Off-White™ is entering its next phase by circling back. The “10×10: Off-White™ Icons Reimagined” capsule asks ten creatives to rework ten signature items from the archive. What came before still shapes what comes next, you’re just allowed to color outside the lines a bit. Off-White™ just doesn’t do clean breaks. And it found a year-long way to remind us. Between May 2026 and April 2027, the “10×10” project goes global. Expect events, unveilings, and the occasional nudge that old favorites can still find a second life, maybe even a third, in new hands.
Ava Nirui is making “T-SHIRTS” with Off-White™, bringing ’90s nostalgia and a gender-free lens to the, dare I say, ultimate blank canvas. “HOODIES,” on the other hand, go to Yuta Hosokawa, known for Readymade’s upcycling and Saint Mxxxxxx’s unorthodox edge. “WOMENSWEAR” sits comfortably in Veneda Carter territory, leaning hard on the “METEOR” motif. “DENIM” is Guillermo Andrade’s, who gives it a 424 spin with Virgil in mind. Same goes for Stéphane Ashpool working with “VARSITY,” stamping his Virgil-inspired vision on the jacket.
“SNEAKERS” go to Kid Cudi, who brings the 2021 shoe back to its sport roots while treating it as a platform for experimentation. “BAGS,” especially the Jitney, get the Raul Lopez special somewhere between New York City and the Dominican Republic. Photographers are known for their eye, naturally, “EYEWEAR” only made sense through Renell Medrano’s lens. Following suit, London-based Bafic applies his own visual perspective to “FINE PRINT”. Lastly, A$AP Nast takes “OBJECTS” for a spin, paying homage to Virgil, always present, always connected, always ahead.
Wondering how to unlock Glitch Boy in Super Meat Boy 3D? If you’ve played the 2010’s Super Meat Boy, you’ll feel right at home as this new 3D entry retains the same fast, punishing platforming, dropping you into tight levels packed with traps, hidden routes, and collectibles.
Like the original Super Meat Boy, the new 3D version also features a bunch of unlockable characters, each with their own abilities. Glitch Boy is one of the new (and more unusual) characters in Super Meat Boy 3D, and unlocking him works differently compared to the rest of the roster. Instead of Bandages or secret stages, you’ll need to find hidden glitches scattered across the game. So if you want to add him to your roster, here’s how you can easily unlock Glitch Boy in Super Meat Boy 3D.
Super Meat Boy 3D: How To Unlock Glitch Boy
To unlock Glitch Boy in Super Meat Boy 3D, you’ll need to find and touch five hidden glitches spread across the game’s worlds. Each world has one glitch for you to find and collect and after you’ve collected all five, Glitch Boy will be unlocked and added to your roster. Here’s where and how you can find all the glitches in Super Meat Boy 3D:
Glitch Location 1
You’ll find the first glitch in World 1 (Thorn Trial, Level 12) when you reach the open area where a tree blocks the main path. Instead of continuing forward, pause there and drop into the small gap underneath to reach a hidden lower section. The glitch will be waiting at the bottom of the drop.
Glitch Location 2
Right at the start of World 2 (Trash Metal, Level 14), jump out toward the distant cove sitting off the main route. Use the first platform to wall jump across. It looks like an empty space at first, but the glitch is waiting there.
Glitch Location 3
Play through World 3 (Questionable Working Conditions, Level 8) until you’re close to the end. At the final wall, instead of going forward, turn back and jump onto the previous platform. You’ll find the glitch in a hidden alcove just behind the platform.
Glitch Location 4
The fourth glitch can be found in World 4 (Magma Wastes, Level 8). Play through the level until you reach the section with the breakable glass pane. Instead of smashing through it, climb the wall above that point to reach a platform just overhead where the glitch is located.
Glitch Location 5
The final glitch is in World 5 (Crumbled Canyon, Level 4), right at the start of the level. Look to the left and you’ll spot a large metal pipe. Jump onto it, then climb upward by bouncing between its sides. At the top, you’ll find the glitch.
Collecting this final one will unlock Glitch Boy if you’ve already found the other four. Glitch Boy himself doesn’t offer much in terms of gameplay advantage. He has a glitching visual effect and is nearly invisible during gameplay, which can make platforming harder rather than easier. However, he is required for an in-game achievement, and unlocking him means you’ve found one of the game’s most hidden secrets.
And that does it for our how to unlock Glitch Boy in Super Meat Boy 3D guide. For more gaming news and guides, be sure to check out our gaming page!
There’s so much music coming out all the time that it’s hard to keep track. On those days when the influx of new tracks is particularly overwhelming, we sift through the noise to bring you a curated list of the most interesting new releases (the best of which will be added to our Best New Songs playlist). Below, check out our track roundup for Wednesday, April 1, 2026.
Cass McCombs – ‘Seeing the Elephant’ / Hand Habits – ‘Good Person’
Cass McCombs and Hand Habits have teamed up for a new split 7″. Both songs – McCombs’ sprightly ‘Seeing the Elephant’ and Hand Habits’ intricately pretty ‘Good Person’ – are out today. McCombs is currently on tour, and Meg Duffy is opening some of his upcoming shows.
Weezer – ‘Shine Again’
Weezer are back with ‘Shine Again’, a grungy and fuzzed-up preview of their still-unannounced album. They shared simply, “’Shine Again’ is yours now. It’s a new song from a new album produced by Kenny Beats and Klas Åhlund.”
Anne Hathaway – ‘My Mouth Is Lonely for You’
If you looked at the tracklist for the Mother Mary soundtrack, you’d have to guess that ‘My Mouth Is Lonely for You’ is the song written by FKA twigs, just based on the title. It follows ‘Burial’, another strangely anodyne pop tune co-written for the A24 film by Charli XCX, Jack Antonoff, and George Daniel.
Tracey Nelson – ‘Hercules’
New York-based singer-songwriter Tracey Nelson has announced a new album, Hercules, arriving July 10. Not only did MJ Lenderman produce the whole thing, he also played on it, as did Wednesday members Karly Hartzman, Ethan Baechtold, and Xandy Chelmis. Lenderman collaborators Colin Miller and Landon George also contributed to the album, whose breezy title track is out today with a music video.
Futurebirds – ‘Sienna Life’, ‘Sleepless in the Cage’, and ‘Ghost Moon’
Futurebirds have reunited with Brad Cook and Waxahatchee’s Katie Crutchfield for a new record. Like 2024’s Easy Company, Cook produced Far Out Country, a double album that arrives on June 5, and Crutchfield sings backup on it. Three extremely pleasant songs from it are out today. “We’re really excited to be releasing our first double record in the truest sense,” Daniel “Womz” Womack shared. “Far Out Country I & II are the two different lenses of the 3D movie glasses. Our three different songwriting perspectives speaking with each other about a shared life, experienced unbelievably close together, and also far apart. It’s a daytime talk, and another one deeper in the night. Far Out Country is a place, not a sound. It’s a place outside ourselves that hopefully helps us see inside the house a little more clearly. New terrain is always best explored with friends. Always use the buddy system, and be safe out there. The full double album will be available on vinyl out of the gates, but digitally, I & II will live and breathe on their own, unfolding one-at-a-time. Come on out and find us.”
WU LYF – ‘The Fool’
Until WU LYF’s ‘The Fool’ hit my inbox, I hadn’t even realized what day it is. If someone pulled a prank on you today, ‘The Fool’ would be a good song to put on. It’s also generally a good song to put on, and it’s the final single from their long-awaited second LP A Wave That Will Never Break. “The fool is one of those special songs that just appeared almost fully formed whilst jamming in the weeks before we went into record with sonic boom,” Ellery James Roberts commented. “It is a simple, sweet love song that leans into rock ’n’ roll cliché, giving voice to the archetypal holy fool – one who yearns after their lover as a path toward union with the divine.”
KNEECAP – ‘FENIAN’
KNEECAP have put out the title track from their upcoming album FENIAN, which has been pushed back to May 1. The Belfast trio describe it as “an anthem to embrace our Fenian past, and to cure our colonial hangover by reconnecting the warriors of Irish folklore with the Fenian c*nts from the North of Ireland today.”
Hammok – ‘Gooning For Free’
Oslo’s Hammok have unleashed ‘Gooning for Free’, a blistering yet cheeky cut off their upcoming record, When Does This Place Become Our Scene. “Feel it/ Grow it/ Got to feed desire,” Tobias Osland howls like a mantra.
Jesca Hoop – ‘Big Storm’
“Today I’m leaving,” Jesca Hoop announces on her new single, “Big storm coming.” It’s the latest single from the singer-songwriter’s forthcoming album Long Way Home. Opening about the inspiration behind it, Hoop shared: “There was a moment, many years ago, when I was ready to ditch everything—everyone I knew and everything I was doing. I gave away all my possessions, keeping only the essentials. I sold my car. I bought a plane ticket. The plan was to leave without notice. Then the biggest storm in recent history blew my getaway plan to bits. It grounded all planes and halted travel. I was forced to face my life. Myself.” She added, “The storm taught me there is no cheat code for life—no easy way out. At thesame time, my life—my happiness—is my responsibility. Mine and only mine.”
Anne Hathaway plays a pop star in the upcoming A24 film Mother Mary, and we’ve already heard her sing ‘Burial’, co-written by Charli XCX, Jack Antonoff, and George Daniel. Today, she’s shared a new song penned by FKA twigs, who stars alongside her in the film. Koreless, Xquisite Korpse, Tobias Jesso Jr., and Jeff Bhasker are all in the credits for ‘My Mouth Is Lonely for You’, which sounds like a facsimile of an FKA twigs track. Listen to it below.
The Mother Mary soundtrack is set to arrive on April 17 via A24 Music. The film comes out in limited theaters that same day before receiving a wider release on April 24.
Not counting 2021’s Bloodmoon: I, their collaborative LP with Chelsea Wolfe, Love Is Not Enough marked Converge’s first album in nearly a decade. It came out in February, and the hardcore legends have already announced its follow-up. Hum of Hurt is set for release June 6 via Deathwish/Epitaph, and the ferocious title track is out now. Check it out below.
“When we came together to write, we ended up with a wealth of material,” frontman Jakob Bannon explained in a press release. “As work progressed we realized we had created two separate albums, and treated them as such.” He added, “It’s not a sequel. The unifying musical idea early on was, ‘Let’s make a noise rock album.’ But we never really did. The first one wasn’t. This one touches on that spirit, but it’s much more dynamic than that descriptor. To me, it leans more into being an emotional hardcore album, while Love Is Not Enough feels more metal leaning album. In the end, we simply gave creative birth to another Converge record with its own unique identity and character.”
The new LP was once again recorded and mixed by guitarist Kurt Ballou, with engineering assistance from Zach Weeks. Bannon and UK artist Thomas Hooper collaborated on the album artwork. “For the cover, I had a vision of an EKG signal fusing with some kind of volatile seismography,” Bannon reflected.
He continued: “This amalgamation represents the conditions that would theoretically create a ‘Hum.’ Specifically the heart skips beats before dissolving into static. The signal is then interrupted by a seismic event at the center point of the cover. In conversation, I shared some of these ideas with artist Thomas Hooper, who offered to illustrate them using scientific diagrams as a source of inspiration. I then spent months creating a mixed media piece for the interior. The figures represent the five elements of our planet, or ‘Pancha Bhuta’: Prithvi (Earth), Ap (Water), Agni (Fire), Vayu (Air), and Akasha (Aether). I present them in the throws of chaos, as if the elements themselves are entangled in the Hum of Hurt.”
Hum of Hurt Cover Artwork:
Hum of Hurt Tracklist:
1. Slip The Noose
2. Doom In Bloom
3. It Only Gets Worse
4. Detonator
5. I Won’t Let You Go
6. It’s Not Up To Us
7. Dream Debris
8. It Used To Matter
9. Hum Of Hurt
10. Nothing Is Over
In our July 2024 interview with Robber Robber, Nina Cates outlined the conditions that would allow the band, which she co-founded with Zack James, to tap into their ideal workflow. “One of our goals in making music over the next couple of years is to have an infrastructure in place for our lives so we can be in positions to do that,” she said. Not half a year later, the building that the couple lived in caught fire, and though theirs was the only apartment that was spared major structural damage, all of it was demolished, leaving them displaced. Relying on the generosity of the Vermont music community, they couch surfed for months, and while that infrastructure may have now seemed like a distant dream, music remained their only constant – “a new familiar place,” to quote ‘Backup Plan’ from their first LP, Wild Guess. Once again, the pair, along with guitarist Will Krulak and bassist Carney Hemler, returned to Little Jamaica Studios to lay down their new album for Fire Talk, Two Wheels Move the Soul, with engineer Benny Yurco. At once groovier and grimier than their debut, it hammers down on the same themes of shaky communication and perpetual unrest as if almost no time has passed between records. Yet through the rubble, they find new ways to navigate their shared space.
1. The Sound It Made
The restless volatility that fuels ‘The Sound It Made’ sets the tone for Two Wheels Move the Soul. As Cates’ stream of consciousness flits between extremes, the rubbery bass and shuffling drums match its persistent rhythm; a simple guitar pattern drags along, only for the instrument to bend a storm to its will, tightly coiled and distorted, during the bridge. Cates’ nonchalant delivery over increasingly chopped-and-screwed production is comparable to Water From Your Eyes’ It’s a Beautiful Place, so you wonder how far Robber Robber’s sound will have traveled by the time they reach their seventh album.
2. Avalanche Sound Effect
For a song that appears scrappy and repetitive, the overall effect is strangely particular. It builds tension not by mounting like an avalanche – that would be too obvious, though the titular sound effect, presumably emulated, is stitched in right before the climax – but through fussy repetition and monosyllabic lyrics. Even two-syllable words seem to be broken down, almost like directional commands: “Up/end.” As the rhythm section becomes more muscular and busy, the harmonies Cates layers on top of her main vocals are gentler, not rigid, preserving that bit of humanity in the midst of catastrophe.
3. New Year’s Eve
‘New Year’s Eve’ throbs and hypnotizes in familiar Robber Robber style, but the real swagger of the groove allows you to catch your breath. “I’m tired, so is everyone/ How can I complain?” Cates sings, turning burnout into an opportunity for commiseration. But rather than keeping cool in a slacker zone, the song spins around an honest-to-God pop song melody in the chorus, and Cates’ voice reaches a stirring high as it laments the passage of time. Staring down the New Year, she pleads: “Won’t you let me sink my teeth instead of playing round the ends?”
4. Imprint
Just under a minute long, ‘Imprint’ floats past like a fragment of an argument never uttered, as it might appear on the edge of sleep.
5. Watch for Infection
Underneath the scorching fuzz of bass and guitars, Cates lays out a cautionary tale that still takes the form of a surreal vision, pressing on the slippery nature of memory. The bitterness festering in the first half of the track softens as she repeats the titular words, implying that the emotion itself is the cause for concern.
6. It’s Perfect Out Here in the Sun
If “It’s a perfect out here in the sun” seems a bit like a chorus Damon Albarn would sing after a wordy verse, it might have to do with the song’s rudimentary groove resembling a Gorillaz hit. Nothing about this lumbering tune sounds synthetic, though; you can feel the dirt vibrating off James’ percussion, which is slyly unpredictable. Every element seems on the verge of collapsing under the heat, crashing out for a beat before the surprisingly sweeping outro. They might as well have titled it ‘Icarus’.
7. Pieces
Cates peels the curtain back on the headspace behind her lyrics: “Caught me stewing in the sound of it/ Not thinking what it meant,” she sings. Meaning is always secondary in Robber Robber’s music, and even ‘Pieces’ keeps the identity of “it” elusive. The band chews on the feeling behind her words, beefy guitar notes lingering with no discernible logic. It might be the hardest track to latch onto, but there’s another half-illuminating couplet: “We’ll take something for the dissonance/ And something for the dream that you forgot.”
8. Talkback
Rightly released as its first preview, ‘Talkback’ still stands out as the best song on the LP. Cates’ nagging self-consciousness comes into sharp focus, almost neatly sequenced: she recognizes the opportunity for the perfect retort has passed, then lets the moment go. The irony, in the context of the album, is that here is where some of the nervousness actually diffuses.
9. Enough
Cates’ fiery conviction persists, mirrored by a particularly sturdy groove where every hit seems designed to snap you out of a dissociative state. “I’d try a lot to start feeling like myself again,” Cates sings, easing back as tight chords give way to jagged notes and finally arpeggios.
10. Again
A shining example of the band’s playful conversationalism, ‘Again’ might be the most lighthearted song on Two Wheels. The premise is simple: “Lean in, or go/ I’ll settle into sickness till you know.” ‘Again’ finds Cates running off, wandering around, almost tripping over, and telling everything to a can above her head. Again, “everything” could be anything – for now, at least, she can pretend it’s no big deal.
11. Bullseye
You have to squint a little less hard to make out the scene unfolding in ‘Bullseye’, where the setting could plausibly be one of the band’s shows. Musically, it’s a bit of an oddity, grungy and melodic, but you get its placement as the closer as soon as the shrieking bridge explodes. It’s one hell of an exit.
Weezer have been teasing a new album. On April 1, the band returned with their first single in four years, ‘Shine Again’, though details of the LP have yet to be announced. Here’s everything we know so far.
What’s the title of the album?
We don’t know yet. We do, however, know that Weezer will support it with a tour dubbed “Weezer: The Gathering.” The Shins and Silversun Pickups will join them on the 32-date arena trek.
Who produced the album?
Kenneth Blume, fka Kenny Beats, helmed the record. The producer discussed the sessions in a Discord Q&A, saying, “Every single song on the record was started all together, in the room at the same time, no tempo references. No matter what the tracklist ends up being.”
Klas Åhlund, who recently contributed to Robyn’s latest album, co-produced the album with Blume. They talked about “tones from Desert rock bands like Kyuss .. kind of like stoner metal tones,” Blume said. “Nothing to do with the writing, just as references sonically.”
What was the recording process like?
The band started rehearsals for the album in Europe through the summer of 2025. Rivers Cuomo kept fans up to date on Discord, noting that the first batch of songs were done before mid-December. The album was reportedly completed in February 2026. We also know that Cuomo met Cameron Winter, whose band Geese worked with Blume on Getting Killed, during the sessions. “I joked that rivers passed the test and he could join geese now and he immediately just said ‘…….geezer?'” Blume recalled.
Which label will release the album?
The new album will be Weezer’s first under Reprise Records instead of Atlantic Records.
There is no shortage of alternative investment options out there in 2026, which means that the real problem isn’t finding one, but choosing the right one for you. Property, commodities, precious metals, and cryptocurrency are just some of the markets that you will find plenty of information about online, but there’s a lot to be said for following your interests.
Cask whisky is a growing niche that allows investors to go on a journey that extends far beyond a potential return. By learning about how the brewery works and gaining a greater appreciation of the subtleties and nuances, you can diversify your portfolio in a way that also feels like a hobby.
Cask whisky is a commodity for those who are passionate
Investing in gold, raw materials, and other precious metals is one thing, but do you really feel a connection with the underlying asset? A number of Investors who enter the whisky market do so because they have a passion for the product and want to feel closer to the industry. And although you should never invest purely with your heart, there is a lot to be said for getting some enjoyment out of your portfolio as the years go by.
A tangible asset can be more stable than a digital asset
You only have to look at the volatility of the cryptocurrency markets to see plenty of proof of this point. By contrast, cask whisky tends to appreciate slowly over time, making it a long-term hold for those who want a more sedate, pragmatic approach to investment. You’ll also find that, when you connect with the right people, there will be no hyperbole around guarantees and overnight profits.
“Anyone who says to you that the market is completely guaranteed is an extreme red flag,” says Alphie Valentine, Co-founder of Hackstons, whisky specialists who provide opportunities for both investment and consumption. The point here is that if you focus on a tangible asset you have a genuine interest in, you may well get an investment that you feel more comfortable with and that you get more pleasure out of.
Real estate and whisky are two options with a lot in common
You would never think of buying an investment property without having a surveyor take a closer look at all of the fine details, and you should never invest in whisky without a Delivery Order. The point here is that you need to verify any investment you decide to make, regardless of how well you feel you understand the underlying asset. Make sure that you have written documentation clearly describing what you have bought and stating that you are the owner. Without this level of due diligence, you may find that you are exposing yourself to a lot more risk than may first appear.
Longer-term holdings may perform better in a volatile economy
The price of oil is particularly unstable in 2026, meaning that energy, transportation, and the final price of a huge range of goods and services will be too. You will always find people online who talk about how they are profiting from short-term, high-volume speculation designed to take advantage of price volatility, but do you really want to be continually rolling the dice? Professional investors and bankers do, but they typically do so with money that isn’t their own. If you want to have a potentially more stable, lower-work investment portfolio, longer-term holds that extend for years after market volatility has died down may be the best approach to take.
Investment options are only as good as the person offering them
Take a look at Hackstons on Instagram, and you will see that they have a public presence, reviews, and a track record. They will not promise you a return, but they do have the experience and industry knowledge that allows you to make an informed decision about which direction you want to take. By going with experience, you’re tipping the balance of risk and reward a little more in your favour.
The best investment opportunity is always clear and transparent
The last thing you want to see is constant deductions, surcharges, and management fees eating away at your return. Regardless of the asset you choose to invest in, making sure that the fee structure is simple and transparent is essential. It’s about making sure that you understand the entirety of the offer so that you can come to a balanced judgement as to how likely a return is and how big it may be over a specific timeframe. This will never be an exact science, but things become much clearer when you understand the fee structure.
Think about these key points when you come to assess each alternative investment opportunity, and you’ll be taking a pragmatic approach to diversifying your portfolio in 2026.
In 2026, the iPhone is more than just a device known for capturing high-resolution art photos. It is also a creative hub where everyone can find tools for face swapping to create image gags or viral videos. With several sophisticated options in the iOS App Store, the right face swap apps for iPhone can transform imagination into polished edits in just a few taps. These tools make face swaps effortless and social media-ready.
Here is a closer look at the top-rated face swap apps for iPhone that are leading the face-swapping scene this year.
Simfa – AI Face Swap
Imagine an app that does not awkwardly place your face on top of an image or video — that is the promise of Simfa. It prioritizes quality over anything else, employing a calibration-first pipeline. Particularly, Simfa’s advanced AI system carefully analyzes the source photo to produce realistic and natural results in minutes. With multiple file format support, this tool is perfect for iPhone users who need to create content for Instagram, TikTok, and YouTube on the go.
Reface: AI Face & Photo Editor
Another face swap app on any user’s list is Reface. This is one of the most advanced options, which enables you to paste faces on videos, movie clips, or random character art. Users can even access animation features to make their images sing. Moreover, Reface allows face morphing, gender swapping, and digital hairstyle replacement.
Face Swap Live
Unlike most apps that only enable face swaps using still images, Face Swap Live lets users perform face swaps in real time, live from the device’s camera. Aside from this, everyone can take advantage of other creative features, such as built-in masks and effects, Face Goo Studio, and party mode. Users can go from switching faces to distorting images and adding fun overlays.
Faceover – Photo Face Swap
If you are looking for a straightforward photo editing app with a face swap twist, Faceover is the solid pick. It turns iPhones into a tool with photo editing effects and quick face-swapping features. Faceover delivers realistic results that are extremely entertaining.
RemakeFace AI: Face Swap AI
Sometimes the best apps are the ones that use AI technology, and RemakeFace is one of them.From single to multiple face swaps, it gives users the power to switch faces with anyone and everyone. RemakeFace also allows the use of prompts and image templates for better digital face customization.
How to Select the Best iPhone Face Swap App
When choosing a face swap app, the device is not a problem. The iPhone is more than capable of handling and running these creative tools. With that said, the main concern would be narrowing down numerous options. To avoid unnecessary headaches, always make a decision based on the usage purpose. In particular, determine if the app is for social and viral content, live interactions, precise photo editing, or modern AI artistry.
Embracing Expressive Face Swap Apps for iPhone in 2026
Image Credit: Freepik & Simfa
This lineup of face swap apps for iPhone offers AI-powered transformations and intuitive editing. They are ideal for aspiring digital creators, meme makers, or someone who just loves to swap faces for laughs. Regardless of the purposes of use, always follow ethical guidelines, as consent and privacy are always essential.
Ready to satisfy your face swap craving? Grab your iPhone and try Simfa! It is easily the top contender among the apps here. Simfa fits any creative style. It also allows everyone to swap faces like a pro without overwhelming complexity. With the perfect balance of cutting-edge AI performance and everyday usability, Simfa stands out as the most well-rounded choice in the vast digital landscape of face swap apps for iPhone.
Twice a year in Florence, Pitti Uomo gathers a few hundred brands, a lot of buyers, and even more variations of the same tailored jacket. Think less front row, more order sheets. Of course, each season carves out space for a guest designer or two to stage a runway moment that isn’t exactly built for wholesale. For its 110th edition this June, that slot goes to Simone Rocha, who will present her first standalone menswear show, running parallel to Kei Ninomiya.
This might be the first time Rocha’s runway only belongs to men, though her co-ed runs were never shy of company, at least since SS 23. Her menswear carries the same sense of romance and fragility she gives her womenswear, with lace, volume, drapes, softness, embroidery, and flowers, letting utility and tailoring play coy instead of bossing around. Rocha painted the picture for Vogue, “He’s into texture, craft, and conversation. He’s down to earth, and he’s also very comfortable with femininity. He’s interested in tradition but twisting it. We’ve been thinking a lot about who he is!”
The designer could have picked a postcard-perfect Florentine backdrop. Although the official location is yet to be announced, she didn’t. She wants her debut’s space a little out of place, a room that belongs to no city and winks at her own sensibilities. Maybe she’s just hinting, maybe not, but this show smells a lot like the opening act for a new menswear chapter. Rocha could very well be planting the seed for a regular, standalone men’s line, showing up on the seasonal radar, and making sure the boys finally get that full Rocha treatment.
