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Angel Olsen Features on Miley Cyrus’ New Album ‘Plastic Hearts’

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Last week, Miley Cyrus shared the tracklist for her forthcoming album, Plastic Hearts, which features contributions from the likes of Dua Lipa, Billy Idol, and Joan Jett. Now, Angel Olsen has been confirmed as a guest artist on the pop singer’s seventh LP.

Mark Ronson, who also worked on the album, revealed more details about the tracks  ‘High’, ‘Bad Karma’, and ‘Never Be Me’ in a tweet posted on Saturday (November 14). “I love that I get to see the tracklisting at the same time as you all,” the producer wrote. “It’s makes it so exciting to see these three tracks real, in the flesh and on the album. Honestly, ‘High’ is one of the most beautiful vocals/melodies I’ve ever recorded. And wait til u hear the harms.”

He added: “‘Bad Karma’ was written at a jam session at Max’s Kansas Xity in 1976 with Ace Frehley and Joan Jett (it wasn’t but u get my drift, shit is pure seedy, rock n roll. Angel Olsen’s guitar cuts like razor wire).”

He concluded by talking about ‘Never Be Me’, which he described as “that unapologetic heartbreak shit that you love from ms Miley. So psyched for this album.”

Plastic Hearts arrives on November 27 via RCA. Miley Cyrus and Stevie Nicks recently teamed up for a new remix of ‘Midnight Sky’ called ‘Edge of Midnight’.

Watch Holly Humberstone’s Short Music Film ‘On The Run’

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Holly Humberstone has unveiled new short music film titled On The Run. Directed by Raja Virdi and Josh Sanger, the 15-minute clip was filmed in a paper mill in the Midlands close to the artist’s hometown of Grantham and features Humberstone performing tracks from her debut EP Falling Asleep At The Wheel. Watch it below.

A synopsis for On The Run reads: “Since bonfire night Holly Humberstone has been on the run. She was last seen in a wooded area in the vicinity of her childhood home in Grantham, her father’s car left ablaze as she fled on foot. Nearby, a search party recovered a number of charred Learner Plates. After a thorough search of her home, a set of three hoses were uncovered next to a soaking wet guitar. It is believed that Holly has been swapping her clothes as part of her Fifth Sister Swap.”

Speaking about the film in a statement, Humberstone said that it “pretty much sums up how I’ve been feeling this year.” She continued: “At times I’ve just wanted to runaway and get the hell out of here. I make all my videos with the same team and we thought it would be cool to follow on from the ‘Drop Dead’ video where I set fire to my dad’s car, and the ‘Overkill’ video of me on the run through the woods at night with my guitar. What better way to bring ‘Falling Asleep At The Wheel’ EP to a close! If you listen closely there is the tiniesssst bit of a new song tucked away in the film too.”

Check out our Artist Spotlight interview with Holly Humberstone.

This Week’s Best New Songs: Billie Eilish, Rico Nasty, The Antlers, and More

Throughout the week, we update our Best New Songs playlist with the new releases that caught our attention the most, be it a single leading up to the release of an album or a newly unveiled deep cut. And each Monday, we round up the best new songs released over the past week (the eligibility period begins on Monday and ends Sunday night) in this segment.

This week, Billie Eilish returned with a bold, cheeky, and incredibly catchy new single that sees her bringing back some of the playfully glitchy electronics of her debut album while pushing her sound forward; Run the Jewels served up a blistering cut as part of their contribution to the Cyberpunk 2077 soundtrack, while Rico Nasty’s abrasive 100 gecs-assisted banger is yet another exciting preview from her upcoming album; Alaska Reid enlisted A.G. Cook and Rodaidh McDonald to produce the dreamy, nostalgic ‘Oblivion’; Francis of Delirium delivered a dynamic, poignant indie rock single with ‘Lakes’; singer-songwriter Lizzie Reid’s ‘Always Lovely’ is a grippingly intimate acoustic cut, while The Antlers’ latest is as beautifully evocative as you would expect. And of course, the mere existence of Phoebe Bridgers and Maggie Rogers’ gorgeous rendition of the Goo Goo Dolls’ ‘Iris’ warrants a placement on this list.

Best New Songs: November 16th, 2020

Song of the Week: Billie Eilish, ‘Therefore I Am’

Run the Jewels, ‘No Save Point’

Lizzie Reid, ‘Always Lovely’

Rico Nasty, ‘OHFR?’

The Antlers, ‘It Is What It Is’

Francis of Delirium, ‘Lakes’

Alaska Reid, ‘Oblivion’

Phoebe Bridgers and Maggie Rogers, ‘Iris’ (Goo Goo Dolls Cover)

Make Your Home an Art Gallery with These Tips

You’ve been shopping around for a new home, and you finally found your dream house. It’s located at one of the fast-developing areas with some recently completed projects like the Orchard Towers. The next thing is to make your home habitable and welcoming.

 Even if you’re not an artsy person, one way to make your house beautiful is to decorate it with art and paintings. Look for ways to display artwork to spruce up the walls and create conversations around art. Regardless of your budget and taste, using art to decorate your house adds character and panache.

 If you don’t know how to get started, here are some simple guidelines to help you. They’ll help you to hang paintings and art pieces around the house without them being too overbearing. 

Spacing

One thing that will make your art hangings come off as too overwhelming is overcrowding them in one place. Ensure you leave plenty of space between pieces and allow them to stand independently.

 Unless different pieces have an intimate connection in the message they carry, it’s always advisable to keep them apart. Artwork should serve to accent your space, not blur the overall ambience.

Scale

It’s essential to scale your artwork or paintings in relation to the space available. Wherever you place a piece of art, it should fit in relative scale to the rest of the area. It shouldn’t distract other items or hide behind them.

 For example, when hanging a piece of art over a couch, strive to ensure it’s the same size as the item next to it. This will create a sense of balance and harmony. Alternatively, you can combine different sizes to scale, using the rule of three.

 Use three pieces of art that are roughly the same size over a couch or other piece of furniture. These could be portraits, hanging sculptures, or paintings. Arrange them in a way that strikes a balance and fills the space that a single large print can cover. The idea is to ensure the pieces are in scale with the closest furniture they counterbalance. 

Motifs

Choosing your patterns, motif, or style is the best starting point in determining the piece of art use. For example, you can have food motifs in the kitchen where all the artwork reflects different kinds of food. If you love music, choose pieces that reflect this passion for your bedroom or happy place.

 It’s all about having a theme that connects to the purpose of the room in question. The motif you choose could also stretch out to the rest of the house if you so wish.

Matching

Avoid buying a piece of artwork just because it matches the color of your couch. However, always consider the materials and the dominating colors before you display any piece. Try as much as possible to correlate the styles and colors with other existing décor in the room.

 For example, a room with red-colored walls and several red and orange accent pieces will do well with a red painting. It also helps if the picture has some accents of brown or orange. A tapestry with those colors will also do well as a stand-alone piece to complement the rest of the room.

Hang Low

Hanging your art pieces low creates a unique visual effect. As a guide in hanging low, the bottom of the piece of work should be only 16 inches above your furniture. The idea is to ensure the heart of your piece is at a level where it easily captures attention. If the pieces are different in size, the guideline should apply to all of them. This will help you create a harmonious design statement.

 If you don’t want to hang your art pieces, you can lean them against the wall. Shelves and fireplaces provide an excellent focal point, especially in the living room. Floors are a great backdrop too, especially if your pieces are large and framed. Placing the pieces on the floor tones down the ambience and creates a welcoming atmosphere. 

Don’t Forget the Bathroom

It’s easy to overlook the bathroom when accenting your house with pieces of work. The bathroom can be the best art gallery and the perfect place to hang those quirky art pieces. This is the space that allows you to get a little crazy and to show off your personality. Your guests can stare as long as they want on those pieces that seem a little bit uncomfortable at first.

Final Thoughts

Are you art shy but would like to try your hand at decorating your home with artistic pieces? The above guidelines will help you in choosing and displaying your creative side. Once you find articles you can resonate with, let nothing hold you back when displaying them. 

Artist Spotlight: Babe Club

An alt-rock outfit based in Charleston, South Carolina, Babe Club bring together uproarious guitars, anthemic hooks, and lush synths that fit into the wider trend of 90s revivalism while delivering tunes that are both memorable and dynamic. Having grown up in Long Island, New York, lead singer and guitarist Jenna Desmond moved to Charleston to study psychology, where she met fellow bandmate Corey Campbell, who at the at the time was completing her music degree and touring as the guitarist for the indie rock band Susto. After graduating, Campbell taught Desmond how to play bass so that she could join them on their next tour. It was in 2018 that the two quit the band to form Babe Club, and started recording their first EP a year later at Big Trouble Recording in Atlanta alongside producer Dan Gleason and engineer TJ Eias. Fittingly titled Remember This Feeling, the project’s expansive, airy sound invokes the intensity of a live show, while the songs document the experience of figuring out life as a young person on the road. There’s a raucousness that comes through on tracks like the driving ‘Future Talks’ or the pop-inflected ‘Need a Girl’, while their evocative, stripped-back rendition of Talking Heads’ ‘Road to Nowhere’ – which isn’t on the EP but very much complements the themes that permeate it – showcases their versatility as musicians. The chemistry between Jenna and Corey remains at the heart of Babe Club, and ‘Together’ speaks to that sense of unity in ways that are more resonant than ever: “Together, we are better,” they proclaim.

We caught up with Babe Club for this edition of our Artist Spotlight series, where we showcase up-and-coming artists and give them a chance to talk about their music.

You toured together as part of the band Susto before leaving to form Babe Club. What did you learn from those years playing together, and how has that carried over onto Babe Club?

Corey: One of the most impactful elements was being able to see so many super talented acts out there. We were lucky to tour with some amazing artists, and got to play some festivals with a lot of our favorite bands. It’s always inspiring to see live music out there, but when you have the opportunity to be exposed to it almost every night it really starts to shape you as a performer. You start to pick up little tips/motions/tricks from other artists. You get to see what works and what doesn’t work.

We also got to see the inner workings of a growing band, and got a nice crash course in the music industry. Which on its face is a very confusing world to navigate. There’s so much that’s underwater and invisible to anybody who’s just starting out.

What’s your creative process like when it comes to writing songs?

Corey: Jenna does most of the writing/initial creation. Often times she’ll be inspired by a story, or an interesting phrase overheard from a conversation. Then she’ll pick up a guitar and maybe improvise over some chords/music that she feels inspired by. This will sometimes take the shape of a simple voice memo, or a full scale garage band demo. After that step, she’ll then show me the song, and I’ll do my share of producing/writing. Might rearrange some structure, or reshape a melody. Mostly I’m adding instrumental performance/arrangement around her foundation of an idea.

Sometimes I’ll make a cool instrumental track that inspires Jenna and she’ll improvise some words over that. Which was the process for the song ‘Together’ on our EP.

Could you talk about recording the EP and working with Dan Gleason as producer? What do you feel he brought to these songs?

Corey: Dan brought a lot of guidance to our project. He has a lot of wisdom as a recording artist, and brought a lot of intentional thought to our record. He really knew how to extract the best musical moments from all of us. He knew when to have us dig deeper, and also knew when we had found what we needed. And we cannot forget the guy who made it sound as good as it does. Shout out to TJ Elias who recorded/mixed the record. This guy is Dan’s Partner at Big Trouble Studio in Atlanta, and they’re a power house.

What do you hope listeners take away from the EP?

Jenna: I hope listeners DM us on Instagram and chat. Wish we could meet people at shows, we miss it. We hope if people connect to the music they reach out and we can have some real interactions.

Would you say there’s a unifying theme to the EP, lyrically?

Jenna: The theme of the lyrics on the EP are definitely about self-discovery and identity. Wrote most of these songs in our 20s when we were touring all over the place. The subject matter ranges from stopping shaving my legs, questioning getting an entry level job, missing real true friendship and connection, growing into a new version of yourself, and having a lot of self doubt.

Both of you have a history of playing the piano, but the music you make together is obviously pretty guitar-heavy. Does the instrument still play any role in the songwriting process, and do you see yourself utilizing it more in the future?

Jenna: Yeah, we both have a history playing the piano. It was the first instrument I learned, meanwhile Corey started on the guitar. Though Corey did go to college to study piano!

I think the piano is very much a part of our songwriting process. We definitely wrote these first five songs when I had just learned how to play guitar and was really into writing on it. A lot of these songs started as baselines actually.

There’s a lot more piano based songs in our future. Just wait!

What’s next for Babe Club?

Jenna: We plan releasing some more music next year, and making some more music videos. Corey also plans on eating more vegetarian. I’m looking forward to trying new things like songwriting with new people and producing, and Corey is getting more into producing and mixing records.

Remember This Feeling is out now.

Run The Jewels Debut Futuristic ‘No Save Point’ Video During Adult Swim Festival

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Earlier this week, Run the Jewels shared their contribution to the Cyberpunk 2077 soundtrack, ‘No Save Point’. During their appearance at the Adult Swim festival on Friday (November 13), they premiered the track’s futuristic music video. Check it out below.

El-P and Killer Mike also discussed their partnership with Cyberpunk 2077 and how that influenced the making of the new track.

“I wanted to feel like you could listen to this jam in a flying car, and at the same time have a hard ass just drum break feeling jam for the exact reason that I really think hardcore dope rap is gonna be around in the future,” El-P explained. “We were trying to fuse a cinematic, futuristic sound with something that was just gonna break your neck when you heard it, and I think we kinda pulled it off.”

“The beauty with video games and movies and stuff is you get to kind of suspend disbelief and tell your truth in that mythology,” Killer Mike added. “For very real truth, in the United States, we know that medicine is better and more affordable for rich people. And we know that there are countries that exist now where poor people have to sell kidneys in order to sustain themselves. This game addresses this very serious issue in a way that’s entertaining; it’s enlightened; it’s dope — but it makes you think of the what ifs.”

After being pushed back multiple times due to the COVID-19 pandemic, Cyberpunk 2077 is now set for release on December 10. RTJ4, the group’s most recent studio album, dropped back in June.

Jeremih in Intensive Care After Contracting Coronavirus [Updated]

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Jeremih has been hospitalized after contracting COVID-19, according to TMZ and social media messages from his friends and past collaborators. The singer and rapper is currently in an Intensive Care Unit on a breathing ventilator, and an update on the original TMZ story notes that “his condition has recently gotten worse.”

“He’s not doing good this covid shit is real,” 50 Cent, who featured on Jeremih’s 2010 track ‘Down on Me’, wrote in an Instagram post. “He’s in ICU in Chicago.”

“Please if you can take a second to pray for my friend Jeremih,” Chance the Rapper tweeted. “He is like a brother to me and he’s ill right now. I believe in the healing power of Jesus so if you can for me please please say a prayer over him.”

Big Sean added: “Prayers up, praying for your strength Jeremih.”

UPDATE – November 18th: Jeremih’s family has shared an update on the singer’s condition in a statement to CNN. “The family believes daily prayers to God. A great team of doctors and nurses is helping him pull through,” the statement reads. “He’s not out of the woods yet, but progress is being made. The family and friends are praying that he starts breathing on his own soon, and makes a full recovery.”

“His family would like to remind the world that COVID-19 is real and not to be taken lightly,” they added. “Also, it’s important for people infected to quarantine and let their families and friends know ASAP. There’s no shame in contracting COVID-19, and people that have it need to be responsible and considerate of others.”

 

 

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Watch Kamasi Washington’s Full Adult Swim Festival Set

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Kamasi Washington performed a livestreamed show at the Adult Swim Festival last Friday (November 13). Backed by an eight-person band, he performed his 2017 EP Harmony of Difference in its entirety for the first time. Watch the full 50-minute set below.

That same day, Ariana Grande joined Thundercat for a performance of his 2015 hit ‘Them Changes’. Run The Jewels, Kaytranada, and Rico Nasty also played at the festival.

Washington’s most recent album was 2018’s Heaven and Earth. Earlier this year, the saxophonist formed the supergroup Dinner Party with Robert Glasper, Terrace Martin, and 9th Wonder to release a self-titled seven-track EP.

Sad13 and Bartees Strange Join Spring Silver on New Song ‘Plead Insanity’

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Spring Silver – the solo project of DC multi-instrumentalist K Nkanza, who describes their music as “queer metal,” “post-emo,” and “they/themcore” – has released a new single titled ‘Plead Insanity’, featuring Sad13 (Sadie Dupuis of Speedy Ortiz) and Bartees Strange, along with a cover of Oneohtrix Point Never’s ‘Long Road Home’. Listen to both tracks below.

“About the Tune: Like so many people (especially right now), a big part of my life is just managing my mental state,” Nkanza explained in a statement. “It’s never been especially easy, but I think it was the hardest when I was a teenager. I was very much burdened by fear of being labeled “insane”, “crazy”. As I’ve gotten older, I’ve realized how bizarre people, culture, life in general is. Spring Silver is an expression of those feelings by revealing the edges and quirks within myself. This song brings that view to romantic love, exploring the ways it is practiced, as culturally accepted. I was lucky enough to have two artists I admire immensely provide vocals for the track. Their voices each have a lot of character AND they have the singing chops. That combination is the dream for any singer. I don’t think I told Sadie or Bartees they were harmonizing together on the song until after they each sent in their vocal tracks, haha! I wanted to surprise them.”

Last year, Spring Silver released their debut album The Natural World

16 Unsettling Stills From American Psycho (2000)

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Directed and co-written by Mary Harron, American Psycho is a dark comedy-horror starring Christian Bale. The role of Patrick Bateman, psychopath, is widely considered to be his breakout role. He is truly terrifying as a character who appears to be a successful, well-disciplined, investment banker living in New York.

However, when night falls, he turns into a violent serial killer. His bloodlust is fuelled partly by his hatred for the shallow and vain people he surrounds himself with, including his fiancée Evelyn (Reese Witherspoon). In between his intense morning ritual – which opens the film – his work commitments, and regular fine dining, Bateman meets up with women and plans brutal ways to slaughter them.

Here are sixteen unsettling stills from American Psycho.