Big Thief have released a new song called ‘Born for Loving You’. Following the recently released ‘Vampire Empire’, the track was recorded and produced by Dom Monks at Guissona, Spain’s Teatre de cal Eril Studio, during a recent tour. Check it out below.
Both ‘Vampire Emire’ and ‘Born for Loving You’ will be released as a 7” on October 20 via 4AD. The band’s latest album, Dragon New Warm Mountain I Believe In You, came out last year.
Are you already missing the warm sun, sandy shores, and the feeling of the ocean breeze against your skin? While the colder seasons may be approaching, it doesn’t mean you have to say goodbye to your beach body. In fact, now is the perfect time to start preparing for next summer! With a few key tips and the help of treatments like Botox, you can keep your beach body year-round. Let’s dive into some friendly advice to help you maintain that healthy and confident look.
Maintaining your beach body starts with what you eat. A well-balanced diet is essential year-round, but it’s especially important when you’re not as active in the colder months. Incorporate plenty of fruits, vegetables, lean proteins, and whole grains into your meals. These foods provide essential nutrients that support muscle maintenance and skin health. Don’t forget to stay hydrated as well; water is your skin’s best friend.
Just because it’s too chilly for outdoor workouts doesn’t mean you can’t stay active. Joining a gym or finding indoor exercise activities can help you keep your body in shape. Consider trying yoga, Pilates, or dance classes. These indoor exercises not only help maintain your physique but also improve flexibility and posture. Alternatively, explore online workout routines that you can follow from the comfort of your home. The key is to stay consistent, even when it’s tempting to curl up on the couch.
Botox is a highly effective and non-invasive treatment for wrinkle prevention. It works by relaxing the facial muscles responsible for fine lines and wrinkles, providing a smoother and more youthful appearance. Many people turn to Botox to keep their skin looking fresh and rejuvenated throughout the year. The treatment is safe and offers long-lasting results, with effects typically lasting for several months. Consult with a qualified medical professional to discuss whether Botox is right for you.
Colder weather can take a toll on your skin, leaving it dry and prone to irritation. To combat these effects, establish a skincare routine tailored to your skin type. Consider using gentle cleansers, hydrating moisturizers, and sunscreen with adequate SPF protection. A dermatologist can help you create a personalized skincare plan that addresses your specific needs and concerns. By maintaining proper skincare, you can ensure that your complexion remains healthy and vibrant year-round.
Maintaining your beach body is a journey that requires a positive mindset. Set realistic fitness and health goals for yourself and create a plan to achieve them. Break down your goals into manageable steps and track your progress. Celebrate your achievements, no matter how small they may seem. A positive attitude will help you stay motivated and committed to your beach body goals, even during the colder months.
Don’t embark on your fitness journey alone. Joining fitness classes or finding a workout buddy can make exercising more enjoyable and keep you accountable. Sharing your goals with friends or family members can create a support system that encourages you to stay on track. The camaraderie and shared commitment can make the process of maintaining your beach body more engaging and fun.
As the temperature drops, it’s time to embrace winter fashion while staying true to your beach body goals. Select clothing that not only keeps you warm but also complements your physique. Layering is a stylish and practical way to stay comfortable while looking great. Choose outfits that make you feel confident, and don’t be afraid to showcase your hard work. By dressing confidently, you’ll radiate self-assuredness regardless of the season.
Ultimately, your beach body is about feeling confident and comfortable in your own skin. Embrace your uniqueness and love your body for what it is. Body image positivity can have a profound impact on your overall well-being. Remember that everyone’s body experiences natural changes, and the key is to prioritize health and self-confidence over unrealistic standards.
Adequate rest is often overlooked but crucial for maintaining your beach body. During the colder months, ensure you get enough quality sleep. Sleep helps your body recover from workouts, reduces stress, and promotes overall well-being. Aim for 7-9 hours of restful sleep each night to support your fitness goals.
Instead of dreading the winter months, embrace them as an opportunity for new experiences. Try seasonal activities like ice skating, skiing, or winter hiking. These activities not only keep you active but also make the most of the colder weather. Plus, they can be a fun way to socialize with friends and family while staying fit.
In conclusion, maintaining your beach body year-round is not just about appearance; it’s about adopting a healthy and positive lifestyle. By following these tips, you can stay on track and be ready to hit the beach with confidence when summer returns. Embrace the changing seasons as an opportunity to nurture your body and maintain your beach-ready look!
Jennifer Bell is a wellness coach, self-proclaimed beauty guru, and a writer for medical spas in the Philadelphia area.
Music has played an essential part in land-based establishments and in online games since the beginning of virtual casinos. Songs can have a great effect on players’ mood, making them either nostalgic or determined to win, depending on their tempo and atmosphere. Thus, casinos understood the correlation and started testing.
Psychologists talk about casino playlists and gamblers’ moods all the time. The relationship between them is important and influences how one perceives casino games.
Another important aspect of this correlation is created by musicians who perform in casino establishments.
Every sensory detail, including the music, is carefully considered in brick-and-mortar casinos. Upbeat, energetic tunes create excitement and encourage risk-taking when combined with special lights.
Studies have shown that this is the main reason you would hear these vibrant sounds and beats from the slot machines area.
These games are fast-paced, colourful and require a short attention span, so naturally lively music is the best fit.
However, themed slot games will have a different vibe, and you can hear old famous pop and rock songs.
Modern slot machines have customisable audio options so players can choose their own musical accompaniment to each spin.
Table game areas, meanwhile, feature more mellow background music conducive to focus and concentration. Luxury spaces like high-limit rooms adopt jazz, classical and lounge songs. The diverse musical curation across casino zones combines retention and recurring visits.
Land-based casinos on multiple levels bring jazz bands to the VIP sections for live performances while people play.
Online casinos allow players to recreate the Vegas atmosphere in their own homes. Modern partnerships between casinos and musicians have brought live-streamed concerts and customised playlists to gaming sites.
Kingcasinobonus.uk emphasises the importance of new online casinos carefully choosing their background melodies to engage their players. The music in gambling venues plays a critical role in recreating a lifelike experience since the setting differs from that of land-based casinos.
However, in online casinos, the power is held by you, the player. You can mute all the games while playing them and listen to your own playlist. Studies discuss whether this would be an intelligent move for players or not.
As you listen to your favourite music, the brain creates connections and attaches them to the song. So, if you win a specific piece, you’ll always feel or remember those feelings when you hear it. But it also applies when you lose.
Rap artists like Drake and Cardi B have recently inked high-profile sponsorship deals to help casinos attract younger audiences through the influence of hip-hop culture. They promote online gambling sites and appear in ads playing.
Beyond direct business affiliations, gambling and casinos have long been fixtures in melodies. Classic rock songs like “The Gambler” by Kenny Rogers and “Viva Las Vegas” by Elvis Presley romanticise casino life. Also, popular rappers now include in their music videos gambling venues.
Besides promotions and contacts with casino brands, rappers also sing about the casino high-roller lifestyle and reference throwing dice and betting millions. Old-school and new rappers and trappers love the idea of showing off their skills and assets in videos, so casinos are just the place for that.
The casino-music relationship appears in most music genres. We also have pop songs like Lady Gaga’s “Poker Face” and Doja Cat’s “Vegas” to continue the hype. Artists like J-Lo and Pitbull have even shot videos inside casinos showcasing the lifestyle of gamblers.
Though methods of music integration continue to evolve, the synergistic relationship between music and gambling endures. Their potent combination promises to keep enhancing the casino experience for years. Casinos use sensory perks, including a high-tempo or a low-tempo musical piece, to make people spend more time and money.
But we can see the tunes’ importance everywhere else outside gambling places. Melodies and sounds make people understand their feelings, change moods and develop their mindset.
Specific sound waves are shown even to heal people with different health conditions, and white noises were found by specialists to help with sleep deprivation.
Music is a must in everyone’s life, and casinos understand how to add it to their games and differentiate each game after a playlist style.
Vagabon has unveiled one more single from her new album, Sorry I Haven’t Called, ahead of its release this Friday. ‘Lexicon’ follows previous offerings ‘Carpenter’, ‘Can I Talk My Shit?’, and ‘Do Your Worst’. Check it out via the accompanying video below.
“I wrote the song, the verses, the chorus, all of the bridge, and all of that, but I couldn’t find a place for it on the record sonically,” Lætitia Tamko explained in a statement. “When I revisited the album with Rostam in LA, he said give me a minute with it’ and he just got it.”
Truth Club have dropped a new song, ‘Uh Oh’, the third offering from their upcoming sophomore LP Running From the Chase. It follows previous entries ‘Blue Eternal’ and ‘Exit Cycle’, which featured guest vocals from Indigo De Souza. Check out a lyric video for it below.
Running From the Chase is set for release on October 6 through Double Double Whammy.
British producer Darren Cunningham has announced his next album as Actress: LXXXVIII is scheduled for release on November 3 via Ninja Tune. The follow-up to 2020’s Karma & Desire includes the recent single ‘Push Power ( a 1 )’, and a new track, ‘Game Over ( e 1 )’, is out today. Check it out along with the LP’s cover artwork and tracklist below.
According to a press release, a major inspiration behind Actress’ new album was game theory, “for not only does chess reflect the precise physicality of the artist’s material interactions in his studio, it also illustrates the intricate and tactical, internal and aesthetic battles which brokered LXXXVIII‘s creation.”
Last year, Actress put out Dummy Corporation, which landed on our best EPs of 2022 list.
LXXXVIII Cover Artwork:
LXXXVIII Tracklist:
1. Push Power ( a 1 )
2. Hit That Spdiff ( b 8 )
3. Azd Rain ( g 1 )
4. Memory Haze ( c 1 )
5. Game Over ( e 1 )
6. Typewriter World ( c 8 )
7. Its me ( g 8 )
8. Chill ( h 2 )
9. Green Blue Amnesia Magic Haze ( d 7 )
10. Oway ( f 7 )
11. M2 ( f 8 )
12. Azifiziks ( d 8 )
13. Pluto ( a 2 )
Jockstrap have announced a remixed version of their debut album, I Love You Jennifer B, which came out last year. It’s titled I<3UQTINVU (short for I Love You Cutie, I Envy You), and it arrives November 3 via Rough Trade. Lead single ‘Red Eye’ features Ian Starr and is accompanied by a music video, which you can check out below.
“Some of these remixes are almost three years old and some are only six months old,” Jockstrap’s Taylor Skye said of I<3UQTINVU, which also features Ersatz, Kirin J Callinan, Babymorocco, and Coby Sey for the remix album. “I made most of them really quickly, in a day or so. It keeps me sane to do this whilst mixing the album. I don’t really remember making them. It’s like eating too much and then throwing up and this is what comes out. It’s a weird feeling but also really fun. I felt very happy making some of this music and live it will be quite the show.”
Starr added of ‘Red Eye’: “I love making songs that push the limits of my vocality and energy, and I went all-out in efforts to craft the craziest performance possible on ‘Red Eye.’ Whenever I write a song, I always have the live audience in mind; performing this at my first festival with Jockstrap made me feel really great about the result! The crowd’s energy felt amazing & I’m so excited to perform it for everyone who comes to the U.S. tour!”
I<3UQTINVU Tracklist:
1. Sexy [feat. Babymorocco]
2. All Roads Lead to London [feat. Coby Sey and Ersatz]
3. Good Girl
4. I Touch
5. I Feel
6. Pain Is Real
7. Red Eye [feat. Ian Starr]
8. I Noticed You [feat. Kirin J Callinan]
9. Sexy 2
Last year, Cat Power delivered a song-for-song re-creation of Bob Dylan’s 1966 “Royal Albert Hall” set at Royal Albert Hall in London. Now, the artist otherwise known as Chan Marshall has announced she will be releasing a recording of the show on November 10 via Domino. Listen to her versions of ‘She Belongs to Me’ and ‘Ballad of a Thin Man’ below.
“More than the work of any other songwriter, Dylan’s songs have spoken to me, and inspired me since i first began hearing them at 5 years old,” Marshall shared in a press release.
Of ‘She Belongs To Me’, she added: “When singing ‘She Belongs To Me’ in the past, sometimes I turned it into a first-person narrative – ’I am an artist, I don’t look back.’ I really identified with it like that. But for the show at Royal Albert Hall, I, of course, sang it the way it was originally written – with the respect for the composition…and the great composer.”
Commenting on her performance of ‘Ballad of a Thin Man’, Marshall said: “It was something impulsive. I wasn’t expecting the audience to recreate their part of the original show as well, but then I wanted to set the record straight – in a way, Dylan is a deity to all of us who write songs.”
On November 6 and 7, Cat Power will perform her Bob Dylan set again at the Troubadour in Los Angeles.
Cat Power Sings Dylan: The 1966 Royal Albert Hall Concert Tracklist:
1. She Belongs to Me
2. Fourth Time Around
3. Visions of Johanna
4. It’s All Over Now, Baby Blue
5. Desolation Row
6. Just Like a Woman
7. Mr. Tambourine Man
8. Tell Me, Momma
9. I Don’t Believe You (She Acts Like We Never Have Met)
10. Baby, Let Me Follow You Down
11. Just Like Tom Thumb’s Blues
12. Leopard-Skin Pill-Box Hat
13. One Too Many Mornings
14. Ballad of a Thin Man
15. Like a Rolling Stone
“I want it to be, like, messy,” Olivia Rodrigo declared a few seconds into her debut album SOUR, abruptly replacing the orchestral strings that open ‘brutal’ with a jagged alt-rock riff. It’s a bold aesthetic for the pandemic’s biggest breakout pop star to lean into, but it stretched through the rest of the album, which flaunted her versatility and taste by balancing gloomy, impassioned ballads with pop-punk ragers. At its best, it wasn’t, like, but really messy – achingly honest in ways that made you forget about the polish and theatricality behind the craft, enough to keep up its sometimes shaky momentum. On GUTS, her follow-up, Rodrigo sounds less concerned with making an impression or playing a range of different parts, instead highlighting both the nuance and rawness of her songwriting. It’s exacting and stronger in its messiness – more intentional about each shift in dynamics – but also convincingly volatile, risky, and playful. The tug-of-war of emotions, confusing and relatable as it may be, isn’t just an inevitable consequence of growing up; it’s part of the fun.
Throughout GUTS, Rodrigo is witty, self-aware, bored, tormented, and delirious – but most of all, she’s having fun. It would be obvious she’s reveling in the dual thrill of grittiness and vulnerability even if the title wasn’t in all-caps, but she also communicated it in her brilliant choice of singles. ‘vampire’ begins with a minimal arrangement before adding heft and a pulse to the intimate pain of betrayal, lending operatic power to her vengeful little words. On the other hand, ‘bad idea right?’, which sees her giving in to the desire to hook up with her ex-boyfriend, makes the giddy enthusiasm of “Like a damn sociopath” seem meek by comparison. (Its twitchy guitar solo also suggests she’s picked up a thing or two from her mentors in Jack White and St. Vincent.) Rodrigo doesn’t let her self-awareness tame her unruly tendencies – if anything, it brings them to life. For all the anxieties wrapped into ‘ballad of a homeschooled girl’, the closest thing here to ‘brutal’, everything from the bratty “ohs” backing the line “Everything I do is tragic/ Every guy I like is gay” to the way her voice perks up as she declares “social suicide” gives her self-consciously embarrassing behaviour an exhilarated edge.
On the opening ‘all-american bitch’, which references Joan Didion’s Slouching Towards Bethlehem, Rodrigo sings tenderly and snarkily about the impossible expectations to which women and young girls are held, one of which being gleeful optimism. But making light of the darkness is one of her greatest skills as a songwriter, like when she packs hook upon hook a la Alvvays on ‘love is embarassing’, turning the self-crucifying stupidity of heartbreak into something electrifying. Her scornful attitude animates standout ‘get him back!’ – “He had an ego and a temper and a wandering eye/ He said he’s six-foot-two and I’m like, dude, nice try” – but becomes all the more intoxicating as she switches back and forth between wanting a reunion or straight-up revenge, the rush of indecision packaged in a huge shout-along chorus. It’s both one of the shiniest moments on the album and one of the most unhinged, proof that Rodrigo could push her fearlessness a little further and still strike gold.
As in ‘vampire’, there are echoes of ‘driver’s license’ in most of GUTS’ ballads, which are fewer and more smartly spread out than the ones in SOUR. Even if they don’t all reach the same dramatic heights, they flesh out the album’s breadth of feeling beyond anger and resentment while learning to grow through them. Dan Negro’s production doesn’t just add more muscle to the louder cuts, but a focused, patient sensitivity to the softer ones that’s gratefully attuned to Rodrigo’s delivery; ‘making the bed’ waits until the second verse to earn its Melodrama-level grandiosity, while ‘lacy’ couches its jealousy in dazzling layers of beauty. Yet toe to toe with ‘vampire’ is ‘the grudge’, which does the least to build on the formula of her biggest hit – it succeeds not because it does the exact same thing, but because it’s more intent on expressing rather than fighting back a sense of exhaustion. It’s a feeling that carries over from ‘lacy’, echoing her childhood hero in its repetition of try, but here she just admits, “It takes strength to forgive, but I don’t feel strong.”
On songs like ‘pretty isn’t pretty’, Rodrigo effectively broadens the framing of GUTS beyond personal insecurity, and she has a way of writing through the lens of fame without quite tackling it, which can be alienating for most listeners. But on ‘the grudge’, she’s standing alone in front of her bedroom mirror, and you can her shrinking in the eyes of an ex-lover. Instead of revenge, she fantasizes “about a time you’re a little fucking sorry.” Then, somewhat unexpectedly, her voice hits a soaring peak: “You built me up to watch me fall/ You have everything and you still want more.” Of course, it lands like a gut-punch. Great ambitions aside, all Rodrigo wants, as she sings on the final track ‘teenage dream’, is to “stop being great for my age and just start being good.” Even when she’s, like, not, you can bet she’ll write a great song about it – an angsty guitar freakout, a soul-crushing piano ballad, or whatever happens to blaze the path towards catharsis.
Maple Glider has released a new single called ‘Two Years’. It’s the latest preview of her second album I Get Into Trouble, following ‘Don’t Kiss Me’, ‘Dinah’, and ‘You’re Gonna Be A Daddy’. Listen to it below.
“I remember having the need to write this song at the moment I was experiencing these uncertain feelings, but being unable to do so in private…” Tori Zietsch explained in a statement. “This was a time of life where I got swept up into the clouds, and didn’t feel the ground for a long time. Even listening to the song now I can feel the self-doubt in my lyrics, the indecision in the music, the attempt to find the sweetness amongst what was ultimately an incredibly claustrophobic experience.”
I Get Into Trouble, the follow-up to 2021’s To Enjoy is the Only Thing, is out October 13 via Partisan. Revisit our Artist Spotlight interview with Maple Glider.
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