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Watch Arooj Aftab’s ‘Tiny Desk (Home) Concert’ for NPR

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Arooj Aftab is the latest artist to perform on NPR’s ‘Tiny Desk (Home) Concert’ series. Accompanied by violinist Darian Donovan Thomas, bassist and synth player Shahzad Ismaily, guitarist Gyan Riley, and harpist Maeve Gilchrist, the singer played three songs from her latest album Vulture Prince: ‘Suroor’, ‘Mohabbat’, and ‘Saans Lo’. Watch it below.

Aftab issued Vulture Prince back in April via New Amsterdam. Along with sharing her Tiny Desk concert, the Brooklyn-based Pakistani artist has now announced her signing to Verve. “We are so proud to welcome Arooj to the Verve Records family,” Jamie Krents, Head of Verve Records, said in a statement. “Arooj has made history with these [Grammy] nominations and we look forward to helping even more listeners discover the Vulture Prince album and her future recordings.”

Aftab was nominated for Best New Artist and Best Global Music Performance (for ‘Mohabbat’) at the 2022 Grammy Awards. Read our Artist Spotlight interview with Arooj Aftab.

Moses Sumney Shares New Concert Film ‘Blackalachia’

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Moses Sumney has released a new concert film called Blackalachia. Starring and directed by Sumney himself, the 67-minute live performance film was created over two days in the Blue Ridge Mountains of Western North Carolina and features rearranged versions of songs from 2020’s græ and 2017’s Aromanticism. Watch it via WeTransfer below.

“Over the course of two days, we filmed 14 songs, totally live, the trees as our audience, the grasshoppers our background singers,” Sumney said in a press release. “The film is a wild imagining of what can happen when we seek not just to reclaim nature, but to reintegrate with it.”

The Live from Blackalachia album component will be out on December 10 via Sumney’s own label, TUNTUM.

Broken Social Scene Announce Rarities Collection, Unveil Song

Broken Social Scene have announced Old Dead Young: B-Sides & Rarities, a compilation of B-sides, rarities, and outtakes from across the band’s two-decade-long career. It’s set for release on January 14 via Arts & Crafts. The first single is a studio version of ‘This House Is on Fire’, an outtake from the sessions for 2010’s Forgiveness Rock Record. Check it out below, along with the full tracklist.

The collection will mark Broken Social Scene’s first proper release since their 2019 EPs Let’s Try the After Vol. 1 and Vol. 2.

Old Dead Young: B-Sides & Rarities Tracklist:

1. Far Out (2009, From the Forgiveness Rock Record Pre-Order EP Lo-Fi for the Dividing Nights)
2. Do the 95 (2001, B-Side to “Stars and Sons” 7″)
3. Curse Your Fail (2009, From Tour 7″ Split With Sea and Cake)
4. Not at My Best (2010, From the End Credits for Film It’s Kind of A Funny Story)
5. National Anthem of Nowhere (2004, Early Broken Social Scene Version of an Apostle of Hustle Song)
6. Golden Facelift (2009, Forgiveness Rock Record Outtake. Released on Globe & Mail’s Broadsheet Music Project)
7. This House Is on Fire (2009, Forgiveness Rock Record Outtake)
8. Canada vs America (2004, From the “Self-Titled” Bonus CD EP To Be You and Me)
9. Day of the Kid (2005, Released on Arts & Crafts 20th Anniversary Comp)
10. Stars and Spit (2006, B-Side to “7/4 Shoreline” 7″)
11. Until It’s Dead (2006, From Lake Ontario Waterkeeper Compilation At the Barricades: Vol 1)
12. All My Friends (2004, From the “Self-Titled” Bonus CD EP To be You and Me)
13. Death Cock (2001, Very First Recording With Producer Dave Newfeld. Released on A&C 20th Anniversary Comp)
14. Old Dead Young (2016, Hug of Thunder Vinyl-Only Track)

Girlpool Share Video for New Single ‘Faultline’

Girlpool have returned with ‘Faultline’, the Los Angeles duo’s first single of the year. The track comes paired with a Julian Klincewicz–directed video starring the group’s Harmony Tividad. “The Faultline represents everything you do as a means of escape that pushes you further into the very thing you’re escaping,” Tividad said of the new song in a statement. Watch and listen below.

‘Faultline’ follows Girlpool’s 2020 single ‘Like I’m Winning It’, which was remixed by Devonté Hynes, Porches, and Lydia Ainsworth for the Touch Me (It’s Like I’m Winning It) EP. Also last year, the duo shared a remix of Alanis Morisette’s ‘Reasons I Drink’. Their third LP, What Chaos Is Imaginary, arrived in 2019.

Porches Covers Harry Styles’ ‘Adore You’

Porches, aka Aaron Maine, has shared a cover of Harry Styles’ ‘Adore You’. Check it out below.

“I thought it would be interesting to strip down ‘Adore You,’ this huge pop song, and see what happened,” Maine explained a statement. “I feel like I was really able to get lost in it and create this kind of eerier and darker version.”

Porches released his latest album, All Day Gentle Hold !, earlier this year.

Sex Education Characters Ranked By Season 3 Arc

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The third season of Netflix’s Sex Education is all about growth. Comedy is still a major component of the hit teen dramedy, but with so much heart, the series teeters more and more into drama territory. Season 3 allows characters – new and familiar – to prosper individually, as well as in their relationships. Given the intimate nature of the show, its ability to let each character stand on their own is impressive, especially over the course of three seasons.

However, not every character grows in season 3 – at least, not in a positive way. Some remain stagnant, while others fall into co-dependent relationships or regressive behavioral patterns. Some characters are missing – like Isaac, Ola, Viv, Jakob, and Cal – and this is simply because they don’t play enough of a role in season 3 for their storylines to stand on their own, or they don’t change in any fundamental way. Here’s a look at how the main characters of Sex Education guide their arcs in season 3.

10. Eric Effiong

Though Eric evolves in season 3, it’s not necessarily in the most positive way – or at least, not in a way that fans may have expected. Instead of showing more of his compassionate side, he becomes more self-absorbed than ever. This is most evident in his relationship with Adam. In season 2, Eric defends Adam when Otis thinks he’s making a mistake. By season 3, Otis likes Adam and believes he’s changed. However, Eric is beginning to lose his patience with him, which almost seems uncharacteristic of him.

Eric is one of the few people who understand what Adam has been through at home and in his journey to self-acceptance and coming out. However, instead of supporting Adam through his experience, Eric becomes impatient and frustrated with him for doubting himself. When Eric leaves for Nigeria, Adam is worried for his safety, but Eric sees it as an opportunity to rediscover himself. His attraction to Oba is understandable, given both characters’ free-spirited rebelliousness, but the fact that Eric doesn’t even hesitate to cheat on Adam may have raised some eyebrows.

Upon his return, Eric almost acts like nothing happened, but when he does tell Adam about Oba, he doesn’t consider Adam’s feelings. He blames Adam for the way things ended, which reinforces Adam’s belief that he’s always in the wrong. Outside of his relationship with Adam, Eric continues behaving as normal – he supports Otis through Jean’s pregnancy, Ruby’s wrath, and Maeve’s departure to America. Overall, Eric ends the season pretty much where he started; he’s sure of himself and feels confident enough to assert that, which would have been more admirable if it didn’t come at the cost of hurting other people.

9. Ruby Matthews

Many fans praised Ruby’s growth in season 3, though her story was almost entirely limited to her relationship with Otis. They begin a casual fling, which later turns into a more romantic relationship, though it’s clear Otis doesn’t feel as deeply about Ruby as he does about Maeve. Eventually, he has to be honest with her about this, and his timing in this instance is unfortunate for Ruby. She’s just told him she loves him, hopeful that he’ll return the sentiment, but he doesn’t. After this awkward phone call, Ruby treats Otis with astounding immaturity, reminding the audience of why they should not be together.

During their brief romantic relationship, Ruby makes it clear that she doesn’t accept Otis the way he is and constantly tries to change his appearance, habits, and interests. The more interesting side to Ruby’s arc is her home situation. Unlike the other characters, not much insight has been given into her life outside of school until season 3. Now that viewers have had a glimpse into her personal life, they can better understand why she behaves the way she does. However, her dad’s health condition and family’s financial situation shouldn’t excuse her mean and vindictive behaviour.

After fading into the background after her breakup from Otis, Ruby resurfaces again in the final episode. In an unexpected and out-of-character moment, she decides to help Otis and Eric fend off Hope when she attempts to stop the students’ effort at defending their sexualities. The scene might have had more impact if Ruby’s decision-making had been built up beforehand, but as it is, it seems arbitrary and superficial. It does suggest that Ruby has grown, but audiences don’t see much of this onscreen – and whatever growth she does experience is minimal.

8. Jackson Marchetti

Much of Jackson’s season 3 storyline revolves around Cal, a new student at Moordale who brings a new perspective to the school. Jackson is immediately enamored with them but is a little ignorant of what it means to be non-binary and queer. Their romantic relationship is sweet as it unfolds, and is certainly a new trajectory for Jackson now that he’s not swimming – however, it feels like now he has no direction in his life. Perhaps this is intentional; he’s stepped away from the sport that defined him, and has acknowledged that he isn’t going to be an actor after his stint in Lily’s musical production of Romeo and Juliet.

Because it’s Sex Education, it seems only natural that Jackson’s story should delve back into relationship territory. His bond with Cal is very different from the one he shares with Maeve in season 1 – for many reasons. Cal is much more open and honest, and they’re the one to ask Jackson what he really wants. When it comes down to it, Cal can see that Jackson isn’t ready to be in a committed relationship with them. Jackson acknowledges that the main reason for this is that he’s not queer. They part ways on good terms, but Jackson ends the season without much of a hint of what he wants to do next – unless it’s to find a person he really wants to be in a romantic relationship with.

7. Jean Milburn

Jean has grown a lot since her first appearance on Sex Education. Over the course of the first two seasons, she allows Otis some independence as a growing teenager, and also discovers that she might want a more committed romantic relationship for herself. She also helps Maureen by giving her a vibrator. In season 3, it seems that Jean and Otis have finally found their footing, but now Jean has other things to worry about – primarily her pregnancy with Jakob. When she finally musters the courage to tell him about the baby, he rejects her advances. Jean suggests they attend couples therapy, though they don’t go to many sessions.

For much of the season, Jean has little to do other than worry about giving birth – though these scenes allow for some interesting feminist discourse with medical staff at the hospital. Outside of her pregnancy, Jean makes a few public appearances to discuss Moordale and the sex education curriculum in schools across the country. She also plays a key role in Aimee’s healing journey following her assault in season 2. Overall, Jean doesn’t grow all that much this season, other than to accept responsibility for her past behaviour – specifically relating to Jakob’s mistrust and the true paternity of her baby. Of course, this is a significant step for her, but one that she already started to take in season 2.

6. Michael Groff

Of all the characters in the show’s ever-growing ensemble, Michael’s arc stands out because he’s so separate from the other characters this season. It’s also the first time he’s been willing to change. The result is one of the most affecting storylines of season 3. Michael is living with his brother, who is wealthier and overall more successful than Michael. A series of flashbacks to his youth reveal that he was also more of a favourite with their father.

Over the course of the season, Michael untangles his childhood trauma, stands up to his brother, and regains some independence. He moves in with Mr Hendricks and discovers his passion for cooking, inspired by memories of his mother when he was a child. He even presents one of his culinary creations to Maureen, and though she can see he’s changed, she doesn’t want to be involved with him romantically. Heartbroken, Michael visits Jean and gets vulnerable with her. However, the one thing Michael doesn’t do in season 3 is try to make things right with Adam. Maureen encourages him to speak to his son, but Michael never does. At times, it appears he’s too afraid to, but from Adam’s perspective, it seems like Michael doesn’t care enough. In any case, it’s clear that Michael hasn’t entirely forgotten about Adam, and this relationship will likely be explored further in season 4.

5. Aimee Gibbs

Most of Aimee’s growth occurs in season 2, but in the aftermath of her trauma, she’s trying to figure out who she is and what she wants. Maeve pushes her to break up with Steve because it’s clear Aimee doesn’t really want a relationship. As Maeve says, Aimee is too much of a people pleaser to break up with him. In the meantime, she decides to start a cupcake business to help raise awareness about the female body. She’s also visiting Jean for therapy as she attempts to heal after her assault.

Season 3 is the first time audiences have seen Aimee really stand up for herself and do the things that she wants to do – for herself. In the previous seasons, she worries about staying on good terms with the Untouchables, or being a good girlfriend, or supporting Maeve. In season 3, Aimee finally gets a chance to put herself first. This is also part of the cause for her conflict with Maeve. The two girls can no longer ignore their differences, so it makes sense for them to vocalise their concerns about one another. However, what’s more important is that they’re able to overcome this and become even closer afterwards. Aimee then breaks up with Steve, and of course she plays an important role in taking Hope down. However, the most important part of Aimee’s journey in season 3 is that she’s still dealing with her trauma, and she knows that it will take a long time to heal. She also accepts that she may never go back to the way she was before, and she’s okay with it.

4. Adam Groff

Adam begins the season in a seemingly happy place, but it doesn’t take much for his deeply entrenched shame to bubble to the surface again. Over the course of the season, he struggles to reconcile his identity with how he’s been brought up, especially by his father. Eric’s impatience with Adam doesn’t help him in this process, though his mother tries to be supportive of him. Over the course of the season, Adam tries to become a better person – a person he thinks deserves Eric. Outside of this relationship, he also pushes himself to be better in school, supported by Ms Sands.

Ms Sands also supports him by attending the dog show where he competes with Madam. However, when he fails to win, Adam feels like he’s disappointed everyone – but mostly his dad, who isn’t even there. However, after the show, he finally tells Maureen that Eric was his boyfriend. As they leave the venue, viewers finally get to hear Adam’s poem to Eric – though Eric never will. He thanks Eric for bringing out his more emotional side and helping him understand what kind of person he wants to be. By the end of season 3, it’s safe to say that Adam has achieved redemption. However, he has yet to mend his relationship with his father.

3. Lily Iglehart

Though this season sometimes feels overstuffed with characters and their individual stories, Lily gets a chance to shine in a way that sets her apart from the rest of the ensemble. In the first two seasons, she mainly serves as a comedic, quirky supporting character, but in season 3, her carefully curated sci-fi shield is stripped away to reveal some backstory about why she is the way she is.

The questions being asked about Lily’s identity in season 3 are valid, and now that she’s in a serious relationship with Ola, it’s the perfect time to ask them. Lily is such a peculiar and enigmatic character that it’s almost hard to imagine she has any kind of home life. Sex Education has always made a point of comparing the students’ home lives to their public personas at school, and Lily’s background has been a point of mystery since her memorable introduction to the show. It seems only natural that at some point, her peers would question her eccentric personality, and Hope is the perfect character to do so.

However, Lily begins doubting herself even before Hope publicly shames her for her explicit short story. Ola is beginning to feel uncomfortable with Lily’s obsession with aliens and sci-fi. Naturally, this upsets Lily and makes her feel insecure, but Ola’s concern is also understandable; she feels that Lily doesn’t want to get vulnerable and reveal her real, unfiltered self. When Hope publicly admonishes Lily, she spirals into an uncharacteristic depression and eventually withdraws completely. Even her mother can’t get through to her.

Lily strips her bedroom of her many sci-fi knickknacks and stops wearing makeup or anything colorful. It isn’t until Otis talks her down at the end of the season that Lily realizes her friends still love her as she is – they just want to see her without her guard up. Lily and Ola come together to attend an alien sighting, where it’s clear that Lily is still passionate about the possibility of extraterrestrial life, but she seems more mature. She also appears to be embarking on a journey of figuring out who she really is, and who she wants to be as she begins transitioning out of adolescence.

2. Maeve Wiley

For much of the series, fans have been vocal about Maeve’s romantic relationships, but it wouldn’t sit right if the self-proclaimed feminist let that define her. In season 3, she proves that she really doesn’t need a romantic partner when she prioritizes her own future. In the first season, she tells Aimee she doesn’t want a boyfriend but dates Jackson anyway. In season 2, she tells her mother that she’s going to focus on herself for a while, but is still hopeful that Otis will rectify his mistakes. For much of season 3, Maeve is caught between Otis and Isaac, and it appears that her story will again be defined by another love triangle.

However, it’s Aimee who reminds Maeve of her principles towards the end of the season. She encourages Maeve to pursue her dreams by accepting an offer to study in America. On a practical level, Maeve needs to take any opportunity she can at securing a career for herself, but she’s also just a teenager with big dreams. Taking the opportunity to study in America could help her turn those dreams into goals. The timing of this storyline is significant because it aligns with her long-awaited resolution with Otis. Just when things start going well for their romance, Maeve must break his heart and leave him again.

What’s significant about Maeve’s choices this season is that she’s learning to decide things for herself. In the first two seasons, she feels that she must also look after her brother, or her mum and half-sister. Now, she has reached a new level of independence – and maturity. Maeve accepts help from others, like Anna, which she has adamantly refused in the past, and this gives her the freedom to focus on herself. It also means she’s being kinder to herself than she ever has been before.

1. Otis Milburn

As the main character of this ensemble, it can be expected that Otis grows and changes the most throughout the series. In season 1, he overcomes his feelings of otherness and repressed sexuality by asserting his independence from his mother. But in season 2, he seems to be less mature and more vindictive towards Jean. By the end of the season, he mends his relationship with her but seems closer to where he was at the beginning of the show. Season 3 finally sees Otis mature in a real, meaningful way.

Unlike the first two seasons, Otis doesn’t fight with either Jean or Eric, but that doesn’t mean his story is free of conflict. Still grappling with his feelings for Maeve, he enters a casual relationship with Ruby. Though he breaks her heart in the end, he does the right thing by being honest with her. It’s also worth pointing out that Otis asks Jakob for advice on what to do, and he listens and applies that advice, demonstrating a new sense of trust and respect – another sign that Otis has grown.

Otis and Maeve are finally able to come together and have a mature conversation about their feelings, primarily because Otis has caught up with her in both maturity and emotional intelligence. He’s learning to take responsibility for himself and his actions, something Maeve has been forced to do from a young age because of her family’s situation. From the beginning of the show, one of the biggest obstacles in the way of their relationship was Otis’s immaturity. Throughout the first two seasons, he adamantly refuses to grow, but the new experiences he gains along the way put things into perspective for him.

Jean’s hospitalization in season 3 also plays an important role in Otis’s journey. He realizes he’s growing up and that sometimes he needs to take care of his mum, who has already given so much of herself for him. In the final episode, he tells her about Maeve and how much she means to him, where previously, he kept his feelings secret from Jean and generally tried to keep her out of his personal life. Now, he understands that his past actions were wrong and treats Jean with the kindness and trust she deserves.

How The Film and Entertainment World Has Become So Pivotal In Our Lives

If you think about how much technology has advanced in recent times, you have access to such a wide variety of content all from the comfort of your living room. Something which seemed almost unfeasible 20 years ago. 

In the last 10 years alone, there has been a surge in online streaming services amongst US households with a whopping increase of 450%. We become so reliant on it that it is pretty difficult to imagine not living without it now. There are always concerns that having too much access to film and television can start to affect your personal life, but as with anything it is fine in moderation.  

You Can Watch Pretty Much Any Film You Like 

You are no longer limited to what is on tv but can instead rewatch various classic films or search for new content that you haven’t seen. 

Vacation times are the perfect opportunity to explore new content on streaming sites as you are likely to have more time on your hands. 

You Can Recreate the Atmosphere of the Cinema From Home 

With big wide screen televisions pretty much the norm now it is a lot easier to recreate the feeling of being at the cinema. You just need a big flat screen tv, a comfy couch, the latest virtual reality movies and some good surround sound and you are all set to go. Vacation times or cold wintry nights are the perfect occasions to share this experience with a loved one at home. It is reminiscent of heading to the cinema to watch the latest blockbuster on the big screen, only this time it is from the comfort of home. 

This is far more appealing than heading to the cinema where you have to share the room with other strangers who insist on making a lot of noise every time they reach for a snack or drink. You also don’t have the problem of someone ridiculously tall, sitting in front of you that can obstruct your view or worrying about missing a part of the film when you head to the restroom as you can pause it when you like. 

You Can Listen To Podcasts On The Go 

There has also been a recent surge in the popularity of podcasts, particularly over the past year during lockdown. You can now listen to a podcast on your smartphone or tablet whilst you are doing household chores or pop your headphones in when you go for a run. 

This accessibility to use technology in such a way enables consumers to go about their daily lives whilst also feeling connected to others by listening to the host of the podcast chat to various different guests. It has become a way for either people to learn something new or feel connected to others as though you are listening to your friends have a chat. 

You Have The Ability To Play Immersive Online Games 

With the technology that is available now, online gaming is far more realistic and immersive than ever before. It’s not like in the 90’s when the most realistic thing you would get is sitting at your laptop playing SimCity 2000, where you would be able to build your own city whilst simultaneously unleashing havoc by creating natural disasters. Now in 2021, as long as you have a decent internet connection and a laptop, smartphone or tablet you can easily download the latest craze. So whether you want to head into the world of Minecraft and start creating your own virtual world or battle your enemies in League of Legends the experience is far more realistic. 

The online streaming world is certainly influential when it comes to gaming as at least 70% of the demographic that are playing these types of games are 18 or over and 83% of the games that are bought, are in digital format as opposed to a physical game. 

So the way in which younger generations are playing games has certainly changed from the habits of young people 10 or 20 years ago. This is mostly down to how technology has evolved and enabled gaming to become a lot faster with quicker download times and the ability to produce good graphics which are strikingly realistic. 

So you can certainly ascertain that technological changes have made a significant difference in our daily lives, in how we watch and enjoy tv and entertainment.

Alice Glass Shares Video for New Song ‘Fair Game’

Alice Glass has shared a new song called ‘Fair Game’, the latest offering from her debut solo album Prey//IV.  The track comes with an accompanying video directed by Bryan M. Ferguson. Check it out below.

“‘Fair Game’ is spoken from the perspective of the abuser,” Glass said in a statement about the new single. “It’s a song made of actual phrases that were used in repetition to gaslight me, to intentionally keep me confused and weakened. In those moments I was completely convinced they represented undeniable facts. Looking back on these words now they seem flimsy and are so obviously hiding the feelings of someone else, someone who’s only power is in hurting others.”

Prey//IV is due for release on January 28 via Glass’ own label Eating Glass Records. It includes the previously unveiled tracks ‘Baby Teeth’, ‘I Trusted You’, and ‘Suffer and Swallow’.

Tierra Whack Announces New EP ‘Pop?’

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Tierra Whack has announced she will be releasing a new EP called Pop? EP on Thursday (December 9), just a week after dropping her Rap? EP. To accompany the release, Whack will perform a concert that night at the Masonic Lodge at Hollywood Forever in Los Angeles. Check out the Pop? cover below.

Since releasing her debut album Whack World in 2018, Whack has shared a series of tracks including ‘8’, ‘Link’’76’, ‘Who Knew’, and ‘Walk the Beat’.

Pop? EP Cover Artwork:

Beach House Share Chapter 2 of ‘Once Twice Melody’

Chapter 2 of Beach House‘s upcoming double album Once Twice Melody has been released, featuring four new songs: ‘Runaway’, ‘ESP’, ‘New Romance’, and ‘Over and Over’. Check them out along with the accompanying visuals below.

The first installment of the 18-track album arrived last month. Chapter 3 comes out January 19, while the full album is set for release on February 18 via Sub Pop (US) / Bella Union (UK/Europe) / Mistletone (Australia/New Zealand).