The fall film festivals are usually a good arbiter as to what movies might be frequently mentioned when the Oscar nominations are announced in January.
As we get further into fall, and more movies hit theaters those voting on noms also see what is resonating with filmgoers and what is falling with a thud.
Usually, one or two movies emerge from festivals as the one to beat, such as “Roma” last year, but so far actor performances rather than overall movie are garnering the lion’s share of attention.
Oddsmakers, too, are beginning to handicap the race for Academy award. Check out the BetOnline review to see if the top-rated SBR sportsbooks suits your betting needs.
Really too soon to pick a winner, after all, we haven’t seen them all yet. But we love to speculate.
Here is a quick rundown of contenders in top categories:
Best Picture – Once Upon A Time in Hollywood, A Beautiful Day in the Neighborhood, Joker, Ford v Ferrari, Just Mercy, Jojo Rabbit, The Farewell, The Irishman, Marriage Story, The Two Popes.
On The Fringe – Hustlers, Booksmart, Judy, The Report, The Last Black Man in San Francisco
The issue in this category has long been that the movie that people like best rarely is nominated and never wins. With the Oscars proposing and then taking back the possibility of a “Popular Movie” Oscar, many industry movers and shakers think the trend of Best Picture may move from films for cinephiles to movies with broader appeal. That said, it’s a stretch if “Avengers: Endgame” or “Star Wars: The Rise of Skywalker” get a Best Pic nod. “Marriage Story,” about the destruction of a union, and “Jojo Rabbit” about a German boy who learns his mother his hiding a Jewish girl in their attic are the ones to watch in this category.
Best Actor – Joaquin Phoenix (Joker), Adam Driver (Marriage Story/The Report), Jonathan Pryce (The Two Popes), Matthew Rhys (A Beautiful Day in the Neighborhood), Antonio Banderas (Pain and Glory), Leonardo DiCaprio (Once Upon A Time in Hollywood)
On The Fringe – Eddie Murphy (Dolemite is My Name), Matt Damon (Ford v Ferrari), Michael B. Jordan (Just Mercy), Robert De Niro (The Irishman), Ian McKellen (The Good Liar), Brad Pitt (Ad Astra), Timothee Chalamet (The King)
All the talk is Joaquin Phoenix as the non-DCEU villain Joker. Who are we to disagree – for now.
Best Actress – Awkwafina (The Farewell), Scarlett Johansson (Marriage Story), Cynthia Erivo (Harriet), Renee Zellweger (Judy), Lupita Nyong’o (Us), Felicity Jones (The Aeronauts)
On The Fringe –Elisabeth Moss (Her Smell), Julianne Moore (Gloria Bell), Meryl Streep (The Laundromat), Helen Mirren (The Good Liar), Saoirse Ronan (Little Women), Beanie Feldstein (Booksmart), Kaitlyn Dever (Booksmart
The odds at the moment are seriously favoring Zellweger for her performance of Judy Garland and the troubling end to her career. We are really hopeful Awkwafina is nominated for her stunning turn facing her grandmother’s cancer diagnosis. And Scarlett Johansson may also get her moment in the Oscar spotlight.
Best Supporting Actor – Tom Hanks (A Beautiful Day in the Neighborhood), Brad Pitt (Once Upon A Time in Hollywood), Anthony Hopkins (The Two Popes), Shia La Beouf (Honey Boy), Jamie Foxx (Just Mercy), Christian Bale (Ford v Ferrari)
On the Fringe – Robert Downey Jr. (Avengers: Endgame), Lucas Hedges (Honey Boy/Waves), Alan Alda (Marriage Story), Sterling K. Brown (Waves), Al Pacino (The Irishman), Willem Dafoe (The Lighthouse)
That is one overloaded category with many deserving performances. Two-time Oscar winner Hanks is the recipient of a lot of buzz for his embodiment of everyone’s favorite neighbor. Foxx and Hopkins, also Oscar winners, adds to the drama of this category. Seriously, everyone’s a possible winner.
Best Supporting Actress – Margo Robbie (Once Upon a Time in Hollywood), Laura Dern (Marriage Story), Jennifer Lopez (Hustler), Annette Bening (The Report), Penelope Cruz (Pain and Glory), Shuzhen Zhou (The Farewell)
On the Fringe – Scarlett Johansson (Jojo Rabbit), Janelle Monae (Harriet), Julia Butters (Once Upon a Time in Hollywood), Laura Dern (Little Women)
Critics are calling Jennfier Lopez’s work in “Hustlers” her best work in years but never underestimate Laura Dern as the high powered attorney fighting for her client in “Marriage Story.” The unknown in this category, since the movies doesn’t premiere until Christmas, is whether), Saoirse Ronan will be lead actress or supporting for “Little Woman.” She is a formidable opponent in either category.
























GLOO (Ighlooghost, Kai Whiston, BABii), XYZ: The debut collaborative project from experimental electronic producers Iglooghost, Kai Whiston, and BABii was released earlier this week (September 18th). Although these artists have collaborated and toured with each other over the past months, this is the first time we’re getting a full-length release from them. Clocking in at just 28 minutes, XYZ features “one thousand drops, looming blasts, rapid thuds, blistering squeaks, and seven hundred and eighty-nine crystal-clear kicks in the face,” as the creatively designed associated website states. What else could we ask for?
Tove Lo, Sunshine Kitty: Pop star Tove Lo has released her fourth studio album, titled Sunshine Kitty, which in her words is “a play on pussy power”. It is the follow-up to 2017’s Blue Lips, and features the singles ‘Glad He’s Gone’, ‘Bad as the Boys’, ‘Jacques’, and ‘Really Don’t Like You’ feat. Kylie Minogue. It has been called a ‘new chapter’ for Lo, who has remarked that “I feel more at home in the weirdness of what it means to be a person who puts her heart on paper for everyone to listen to. I understand why I need to express what I need to a little more. I’m vulnerable, but I’m not angry. It’s the same emotional honesty-yet happy.”
Vivian Girls, Memory: Indie rock band Vivian Girls parted ways in 2011 after releasing their third album Share the Joy, and now they have reunited with a comeback album (perhaps cheekily) titled Memory. Working with producer Rob Barbarto (Kevin Morby, The Fall), the fuzz-pop trio promises “an album filled with personal reflections on toxic relationships, the false promise of new love, mental health struggles, and finding ways to accept oneself amidst it all,” according to a press statement. “It’s a loud, snarling journey and there’s a sense of streamlined direction and intensity to the performances: it sounds like a band returning to a core idea of itself.”








