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Kanye West Shares New ‘Heaven and Hell’ Video

Kanye West has shared a new music video for his Donda track ‘Heaven and Hell’. The dark visual also serves as a commercial for Yeezy Gap that aired on ESPN last night during the College Football Playoff National Championship game. Watch it below.

The ‘Heaven and Hell’ video arrives just after Netflix shared a new teaser trailer for the upcoming jeen-yuhs: A Kanye Trilogy documentary that promises an intimate portrait of Kanye’s life and career. jeen-yuhs will hit the streaming platform on February 16.

Sharon Van Etten, Angel Olsen, and Julien Baker Announce Co-Headlining Tour

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Sharon Van Etten, Angel Olsen, and Julien Baker have announced a co-headlining tour of the United States. The Wild Hearts Tour kicks off in Virginia on July 21 and will run until August, with support from Brooklyn-via-Rochester singer-producer Spencer.. In partnership with PLUS1, a dollar from every ticket will support people rebuilding their lives after incarceration; tickets go on sale at 10 am local time on Friday, January 14. Find the full list of dates below.

“I’m so thrilled to be traveling and playing music alongside Spencer., Julien Baker and Sharon Van Etten,” Olsen said in a statement. “It’s truly a dream, something to hold and share collaboratively as we get out from under the last few years. I know for fans it’s something different and special too, and for me, it’s sort of like a caravan summer camp-a chance to get to know other artists in a deeper way and talk about music and life and how it affects us all as we move forward. Most of all, I am excited to sing live again, in an open and real way, both alone and together with my tourmates.”

Baker added: “Sharon and Angel are artists that I have genuinely admired for many years and whose music has honestly informed much of my own writing and music making, and I’m thrilled to be sharing a stage with them every night. I think after interacting with their recorded work separately so much, it will be special to get to learn from them as we share the space of performance.”

“Our aim is to strengthen our respective communities and promote camaraderie in the music world in a safe and enjoyable environment,” Sharon said. “We have carefully chosen the venues we think will deliver the best experience for us and our fans. I look up to Angel and have the deepest admiration for Julien and Spencer. It is an honor, to say the least, to be able to share the stage with such talent on a tour across North America.”

Last year, Olsen and Van Etten teamed up on the single ‘Like I Used To’, which made our 25 Best Songs of 2021 list.

The Wildest Hearts Tour Dates:

July 21 – Vienna, VA – Wolf Trap Center For the Performing Arts
July 22 – Asheville, NC – Rabbit Rabbit
July 23 – Nashville, TN – Ryman Auditorium
July 25 – Austin, TX – Moody Amphitheater
July 29 – Los Angeles, CA – Greek Theatre
July 30 – Berkeley, CA – Greek Theatre
Aug 2 – Troutdale, OR – McMenamins Edgefield Amphitheater
Aug 3 – Redmond, WA – Marymoor Amphitheater
Aug 5 – Boise, ID – Idaho Botanical Garden
Aug 6 – Salt Lake City, UT – TBA
Aug 7 – Denver, CO – Sculpture Park
Aug 9 – Minneapolis, MN – Surly Brewing Festival Field
Aug 10 – Chicago, IL – TBA
Aug 11 – Kalamazoo, MI – Bell’s Eccentric Cafe
Aug 12 – Toronto, ON – Massey Hall
Aug 15 – Shelburne, VT – The Green at Shelburne Museum
Aug 16 – LaFayette, NY – Beak & Skiff Apple Orchards
Aug 18 – Boston, MA – Leader Bank Pavilion
Aug 19 – Philadelphia, PA – Skyline Stage at The Mann
Aug 21 – New York, NY – Central Park Summerstage

5 Reasons We Love House of Gucci

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Ridley Scott’s House of Gucci follows Patrizia Reggiani, a meek outsider who marries into the Gucci family. Her unbridled ambition begins to unravel their legacy and initiates a thoughtless spiral of backstabbing, decadence, revenge, and ultimately — murder.

In this article, we’ll look at some of our favourite elements of the film that helped it gain a Golden Globe nomination and three Hollywood Critics Association nominations, including best costume design.

Cast

House of Gucci has one of the strongest casts from 2021, which includes Lady Gaga, Adam Driver, Al Pacino, Jeremy Irons, and Jared Leto — to name a few. The show’s star, Lady Gaga, had a superb performance as Patrizia Reggiani, which even earned her a Golden Globe nomination for Best Performance by an Actress in a Motion Picture (Drama). Gaga’s performance is striking and distinct, bringing the film to life with its dramatic familial and eclectic themes.

Alongside her, we also have Adam Driver, who has had superb performances in films such as Marriage Story (2019) and BlacKkKlansman (2018). In the film, Driver plays Maurizio Gucci, the man who was married at one point to Patrizia Reggiani. Whilst it’s not the strongest pull from Adam Driver, it’s an undoubtedly clap-worthy performance that took the film up a notch.

Lastly, the legendary Al Pacino appeared as a supporting actor portraying Aldo Gucci, the eldest son of the founder of Gucci — Guccio Gucci. Al Pacino’s performance was unsurprisingly impressive and even got some approving nods from the critics and film fanatics. Whilst his age is becoming more prominent on the screen, his performances still tick the boxes.

Music

Harry Gregson-Williams, the Primetime Emmy nominated composer, was the film’s unsung hero. With a beautiful pallet of rich and captivating sounds, Gregson-Williams truly helped seize the atmosphere and excitement of one of the biggest films in 2021. With this solid addition to the film, surely it will help it enter the powerhouse class of cinema for 2021 to determine if it is among the top contenders who look poised to win the big awards., with approximate odds compiled according to Offers.Bet.

Cinematography

Visually the film was truly majestic. You couldn’t get enough of the scenic views and well-captured action. Luckily for us, it was captured by the industry-renowned cinematographer Dariusz Wolski whose film credits include The Martian (2015), Crimson Tide (1995) and News of the World (2020) which gained him a worthy Oscar nomination.

For the film, Wolski does a superb job in framing not just people but also objects that help supplement the thrilling storyline of the film. As a result, it’s one of the film’s most vital elements and certainly helps it give it another layer of rush.

Locations

Various famous locations were used to shoot the film, including the holiday beloved Lake Como, which has some of the world’s most impressive views illustrating Italy and the dreamlife Gucci represents as a name and brand.

Furthermore, the fashion-heaven city Milan features within the film. The city, which is known for its famous Fashion Week, holds residence to some of the world’s best and innovative fashion designers. Rome, Italy’s capital, featured — a city renowned for its iconic locations, scenery and most importantly, history, something the film honestly takes into consideration due to its subject matter.

The breathtaking views help capture the country’s beauty in which Gucci originated and unravels you into the Gucci family’s life in that period which is like the views we see, seem unreal and far-reached to most of us.

Costume Design

It wouldn’t be a Gucci film without a fabulous costume design selection. As a result, the film rightly received some award nominations for the category, specifically Academy-award winning costume designer Janty Yates who also worked on such films as Gladiator (2000), The Last Duel (2021), and Kingdom of Heaven (2005). Yates truly embodied the Gucci family’s rich, wealthy, and mysterious-like life through her costume design that shined through the cinema screen. In many ways, it is the element that helped shape the vibrant and thrilling side of the film. The costumes are pristine, immaculate and at times seem a little too perfect for the eye. A bit like the expected life of the Gucci family from an outsider view.

Final Thoughts

The House of Gucci is a must-view for any film fanatic and certainly the fashionistas of our world. Scott’s take on the story is fantastic and is certainly helped by the well-rounded, A level stars. But it wouldn’t be anything worth viewing without the crew, which helped shape the film into a cult classic I feel it will become when it’s more broadly received.

15 of the Best Stills from Dune (2021)

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Denis Villeneuve’s Dune is a memorable spectacle for the eyes, capturing the enormous scale of Frank Herbert’s story on a vivid visual medium. Australian cinematographer Greig Fraser, who has previously worked on films such as Lion, Zero Dark Thirty, Let Me In, and Rogue One, worked together with Villeneuve to bring to life the wonder and the horror of the planet Arrakis. The key, Villeneuve says, is to keep audiences close to the hero’s journey – in this case, protagonist Paul Atreides’s sudden introduction to a whole new world. Born into the noble House Atreides, he already has enormous responsibility on his shoulders, but soon learns that he may be “the one” to bring peace to his people.

Paul has visions of a young woman on Arrakis, and these dreams draw him to the desert of spice – a precious resource at the heart of the war that threatens her people. In addition to the treacherous, sandworm-ridden desert, Paul must also navigate a tumultuous political landscape. His mother is by his side for most of the journey to offer him memorable tidbits of wisdom. While the story on its own is engaging, the film’s visual aspect helps it stand out from other sci-fi films with similar plotlines. Here are fifteen stills that showcase Dune‘s bold color scheme and incredible scale.

Barrie Announces New Album ‘Barbara’, Shares Video for New Single ‘Quarry’

Barrie has announced her new album, Barbara, which is set to drop on March 25 via Winspear. Along with the previously released tracks ‘Dig’ and ‘Frankie’, the follow-up to 2019’s Happy to Be Here will include the new single ‘Quarry’, which arrives today with an accompanying video by Robert Kolodny. Watch and listen below.

“The album is diaristic, but not in obvious or intimate ways,” Barrie explained in a statement. “Music is my job, and it’s also intensely personal. I want the music to connect with people, but have reservations about the toll it takes on the artist to have to live up to whatever the music ends up representing for the listener. To connect with people about grief is beautiful, but I don’t want to relive the trauma of it at every show and interview. I also don’t want to become desensitized to my sadness. There’s both rawness and a measure of control in the album; I want to make sure the project and the person are tied, but only by certain limbs.”

Barrie continued: “Since I wrote, played, and produced the album by myself in isolation, with the help of my wife, it felt like it should be self-titled, but maintain that same sense of separation I achieved with the music. Barbara is my legal name, my formal name. No one calls me Barbara except the bank and the government, and odd occasions when my dad inexplicably introduced me that way to friends. Since my name and moniker are Barrie, calling the album Barbara felt like the fitting way to keep that balance between intimate and public.”

Barbara Cover Artwork:

Barbara Tracklist:

1. Jersey
2. Frankie
3. Jenny
4. Concrete
5. Dig
6. Bully
7. Harp 2 Interlude
8. Harp 2
9. Quarry
10. Basketball
11. Bloodline

Silverbacks Release New Single ‘A Job Worth Something’

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Silverbacks have released a new single called ‘A Job Worth Something’, lifted from their upcoming album Archive MaterialGive it a listen below (via The FADER).

Talking about the track, vocalist and guitarist Daniel O’Kelly commented in a press release:

For most of the pandemic I lived with my sister who is a healthcare worker and was working in the designated Covid hospital in St James’ Dublin. Unfortunately, I was far less heroic, writing copy for a car insurance company.

This song is about feeling embarrassed about how different our lives were at this time. When it comes to telling my grandchildren what all this was like, I’ll be telling them about my sisters who have more important stories to share.

Archive Material, Silverbacks’ second album following their 2020 debut Fad, is set to land on January 21 via Full Time Hobby. So far, the band have previewed it with the title track’, ‘Wear My Medals’, and ‘Rolodex City’.

Spiritualized Share Video for New Song ‘Crazy’

Spiritualized are back with a new single, ‘Crazy’, the second offering from their forthcoming album. The track, which features backing vocals from Nikki Lane, arrives with an accompanying video directed by frontman Jason Pierce (aka J Spaceman) and partly inspired by Andy Warhol’s Kiss. Check it out below.

Spiritualized’s new record, Everything Was Beautiful, is due for release on February 25 via Bella Union. The band announced it back in November with the lead single ‘Always Together With You’. Their last LP was 2018’s And Nothing Hurt.

Marissa Nadler Announces ‘The Wrath of the Clouds’ EP, Unveils New Song ‘Seabird’

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Marissa Nadler has announced a new EP, The Wrath of the Clouds, which will be out on February 4 via Bella Union and Sacred Bones. Following her 2021 full-length The Path of the Clouds, the EP features two covers and three previously unreleased songs written during the sessions for the album – ‘Guns on the Sundeck’, ‘All the Eclipses’, and ‘Some Secret Existence’. Today, Nadler has shared her cover ‘Seabird’ by the Alessi Brothers. Listen to it below.

For Nadler, rediscovering the unreleased songs she had written for the LP felt “like uncovering lost gems that I had forgotten about,” she explains in a press release. “Once I had finished the album, these two covers were on the top of my list. These were a really nice capping off to the season of this writing.”

The Wrath of the Clouds Cover Artwork: 

The Wrath of the Clouds Tracklist: 

  1. Guns on the Sundeck
  2. All the Eclipses
  3. Some Secret Existence
  4. Ferry Lane
  5. Seabird

This Week’s Best New Songs: The Smile, Let’s Eat Grandma, Father John Misty, and More

Throughout the week, we update our Best New Songs playlist with the new releases that caught our attention the most, be it a single leading up to the release of an album or a newly unveiled deep cut. And each Monday, we round up the best new songs released over the past week (the eligibility period begins on Monday and ends Sunday night) in this best new music segment.

Let’s Eat Grandma’s Rosa Walton and Jenny Hollingworth gave us the perfect way to start off the year with ‘Happy New Year’, an uplifting and poignant synthpop tune that reflects on the duo’s lifelong friendship. Also on this week’s list, we have the frenetic debut single from The Smile, the new trio comprised of Radiohead members Thom Yorke and Jonny Greenwood plus Sons Of Kemet drummer Tom Skinner; the latest offering from SASAMI’s upcoming album, the industrial-leaning and virulent ‘Say It’; Father John Misty’s lyrically and musically enchanting new single ‘Funny Girl’, whose luxurious arrangement has more than a hint of Old Hollywood; Yard Act’s fun and cheeky new track ‘Rich’, taken from their imminent debut LP The Overload; and ‘Soundings’, the gorgeous debut single from York songwriter Elanor Moss.

Best New Songs: January 10, 2022

Song of the Week: Let’s Eat Grandma, ‘Happy New Year’

The Smile, ‘You Will Never Work in Television’

SASAMI, ‘Say It’

Father John Misty, ‘Funny Girl’

Yard Act, ‘Rich’

Elanor Moss, ‘Soundings’

Kae Tempest Announces New Album ‘The Line Is a Curve’, Shares New Song Featuring Kevin Abstract

Kae Tempest has announced their fourth studio album, The Line Is a Curve, which is set for release on April 8 via Fiction Records. The follow-up to 2019’s The Book of Traps and Lessons is led by the new single ‘More Pressure’, which features Kevin Abstract of BROCKHAMPTON. Check it out and find the album’s cover artwork (shot by photographer Wolfgang Tillmans) below.

In addition to Abstract, Fontaines DC’s Grian Chatten, Lianne La Havas, ássia, and Confucius MC contributed to the new LP, which was produced by longtime collaborator Dan Carey. “The Line Is A Curve is about letting go,” Tempest explained in a press release. “Of shame, anxiety, isolation and falling instead into surrender. Embracing the cyclical nature of time, growth, love.” They continued:

This letting go can hopefully be felt across the record. In the musicality, the instrumentation, the lyricism, the delivery, the cover art. In the way it ends where it begins and begins where it ends.I knew I wanted my face on the sleeve. Throughout the duration of my creative life, I have been hungry for the spotlight and desperately uncomfortable in it. For the last couple of records I wanted to disappear completely from the album covers, the videos, the front-facing aspects of this industry. A lot of that was about my shame but I masked it behind a genuine desire for my work to speak for itself, without me up front, commodifying what felt so rare to me and sacred. I was, at times, annoyed that in order to put the work out, I had to put myself out. But this time around, I understand it differently. I want people to feel welcomed into this record, by me, the person who made it, and I have let go of some of my airier concerns. I feel more grounded in what I’m trying to do, who I am as an artist and as a person and what I have to offer. I feel less shame in my body because I am not hiding from the world anymore. I wanted to show my face and I dreamed of it being Wolfgang Tillmans who took the portrait.

The Line Is a Curve Cover Artwork: