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Blink-182 Release New Song ‘Edging’

Blink-182 have released ‘Edging’, their first song with founding member Tom DeLonge in a decade. An accompanying video directed by Lyrical Lemonade’s Cole Bennett is coming later today. Listen to ‘Edging’ below.

“I wanted to imagine as a listener what I wanted to experience and at the same time as a band member what we wanted to make and say and most importantly how it would sound production wise in 2022,” drummer Travis Barker, who produced the track, said in a statement. Hoppus added: “I’m so happy to be back in the studio creating new music and looking forward to a giant world tour.”

Earlier this week, Blink-182 announced that Tom DeLonge had rejoined the band and that the classic lineup will embark on a massive reunion tour next year. A new album is also due for release in 2023.

Album Review: Bill Callahan, ‘YTI⅃AƎЯ’

When people positively describe music as dreamlike, the implication is that it sounds hypnotic without feeling soporific, elusive yet strangely engaging. But we forget that the most memorable and stimulating part about dreams isn’t being immersed in so much as waking up from one, the dizzy thrill of trying to piece the puzzle together in a kind of rushed, limbo state. Bill Callahan’s vast discography reveals a long-standing fascination with dreams, but on his new record, YTI⅃AƎЯ, his goal was to “rouse people” in a climate that endlessly feeds on disassociation and hostility. And while his music has remained incisive and compelling even as its tone has shifted, with 2019’s Shepherd in a Sheepskin Vest marking a turning point towards more open-hearted lyricism, this is indeed his most beautifully stirring record in a while, like looking out the window on a beautiful morning as you try to shake off the sweet, unnerving aftertaste of sleep.

On YTI⅃AƎЯ‘s opening track, Callahan circles through the lines, “And we’re coming out of dreams/ As we’re coming back to dreams,” which encapsulate the flow of the album. The songs are exquisitely yet intuitively sequenced, with surreal and playfully imaginative songs leading into ones that are more grounded in everyday detail. The second track, ‘Everyway’, occupies a kind of fantastical space, depicting a group of sailors who “warmed our hands in the corpse of a wild horse on the shores of Assateague.” One of them is haunted by the feeling of “something coming on/ a disease or a song,” the distinction almost insignificant, as ghostly backing vocals and washes of guitar echo in the distance. By contrast, there’s something refreshingly perky and organic about the following ‘Bowevil’, whose raw groove, propelled by two acoustic guitars, is underpinned by subtle instrumental flourishes evoking an earthy quality that overrides the song’s ambiguous nature.

No song clearly fits into a single category; they lean in different directions, but there’s a spark of lucid wisdom and otherworldly beauty to each track. The lovely ‘Coyotes’ begins by focusing on an aging dog who dreams of being a coyote, but Callahan seems to transpose the fear of being preyed on into a human context: “I tried to signal you of danger/ But my voice had not yet come through/ You were bent over, a peanut of a child,” he sings, as the track grows into a confessional. ‘Lily’ works sort of the opposite way: it’s a piercingly heartfelt song that addresses Callahan’s relationship with his mother in the final stages of her life, but its power lies in finding the right metaphorical language for wordless emotional exchanges (“Eyes turned to ice when pulse was slowed/ Ice turned to tears when we drew close.”) The only person who speaks is outside the family, a medium who assures the narrator the spirit of his mother is watching over his child. The musings of ‘Coyotes’ then take on a new resonance: “I wanted to tell you/ We tend to stick together/ Down through the generations.”

A sense of collectivism pervades the album in ways that are sometimes jubilant and often eerie. It’s no coincidence that ‘Lily’ is followed by ‘Naked Souls’, an unsettling highlight that seems to react directly to the vulnerability that’s just been displayed: Though the song is gentle at first, its jazz inflections hint at one man’s discomfort with the transparency of the human condition, and suddenly there’s a whole army of voices calling for the destruction of “these naked souls.” The instrumentation, too, is crowded and boisterous, with Jim White’s fluid drumming, Matt Kinsey’s manic guitar, Mike St. Clair’s scorching trumpet, and Carl Smith’s airy clarinet playing to the delirium. Mike St. Clair contributes to just one more track, ‘Natural Information’, which happens to be the other song that takes more of a bird’s eye view of society. This one’s more funny, jaunty, maybe hopeful: When he describes “strolling my baby down the street,” you can imagine him coming up with the melody right then and there; Callahan’s son, Bass, can even be heard humming the chorus.

It’s uplifting in ways you wouldn’t expect a Bill Callahan record to be, even if he has long proved himself as more than a purveyor of bleak truths. Yet rousing still feels like the more fitting word: Take the blistering ‘Partition’ and its invocation of “Big pigs in a pile of shit and bones” who “owe more than they’ll ever own,” which stands out on a record where references to horses, bugs, and canines are never quite so brutally real. Though it might be misleading to call YTI⅃AƎЯ a joyful record, the feeling it leaves you with as it breezes by is one of simple contentment, the kind that’s possible when you pay attention to the little things – “the basics of life,” as Callahan puts it – rather than live up to a manufactured image. It’s not an entirely new approach to human connection and survival – it hearkens back to 2013’s Dream River as much as his more recent material. But Callahan makes it feel renewed, like a dream: never quite the same as the last time you saw it, and never as real as the moment you wake up.

MIKE Announces New Album ‘Beware of the Monkey’, Releases New Song

New York–based rapper MIKE has announced his next album, Beware of the Monkey. The follow-up to last year’s Disco! is set to drop on December 21 via his label 10k. Today’s announcement comes with the release of the lead single ‘nuthin i can do is wrng’, which is accompanied by a Ryosuke Tanzawa-directed video. Check it out below.

What rules are in place in the music industry? – Music Licensing explained

In the world of music, many people make money even if they are not writing, playing or producing the music. This isn’t uncommon or even a bad thing. It happens in every industry. But with music, there is a common misconception among creatives that music is free. This is not the case, particularly as people in the music world need to make money.

Additionally, steps are in place to stop people from stealing other people’s music. That’s why there are laws and rules in place. Some of them are more complicated than others, but we suspect you have landed on this page because you want to know whether or not you can use certain types of music on your videos or social media accounts. The good news is that we are going to tell you. Read on to learn more about the various types of music licences, copyright laws, and also what rules are in place and for whom.

Is there any music which is free?

Not really, unless you have an unsigned friend who sends you a demo and lets you use it. There are promotional tracks from aspiring bands who just want their music to be heard, but if someone wants to use it for their content, it makes sense to cash in, doesn’t it?

However, for the average Joe, there is a common misconception that you can use a track you like for a video, as it is all accessible via YouTube and downloadable. But this couldn’t be further from the truth. You can’t just boldly assume that you can use an artist or composer’s song. Someone owns that work, and they should rightly be paid for it. But this is where the lines get blurry. Who owns what, how much does someone have to pay, and also how often? Thanks to music licencing laws, in some cases, such as radio stations, they must pay every time they play or use a song. Whether it’s for an advert or simply just to play the song, someone somewhere is being paid by someone else.

Can you only pay once to use a song?

Yes, you can. But again, it depends on how the song is licenced. Royalty-free music is not free to use, but it does help you to avoid paying every time that song is played or used. There are websites which provide royalty-free music, such as AKM Music. This is an easy route for content creators to go down as the process is fairly simple. You just go on to that website and purchase the track that you would like to use.

The website or company that you are purchasing from has already done the hard work. You simply pay them a one-off fee for royalty-free music, and in theory, you then don’t need to make consistent monthly payments, for example. That is one method that people use to try and save costs on music licencing protocols. In many cases, the more well-known the song, the more you would have to pay to use it. Essentially, the bigger the copyright, the bigger the fee, and the same can be applied to royalties.

Where can you use royalty-free music?

Now you’ve purchased royalty-free music, it’s all about understanding where and when you can use it. As a content creator, you may or may not be surprised to learn that you can actually use these sorts of tracks on social networks like YouTube. If you’ve brought it legally, then you should be safe from any copyright or content ID claims.

If you are thinking of using music which is royalty-free, you should still check with the company that you purchased it from as to whether it is also copyright-free. As there is a difference! A legitimate site should provide this information to you anyway, but you can often find it in the FAQs of the company you are buying from.

It would probably say something like this:

Royalty-Free Music / Copyright Free Music is music cleared for use on your video or TV production, allowing you to sync the music in perpetuity without the need to pay extra royalties or licence fees to collecting rights bodies such as MCPS.

Using our Royalty Free Music offers a simple music solution for video and media creators, allowing unlimited use on all DVD productions, commercial websites and all digital platforms, including YouTube/Facebook/Zoom/Instagram. One single payment and no more fees to pay. It’s simple and 100% hassle-free.

The next steps to aid your content creation

So, now we’ve explained a little more about music licensing and what it means. It is time to get started with your content creation. Go ahead and embark on your new career, whilst staying compliant and complying with the rules of the music industry! 

The Transitional Pieces You Need In Your Capsule Wardrobe This Autumn

Although there is an art to changing your wardrobe for each season, adjusting to autumn is typically one of the simpler transitions throughout the year. After all, many of your summer staples will still look great in late September as they did in late August; all they require is a minor adjustment, like adding a new layer or switching up your go-to accessories.

How can a seasonal capsule wardrobe be useful?

Your ability to modify the essential components of a capsule wardrobe for several seasons will rely on your lifestyle and fashion tastes. A well-chosen white shirt, for instance, should look excellent in the summer with fitted shorts and equally appealing in the winter with a knitted skirt and knee-high boots. Having said that, we discover that some wardrobe heroes are more suited to a given season than others. for the fall? Consider wearing brogues, light knits, and trench coats.

How do you create a capsule wardrobe for autumn?

An autumn 2022 capsule wardrobe collection consists of multifunctional pieces that, when worn properly, ought to fit in with your current wardrobe. When layered under a chunky knit, a flowy summer dress can take on stormy winds, a white t-shirt and jeans outfit may be transformed into autumnal attire with the help of an oversized trench coat, and a summer mini can acquire a cold weather edge when paired with thick-soled Chelsea boots. Whatever your aesthetic is, whether as fashionably feminine as the latest Florentina Leitner collection or a little on the adrogynous side, the key is to take adaptation and versatility into account.

However, keep in mind that neutrals aren’t boring, and that when the nights start to get shorter, pops of colour and print are essential. A striking skirt or a shirt with bold stripes can work well.

Cardigans

Anything goes when it comes to choosing a cardigan: belted, oversized, cropped and adorable, louche and longline, and the list goes on. Just make sure your fashion sense is current and stylish; avoid overly formal items and choose instead for tank tops, denim, and casual accessories.

Maxi Dresses

Considering how versatile the printed maxi dress is, it should be a staple in every woman’s wardrobe. The tiered skirt and autumnal florals on Boden’s make it particularly adaptable; once summer is past, ground yours with knee boots.

Knitted Tanks

The tank top is a novel option to try in 2022. The alpaca-wool garment by Arket has a clean crew collar and cut hemline. You could do a French tuck into a pair of wide-leg pants, or layer it over a long-sleeve blouse or shirt.

The Trench Coat

The trench coat is at the top of our list for obvious reasons. This coat is not only always in style, but it is always practical. Additionally, we’re just as likely to wear it on top of a summery dress as we are to wear sweaters underneath.

The White Shirt And Other Basics

The white shirt is always a basic, but it’s having a bit of a moment this season. If you want to keep up with trends, look out for long cuffs and point collars. Jigsaws may be worn open over tank tops now, tucked into midi skirts for the fall, and layered under dresses for the winter.

If you don’t think you’d go for this option in terms of comfort, maybe checking out other items of clothing; this could be anywhere from arm warmers, hats, ear muffs, or perhaps visit some The Good Feet Store reviews for your next pair of autumn chill-resistant socks.

Queen Share Unearthed Song Featuring Freddie Mercury

Queen have unveiled a previously unreleased song with Freddie Mercury. It’s called ‘Face It Alone’, and it was recorded during the sessions for the band’s 1989 album The Miracle, an expanded version of which wikk on November 18. Check out ‘Face It Alone’ below.

“We did find a little gem from Freddie, that we’d kind of forgotten about,” Roger Taylor told BBC Radio 2. “And it was. It’s wonderful. Actually, it was a real discovery.”

“It was kind of hiding in plain sight,” Brian May added. “We looked at it many times and thought, ‘Oh, no, we can’t really rescue that.’ But in fact, we went in there again and our wonderful engineering team went, ‘OK, we can do this and this.’ It’s like kind of stitching bits together … but it’s beautiful. It’s touching.”

 

 

poolblood Announces Debut Album, Shares Video for New Single ‘shabby’ Featuring Shamir

Toronto’s Maryam Said, who records as poolblood, has announced her debut album, mole, which is due out January 13, 2023 via Next Door Records. It includes the previously shared song twinkie’, as well as a new track called ‘shabby’, which arrives with a self-directed video starring Shamir and Drew Harmon, who also played guitar and drums on the track. Check it out below, along with album’s cover art and tracklist.

“It’s a trippy video celebrating friendship!” Said remarked in a press release. “I wrote this with one of my best friends in mind as I really wanted to write something to express my love for my friends.”

mole was produced with Louie Short and Shamir and features additional contributions from Christian Lee Hutson, Eliza Niemi, Dorothea Paas, Grant Pavol, Victoria Bury, Annie Truscott, Nick Short, and Drew and Jeremy Harmon. “I wanted to capture all of the uncomfortable moments in all of my relationships, writing about the discomfort and not sensitising it,” Said explained.

mole Cover Artwork:

mole Tracklist:

1. <3
2. wfy
3. shabby
4. twinkie
5. voyager
6. null
7. beam
8. sorry
9. my little room

Show Me the Body Share Video for New Single ‘WW4’

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Show Me the Body have shared ‘WW4’, the third single from their forthcoming LP Trouble the Water – set for release on October 28 via Loma Vista Recordings. It follows previous offerings ‘Loose Talk’ and ‘We Came to Play’. Check out a music video for it below.

The band recorded Trouble the Water at Corpus studios in Long Island City with producer Arthur Rizk (Power Trip, Turnstile, Municipal Waste). The UK and European leg of their world tour kicks off next Friday in Vechta, Germany.

Watch Maren Morris Perform ‘Good Friends’ on ‘Kimmel’

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Maren Morris stopped by Jimmy Kimmel Live last night (October 12), showcasing her single ‘Good Friends’. The Nashville songwriter also sat down for an interview, where she discussed interviewing Willie Nelson while guest hosting the show, her obsession with pickleball, performing at the Hollywood Bowl for the first time, and more. Watch it below.

Maren Morris’ latest album, Humble Quest, arrived in March. Following its release, Morris performed ‘Circles Around This Town’ on The Tonight Show.

Watch Florence and the Machine Perform ‘King’ on ‘Corden’

Florence and the Machine appeared on The Late Late Show With James Corden last night (October 12) to perform ‘King’. Florence Welch also sat down for an interview to talk about a fan offering her a severed hand during her ongoing tour, the band’s obsession with perfumes, and horror films, while fellow guest and Big Mouth star Nick Kroll performed the choreography to ‘King’. Watch it all go down below.

‘King’ appears on Florence and the Machine’s latest album Dance Fever, which came out earlier this year. The LP also includes the early singles ‘Free’‘Heaven is Here’, and ‘My Love’, which Florence brought to The Tonight Show back in May.