The Dawdler has released a new single called ‘Sign of Growth’. It serves as the title track to the singer-songwriter’s upcoming EP, out November 20 via Akira Records. Check it out below.
According to a press release, ‘Sign of Growth’ was by inspired by the short film Dear Araucaria and tells the story of the Guardian’s crossword setter John Graham, who let his dedicated followers know of his impending death in the form of crossword clues – one of them being, ‘sign of growth (6)’. “It destroyed me. The way Araucaria connected to his solvers,” John Edgar (The Dawdler) said. “Deep bonds formed through codes and clues, never having met any of his devotees. It’s just an utterly beautiful story. Needless to say, I love crosswords.”
Previously, the Dawdler shared the lead single ‘Dark Clouds’, Crocodile’, and ‘Lava Lamps’, the latter of which raised £800 for mental health charities Mind and Breathing Space through downloads and T-shirt sales.
Mishegas, a New York City-based artist, most widely known for his songs ‘Episodes’ and ‘Tonight,’ released his latest single ‘Untitled’ — today. This newest piece by Mishegas carries an upbeat atmospheric vibe through a polished production, something that we have come to know from the artist over the years. Moreover, ‘Untitled’ marks the first release for Mishegas on Nettwerk.
Talking about the song Mishegas said: “I spent time in Mexico City with my family one winter and was incessantly listening to Jake McMullen’s cover of Dancing on My Own, Phoenix’s Wolfgang Amadeus, Big Thief, and Clairo while driving through rural parts of the country. Spending lots of time in a car made me want to write a song for that environment; similar to what I was listening to at the time. Once I was back home, the core of the song came about in a few hours. But for something that came about so naturally, it was incredibly difficult to finish. Even the name of the song was just a placeholder. It’s been a long and difficult process, but I’m happy with the fact that it fits into the ambiguous space that I’m trying to explore in my music. I’m not sure if I ever fully had an end vision in mind. Leaving it ‘Untitled’ felt right.”
Mourn don’t mince words. You can tell as much on the Catalonian quartet’s fourth studio album, which opens with the group alternating between two open chords as they repeat the titular line, “This feeling is disgusting,” before a single voice rings out: “It sucks!” The band then lets out all their pent-up frustration in an outburst of punchy guitar riffs and sticky hooks, delivered with the fierce directness you’ve come to expect from the punk outfit that released their debut album while all four members were still in their teens and weren’t afraid to name their enemies. After fleshing out their sound on 2016’s post-punkish Ha, Ha, He. and 2018’s Sorpresa Familia, Mourn sound as confident as ever on the aptly-titled Self Worth, which marks their first release without former drummer Antonio Postius.
Growing up might just mean having more things to be angry about, but Mourn’s music still boils over with that same raw dynamism that’s characterized their remarkably consistent output thus far. ‘Men’ channels the same uncompromising energy of the band’s 2014 bonus cut ‘Boys Are Cunts’, but crafts a more overtly feminist polemic out of that general sense of distrust: “My boundaries are disrespected all times/ They think they do things for me/ But they’re doing them to me,” they holler, adding, “In their eyes I am meat.” The track is also a testament to the ways in which the band has been able to hone their songwriting without compromising on emotional intensity; its most visceral moment comes when the singer turns the scrutinizing male gaze on them, scanning through “their mouth, their head, their ears/ their stomach, their feet, their tongue/ their teeth, their guts, their brain,” and so on before stripping them of “their pride, their voice, their thoughts/ their lust, their shame, their power.”
Through fiery guitars and impassioned vocal harmonies courtesy of Carla Pérez Vas and Jazz Rodríguez Bueno, Self Worth makes the pressures of what are otherwise be perceived as abstract concepts – the patriarchy, society at large – feel palpably real. While tracks like ‘Men’ and ‘Apathy’ see Mourn railing against misogyny, much of the album also digs into the anxieties of adulthood and the responsibilities that come with it, but does so in a way that underscores the systemic issues that have allowed these personal insecurities to fester in the first place. Though sung in the first person, the lyrics of the relatively spare ‘Worthy Mushroom’ sound more like a unified expression of the group’s shared experience as musicians who constantly feel like they have to prove their worth to a world that doesn’t value their work. It’s not often that Mourn use figurative language, so when they do – “I feel like I’m valid/As a mushroom in the woods/ Hidden small between the moss/ Sitting under the shadows” – the feeling becomes all the more potent.
It’s not just these external pressures that feel inescapably present, however; the songs also have the effect of amplifying Mourn’s collective voice, thus rejecting the notion, as expressed on ‘House, Hold’, that they’re “just an idea” to be exploited for someone else’s gain. Part of this is because the vocals are a bit more pronounced here than they were on the darkly-tinged Sorpresa Familia, the melodies a bit more vibrant. “I’m staying small/ Small and focused,” they proclaim on ‘I’m In Trouble’ – focused, absolutely; small, not so much. The track is an thunderous display of the band’s tight chemistry, with new drummer Victor Álvarez Ridao and Leia Rodríguez’s rhythm section particularly standing out. Though Mourn don’t particularly stray from their trademark sound on Self Worth, there are a few interesting sonic excursions: ‘Stay There’ is noisy and abrasive in a way the band has rarely if ever been, while the melodic ‘The Tree’, though perhaps not the most experimental thing on the planet, certainly sounds like it could have a place somewhere in The Woods. “The future is uncertain” might be one of the most resonant lines on the album, but Mourn have nonetheless come through with their most self-assured and empowering effort to date.
Gorillaz have shared a new video for their Beck-featuring track ‘The Valley of the Pagans’ as part of the latest instalment in their Song Machines series. Taking inspiration from Grand Theft Auto, the new visual sees 2D, Murdoc, Noodle and Russel cruising around a CGI Los Angeles, while Beck makes an appearance on something called a Fruit phone. Check it out below.
‘The Valley of the Pagans’ marks the eighth episode in the cartoon band’s series. Last month, Gorillaz released Song Machine Season One: Strange Timez, with season two apparently in the works. In a recent interview, the group’s Damon Albarn has also teased a new animated movie and Plastic Beach sequel.
System of a Down are back with their first new music in 15 years. The new songs, ‘Protect the Land’ and ‘Genocidal Humanoidz’, are being released in order to draw attention to the “serious war being perpetrated upon our cultural homelands of Artsakh and Armenia” by Azerbaijan and Turkey, according to a statement from the band. Take a listen below.
“We’re proud to share these songs with you and hope you enjoy listening to them,” SOAD wrote. “Further, we encourage you to read on to learn more about their origins and once you do, hope you are inspired to speak out about the horrific injustices and human rights violations occurring there now. Most importantly and urgently, we humbly implore you to donate, in sums small or large to help those adversely affected with what are ever growing accounts of crimes against humanity.”
Singer Serj Tankian added: “The aggression and injustice being perpetrated against the Armenian people in Artsakh and Armenia by Azerbaijan and Turkey is a human rights violation and a war crime. All of us in System realize this is an existential battle for our people, so this is very personal for us. What we need right now is for the world to put politics aside and support Armenia by sanctioning Turkey and Azerbaijan and recognizing Artsakh.”
Both songs were written by guitarist-singer Daron Malakian, who commented: “We’re probably the only rock band that has governments as enemies, the only rock band that’s at war, so I wrote these songs to boost the morale of our troops and Armenians around the world.”
Proceeds from sales of both tracks – which are available to purchase via the band’s merch store, Bandcamp, and Amazon – will “provide crucial and desperately needed aid and basic supplies for those affected by these hideous acts.” Read the band’s full statement below.
System of a Down released their last pair of albums, Mezmerize and Hypnotize, back in 2005.
Miley Cyrus and Stevie Nicks have teamed up for a new remix of Cyrus’ latest single, ‘Midnight Sky’, which samples Nicks’ classic track ‘Edge of Seventeen’. The new version of the song is called ‘Edge of Midnight’. Check it out below.
Talking about the collaboration earlier this year, Cyrus said: “I sent her the song and I said, ‘I have an alternate melody, if you don’t want me to kind of like pay tribute to you and your greatness and how much you’ve inspired me.’ And she said, ‘You can borrow from me anytime.’”
‘Midnight Sky’ serves as the lead single from Cyrus’ forthcoming album, Plastic Hearts. Stevie Nicks recently returned with her first original solo recording in a decade, ‘Show Them the Way’.
Kali Uchis has announced a new album called Sin Miedo (del Amor y Otros Demonios) ∞. The follow-up to her 2018 debut Isolation marks her first Spanish language LP and comes out on November 18 via Interscope. Announcing the news on Twitter, Uchis also revealed the album artwork as well as a few of the featured guests. Check out her full post below.
Sin Miedo is set to feature contributions from Rico Nasty, PARTYNEXTDOOR, and more. It includes the previously released tracks ‘Aquí Yo Mando’ (with Rico Nasty) and ‘La Luz’ (with Jhay Cortez). Talking about the album in an interview with Evening Standard, Uchis said: “I’m really proud of this next project, and even though I don’t get to give it to the world when I wanted to, I really do believe that everything’s gonna happen when it’s supposed to happen.”
Back in May, Kali Uchis released her TO FEEL ALIVE EP.
“I have always admired the Weeknd so it feels nothing short of a dream come true to have him collab on ‘Hawái (Remix),’” Maluma said in a statement. “He brought another flow to it and sang in both Spanish and English which is impressive.”
Maluma released Papi Juancho in August of this year. The Weeknd’s most recent album, After Hours, dropped back in March.
Nine Inch Nails are one of the acts getting inducted into the Rock & Roll Hall of Fame this Saturday, along with Depeche Mode, Whitney Houston, the Notorious B.I.G, the Doobie Brothers, and T. Rex. Ahead of the ceremony, Amazon Music has recruited various artists to cover some of the inductees’ tracks: St. Vincent has joined forces with Dave Grohl for a cover of Nine Inch Nails’ ‘Piggy’, while Jehnny Beth has shared her own take on the band’s ‘Closer’. Listen to the covers below.
“[‘Piggy’] remains one of my favourite Nails songs to this day,” St Vincent said in a statement. “I am obsessed with the slinky tambourine that is just a little lazy in feel. And when I took this song apart to cover it, it took me a long time to really understand the immensity of the groove. It’s a dark, industrial reggae. Muscular, but never as distorted as you imagined it when you think of it in your head…They made a complicated thing seem easy and made big, bold sonic choices.”
St. Vincent and Foo Fighters‘ Dave Grohl have played together at various Nirvana tribute concerts throughout the years. Beth collaborated with Nine Inch Nails’ Atticus Ross on her debut solo album To Love Is To Live, which was released earlier this year.
The 2020 Rock & Roll Hall of Fame Induction Ceremony will be broadcast as a pre-recorded HBO special on Saturday (8pm EST). St. Vincent is among the artists taking part in the ceremony.
In this segment, we showcase the most notable albums out each week. Here are the albums out on November 6th, 2020:
Kylie Minogue, DISCO
Kylie Minogue is back with her fifteenth studio album, DISCO, out now via Darenote and BMG Rights Management. Containing 16 tracks, including the previously released singles ‘Say Something’ and ‘Magic’, the LP marks the follow-up to the pop singer’s 2018 album Golden. As with that album, as well as 1997’s Impossible Princess, Minogue has also co-written all of the material on DISCO. Though Minogue has written songs on every one of her albums since 1990, this has marks the first time she has engineered her own work. According to an interview with i-D, the album finds her “heading straight back to the dance floor,” adding, “I was inspired because it’s my happy place, but also because on my last tour, going back almost three years, there was a Studio 54 section. It just felt like the burst of energy and such a fun place to inhabit.”
Little Mix, Confetti
Little Mix – Perrie Edwards, Leigh-Anne Pinnock, Jesy Nelson and Jade Thirlwall – have released a new album called Confetti, out now via RCA Records. The group’s latest follows their 2018 album LM5, their last to be released under Syco Music following the group’s split with Simon Cowell’s company several days prior to the album’s release. “So much love, emotion and energy has gone into the making of this record,” they wrote upon the album’s announcement. Prior to the release of the LP, Little Mix fronted the new BBC talent show Little Mix: The Search. Confetti includes the previously released singles ‘Break Up Song’ and ‘Holiday’.
Ólafur Arnalds,some kind of peace
Icelandic multi-instrumentalist and composer Ólafur Arnalds has returned with a new album titled some kind of peace. Following 2018’s Re:member, the LP features contributions from British musician Bonobo, Icelandic singer and multi-instrumentalist JFDR, and German singer-songwriter Josin. “This album is about what it means to be alive, daring to be vulnerable and the importance of rituals,” Arnalds said in a statement. “It is a personal album, my most personal to date, set against a background of a world thrown into chaos. I’ve poured all my love, dreams and fears into this album through a magical but difficult process, but the result is something that makes me immensely proud and happy to be doing what I do.”
Adulkt Life, Book of Curses
This is the debut album from Adulkt Life, a new band consisting of of Huggy Bear’s Chris Rowley, Male Bonding’s John Arthur Webb and Kevin Hendrick, and drummer Sonny Barrett. Out now via What’s Your Rupture?, Book of Cursesfeatures the previously released singles ‘Country Pride’, ‘Stevie K’, and ‘Taking Hits’. It’s the first new band Rowley has been involved in in over two decades since playing with Huggy Bear, which led the UK’s response to riot grrrl. For Rowley, Adulkt Life “felt like it could carry the weight of all the things I would want to culturally load into a band without having to compromise any of it.”
Other albums out today:
Pylon, Pylon Box; Record Setter, I Owe You Nothing; Ennio Morricone, Morricone Segreto; Neil Young, Neil Young Archives Volume 2.