how the deposit and withdrawal flow looks in practice through 2026 and 2027.

Image by Markus Lindholm

What Finnish Consumers Typically Check Before a First Deposit

A measured approach to evaluating a new entertainment platform in Finland tends to follow a consistent five-item checklist that has become standard advice across Nordic consumer-protection resources. The list filters out platforms that look attractive on the landing page but deliver a rough payment or withdrawal experience once a consumer is inside the account.

  • Licensing clarity: is the operator clearly licensed in a recognized European jurisdiction with published consumer protection standards and a visible complaints route?
  • Deposit rail: does the platform list Brite or a comparable licensed open banking provider as a primary deposit method rather than only card processors?
  • Withdrawal window: does the published withdrawal window fit inside 24 hours for standard requests, with instant processing on verified accounts where supported?
  • Identity flow: does onboarding reuse the bank authentication rather than requiring a separate document upload step during the first session?
  • Limit tools: are deposit and session limits available in the account dashboard from the first login, not only after a support request is filed?

Running through these five checks takes about five minutes per platform and meaningfully reduces the risk of starting with a platform whose payment or withdrawal flow does not match the quality suggested by its landing page. Finnish consumer forums have reported that consumers who follow a structured pre-signup check in 2025 were considerably less likely to file formal complaints about stuck withdrawals or onboarding delays during the following six months.

What to Watch Across the Remainder of 2026

Three developments are worth tracking closely through the remainder of 2026. The first is the continued consolidation of open banking providers under the pressure of scale economics, which will likely reduce the number of distinct rails a Finnish consumer encounters on comparison pages even as underlying coverage expands. The second is the gradual integration of instant SEPA payments into domestic retail flows, a change that will narrow the perceived speed gap between open banking and traditional transfers and push operators to compete on other dimensions of the consumer experience. The third is the slow emergence of cross-border Pay-N-Play experiences for consumers who travel within the Nordic region, which will test how well the Finnish authentication habits translate into neighboring markets. Together these shifts suggest that the 2026 to 2027 window will be a period of refinement rather than disruption in the Finnish deposit experience.

Frequently Asked Questions

How long does a Brite deposit typically take on a Finnish entertainment platform?

On a fully automated platform the deposit typically settles in under 10 seconds from the moment the consumer confirms the amount inside the bank authentication screen. A consumer who has already authenticated to their bank earlier in the session may see the transaction complete in five seconds or less.

Does open banking expose the consumer’s banking credentials to the operator?

No. Under European payment regulation, the consumer authenticates directly with the bank and the operator receives only a confirmation that the payment has been initiated, along with the minimum identity fields required for regulatory purposes. The banking credentials themselves never reach the operator’s systems.

How quickly do withdrawals arrive back in the consumer’s bank account?

On a modern open banking platform most withdrawals complete in 10 to 15 minutes once the operator has approved the payout. Some platforms advertise fully automated withdrawal approval on verified accounts, which can bring the full round trip under five minutes in favorable cases.

Are deposit and session limits available before the first deposit is placed?

On compliant Finnish platforms the deposit and session limit controls are visible from the first login screen, before a consumer confirms a first deposit. A consumer is not required to contact support to set these limits and can adjust them inside the account dashboard at any time.

How does the deposit flow differ from a traditional card deposit?

A card deposit requires entering a card number, expiry date, and security code on the operator page, then completing a 3-D Secure redirect. An open banking deposit skips the card entry and routes directly to the bank authentication screen, which handles both identity and payment initiation in one step.

Beef Season 3: Cast, Rumours & Release Date

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After being met with critical acclaim when it premiered in 2023, Netflix anthology drama Beef is back with fresh episodes. Following a new cast and story, it centres on a juicy generational conflict you don’t want to miss.

Fans seem excited. Season 2 of the series gathered 2.4 million views in its first week and made the Top 10 in five countries. This is the kind of show that benefits from good word-of-mouth, so viewership numbers will likely grow over the next couple of weeks. Does that mean another season might be on the horizon?

Beef Season 3 Release Date

At the time of writing, Beef is yet to be renewed for more episodes. Initially conceived as a limited series, a second season was greenlit after the first blew up. If season 2 follows a similar path, there’s a good chance more will follow. For now, all we can do is wait and see.

Production between seasons seems to take a while since each revolves around a standalone story. As a result, a potential Beef season 3 could arrive in 2028.

Beef Cast

The first season of the series starred Steven Yeun and Ali Wong. The season 2 cast includes Carey Mulligan, Oscar Isaac, Charles Melton, Cailee Spaeny, and Youn Yuh-jung.

Since this is an anthology, a third season would feature a new cast.

What Is Beef About?

A dark comedy-drama, Beef explores how a single moment of conflict can spiral into something life-altering. Season 1 follows two strangers whose road rage encounter escalates into an all-consuming rivalry. Their increasingly destructive actions reveal deeper insecurities about ambition, loneliness, and self-worth.

In season 2, the “beef” expands from a personal feud into a network of conflicts involving two couples across different generations and classes. On one side, we have Josh and Lindsay, a wealthy but unhappy couple running an exclusive country club. On the other, there’s Ashley and Austin, struggling employees trying to secure stability.

Their lives collide after Ashley and Austin witness a volatile fight between Josh and Lindsay. From there, the narrative expands to involve blackmail and dangerous schemes. By the time the eight episodes wrap up, the story comes full circle, giving viewers plenty to digest.

Beef season 3 would revolve around a new plot, so we can’t speculate about what the central conflict might entail. Netflix did extend its partnership with show creator Lee Sung Jin, so we hope we’ll get to unpack more feuds in the near future.

Are There Other Shows Like Beef?

If you’ve already watched all episodes of Beef, shows with similar vibes include The Resort, Barry, Kevin Can F**k Himself, The White Lotus, and Dead to Me.

Alternatively, check out some of the other trending shows on Netflix. Like Big Mistakes, Trust Me: The False Prophet, XO, Kitty, Something Very Bad Is Going to Happen, Bloodhounds, and Sins of Kujo.

Chloe Wise Makes Swiss Debut with Immersive New Exhibition

New York-based artist Chloe Wise will be making her first major institutional appearance in Switzerland this summer, with a new exhibition at the Kulturstiftung Basel H. Geiger. The show Extrasensory, open from 12 June to 6 September 2026, is curated by Samuel Leuenberger and centres on the most ambitious film project of Wise’s career to date, presented within a large-scale immersive installation.

At the heart of the exhibition is a multichannel video work presented across a constellation of large screens, through which seven archetypes emerge as embodiments of mystical and metaphysical phenomena. The figures inhabit exaggerated roles that blur belief systems, and cultural archetypes, drawing visually on the iconography of Wise’s painting practice while echoing the aesthetics of late twentieth century film. The result is a seductive and unsettling register that the exhibition frames as a critique of persuasion, fantasy and mass imagery. As curator Leuenberger puts it, the show “insists on ambiguity as a form of resistance” at a time of what he calls forced clarity.

The exhibition extends Wise’s longstanding interrogation of how subjectivity is constructed through images and cultural codes, shifting here toward the conditions of perception itself. Rather than defining the phenomena it depicts, Extrasensory lingers in moments where, as Leuenberger notes, “perception and language begin to falter.”

An artist book published by Hatje Cantz, with contributions from scientists and artists, will be produced alongside the exhibition and made available free of charge to visitors. Admission to the exhibition itself is also free.

Chanel Has a New Face and It’s Pedro Pascal

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Liking Pedro Pascal is easy. Arguably unavoidable if your phone is capable of connecting to Wi-Fi. But when Matthieu Blazy is part of the picture, things escalate quickly. Chanel has officially named the actor its new house ambassador, which, to many, felt less like news and more like a final alignment. Pascal had already done the rounds, Blazy’s Spring 2026 debut (with his sister Lux Pascal on the runway), then the Oscars red carpet, where an oversized Chanel camellia was almost strategically pinned to his chest.

Chanel bags and womenswear have been worn and carried like they were always meant for men anyway. We’ve seen A$AP Rocky do it, Jacob Elordi, Timothée Chalamet, Harry Styles, Kendrick Lamar, Pedro Pascal, of course, and that list is basically endless at this point. The double C just works on them, and the timing has lined up pretty well for that. But menswear isn’t in the works, and Chanel has already made that clear. As long as men get excited over tweed and pearls, the system doesn’t really change, but it sure gets more people in the queue for the same bag.

Pedro Pascal & Matthieu Blazy at the Chanel Spring 2026 show in Paris
@pascalispunk via Instagram

Those two recently had a bonding moment. “I love Matthieu’s vision, which I find powerful, elegant, and incredibly warm: it shows me how we could exist together, there’s something for everyone in his universe. I am happy and honored to join it and I am eager to see what Matthieu has planned for the future of Chanel. The House has a remarkable ability to honor its heritage while remaining modern and relevant, and I am excited to be part of that evolving story,” Pascal said in a statement.

“Pedro is a wonderful man and an incredible actor. His kindness, talent, and his vision of the world are both inviting and inspiring. We are thrilled to welcome him to the Chanel family and I’m happy to embark on this adventure together,” Blazy responded.

How to do product mockups in 2026

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Product presentation has changed a lot over the years. On top of that, not everyone has the skills and time to make mockups using heavy editing software like Adobe Photoshop. Nowadays, businesses do not need costly photoshoots or complex software only to showcase their offerings. Instead, they learn how to do product mockups using automated design tools.

If you are wondering how to make original mockups in minutes, continue reading, as this guide will walk you through everything you need to know. It also highlights how Simfa stands out as the best option to achieve professional product mockups using AI.

What is a Product Mockup?

In its most basic definition, a product mockup is a digital visual representation of a product before the actual production begins. Another way to look at this is a way of simulating how an idea or design will appear once placed on a physical object.

Many businesses use mockups to visualize and improve designs or products. In detail, having such visual drafts helps test design ideas and make refinement decisions.

Why Product Mockups Matter in 2026?   

As the digital marketplace becomes competitive, product mockups become an essential tool for startups, freelancers, and even large brands. This shift is clear. Customers often rely on visuals before purchasing a product.

For instance, a product mockup provides the target market with a clear visualization of the offerings, which makes them trust the product more quickly. In the same way, these previews are an effective strategy for customers to see that the product is of high quality, removing uncertainty. Product mockups also strengthen competitive advantages, as appealing samples make a product stand out in packed marketplaces.

Steps on How to Do Product Mockups in 2026

1. Define Product Concept and Mockup Style – Identify the product you want to showcase and decide on a visual style that aligns with the brand identity and goals.

2. Prepare Design Assets  – Use high-quality photos of the product, logos, labels, and artwork to achieve realistic and professional-quality outputs.

3. Utilize AI-Powered Tools – Leverage AI tools like Simfa to automate the entire process without sacrificing quality.

4. Add Customizations – Play around with the background, colors, and other visual elements to further enhance the mockup.

5. Export for Marketing Use – Save and download the results to use them across platforms for boosting brand recognition and customer trust.

Tips to Improve Product Mockups in 2026

Creating effective product mockups can be tricky, especially for beginners. To help in the process, here are some quick tips everyone can use to improve the outputs.

  • Know the target audience or market
  • Do not clutter the mockup with too many elements
  • Make sure the mockup matches the product
  • Include a human touch
  • Adapt to mockups designed for mobile viewing

Why You Should Use Simfa for Product Mockups

Looking ahead, the market is having more participants, both newcomers and seasoned players. That said, the presentation needs to succeed in helping a product outshine competitors and does so quickly. This is why businesses and brands move toward automated design ecosystems like Simfa.

This creative toolkit makes creating product mockups feel much more intuitive and applicable to modern demands. It also brings a new approach to visual marketing. And the app even simplifies the process with a beginner-friendly interface, fast rendering, and high-quality output. With the product mockup scene moving beyond complex design software, AI tools like Simfa are becoming invaluable for producing polished visuals without professional designers and steep learning curves.

Try Simfa now and get 200 free credits upon signing up!

11 New Songs Out Today to Listen To: Modest Mouse, Friko, and More

There’s so much music coming out all the time that it’s hard to keep track. On those days when the influx of new tracks is particularly overwhelming, we sift through the noise to bring you a curated list of the most interesting new releases (the best of which will be added to our Best New Songs playlist). Below, check out our track roundup for Tuesday, April 21, 2026.


Modest Mouse – ‘Picking Dragons’ Pockets’

Modest Mouse are back. After releasing ‘Look How Far’ in March, the band has today announced their first album in half a decade,  An Eraser and a Maze, their first release on Glacial Pace Recordings. The frenetically jaunty opener ‘Picking Dragons’ Pockets’ is out now, and it finds Isaac Brock proclaiming, “I’m not crazy ’bout what they’re so crazy ’bout now.”

Friko – ‘Something Worth Waiting For’

In my track-by-track review of Something Worth Waiting For, Friko’s imminent new album, I made light of the fact that I was writing about it just as the new Modest Mouse album was announced. There’s a clear thread between their revered records and what Friko are doing on the new album, which is why I’m placing the new songs side by side. But ‘Something Worth Waiting For’ is striking all its own and a fantastic climax on the record. Talking about it, vocalist Niko Kapetan said: “Referencing lyrics from our first record, ‘Something Worth Waiting For’ became the band’s mission statement for our second LP. Later taking on the album name as well, this song pedals, drives, runs, bolts, and barrels forward without ever looking back over its shoulder. Ending with the only big distorted guitar build on the record, just like its title, it never quite reaches that climax. Leaning into the idea that the pace is everlasting, and the destination just seconds away, always.”

Beck – ‘Ride Lonesome’

Beck has returned with a new song, ‘Ride Lonesome’. The laid-back tune reunites the musician with Nigel Godrich, who mixed it and produced several of his albums.

Failure – ‘The Rising Skyline’ [feat. Hayley Williams]

Hayley Williams has joined Failure on ‘The Rising Skyline’, the final single ahead of the release of their new album Location Lost on Friday. It’s surprisingly tender, which frontman Ken Andrews touched on in his statement about the collab: “Failure doesn’t do a lot of collaborations, but my friendship with Hayley, and her long standing support of the band, turned this song into a very satisfying duet. It’s probably the most delicate song we’ve ever done and her vocal approach really brought that out.”

mary in the junkyard – ‘Candelabra’

mary in the junkyard have unveiled a strikingly vulnerable track off their upcoming debut LP Role Model Hermit. ‘Candelabra’ follows the much more ostentatious lead single ‘Crash Landing’. “It has all of my teenage angst written into it,” bandleader Clari Freeman-Taylor remarked.

Show Me the Body – ‘Dance in the USA’

Show Me the Body have unleashed a new song, ‘Dance in the USA’. It’s a monster of a song, and it’s also worth reading into the credits: Kenneth Blume (fka Kenny Beats) produced it with Robyn collaborator Klas Åhlund. “‘Dance In The USA’ is about how we employ style to survive in this reality,” frontman Julian Cashwan Pratt explained. “It’s how we embrace the struggle of ourselves, our families, and those around you. It’s the dance that we all do — how we hustle, the good and the bad things we do — just to get through it.”

 

Emily A. Sprague – ‘Double Moon’

Outside of Florist, Emily A. Sprague’s solo material has mostly leaned into ambient instrumentation. That’s still the vibe of her just-announced Double Moon EP, but she’s singing on it (with backing vocals by V Haddad), adding an interesting layer to her vaporous electronics. The EP will arrive via RVNG Intl. on May 29.

Pouty – ‘My Own Beauty’

Pouty has returned with a new song, ‘My Own Beauty’, the first we’ve heard from Rachel Gagliardi since 2024’s Forgot About Me. The soaring, reclamatory track was written and recorded between Los Angeles and Philadelphia with the Superweaks’ Evan Bernard and Chris Baglivo. “Dedicated to the bimbos and sluts,” per a press release.

Basement – ‘Head Alight’

That exceptional Friko record was produced by John Congleton, who also helmed Basement’s first new album in over eight years, WIRED, coming out May 8. The new single ‘Head Alight’ is especially catchy. “What started out as a love song quickly evolved into something a lot more ethereal,” vocalist Andrew Fisher recalled. “Alex was picking up on what I was saying in a far broader and otherworldly way. He saw it less in a romantic way – a more universal look at the idea of someone’s soul or essence being so powerful and beautiful you can’t look away. This really excited me because it allowed me to get out of my head and focus on something way more abstract and therefore, hopefully more expansive.” Fisher continues, “I hadn’t really approached songwriting like this before and I found it really fulfilling. We were really stuck with this sound – focusing on the guitar leading it, in a very indie rock early 2000s thing. It just never felt right. The more we added, the less I liked it. John stripped everything back and it became so much more powerful.”

mui zyu – ‘パラレリズム (Parallelisme)’ (Miharu Koshi Cover)

mui zuy has offered a mesmerizing take on Miharu Koshi’s 1984 cult classic ”パラレリズム (Parallelisme)’. “I was blown away when I first heard this album because of its perfect mix of sweet melodies alongside otherworldly textures.. presented in this kinda super slick pop way,” the artist explained. “I was studying Japanese at the time and thought the title track would be a special song to record. The process of diving into the original production to rearrange the parts was so educational too and only made me love the song more. I haven’t been able to find much information about the record online, or in stores, but I managed to find it on vinyl when we toured in Japan a year ago, it was like finding a precious treasure.”

Swapmeet – ‘Sand’

Swapmeet, a four-piece band from Adelaide, Australia, have announced their debut LP, Mount Zero, arriving July 17 on Winspear. “‘Sand’ is about wasting your own time, then being so, so mad at yourself,” the band’s Jack Medlyn explained. “And a little bit mad at the people who make apps and phones so addictive.” It’s a sweet, languid song you wouldn’t mind wasting a little time on.

Album Review: Friko, ‘Something Worth Waiting For’

Something Worth Waiting For, the sophomore album by Chicago band Friko, obviously, instantly lives up to its title; the ironic part of it is that we didn’t have to wait that long. You could call them kids when they burst onto the scene with Where we’ve been, Where we go from here, and its follow-up sounds like the sort of epically anthemic record an indie rock buzzband might deliver over a decade after their debut. Just two years later, Friko return with an expanded lineup, with vocalist/guitarist Niko Kapetan and drummer Bailey Minzenberger – who formed the band right out of high school – being joined by bassist David Fuller and guitarist Korgan Robb. While building on the raw, explosive dynamics, anthemic choruses, and infernal yearning of their first record, Something Worth Waiting For feels anything but rushed, just riding the wave of relentless touring instead of letting it subside. The John Congleton-produced LP is a leap in every way – WU LYF may have just made their triumphant comeback, Broken Social Scene have a new album on the way, but for now, all I can think about is Friko.


1. Guess

You don’t need a degree in music theory to know that power chords are naturally ambiguous, and ‘Guess’ dips in and out of that crucial third interval – eschewing it completely only when swallowed by distortion – to drive its message home. “Don’t make me guess if that’s a cry or a laugh,” begins its central refrain, repeated so many times it would sound belaboured by a less impassioned band. But fervor colours every crevice of Kapetan’s voice, which is amplified in raw, unbridled fashion right alongside the guitars. Structurally, the one-take opener keeps you guessing, too – when the explosion will happen, if it’ll resolve the tension – but its coiled-fist, clenched-jaw conviction is life-affirming. The chord ultimately underpinning the word “happy” may be resolutely minor, but wait until the final “haha” – it’s enough to put a genuine smile on your face. 

2. Still Around

Carrying The Bends in its DNA with a lot more pep in its step, ‘Still Around’ is an infectious anthem of survival that overrides its own ambivalence in hopeful if somewhat morbid terms: “There’s always someone letting you down/ But still there’s salt in every kill.” The group vocals magnify the we underneath the “You’re still around,” like a band in constant motion turning their strife into something universal. 

3. Choo Choo

Early Arcade Fire comparisons were apt, but let it be noted that the publication of this review coincides with the announcement of a new album by Modest Mouse, which also checks out. But Friko have a particular penchant for onomatopoeic hooks, and there’s no guessing around what reaction “choo choo” should elicit – Kapeton found himself laughing as soon as he started singing it. After declaring that there’s a “home in every hell” on ‘Still Around’, the singer pays tribute to the people who make it so; and maybe hell isn’t any place they’ve found themselves in but the bumpiness of the ride, mirrored in the song’s frenetic pace.

4. Alice

The album’s first quiet song is just as exquisitely dynamic, lifting a piano melody written by guitarist Korgan Robb when he was 16. In offering a message of reassurance to a friend, ‘Alice’ retains some of that naivety in its Alice in Wonderland-inspired metaphor about not staring into the keyhole. “I do know you/ And I know you know me,” Kapetan sings, a familiarity expressed in guitar scales. Rather than subduing the record’s communal energy, it makes it feel personable. 

5. Certainty

Did I mention The Bends? The piano on ‘Certainty’ jumps forward to ‘Last Flowers’, which I promise will be my last Radiohead reference. Leaning deeper into the intimacy of the previous track, it also has a direct antecedent in Friko’s own discography, Where we’ve been, where we go from here’s own mid-album cut ‘For Ella’. But instead of eerily muted, ‘Certainty’ opts for an expansive arrangement – from indie rock veteran Jherek Bischoff – and pristine production; Congleton not only makes the song sound huge, but seems to mic and mix Kapeton’s voice in ways that modify its closeness from one voice to the next. Blurring the line between public transport daydreaming and fantastical escape, the song is too arresting in its performance to drift out of focus, from Bailey Minzenberger’s haunting solo vocal to the breathtaking verse that succeeds it. 

6. Hot Air Balloon

Something Worth Waiting For is undoubtedly the product of a band determined to make a living out of music. For some bands, recording albums is merely a vehicle for touring; ‘Hot Air Balloon’ goes a step further to denounce “singers and painters and all and bands with their pretty songs” (I especially love how the subsequent “girls with their discoteques” is accentuated by a funky guitar chord), so sick of any performance of beauty that it’s desparate for the pure thing, which in this case involves setting a hot air balloon. Music’s still the medium, but sometimes you need to distance yourself from what you’re betting your life on in order to feel alive. I wonder if they’ll take the Snail Mail route and actualize their dreams via a music video

7. Seven Degrees

“For a long time I thought the saying was ‘seven degrees of separation’ and not ‘six,'” Kapetan explained of the album’s lead single, whose playfulness hardly masks its longing for connection. It begins as a “Dad once told me” kind of song, which makes its classic rock sensibility feel like a tribute – Kapetan’s father was, in fact, an aspiring musician. And as someone who also grew up in a very Greek family, I recognize the social logic passed on to him, and the poetic desperation that follows: “Now I have searched and I have crawled/ I have drank at every bars/ But still I sit and weep.” There comes a point when it no longer seems like a game of chance, but time; so you wait. 

8. Something Worth Waiting For

After a middle stretch heavy on – but certainly not bogged down by – more understated songs, the title track not only restores Friko’s dynamism but encapsutes the best elements of the album: the wall of noise that first bursts out on ‘Guess’, the triumphant backing vocals on ‘Still Around’, the unyielding sprawl of ‘Alice’, all while running off the yearning of ‘Seven Degrees’. For Friko, the vagueness of something – just like somewhere and someone on their debut – is what makes the singers’ persistence so piercing. It’ll always come up short. And so ‘Something’ is the perfect penultimate track; it would never totally satisfy as a closer, but justifies the wait right here. 

9. Dear Bicycle

The modes of transportation mentioned on SWWF never position our protagonist behind the wheel, but here he’s at least gripping onto the handlebars – metaphorically, of course. If anything, the bicycle is a personified reminder of youth, calling back to him in a slow burn of lilting piano, melodic bass, atmospheric cymbals, and even – gasp – synths. Another pummeling crescendo is teased, but the song itself retreats back into its shell, into childhood. “I was empty then, I’m not empty now,” Kapetan sings. Sometimes, you don’t realize you’re out of the void until there’s another one clawing its way through your body. “The kids are alright/ But then where they’re going nobody knows” (from ‘Still Around’) is a refrain that’s probably going to reverberate throughout their even more probably auspicious discography, but Friko seem increasingly less concerned about the uncertainty of the destination: it’s always going to be dirty and stingy as hell, and there’s always going to be home in it. 

Pragmata: All Currencies Explained and How to Get Them

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Pragmata has five main currencies that you can collect through combat, exploration, and Training Simulations, and each one goes into a different kind of upgrade for your gear and abilities. Capcom’s newest sci-fi shooter puts you in control of astronaut Hugh on a damaged lunar research base, alongside Diana, a young android who can hack enemies mid-fight.

Like most games, currencies in Pragmata are used for upgrades, gear improvements, and new abilities, so you’ll be collecting and spending them constantly as you progress. So if you’re planning your upgrades, here’s every currency in Pragmata and how to get them.

Pragmata: All Currencies Explained and How to Get Them

As mentioned, there are five main currencies in Pragmata, namely Lunafilament, Upgrade Components, Pure Lunum, Cabin Coins, and Red Gate Keys, along with Data Shards as a situational resource. Each one plays a different role in progression, and you can use them for everything from upgrading your gear and stats to unlocking abilities, accessing tougher encounters, and earning useful rewards at the Shelter. Here’s every currency in Pragmata, along with its location and how to get it:

1. Lunafilament

Lunafilament is the most common currency in Pragmata, and you can find it right from the start. These small blue fragments drop from defeated enemies, can be found in yellow supply boxes or certain safe boxes, and are often scattered throughout levels during exploration.

You can also earn larger amounts of Lunafilament by completing Training Simulations, which makes them worth revisiting when available. There’s even a Pocket Refinery Mod that increases how much Lunafilament you obtain.

2. Upgrade Components

Upgrade Components are used for your main upgrades and take a bit more effort to collect. These yellow cube-like items are usually placed out in the open or tucked into harder-to-reach areas that require some platforming or puzzle solving. Some can also be found in safe boxes, and Training Simulations occasionally reward them as well.

Back at the Shelter, these components are used at the Firmware Updater to improve Hugh’s Suit, his Primary Unit, and Diana’s hacking abilities.

3. Pure Lumun

Pure Lunum is one of the rarest resources in Pragmata and is reserved for more advanced upgrades. You will usually find it inside white Delphi-branded crates or earn it through specific Training Simulations, and it often shows up as a reward for optional challenges like Red Zones. This resource is used to unlock higher-level abilities and more powerful gear upgrades at the Unit Printer.

4. Cabin Coins

Cabin Coins work a little differently from the other currencies, acting as a way to unlock rewards through a separate system at the Shelter. You can earn them by gifting Diana REM items you find during exploration, opening certain safe boxes, or completing Training Simulations. Cabin Coins can be spent at Cabin’s Stamp Club, where you fill out bingo-style boards to unlock rewards like outfits, lore entries, mods, and useful gear.

5. Red Gate Keys

Red Gate Keys are rarer items that give you access to optional combat encounters. You will find them on red laptops scattered across the lunar base, and they can also be obtained through Cabin’s Stamp Club rewards. These keys are used to unlock Red Zones, which are tougher combat challenges that reward you with valuable resources upon completion.

Data Shards are not a traditional currency, but they still play a useful role during gameplay. These blue polyhedrons are occasionally found in yellow supply boxes and are relatively rare compared to other resources. When collected, they refill a portion of Diana’s hacking gauge, usually by around two segments. This makes them especially useful during longer or more intense fights where you’d want to give Diana’s hacking abilities a quick boost.

And that’s about every currency you can find in Pragmata. For more gaming news and guides, be sure to check out our gaming page!