London singer Tirzah has announced a new album titled Colourgrade. The follow-up to 2018’s Devotion arrives October 1 via Domino. Today’s announcement comes with the release of the new single ‘Tectonic’, which follows previous album tracks ‘Sink In’ and ‘Send Me’. Check out a video for ‘Tectonic’ below and scroll down for the LP’s cover artwork and tracklist.
Tirzah recorded Colourgrade after the birth of her first child and before the birth of her second child. She worked on the album with her longtime collaborators Mica Levi and Cobey Sey, whose older brother Kwes also did some mixing for the project.
Colourgrade Cover Artwork:
Colourgrade Tracklist:
1. Tectonic
2. Hive Mind [feat. Coby Sey]
3. Recipe
4. Beating
5. Sleeping
6. Crepuscular Rays
7. Send Me
8. Sink In
9. Hips
For Lucy Dacus, storytelling provides a space for reflection, where memories can be held and take on new light. Unlike many of her contemporaries, it’s not introspection or vulnerability that marks her work so much as her natural ability to set a scene with film-like precision, letting the cracks slip through and spill over the frame. On her third album Home Video, she revisits her adolescent years in Richmond, Virginia and places you right in the middle of this coming-of-age drama; 2018’s Historian saw her playing with point of view to inhabit different characters in her life, but here she mostly tells her stories through the second person, addressing her subjects through the listener. Early single and fan favourite ‘Thumbs’ turns a college memory of taking a friend to a bar to see their estranged father into a dark murder fantasy. “I would kill him/ If you let me,” she sings amidst a blanket of synths, a slight quiver escaping her voice, “I would kill him/ Quick and easy.” You could cut the tension with a knife, but Dacus uses this wave of emotion as a weapon of radical empathy. As far as heart-wrenching ballads go, there are very few like it.
The fact that any slight misstep could have derailed the song is a testament not only to Dacus’ exacting delivery but also her command of space. Home Video may lack the cathartic heights and explosive choruses that made Historian one of the standout rock records of the past decade, but it doesn’t need them; it’s catchy and assured in its own right, a soundtrack to the messiness of young adulthood filtered through a nostalgic and mature lens that matches Dacus’ perspective as a songwriter. Without diminishing or distancing herself from the immensity or complexity of those adolescent feelings, she casts them in a more generous and forgiving light, even when the songs themselves offer a scathing indictment of the environment around them. The arrangements are more direct and subtle, the framing deliberate and cohesive, as if to suggest that hope on the other end is more than just a possibility.
That’s not to say that Dacus has limited her scope as a musician to focus on her writing, and ‘Thumbs’ isn’t necessarily representative of the whole album. There are other plaintive ballads, most notably ‘Christine’, about a friend Dacus fears will lose herself in an unfulfilling relationship. For all the times she interjects with her own judgment (“There may be better but you don’t feel worth it/ That’s where we disagree”), it never becomes a typical story of what she herself might lose – her attention, her friendship – instead revealing a knowing selflessness: on the prospect of Christine having a baby, she comments, “Knowing you they’d be the first kid to never hurt another.” Yet the previous track, opener ‘Hot & Heavy’, is propulsive and confident, kicking things off with the wide-eyed earnestness that drives the rest of the album. With help from her collaborators, including Collin Pastore, Jacob Blizard, and Jake Finch, Dacus adjusts the pulse of these songs to fit their respective mood, adding in layers only when necessary (with the possible exception of ‘Partner in Crime’, in which the use of AutoTune works more in theory than in practice).
All of which makes ‘VBS’ a curious and undeniable highlight. As Dacus looks back on her experience at a teen bible camp, her astute observations about the past betray a hint of present uncertainty in what is otherwise a straightforward account of young love. For a single verse it’s just her and her acoustic guitar, singing, “While you’re going to sleep, your mind keeps you awake;” the only thing that helps him “drown it out” is “playing Slayer at full volume,” and as a blast of distortion sweeps her back up, you wonder – for the first and only time on the album – whether the singer is using this character sketch to project her own anxieties, a darkness that never really left.
More often, however, Dacus uses these autobiographical narratives as an opportunity not just to scrutinize the past but to imagine a different version of it, one where her desires are explicit and the gaps left by time have been filled. ‘Thumbs’ is the most obvious and extreme example, but there’s also ‘Triple Dog Dare’, where she addresses her sexuality, admitting that “I never touched you how I wanted to.” (The near-8 minute closer recalls the final track on Japanese Breakfast’s recent LP Jubilee, not least because it ends the album with a much shorter but just as fiery guitar solo.) On ‘Brando’, she confronts an obsessive cinephile who failed to connect with her on an emotional level: “You called me cerebral/ I didn’t know what you meant/ But now I do/ Would it have killed you to call me pretty instead?”
But Dacus never leaves you with the impression that she wants to rewrite her own personal history, or that she holds any resentment except for those who’ve hurt the people she has chosen to memorialize. The final moments on ‘Going Gone Gone’ find Dacus thanking everyone in the studio for their contribution to the song – which includes Mitski and her boygenius bandmates Julien Baker and Phoebe Bridgers – feel like an acknowledgment of how her gratitude and love for others governs her creative life, too, not just her reverence for the past. And when she untangles the web of unrequited love on ‘Cartwheel’, she’s able to treat her own romantic disappointments with equal care and vulnerability. “The future isn’t worth its weight in gold/ The future is a benevolent black hole,” she sings in its closing lines. Fortunately, there’s still a treasure’s worth of past and present for her to dig through.
Spain is home to some of the world’s best art. Art aficionados from around the globe flock to Spain to visit top museums like the Picasso Museum and the Prado. Most people need to make an entire trip only to view all the gorgeous art pieces on display. The Spanish government has also done their best to preserve the integrity of the art and has taken active steps to ensure the restoration of famous monuments. Many people skip museums when visiting different countries, but it is best to make a detailed itinerary of all the places you need to see.
We mainly advise people to start from the north of Spain and slowly travel downwards visiting each major historical and artistic landmark. Starting at the city of Bilbao is an excellent way to start your art journey in Spain. Always remember, when travelling from one town to another, you should finalize your stay and travel well in advance. Bilbao city apartments offer excellent stays close to the famous Guggenheim museum. When travelling for art, you should find accommodations that are closest to art districts and museums.
Let us look at some of the best art spaces in Spain. Here is our version of the art lovers guide to Spain.
Bilbao: Bilbao is lovingly called the Basque city of Spain. It is the best destination to start the Spanish art trip. Home to globally recognized museums, art galleries, and architecture, Bilbao should be on your bucket list.
Guggenheim Bilbao – Based in the art district, the Guggenheim museum is the go-to for modern art/ The Atrium has large glass curtain walls that fill the museum with light. It is home to pieces from Rothko, Oteiza, Saura, and Koons. Start your art journey with this magnificent museum, then head to Madrid, and eventually Barcelona.
Madrid: Madrid is famous for its elegant boulevards, manicured parks, entertainment districts, and impressive art collection.
Museo del Prado – Museo del Prado is one of the points of the famous Golden Triangle. It is known for its rich Renaissance art and religious painting and sculptures. The Museo del Prado also has a massive neo-classical building. This museum is home to the world-famous Francisco Goya collection, Boschs ‘The Garden of Earthly Delights, and Velazquez’s ‘Las Meninas’, a portrayal of the Royal family from the reign of His Highness King Philip IV. You should plan a visit to the museum in the evening when entry is free, and the crowd is less.
Museo Nacional Centro de Arte Reina Sofia – Named after Queen Sofia, the National Museum opened its doors in 1992 and is home to the world-famous large oil painting ‘Guernica’ by Spanish painter Pablo Picasso. Guernica is a depiction of the Spanish Civil War. The Museo Nacional Centro de Arte Reina Sofía also plays host to the dripping clocks and various collections of notable artist Salvador Dali. The top floor of the museum is excellent for panoramic views of Madrid. If you’re hungry, you could stop at restaurant Nubel and wander the courtyard with its famous aluminium and zinc roof. This museum is a veritable mine of artistic gems with its world-famous exhibitions.
Barcelona: Barcelona is famous for its modernista architecture, gorgeous beaches and artistic history. Filled with museums and art galleries, it is also the home of notable artist Pablo Picasso.
Museu Nacional d’Art de Catalunya – The National Art Museum of Catalonia has collections spanning more than a thousand years of glorious Renaissance and Romanesque periods, leading to the Gothic collection. You can view works by Canaletto, Titian, and Velazquez, with exquisite furniture pieces by none other than Antoni Gaudi. You can also visit the rooftop for excellent views of the city and beyond. The exterior facades and gardens alone are drool-worthy and make for beautiful pictures.
TheBasílica de la Sagrada Família – The 560 ft tall La Sagrada Familia Cathedral is still under construction from the time of Antoni Gaudi. The construction started in 1882 and has a tentative completion date of 2026. The structure has progressed at a snail pace owing to the Spanish Civil War and unrest. In 1936, many of Gaudi’s original plans were destroyed, leading to a further construction delay of 16 years. Visit the Sagrada Familia to see the marvel of Gaudi’s incorporation of natural imagery with everyday views of pillars, trees, and fruits. Some tourists have been known to get stunned at Gaudi’s inherent connections between the natural world and the divine.
Through the decades, electronic instruments have seen an increase in power and capability along with a decrease in cost, making it so much easier to create the electronic music that we know and love today. Here are some popular instruments used to make electronic music.
A key instrument to the future of electronic music
Behold, the LinnStrument. Despite its unusual name, this instrument developed by Roger Linn has transformed the way that electronic music is created and products.
Complete with flashing LED lights, this instrument looks more like a dancefloor than a typical piece of equipment you’d see in a DJ booth. Thanks to the right connectors, the lights illuminate and indicate the location of different notes that sit within a certain scale. Each colour can be programmed to meet the needs of the player.
It can also warp and time-stretch sounds to create unique and new audio that can help bring the genre to new heights. With five different types of polyphonic touch sensing, this device can make almost any sound you want it to. You can also upload your own samples to it, break them down and build them back up again.
Popular electronic instruments
Electronic keyboard One of the most popular types of electronic instrument is the famous electronic keyboard. Used by many bands and artists, this instrument has been used and developed over the years to replicate not only the sounds of a classical piano or organ, but a whole heap of miscellaneous sounds too. The electronic keyboard can also simulate sounds a guitar would make or can be used with your own sample sounds to create a unique and wonderful mash-up.
Roland Octapads Percussionists can use this instrument divided into 8 sections to give a sound variant of the instrument they are using. The type of tap along with the force of the tap will determine the sound that is made. Combine this instrument with a pair of drumsticks and you essentially have a full drum kit that’s much more compact.
Theremin This weird and wonderful instrument was incredibly popular in the 80s as it could create high pitched sounds that would enhance any pop song of the time. This instrument is so special because it doesn’t require physical contact and would be played by simply reading the position of the user’s hands. The two antennas would create electric signals which where then converted into frequency and would create the unusual tones.
beabadoobee has released her new EP Our Extended Playand shared a video for the single ‘Cologne’. Following her 2020 debut album Fake It Flowers, Beatrice Laus co-wrote the 4-track EP with the 1975’s Matty Healy and George Daniel. Stream it and check out the ‘Cologne’ visual below.
“This EP was made in a really collaborative way during a time where it was really difficult to do that and I feel so lucky to have gotten to make it with my band and Matty and George,” beabadoobee explained in a press release. “I hope it can bring people together in some way, that’s really what these songs are about, that feeling of togetherness that’s been missing a lot in the last year. It feels like a bridge to what’s coming next too.”
beabadoobee has also announced her North American tour for November and December 2021, which will follow her debut headline run across the UK and Ireland in September and October. Find the full list of dates here.
After growing up in a small town in Ontario, Canada and immersing herself in the Toronto music scene – which led to an appearance in the Weeknd’s 2012 video for ‘The Zone’ – Elissa Mielke moved to Los Angeles in 2019 to focus on her own musical journey. Though she previously worked as a fashion model, music has always been Mielke’s first love; she started performing at a young age and would record herself singing in the forest on a tape recorder. She came close to signing a record deal several times, including with a major label who sought to mold her into a kind of pop star she had no interest in becoming; those simply weren’t the sounds she naturally gravitated to. To say that her aptly titled new EP Finally has been a long time coming would be an understatement – one could have easily said the same about the self-titled project she released under the moniker Mieke six years ago.
Featuring just four out of the many songs Mielke has written during the past few years, Finally finds the singer-songwriter recalibrating her approach and reconnecting with what drew her to making music in the first place. The production here is incredibly sparse – Mielke’s piano or guitar are often the only accompaniment to her astounding voice, which fills out the spaces of these songs with emotion that can hardly be contained. She’s spoken of songwriting as a way of having dialogues with fear, and the power of these songs – from the warm, sacred intimacy of ‘Kind of Thing’ to the devastating beauty of ‘Trying’ and the gauzy, hopeful ‘Palace’ – lies in her ability to turn these internal battles into a universal plea for acceptance.
We caught up with Elissa Mielke for this edition of our Artist Spotlight interview series to talk about her songwriting journey, the making of her new EP, and more.
There’s a line on ‘Kind of Thing’ about “trying to figure out the meaning of it all” when you were fifteen. What was that time in your life like for you?
The beginning of the song – where it’s like, “Hear you, calling, far off in the distance,” and then “crash and all the drunk people cheering” – when I was a teenager, I grew up in the country and we were in the forest and there was a really small town racetrack, and it was the only thing you could hear because there was like 20 acres of forest around the house. A lot of kids from high school would go there and get drunk and smoke weed in the bleachers. The city now is developed and has breweries and trendy coffee shops and stuff, but the city nearby at that time didn’t really have many places to go. So that racetrack was nearby and I could hear it from my window, and I think in reflecting on it, to me it represented… I had a really beautiful childhood and I loved growing up in the country, but also because we didn’t really listen to popular music – you know, my parents didn’t really listen to Bob Dylan or anything that other people’s parents were listening to, mostly classical music and hymns – I heard that and when I think about it now, it kind of represents the separateness I felt as a teenager. I was always trying to figure out why I didn’t feel like I fit, and I think at church I felt like I was trying to make sure I didn’t somehow lose acceptance or love. And then at school it was the same thing where people were talking about music and TV shows, and I didn’t have a TV and we didn’t watch movies. And then people would be like, “We’re all going to the racetrack,” and like, you know, I had never had a beer. [laughs]
I think that messy thing of being a teenager and belonging – I’m reading a lot about belonging right now, and I think especially this year has brought up this sense of exile. And it’s sad that so many people are feeling it at the same time, but if anything this last year for me exacerbated how important it is for us to feel like we belong somewhere. I think as a teenager I felt often very isolated, and the beginning of that song is sort of like a visual memory for me: lying in my bed with the window open, hearing the cars, and just feeling like every kid does or even adults do when you’re having a FOMO moment of like, “Everyone is there, everyone knows what they’re doing, everyone is cool and feels cool and they fit in.” And you know, I just had Bible study and I’m in my bed and can’t go to the racetracks. [laughs]
I also think it’s maybe part of being an artist and a creative person. I mean, with music, I always feel like I belong in a song, or when I’m making music with other people. That’s just been a thing that feels like it’s mine. And in some moments where I feel off or vulnerable or there’s something my subconscious is trying to sort out and it can’t, then I go to a studio or I go to a little piano room and I just play. That’s how the song ‘Trying’ came up – I was feeling all these old feelings and like I didn’t fit, and then the song appears and it’s like, “Oh, I’ve been way too hard on myself, and there’s people who are being way too hard on me that I need to address.” So I think songwriting has become like a passage for that.
How did your interest in music and songwriting develop?
When I was four or five, I started classical piano lessons. And I think I liked it, but I mostly liked when there was a moment in a classical piece that felt really beautiful or emotive. Like, if there was one song where there’s a moment where everything’s Andante and slow and beautiful, I would just play that part over and over again. And that’s kind of how I ended up writing songs, is I would get in trouble with my teacher because I was meant to be practicing the song and doing it like it said, and instead I would just pick the most beautiful parts and play them over and over and sing little things that matched my feelings. And then I took a lot of classical voice lessons, and I studied with an opera teacher.
It wasn’t socially acceptable, necessarily, to make my own songs, like that wasn’t the thing that certain people in my church community were comfortable with. And so, classical music had these big beautiful indulgent moments, and it was kind of music that I had access to. My dad sings songs – he plays guitar and sings and he lived in Mexico for a long time, so he really played a lot of mariachi music at home and a lot of Spanish music and Mexican music, and that also has a lot of harmonic elements and a lot of like big emotional swells. So, a lot of my love for songwriting grew out of that, and then I also grew up in a church where there were a lot of choirs and I sang in a lot of choirs. I sang in a choir that performed with an opera, so that was really powerful, singing with other people and learning about harmony. I still really play a lot with choral elements and I love arranging harmonies.
I also studied journalism in Toronto, and I think I partly studied that because it meant that I could live in Toronto, which was the closest city. I played shows when I was 14 or 15 – I had like two fake managers, and one was named Ingrid and the other one was named Cassia. Because I realized I wouldn’t be able to book shows – you know, I’d call and they’d be able to tell it was a 15-year-old and they wouldn’t book anything. But I quickly learned that if someone else is booking something for you, they’ve already assumed that you’re worth investing in. So, I booked some festivals and some shows for myself as a fake manager, and I got a residency that way at this Hookah bar in a strip mall and kind of just started exploring and making connections with the music scene that way. I played in a punk band for a year and we toured in Canada and played some festivals – I played mostly synths and made noises.
So you started performing songs at that age, and that was when you were still writing songs in secret or in private?
Because my family’s very involved in a church, I started writing some music to sing there too, but often there when I sang it was too emotional and evocative, like, not straight, and so that didn’t necessarily go over super well. I mean, my dad would drive me to the Hookah Bar and sit there and listen to me play my songs, which I really appreciate. So yeah, when I was about that age I started playing shows, and just gaining confidence slowly, realizing that what I did was a thing. I was just writing songs in my apartment and I had this little tape recorder and I’d sing into it in the forest and have these tapes, but I didn’t – until a friend of mine at high school burned me a CD of like, Joni Mitchell and Heart and Janis Joplin, and he was like, “You’re a songwriter, check out these people, these women do the same thing.” And I had never met a woman who is a songwriter – I didn’t know any songwriters or musicians who did it as their job as adults. I wouldn’t dare to dream that I could do it as an adult, but somewhere in my heart I knew I wanted to do that, always.
How did punk come into your life?
I think I’ve felt some anger about being a kid who had, like, a lot of ideas and questions that were very accepted at home, but sometimes in other communities I was part of, I was too loud or asked too many questions or was too expressive, had too many feelings. So, I went to a few punk shows when I was a teenager, and there was something about – I’m a real people pleaser and I have a lot of love for people when I meet them – but anger, and being able to express anger or express frustration, wasn’t something I was able to do. I don’t know a lot about punk music, but whenever I went to one of those shows, it was really welcoming, and it seemed like all these people who were in touch with the things that were hurting them, and they were able to express them by screaming or thrashing around things.
I just played in a few bands, and the one that I toured with a bit I was playing piano at a show and they wanted some more melodic elements to their band, like New Order, Joy Division, so they just contacted me. I didn’t really listen to a lot of popular music fully until I was an adult, so we would be in band practice and they’d be throwing out references and I’d just write them down in my book and be like, “Totally, we can have a sample like that.” And I had no idea what any of them were. But I moved to Tokyo after university, and when I was in Tokyo, I went to a few punk shows, and there were a lot of synth shops and stuff like that. So that was really fun because I learned how to program synths – I had a little microKORG and a few synths and I would sit on the roof of my apartment in Japan and just learn about programming, and started listening to Joy Division and learning about Ian Curtis and how all his idiosyncrasies contributed to his performances.
How did you settle on this kind of stripped-back, simple presentation for this EP?
A lot of the writers I love, like Tori Amos, Ani DiFranco, Joni Mitchell, Carole King, Bob Dylan, Neil Young, Bill Withers – if you put someone in front of an instrument and they just sing their song, you can really hear the song. And I think if you’re not yet married to a style of production, sometimes just having the instrument and the vocals lets you really be in the song. And because the words also matter to me and the vocal matters to me, there’s something about just letting it be that’s like meeting someone and not wearing any makeup, where they can actually see your face. And then you can put on makeup later and it’s fun, you know. So production-wise, I look forward to putting on some glittery eyeshadow or whatever, but this was sort of me being like, “I’m going to meet the music world with no makeup on so they can see what we’re starting with.”
It’s interesting, especially in that context, that the EP is called Finally. What was the reason for that?
Because I entered the music industry from a standpoint of feeling like other people had authority – especially if you’re a young woman in the music industry, and you meet someone who has like won Grammys or had platinum whatevers, there’s this sense that if they tell you something, it should be true. I’d play a show when I was 15 with my fake ID in the city, and these men would come up, sometimes from a label or sometimes a manager, and they’d have a lot of opinions. They were all thinking about how to make money off of whatever little thing they saw. And I think I kind of felt like maybe I needed one of those people to allow me to do music. I had a lot of curving roads and a lot of almosts – I think it’s very normal as an artist, you’re kind of trying things and opportunities open up. And then there were a lot of also just sketchy people that I met in the music industry, where they were offering a big opportunity, but it was also… It wasn’t connected to who I am as an artist, or it was with somebody who really just wanted to sleep with me. It’s different navigating that as a grown woman, but if you’re 17 or 18 – I’m just glad it didn’t destroy my love for writing, and that there was always this instinct where I was like, “It doesn’t make sense to like, drown this in synths, or for me to write this song with this 48-year-old man named Kevin even though he has Billboard hits, because none of this feels true.”
It’s taken me a long time to trust myself. I made an album that I got a bunch of investors for, and… It’s a long story, but I ended up – I barely had the stems for it, so that taught me how to produce and I started learning Logic and realizing that I could put my songs together myself, or I could ask other people to play on them. Or, with the distribution model we have today, I could go and put out a song if I wanted to. I would love to have a team, but I didn’t need anyone. And ironically that’s when I met an amazing team, this year, when I started finally just being like, “I have all these songs, let’s just put them out! Why am I waiting for all these random people to tell me they’re good enough?”
So I think it’s Finally in that way where I don’t really feel afraid of things I used to feel afraid of. And because it’s been a long journey – I had this card I found, it has like my MySpace on it for my music, and I remember being like 16 and getting it at the print shop and going to radio stations, just being like, “I know that I want to share my songs, I don’t know. I’m just trying.” So I think finally I have a sense of things I want to write, and also just the person I am.
How do you feel now that the EP has been released?
Whenever you put out music or something into the world, it feels like standing naked in the middle of a field. [laughs] You’re really seen, and you’ve shared something very vulnerable. To me it feels really important to protect the healthy creative part, because releasing music in this time means that you need to do a lot of self-promotion, and so I end up being on social media or on the internet a lot, and that can be very distracting from the actual thing, which is the music. Because you’re talking about the songs and making visuals for the songs and thinking about how they might represent you. So honestly, I feel like as soon as something comes out, I just want to run and hide. And it’s so nice to have put it out, and to have released it, but I’m really trying to not focus as much on the reaction and more so on the things I want to say next and share next.
But that being said, anytime people respond to it, it’s so moving. I think as a person who had this imposter syndrome thing about not fitting into culture or not understanding culture but so deeply wanting to be a part of the music world in some way, it feels so meaningful anytime anybody’s interested in it or sharing it or talking about it. It really challenges that imposter syndrome.
Is there anything in particular you would like to explore more of in the future?
I think I’ll just have to see. I was reading my book this morning, and there’s this word in Zen Buddhism, Shoshin – I wrote it on my hand – and it means like a beginner’s mind, or having an openness, and the idea of going through life like that. And I would hope that even when I’m 70 and hopefully have released many records, that I would still be approaching any part of life or creativity with this openness to learning something new or to seeing what arrives. So sometimes now when I’m writing it feels right to write on a synth, or it feels right to sing really quiet or really loud. And so I think that’s how I would approach whatever thing comes next. I’m trying to release any pressure or expectation and just to enjoy that. It’s such a privilege and gift to be able to like focus on making art, but I also think it can be so easy to get in your head and for things to feel so heavy and so serious, and now having a team for my music, to focus on outcomes. And it’s just so freeing to pause and just be like, “Whoa, what a cool thing that this thing I loved doing as a kid I still get to keep doing, and I’m still gonna fight to keep doing, always, and hopefully with that sort of lightness and openness.”
This interview has been edited and condensed for clarity and length.
Wii ROMs are heavenly pennies, for which countless PC gamers are thankful. Currently, you can play any game without its cartridge or a console because of ROMs. There are numerous sites on the internet that offer every sort of game in downloadable ROMs for free. If you are aiming to download the best safe ROM site in 2021 then you are most probably a gamer. It can be hard when your ROM or emulator is not properly responding and you want to play your preferred game. However, for a game to work accurately on an emulator, you should first find a good ROM. Ensure that you safely download the ROMs because several websites that feature downloadable ROM have viruses concealed in them. That is why you need an ultimate guide on how to ensure you have a really high quality motherboard as that will boost your gaming experience. Note that downloading anything from the internet can be highly dangerous. There are several unsafe software that can steal your data or affect your system. you should be careful when downloading anything from the websites. Ensure the website is secure and trusted. In this article, you will find eight best websites to download Wii iso games on the internet. Below are updated entries of the most reliable ROM websites. If you are looking for other games, try out zodiac.
Romsplanet
Romsplanet had one of the biggest collections of retro video games and consoles. Lately, they’ve added the most popular bios file and they are available for download.
If you are searching for roms for Nintendo WII this website will offer you the top notch collection of games and emulators for this console: Mario, Donkey Kong, The Legend of Zelda, Call of Duty and many many others. What is vitally important – all the rom files are totally safe. The collection of games is constantly updating so we bet you can find your favorite game there.
Romsopedia
Romsopedia is a rather new resource on the web. Nevertheless, it has all the popular emulators, roms and bios. The collection of Nintendo WII games is completely safe and you can easily download your favourite games and enjoy it right away. All the download files are free. The download speed is decent. In case you have any problems, you can write to the support – they respond promptly and will definitely help you with your issues in case you have any.
If you are searching for ROMs for PSP, Nintendo Wii such as Spider man 3, Mario Kart, Mortal kombat then this website is the best place to be. The site has a striking source of great ROMs. On the website’s homepage, you will get the original creations of the games on the webpage and even some great emulators such as NDS, Pretendo. This website does not have a shortage of ROMs. Apart from the original ones, you can similarly get your hands on ROMs for IOS and Android. The website similarly has BIOS like Nintendo, GBA and there is even a blog if you have any queries. In the website, you will be offered a few details about the games like the section of the ROM file, the games’ release date, and the genre of the game.
This website allows you to download your preferred Wii ROMs without any problems. It has a quite straightforward and easy to use interface. You will get all the popular Wii games available on this site right on the home page. Besides that, the website offers sorting options to the consumer. As a result, you can easily get your preferred Wii ROMs on this website.
Even though Free ROMs Download offers ROMs for just a few consoles, it has a great assortment of ROM files. This website also allows you to download some emulators such as the PSP emulator for windows and the JPCSP emulator for Mac. This website allows you to check out over 3,000 ROM files and download them for free. The only drawback is that the site is not ad and pop-up free and this might jeopardize your experience. However, it is a quick and safe website.
This website offers you several games for different consoles such as SEGA, GBA, GBC, GB, MAME among others. This website has a substantial amount of traffic daily. Get over 57,000 ROMs, usable across twenty consoles and different other gaming devices. You will probably like this website as compared to others due to its responsive user interface. It has a rather clean interface free of ads and pop-ups. You can similarly get a Flash player on the web with which you can emulate different games online. Here, you are allowed to test different ROM files. You can easily download the available ROMs. It is one of the harmless and the best sites for accessing some of the classic ROMs for free.
Get to play some of the prevalent old games such as the Nemesis, Turbo Out Run, Arctic Banner and many others only when you download them from this webpage. This website allows you to discover some of the most highly ranked video game ROMs from 1978 to 2010! Not only that but you can also browse by the title, platform year, publisher, year, creator and genre of the ROMs. This site can kindle a rush of adrenaline down you if you are a gaming fanatic. This website offers you over 15,200 ROMs and different other adventure and war strategy games. Do not forget to check out the list of top downloads and try out some of the most treasured games of the past years.
Eagle Forces
Even though it is a Korean site, it is one of the most loved websites to download free ROMs. This website has incredibly high traffic because it is very safe. You should not be worried about legal considerations on this website. You will get ROMs indexed on the site in thousands. You can download all the ROMs for free. The website has a quite decent download speed. The site is generally at par with the others on the list.
If you do not like websites with lots of disorder, then you should definitely try out this website. It is a simple website with several game ROMs for some of the most prevalent consoles like PlayStation, SEGA, Atari, Capcom, Nintendo, among others. This website also offers you a list of emulators to proficiently run the downloaded games. This website is one of the safest ROM webpages. Here, you can similarly find the list of links to different game websites on ClassicGameRoms.
Currently, this is the most ideal place for free ROMs, ISOS, games and many others. The homepage of WoWroms offers you a list of ROMs, ISOS, Games and Emulators to download and a list of links to download emulators and bios files. You will also find a link to download countless popular games for SNES, GBA or PSPs. This is one of the most outstanding websites because it simplifies the download of the top ranked game guides, game magazines and game music.
“Off tour I spent so much of my time watching baseball that I thought I wanted to be a baseball player,” Webster explained in a press release. “But I’m not, so I guess the next best thing was having a crush on one. I guess this song explains what having a crush feels like. Having made up conversations with them in your head even though you don’t speak their language, wearing their team jersey every day, things that make you feel closer to this person that you don’t know at all. But I sang at the Braves game, and they let us meet so I think I got that one out of my system.”
‘A Dream With a Baseball Player’ follows previous singles ‘Better Distractions’, ‘Cheers’, and the title song. Webster has also expanded her previously announced fall tour with new North American dates in February and March of 2022. Find the full list of dates here.
Montreal-based singer-songwriter Ada Lea has returned with a new song called ‘hurt’. Co-produced with Phoebe Bridgers collaborator Marshall Vore, the track arrives with an accompanying video directed by Monse Muro. Check it out below.
“I wanted to find a way to communicate complicated feelings using the simplest language possible,” Alexandra Levy said of the new song in a statement. “I came with a narrative and removed almost every detail, so as not to obfuscate the feeling – but left it open in terms of a resolution: was this hurt necessarily a bad thing?”
‘hurt’ marks Ada Lea’s first piece of music in 2021. Following her 2019 debut album what we say in private, she released her woman, here EP in March 2020.
Damon & Naomi have announced a new album, A Sky Record, which is out August 6. The long-running duo of former Galaxie 500 members Damon Krukowski and Naomi Yang recorded the album with electric guitarist Michio Kurihara. Hear the new single ‘Sailing By’ below, and find the LP’s cover art and tracklist, too.
“”Sailing By” is also the title of a light classical waltz that’s played every night shortly before the 1AM end of the broadcast day on BBC Radio Four, followed by the “Shipping Forecast” Krukowski explained in a statement. “The Shipping Forecast is simply the weather forecast for the sea around the UK. But it’s also a mesmerizing list of place names (“Viking” and “Tiree” are examples) and slightly coded information about wind direction, etc. — it has its own language. But for some reason, Naomi and I found ourselves listening to it almost every night during lockdown… It comes on just as we’re usually cooking dinner, which is how we stumbled on it… and then this marker became important to us, even though (or because?) it’s a report about conditions for places we couldn’t possibly visit…”
Damon & Naomi’s last album together was Fortune, released in 2015.
A Sky Record Cover Artwork:
A Sky Record Tracklist:
1. Oceans in Between
2. Between the Wars
3. The Gift
4. Sailing By
5. Split Screen
6. Season Without Time
7. Midnight
8. Invincible
9. How I Came to Photograph Clouds
10. The Aftertime
