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Rob Zombie Announces New Album, Releases New Song

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Rob Zombie has announced a new album: The Lunar Injection Kool Aid Eclipse Conspiracy comes out March 12 via Nuclear Blast. The shock-rocker has also released the first single from the album, ‘The Triumph of King Freak (A Crypt of Preservation and Superstition)’, alongside an accompanying a silent-movie-style music video. Check it out below, and scroll down for the album’s cover artwork and tracklist.

In addition to the video, Zombie has issued a 7-inch single version of ‘The Triumph of King Freak’ featuring album track ‘The Serenity of Witches’ as the B-side, which is available to purchase at the Rob Zombie website.

The Lunar Injection Kool Aid Eclipse Conspiracy marks the follow-up to Rob Zombie’s 2016 record The Electric Warlock Acid Witch Satanic Orgy Celebration Dispenser.

The Lunar Injection Kool Aid Eclipse Conspiracy Cover Artwork:

The Lunar Injection Kool Aid Eclipse Conspiracy Tracklist:

1. Expanding the Head of Zed
2. The Triumph of King Freak (A Crypt of Preservation and Superstition)
3. The Ballad of Sleazy Rider
4. Hovering Over the Dull Earth
5. Shadow of the Cemetery Man
6. A Brief Static Hum and Then the Radio Blared
7. 18th Century Cannibals, Excitable Morlocks and a One-Way Ticket On the Ghost Train
8. The Eternal Struggles of the Howling Man
9. The Much Talked of Metamorphosis
10. The Satanic Rites of Blacula
11. Shower of Stones
12. Shake Your Ass-Smoke Your Grass
13. Boom-Boom-Boom
14. What You Gonna Do with That Gun Mama
15. Get Loose
16. The Serenity of Witches
17. Crow Killer Blues

Watch Perfume Genius Perform ‘Jason’ and ‘Nothing at All’ on ‘Kimmel’

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Perfume Genius was the musical guest on Thursday night’s episode of Jimmy Kimmel Live! Mike Hadreas and his band tuned in remotely from Joshua Tree, California for a performance of ‘Jason’ and ‘Nothing at All’, from his latest album Set My Heart on Fire Immediately. Watch it below.

Set My Heart on Fire Immediately arrived back in May of 2020 and landed on our Best Albums of 2020 (So Far) list. Perfume Genius recently announced Immediately, a 80-page, limited edition companion book to the album that will feature portraits by French photography Camille Vivier, a foreword from poet, fiction writer, and MacArthur Fellow Ocean Vuong, as well as handwritten lyrics as “vivid conjurings that became songs and tactile byproducts from exercises in world-building.” It’s set for release on December 1st – pre-orders are available via Hat & Beard Press.

 

Tierra Whack Drops New Song ‘Dora’

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Tierra Whack has dropped a new song called ‘Dora’. The new track is accompanied by a colourful stop-motion animated visual directed by conceptual artist Alex Da Corte. Watch the visual below.

Speaking of working with Whack, Da Corte said in a statement: “Tierra and myself still feel it is urgent to find a way to speak to our feelings through music and pictures. Thinking of the ways in which Aretha Franklin, Fred Rogers, and Jim Henson navigated the world through good times and bad times with determined positivity was deeply inspiring to me during the making of this video. To make Tierra laugh was in some ways the best I could do on the hardest of days.”

‘Dora’ follows Whack’s previous track ‘Stuck’, which came out in March of 2020. The rapper also featured on Alicia Keys’ ‘Me x 7’, from the singer’s seventh album ALICIA.

Alicia Keys and Brandi Carlile Team Up on New Song ‘A Beautiful Noise’

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Alicia Keys and Brandi Carlile have shared a new collaborative single called ‘A Beautiful Noise’. The song, written with a team of other women songwriters, including Ruby Amanfu, Brandy Clark, Lori McKenna, Hillary Lindsey, Hailey Whitters, and Linda Perry, premiered on Thursday night (October 29) during CBS’ Every Vote Counts: A Celebration of Democracy special. Listen to it below.

“The evolution of ‘A Beautiful Noise’ represents a group of incredible women from all different walks of life coming together with a universal message of hope and empowerment,” Carlile said in a statement about the song. “It is an important reminder that we all have a voice and that our voices count.”

Carlile released her most recent album, By the Way, I Forgive You, back in 2018. Keys put out her seventh album ALICIA in September.

Clairo Forms New Band Shelly, Shares New Songs ‘Steeeam’ and ‘Natural’

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ClairoClaud (the first signee to Phoebe Bridgers’ new label), and their friends Josh Mehling and Noa Frances Getzug have formed a new band called Shelly. The group has debuted their first new songs, ‘Steeeam’ and ‘Natural’. Check them out below.

“my best friends and i made a band and put out an A/B side- ‘Steeeam’ and ‘Natural’ 🎸,” Clairo wrote on Instagram. “we created everything during quarantine in LA, Chicago, Houston and Atlanta. hope you check it & enjoy.”

Claud recently released their debut song for Saddest Factory titled ‘Gold’. Earlier this month, Clairo covered The Strokes’ ‘I’ll Try Anything Once’.

Album Review: Adrianne Lenker, ‘songs / instrumentals’

About halfway through ‘music for indigo’, the 21-minute opening track of Adrianne Lenker’s instrumentals, the Big Thief singer clears the air with the sound of bells and natural harmonics. Then, a few minutes later, just as she’s settled into a new rhythm, she lets out a chuckle that’s impossible to miss, a moment of pure delight that leaves you wondering how it came to be. It’s the kind of sound you’d make after peeking through the window to watch the morning sun and catch sight of a bird nestled in a nearby tree, or remembering that strangely funny dream you had the night before. But it’s also, more obviously, the sound of a musician deeply invested in that sacred interaction between herself and her guitar, a tiny celebration of the unexpected place the two of them have arrived at, seemingly without intention – something akin to a smile you’d normally throw in the direction of a fellow band member in the middle of an improvised session.

It’s no wonder Lenker’s relationship with her instrument of choice is as naturally symbiotic as the one she shares with the rest of her band; after Big Thief’s tour was cut short due to the pandemic, she rented a one-room pine cabin in western Massachusetts that “felt like the inside of an acoustic guitar.” She speaks of the joy she found “hear[ing] the notes reverberate in the space,” and the ways in which she captures that joy throughout her new pair of albums, songs and instrumentals, is nothing short of exquisite. songs might be an album about heartbreak, but it feels more like a reaction to it, an attempt to create something raw and beautiful to fill that unshakable absence rather than wallowing in it. It’s why Lenker’s presence on the record is so unmistakable – the majority of the songs consist of just her acoustic guitar and her voice, recorded straight to tape with the help of her friend and sound engineer Philip Weinrobe. That sense of warm intimacy will come as no surprise to anyone familiar with Big Thief’s music or Lenker’s prior solo work, but there’s a newfound directness to both the sound and songwriting here that immediately sets the album apart.

As with 2018’s overlooked abysskiss, Lenker’s lyricism is rich with poetic detail: on the stand-out ‘indygar’, she evokes images of how “the juice of dark cherries cover his chin” or the way “the pink ring swallows the spherical marigold terrain,” before returning to the disquieting refrain of “Everything eats and is eaten/ Time is fed.” On the tender ‘dragon eyes’, she veers even more towards the abstract: “Dragons have silent eyes/ cracked eggshells, fireflies.” (It brings to mind an older song of hers, ‘out of your mind’, in which she sang, “She is not a dragon/ But I am afraid of her fire.”) Those themes are nothing new for Lenker, but the emotional candour radiating through songs renders them especially heart-wrenching. On the opening track ‘two reverse’, her voice rises and falls in sync with her guitar as she sings, “Is it a crime to say,” but cracks just a little on the “I still need you?” Even when Lenker is singing of the past, invoking someone “as far from me as memory,” she still recreates those fragments with stunning clarity: “Let me lie on your arms/ I am weightless in the sea/ Up to my ears the salt sits in a circle around me,” she pleads on ‘come’.

It’s among the album’s most crushing moments, but the sounds of rain that introduce the somber track are soon replaced by that of birdsong on the next one. As if waking from a bad dream, ‘zombie girl’ summons a more familiar folk melody as Lenker addresses emptiness directly: “I cover you with questions/ Cover you with explanations/ Cover you with music.” At its most affecting, however, songs accomplishes much more than that – on the gorgeous ‘anything’, the singer wants nothing but to remove all unnecessary distractions and cherish that empty space. For a record so steeped in melancholy, it’s astounding how much of a comforting presence it really is, how it keeps pulling you back in its embrace. But as Lenker slides further and further into the background on instrumentals, leaving behind her mostly ambient space on the final 11 minutes of ‘mostly chimes’, it’s like she wants you to be comfortable in that absence, too, the solitude she’s learned to live with. You can long for those lovely memories, those pretty, simple folk tunes, or you can hum, as she often does on songs, “I’m not afraid of you now.”

Interview: Betta Lemme

Betta Lemme, an exciting name in the world of Pop music known for songs such as ‘Bambola’ and ‘Play’, released her song ‘Mommy’ just today. To talk about the release, Betta joined us for an interview.

Hi, how are you?

Hiiiii. I’m great, thank you. I’m excited for Fall and the upcoming releases we have planned for the next year.  How are you?

I’m also great, thanks for asking. So, how did you get into music?

A college music professor told me I wouldn’t be able to study music because I couldn’t read music notes. With time I realized I wouldn’t be able to face myself if I didn’t give it a go. That’s how I initially became determined to work in music. I used to sneak into the music room to write, dream, and then moved to NYC to find people with the same dreams. I sometimes want to email that professor to say thank you.

How did your new single ‘Mommy’ come about and what is the message about it?

I initially wrote the song in London with Danny L Harle. I had a Mrs. Robinson character in mind and was never supposed to release this myself. But while writing it, I wondered why it’s so common to hear people calling their partners “Daddy” but never “ Mommy”? The message behind this song is the double standard that female-identified folx face when it comes to ageism and sexism. It’s also about the discomfort many have when a womxn is confident in both regards. The song is cloaked in an upbeat dance instrumental with coy lyrics… in hopes to first catch people’s ear to then lead to conversation with themselves or others about the meaning of the lyrics. I just wanna flip ageism on it’s head while making people dance.

Were there any difficulties writing the song?

No, because the song was initially supposed to be for someone else. When I’m in that mindset, it’s easy because I imagine who I’m writing for! The frustration only came once the song was completed. I began to wonder that perhaps if womxn made more than 0.79 cents for every dollar that a man makes,  then maybe we’d hear the word “Mommy” more than “Daddy”? Is economic prosperity linked to sexual liberation? Does this song make you uncomfortable? Does anyone even care? Is anyone listening? So here’s another ‘club banger!’.

We’ve seen so many issues and causes get the attention they deserve in 2020, with protests across the globe and people speaking up on social media for example. Tell us your thoughts about sexism and ageism – what are some changes you’d personally like to see in this regard?

Happy to! Ageism and sexism are a part of larger global issues. In 2020, I think it’s most important to acknowledge the Black community and Black Lives Matter movement. Specifically, issues concerning Black Trans womxn. There is an important group called G.L.I.T.S., which helps Black Trans womxn with housing and they also advocate for harm reduction, economic and social justice. You can donate to the project here: https://www.glitsinc.org/donations

You sing in three languages, how does this affect your ability to write songs both lyrically and sonically?

I usually write in English, but sometimes the French or Italian creeps in when it feels right. Sometimes I feel the French language allows me to be more playful, the Italian more assertive. Writing in different languages helps bring out different parts of my personality and helps convey what I want to say. Sometimes certain French or Italian phrases do not have an exact English equivalent, so the idea or the phrase, in my mind, is easier to convey in French or Italian.

Have you discovered any new artists or styles of music since the COVID-19 began?

Definitely. The hours on Spotify and YouTube haven’t changed much since COVID-19 and I’m here to admit I may have a problem LOL. I’ve been really into Sega Bodega, Kate Bush, Ava Max and Chika.

In terms of 2020, do you have any more releases planned?

‘Mommy’ is my last release for 2020, but that’s what 2021 will be for! I’ll be releasing a lot in 2021.

Finally, do you have any advice for any up and coming artists?

Trust your instincts. Stay true to yourself and how you want to sound. Put together a good team when the time feels right and hold on tight.

The Allegory of the Cave: Character Analysis

Plato’s concepts and philosophical thoughts in the Allegory of the Cave might sound unreasonable to anyone. But, on a closer look at these principles, it begs the questions that scare most of us, “Is there more to life than we know?” In the allegory, he sought to lay emphasis on the search for a meaningful life other than living in a cave of prisoners. His interaction with Glaucon and Socrates could have formed his basis for this ideology.

However, in this article, we will be giving a comprehensive analysis of the Allegory of the Cave.

What is the Meaning of the Allegory of the Cave?

The Allegory of the Cave is a philosophical concept accredited to Plato. In this concept, he compares the influence of knowledge and beliefs in human life. He posits in his literature that men exist in this world (cave) as prisoners and that the perceived realities of most people are merely a cast of shadows. Many people who are not apt will see this concept as a threat to their belief systems.

But, in the light of superior arguments for the need for knowledge and beliefs, individuals should be willing to learn about the idea of the allegory of the cave and how it affects them. As prisoners live in this cave, they become used to thinking that life exists only in the cave.

If, for some reason, one of the prisoners escapes from this “perceived reality,” he might decide to become a beacon of light to set the others free. He returns to the cave on a newfound duty, only to be met with strong opposition from them. He might successfully persuade some of them to see beyond the norm. But, eventually, he jeopardizes his freedom because his eyes are not used to sunlight.

Analysis of the Allegory

Although Plato’s Allegory of the Cave might seem like a gloomy tale, it is our reality. We should not be quick to dismiss this notion because it could be the wake-up call for everyone to begin living a more meaningful life – away from the distractions of the shadows. There is a twist to the perceived reality of the prisoners, and that is the raising of children in such a limiting environment.

But if like the prisoner who escaped, you are willing to subject everything you know to the test of a higher and greater significance, you might begin to rewrite your reality. Beyond learning about the truth, it becomes your life’s mission to let others understand this new ideology.

The Character Analysis of the Allegory of the Cave

The Allegory of the Cave is riddled with characters that depict the true meaning of human existence. These characters may seem ordinary, but on a closer look, they have more profound meaning. Although the allegory of the cave has initially been formatted as a conversation between Plato and Glaucon. The use of symbols like cave, prisoners, forms, light, and darkness adds a sense of mystery to the text.

The Cave

The cave symbolizes the world we live in. Nobody wants to think about this grim truth, but it is apt to describe our reality. The cave symbolizes limiting and restriction. But sadly, a selected few still control the cave. Thus, the hope of humanity lies in the small tunnel of light that leads to the realization of a more meaningful existence. Irrespective of how long we have been chained in this prison, we can follow the light to change the cause of our lives.

The Prisoners

The prisoners represent human beings. They live in the cave, and they are regularly conditioned to think that reality ends there. The fire behind the scenes illuminates the figures moving about the cave, which keeps the prisoners entertained. But on a closer look at the puppets and objects, they would realize that they are the shadows on the wall of the cave. Sooner or later, when any of them understands this truth, he begins his journey towards questioning his existence. And this will lead him to find the reason for his existence.

The Light

The reality of a small ray of light gives a possibility of freedom to the prisoners. But this freedom is available to those who pursue the path of enlightenment. In the allegory of the cave, light illustrates in-depth knowledge of the reality of life outside the cave. Whenever a prisoner seeks to have a deep insight into his current condition, he stands the chance of attaining freedom.

Basking in the Light

After a prisoner has gained freedom, he has a more significant task to accomplish. He has to become a beacon of light to his family and friends. His new goal in life is to get as many people to see the reality of living outside the cave by a conscious effort to become knowledgeable. Beyond this task, he has to protect himself from falling back into the trap of ignorance, as this will make other prisoners question his knowledge of the truth.

Conclusion

The Allegory of the Cave gives credence to the concept of human existence based on knowledge instead of beliefs. Just like Socrates and Plato believed that life should be subject to intellectual insights. Though most people have been born and raised in this false reality, the small tunnel of light is all they need to discover the truth about life.

Irrespective of how long a prisoner stays in the cave, he has the sole responsibility of seeking the true meaning of his existence. Although he might need help from others who have escaped from the cave, he has to put in the effort to obtain knowledge.

Ailsa Tully Unveils Video for New Song ‘Drive’

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Having recently signed to Dalliance Recordings, home to artists such as Gia Margaret, Common Holly, and Wilsen, Welsh singer-songwriter Ailsa Tully has shared a new single called ‘Drive’. It arrives with an accompanying music video directed by Tully and edited by Finlay O’Hara. Check it out below.

“’Drive’ is about searching to free yourself from the mundanity of everyday life,” Tully said of the track in a statement. “It was inspired by a time when my brain was festering in a boring job. I needed an escape.”

‘Drive’ follows on from Tully’s previous singles ‘Edge’ and ‘Highly Strung’, as well as her 2018 EP Feuds. A follow-up single is slated for release in early 2021.

Deftones Announce ‘White Pony’ Remix Album ‘Black Stallion’, Release Purity Ring Remix

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Deftones have announced a new White Pony remix album titled Black Stallion to celebrate the iconic album’s 20-year anniversary. Producers and artists including DJ Shadow, Clams Casino, the Cure’s Robert Smith, Linkin Park’s Mike Shinoda, Squarepusher, Blanck Mass, Salva, and more contributed to the album, which comes out December 11 via Warner. Along with the announcement, Deftones have shared a remix of album track ‘Knife Prty’ courtesy of Purity Ring. Listen to it below, and scroll down for the album’s tracklist.

As Consequence of Sound notes, Deftones first revealed they were planning to release Black Stallion during a virtual press conference back in June, where discussed the 20th anniversary of White Pony. DJ Frank Delgado explained that the idea for the album even pre-dated the release of White Pony, saying: “We would talk about [White Pony before we released it], how good it was going to be, and we’d immediately jump to, ‘It’s going to be so good, we’re going to have [DJ] Shadow remix it and we’ll call it Black Stallion. I think one time we actually hit him up. He was playing here in town and I was opening DJing and me and Chino kind of cornered him.”

Deftones recently put out their ninth studio album, Ohms. Read our review of the album.

Black Stallion Tracklist:

  1. ‘Feiticeira’ (Clams Casino remix)
  2. ‘Digital Bath’ (DJ Shadow remix)
  3. ‘Elite’ (Blanck Mass remix)
  4. ‘Rx Queen’ (Salva remix)
  5. ‘Street Carp’ (Phantogram remix)
  6. ‘Teenager’ (Robert Smith remix)
  7. ‘Knife Prty’ (Purity Ring remix)
  8. ‘Korea’ (Trevor Jackson remix)
  9. ‘Passenger’ (Mike Shinoda remix)
  10. ‘Change (In the House of Flies)’ (Tourist remix)
  11. ‘Pink Maggit’ (Squarepusher remix)