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Book Review: Ashton Politanoff, ‘Dad Had a Bad Day’

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My parents were both professional tennis players—it’s how they met—but my mother started young, and committed more rigorously. She would tell me of her days pounding the pavement, working hard to eventually make the ATP tour, but the one story that stuck out in my mind is when she was 13, up against a girl she eventually beat for the championship title. When the girl walked over to her mother, she didn’t comfort her after a loss, or congratulate her on trying her best—but slapped her.

That story stayed in my mind while reading Ashton Politanoff’s severe and goofy Dad Had a Bad Day, a sendup of traditional masculinity and lineage that follows a rather pathetic father figure—Ned, out of a job and in the house with nothing to do, who finds a racquet buried in his garage one day while putzing around. His grim worldview—one of furloughs and smallness, told through clipped responses and matter-of-fact narration—explodes into color when he sees a father and son battling it out on the court, a brilliant full-page paragraph where one can feel Ned’s eyes widening, lit with a fire he was trying to find. “Over the next fifteen minutes,” he says, “the father shattered one racquet, sent two balls over the fence into the parking lot of a medical plaza, yelled fuck you presumably to himself, removed his bandana and replaced it with a hat, and ultimately stormed off the court without waiting for his son.”

It’s unclear whether he empathizes or pities the father, and doesn’t matter; his actions, the long swooping forehands and tumultuous serves, sends him reeling to occupy that space. At the club, which he pays for with his wife’s credit card, he starts to hit but realizes his true destiny is to lead a team of similarly disgruntled men to a championship victory. “I have found a new species of men in these halls,” he writes to his wife. “These are men of ritual, discipline, and refinement. My hope is that over time their good habits will rub off on me.”

That’s not what happens. Ned immerses himself further into his training regimen, the politics of managing a team (insecure men arguing they’d be better first in a line-up) and micro-health strategies such as taking ice baths while swigging Jose Cuervo. He starts listening to a ghostly voice that emerges when relaxing in the sauna and tries to procure some steroids once he realizes he’ll be slotted in the team: “Your husband is a stud, Loraine,” he writes. “Don’t you ever forget that.”

He’s haunted by the memories of childhood courts—his friend Roland was under the pressure of a demanding father and cancer-stricken mother, and Ned being pressured to play, his happiness notwithstanding. He even mauls his college coach after a drill led to a shoulder industry, removing him from the team. But justifying his newfound interest in the sport to strengthen his relationship to his son is laughable—he constantly neglects him, dropping him at random birthday parties or leaving him in the house alone to hit some more shots. When Ned does bring his boy to the court, he makes him cheat, distracting opponents right as they’re about to serve.

“He’s so young,” the sauna voice says. “He isn’t going to remember this. But you will. You will remember this season for the rest of your life…Sacrifices need to be made, Ned. This is about you right now.” Ned’s relationship (or lack thereof) with his son forms the backbone of Dad Had a Bad Day’s most chilling moments; they’re formative events that suggest the cycle of intergenerational sports-related trauma will continue.

Though Dad Had a Bad Day portrayed Ned as a can’t-help-it manchild in the beginning, the novel is also about the tangible violence men like him can harbor. In one instance, his son gets rowdy at a birthday party with another child, stuffing each other in headlocks pinning each other face-down on the couch. “The other father and I stood side-by-side,” Ned thinks. “Out of the corner of my eye, I saw the other father take a sip of his beer.” Ned does too.

In the dearth of “manosphere” books, Dad Had a Bad Day cuts through the noise. A bleak, often troubling look at what happens when we follow our worst impulses, Politanoff has created a man motivated by both pompousness and deep insecurity. “I had the feeling that I was in the presence of future greatness,” Ned once thinks. Who can blame him for wanting to see where it goes?


Dad Had a Bad Day is out now.

Ceramics Are Hot Now: Inside the 2026 Loewe Foundation Craft Prize

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Nine years ago, the Loewe Foundation, the 180-year-old brand’s nonprofit alter ego emotionally attached to pottery, woodwork, weaving, and the concept of “human touch,” started gathering artists from around the world to prove that, in an AI-saturated, mass-produced world, the most valuable thing might simply be evidence of an actual human hand. The Loewe Foundation Craft Prize is a first-time traveler to Southeast Asia, landing at Singapore’s National Gallery, and celebrating 30 finalists from 19 countries selected from 5100 submissions by a roughly 14-people jury. It also brings in Jack McColough and Lazaro Hernandez (post-Jonathan Anderson era) sitting between Sheila Loewe, chairwoman of the foundation, Abraham Thomas, Met curator, Frida Escobedo, Met architect, Magdalene Odundo, leading ceramic artist, and the list goes on.

As the room carried on champagne-fuelled conversations about objects that arguably cost more time than money, a Seoul-based ceramicist received the €50,000 prize under a wave of applause. Jongjin Park’s months-in-the-making Strata of Illusion was declared the winner. A chair-like sculpture built through a slow, layered process, ending up as a dense ceramic block that still carries the ghost of paper. Sheets are coated in porcelain slip, lightly tinted with pigments, then folded, stacked, and pressed together by hand into a compact mass. After drying and firing, the paper disappears, or rather, survives in another form, fused into a single ceramic body like a memory that refuses to burn off completely.

Jongjin Park for LOEWE FOUNDATION Craft Prize 2026
@loewe via Instagram

Two special mentions went to Italian jewelry designer, Graziano Visintin, whose Collier, a pair of necklaces built from strings of delicate gold cubes, formed from impossibly thin sheets of metal won a €5,000 prize alongside Baba Tree Weavers and Álvaro Catalán de Ocón’s Frafra Tapestry, positioned as a “living anthropological document,” translating Ghanaian craft into a large woven surface of elephant grass, later captured from above through drone imagery that maps its surface into pattern. That’s the real subject here. Not craft, but the stubborn visibility of the human behind it.

New Jersey Personal Injury Attorney

Accidents rarely come with a warning, yet their impact can last for years. A sudden collision, slip and fall, or workplace injury in New Jersey can leave victims dealing with physical pain, emotional distress, and financial uncertainty all at once. Between hospital visits, missed work, and insurance pressure, it often becomes difficult to know what steps to take next.In these situations, working with a skilled New Jersey personal injury attorney is crucial for protecting legal rights and ensuring fair compensation.

Insurance companies are primarily focused on minimizing payouts, which can leave injured individuals under-compensated and struggling to cover long-term expenses. A knowledgeable New Jersey personal injury attorney helps balance this situation by advocating for victims and guiding them through complex legal processes.With strong legal support, injured individuals can focus on recovery while their attorney handles investigations, negotiations, and case building with a strategic approach.

Why Personal Injury Cases in New Jersey Require Strong Legal Strategy

New Jersey is a densely populated state with heavy traffic, active workplaces, and constant construction activity. These conditions naturally increase the risk of accidents across roads, properties, and job sites. Even a minor act of negligence can result in severe injuries that require long-term treatment.

An experienced New Jersey personal injury attorney understands how to evaluate these cases and identify where negligence occurred. Whether it involves a reckless driver, unsafe property conditions, or workplace violations, legal expertise is essential for proving liability and building a strong claim.

Common Situations That Lead to Injury Claims

Personal injury cases can arise in many different environments, often when safety rules are ignored or carelessness occurs.

Common scenarios include:

  • Car, truck, and motorcycle accidents
  • Unsafe property conditions leading to slip and falls
  • Construction and workplace injuries
  • Medical errors and hospital negligence
  • Defective or dangerous products
  • Pedestrian and bicycle accidents

A skilled New Jersey personal injury attorney carefully investigates each situation to determine responsibility and legal options for compensation.

The Hidden Impact of Serious Injuries on Victims and Families

The consequences of an injury go far beyond physical pain. Victims often face emotional stress, anxiety, and uncertainty about their financial future. Recovery may involve surgeries, physical therapy, and long-term medical care, which can significantly disrupt daily life.

A dedicated New Jersey personal injury attorney understands that injuries affect not just individuals but entire families. Loss of income, rising medical bills, and emotional trauma can place enormous pressure on households already struggling to recover.

Steps That Strengthen a Personal Injury Claim

Taking the right actions after an accident can significantly improve the outcome of a legal case.

Important steps include:

  • Seeking immediate medical treatment after the accident
  • Reporting the incident to authorities or property owners
  • Collecting photographic evidence of injuries and the scene
  • Gathering witness details and statements
  • Avoiding communication with insurance adjusters alone
  • Keeping detailed records of medical expenses
  • Contacting a New Jersey personal injury attorney as early as possible

These steps help preserve critical evidence and protect the victim’s legal rights from the beginning.

 

How Legal Professionals Build Strong Compensation Claims

Insurance companies often try to settle claims quickly for less than their true value. They may minimize injuries, dispute liability, or pressure victims into accepting early offers. Without legal representation, many individuals accept settlements that do not reflect their actual losses.

An experienced New Jersey personal injury attorney builds a strong case by gathering medical records, accident reports, witness statements, and expert analysis. This detailed approach helps establish negligence and strengthens negotiation power against insurance companies.

Compensation in a personal injury case may include:

  • Medical expenses and ongoing treatment costs
  • Lost wages and future earning capacity
  • Rehabilitation and therapy expenses
  • Pain and suffering damages
  • Emotional distress and trauma
  • Long-term disability or lifestyle changes

A skilled New Jersey personal injury attorney ensures that every aspect of damage is properly evaluated and included in the claim.

Why Experience and Legal Knowledge Make a Difference

Personal injury cases can become complex, especially when multiple parties are involved or liability is disputed. Insurance companies often use experienced legal teams to reduce payouts and challenge claims, making professional representation essential.

A knowledgeable New Jersey personal injury attorney prepares each case with careful attention to detail, often as if it may go to trial. This approach strengthens settlement negotiations and improves the likelihood of fair compensation.Experienced attorneys also provide clear communication and guidance, helping clients understand each stage of the legal process while reducing stress during recovery.

 

Securing Financial Stability After a Serious Accident

The financial effects of an injury often continue long after physical healing begins. Victims may require ongoing treatment, additional procedures, or long-term rehabilitation. At the same time, reduced earning ability can create lasting financial strain.

A dedicated New Jersey personal injury attorney focuses on securing compensation that addresses both current and future needs. This includes medical costs, lost income, and the long-term impact on quality of life.Legal action also holds negligent parties accountable, helping promote safer behavior and reducing the risk of future accidents in the community.

Conclusion

A personal injury can completely change a person’s life, affecting health, finances, and emotional well-being. In New Jersey, where accidents are common due to busy roads and active environments, victims often face additional challenges when dealing with insurance companies.Working with an experienced New Jersey personal injury attorney ensures strong legal protection, proper case evaluation, and dedicated advocacy throughout the claims process. 

From investigating accidents to negotiating settlements or pursuing litigation, legal support plays a vital role in achieving fair outcomes.Taking timely legal action can significantly improve the chances of securing compensation for medical bills, lost income, pain and suffering, and long-term recovery needs.

Long Island in the ’70s Revisits a Transformative Decade

Long Island Museum is reconsidering the cultural landscape of the 1970s in a new exhibition looking at how the decade reshaped life across Long Island, politically and artistically. On view from 14 May through 18 October 2026, Long Island in the ’70s brings together photography, fashion, music memorabilia and historical objects to engage with a transfomrative period of time distinguished by rapid suburban expansion and environmental activism.

Curated by Nina Sangimino, the exhibition moves beyond the more familiar images of disco-era nostalgia to consider the broader tensions and transformations of the decade. Alongside clothing, toys, sports memorabilia and artworks from the museum’s collection, the presentation includes photography by Rick Kopstein, Meryl Meisler and Joanne Mulberg. Visitors are also able to enjoy immersive displays, for instance, a fully realised 1970s suburban living room.

The exhibition also traces Long Island’s changing social and political climate during the era, from protests surrounding the Shoreham Nuclear Power Plant to the region’s experiences at the close of the Vietnam War. Other sections examine the eastward growth of suburbia into Suffolk County, the arrival of the New York Islanders in 1972, and the increasing presence of artists on the East End.

Long Island in the ’70s is on view at the Long Island Museum through 18 October 2026. The museum is located at 1200 Route 25A, Stony Brook, New York.

Why Bhavitha Mandava’s Met Gala Look Sparked Debate

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At the 2026 Met Gala, where every look competes for instant impact, Indian model Bhavitha Mandava arrived in something that seemed, at first glance, almost too relaxed for the occasion, with some feeling her outfit barely acknowledged the ‘Fashion is Art’ dress code. While the red carpet swarmed with exaggerated tailoring and silhouettes and glamorous gowns that dominated the cameras, Mandava stepped out in a look that appeared deceptively casual and sensible: a sheer zip-up Chanel jacket paired with low-rise denim. The understated styling made it appear as though the theme had been boldly ignored.  

However, fashion at the Met Gala, is rarely what it first appears to be. Mandava and artistic director Matthieu Blazy intentionally styled her in an everyday city-style look, inspired by her favourite moments from her early modelling career. During Chanel’s Métiers d’Art show in New York, she opened with a white T-shirt, a half-zipped knit and loose jeans. With her outfit she wanted to communicate her continuity of self where even as she moves through life, from being an NYU grad student, to now being on the cover of British Vogue, she doesn’t radically reinvent herself. She carries traces of her earlier life and a grounded sense of identity into her current world in these elite fashion spaces.  

As a result, her “low-waisted jeans” were not denim at all. They were silk muslin, printed and tailored to imitate the texture and structure of denim. The illusion to appear effortlessly casual while still being meticulously constructed was intentional. Ultimately this sparked conversation around Mandava’s debut at the Met as some praised the look as a refreshing counterpoint to the gala’s annual extravagance while others questioned whether the styling felt significant enough for fashion’s most theatrical night, arguing that subtlety can sometimes disappear in a room designed for spectacle. 

As Independent Cinema Turns More Speculative, Production Designer Elli Kypriadis Is Building the Worlds

From a silent matriarchal society in 2071 to a darkroom borrowed from a war photojournalist, the AFI-trained designer is among a new generation of production designers being asked to build cinematic worlds for which no reference exists — and she has a method for doing it.

Across the independent film circuit, speculative and genre work has surged. Festivals from Fantasia to Sundance increasingly platform near-futures, alternate histories, and invented worlds. The shift has placed a particular kind of demand on production designers: how do you build a world for which no reference image exists?

Elli Kypriadis has spent the past year answering that question.

Song of Silence, a speculative drama set in 2071 among a mute, ritualistic matriarchal community following a global war, asked her to invent every register of a civilisation from scratch — the textiles, the tools, the ritual objects, the surfaces left behind by a culture that has stopped speaking. The film has since screened at Fantasia International Film Festival, Dances With Films New York, Cinequest, and AFI Fest, earned a nomination from the Television Academy Foundation, and now has a dedicated listing on MUBI.

It is one of three festival-recognised shorts Kypriadis has designed in the months since completing her MFA in Production Design at the AFI Conservatory in Los Angeles in August 2025. Alongside Coiled Serpent and a slate of commercial work — including a major Rakuten Viki campaign featuring Will Poulter — she has built a body of recent work that puts her at the centre of independent cinema’s speculative turn.

She has a working theory about how the job gets done.

“A film’s world is held together by its things,” she says. “The objects in a room have already lived through something by the time the camera arrives. If you choose them well, the audience feels that before they can name it.”

Worlds Without Reference

When the world doesn’t exist, every object that goes into it is a decision about how that civilisation operates. Speculative production design, in this sense, is a form of writing.

“When the world doesn’t exist, every object you place in it is a decision about how that civilisation eats, mourns, prays, remembers,” Kypriadis says. “You are essentially writing — but three dimensionally, through the objects.”

It is the part of the work she loves most. Song of Silence required her to invent the visual logic of a society that communicates without language — what its tools look like when there is no oral tradition to pass down their making, what its rituals look like when they have replaced speech as the binding social act. Coiled Serpent, her other recent festival short, posed similarly invented questions.

The discipline, she suggests, is becoming central to how independent cinema works. “There’s a real appetite right now for stories that take audiences somewhere they haven’t been,” she says. “But the worlds have to feel inhabited. If they don’t, the genre falls apart.”

The other half of Kypriadis’ method is the opposite move: not inventing a world, but recognising one.

The clearest illustration came on an independent short film set in a photographer’s darkroom in 1997. Kypriadis could have built the room from scratch — but what she wanted was the lived weight of one. She found it through social media: a war photojournalist in the San Fernando Valley had kept his original working darkroom intact, every enlarger, chemical tray, and roll of tape in place for decades. The owner agreed to let the production borrow the equipment.

“What we got was the sense that the room had a life and a purpose before we walked into it with a camera,” she says. “Each object had a history. The room had archaeology.”

It is a phrase she returns to often — the archaeology of a room. The work of a production designer, in her view, is partly invention and partly literacy: the ability to read the residue of what has happened in a space, and to render that residue legible to a camera. Speculative work asks one register of that skill. Realism asks another.

Kypriadis’ interest in objects predates film. At the University of Bristol, where she earned a BA in Theatre and Performance Studies after a foundational diploma in Art & Design and 3D Design at the Manchester School of Art, she was trained first in the language of scenography — the idea that every object on stage is a deliberate signal to an audience.

“Theatre teaches you that a chair isn’t just a chair,” she says. “It’s the chair this character chose. Or something completely different, a car seat, a wall. You learn very early to look at objects the way an audience will.”

Her early film credits ran across British production — work distributed globally on Hulu and Disney+, BFI-funded short films, and commercial content for Bentley Motors. The MFA at AFI brought her to Los Angeles, where the same instinct now operates at American scale.

The same thinking carries into Kypriadis’ commercial work. Recently, she served as production designer on a major Rakuten Viki campaign featuring Will Poulter. Earlier in 2026 she designed promotional content for Amazon Music Live, shot a commercial for the nutrition and wellness brand Yazio, and contributed production design across a slate of short films and campaigns including work for Marvel.

It was her commercial work that brought her an invitation to join the Art Directors Guild (IATSE Local 800) — formal recognition from the union representing the production designers, art directors, scenic artists, and illustrators working at the top of American film and television.

“A thirty-second spot still has a world,” she says. “It is smaller, and it has to do its work faster, but the question is the same. Do the objects in this frame add up to a place the audience can believe? If they do, you have earned the next thirty seconds.”

Kypriadis is now turning toward feature-length work, particularly with independent and emerging directors — the form, she suggests, best suited to the kind of immersive world-building she has been practising at shorter scales. With speculative and genre cinema continuing to gain ground in the independent space, the demand for designers who can invent at that level is likely to grow.

What stays the same is the love of the work itself.

“I don’t think the love of building worlds wears off. If anything it gets bigger. There are so many worlds I haven’t built yet.”

Mallory Hawk Announces Debut Album ‘Chinook’, Shares New Single New Single ‘Revolver’

Mallory Hawk has announced her debut album, Chinook, which is set for release on July 31. In addition to the previously released single ‘Felicity’, it includes the twangy, slow-burning new track ‘Revolver’. Check out director Aldo Fisk‘s video for it below, and scroll down for the album artwork (painted by Margo Schultz) and tracklist.

Hawk previously contributed bass and vocals to the post-punk outfit Customer and played in the bands Trace Mountains and M(h)aol. “I always wanted to just be in bands and never be the star, but relying on other people really turned into a fool’s errand,” Hawk recalled.

Commenting on the new song, Hawk said: “I was in a never-ending cycle of being a total sucker for someone. I’m loyal to a fault, and faulty loyalty is very cyclical, you fool yourself over and over again.” Of the video, she added: “I’m a student of the 90s music video with a brunette singer-songwriter in her sunny loft. I wanted to make a casual video that was just a warm day at home writing the song, which is how it went down in reality. The beginning pays homage to Alanis Morissette’s ‘You Learn’ video, where she begins with a handstand then takes off into her day. I knew I wanted the camera to ‘revolve,’ so my friend Colin pulled together some gadgets and lights and we shot the whole video in my living room. I was dog-sitting my friend’s dogs Connie and Vinny at the time and they really stole the show.”

Chinook was tracked at Philadelphia’s Headroom Studios. It features contributions from producer Sam Acchione (Jessica Lea Mayfield, Alex G, Grace Ives), Logan Roth (Lauryn Hill, Slaughter Beach, Dog), Craig Hendrix (Japanese Breakfast), Ava Mirzadegan, Will Butera (Joy Again), and Tree Palmedo.

Chinook Cover Artwork:

Mallory-Hawk-Chinook-Cover-final-1-scaled.

Chinook Tracklist:

1. The Mirror
2. D’Anger
3. Revolver
4. Four O’Clocks
5. Caretaker
6. Low Rise
7. Superhighway
8. Felicity
9. Rotten Man
10. Rabbit Hole

Off Campus Season 2: Cast, Rumours & Release Date

Romance shows based on books are having a moment, and spring is the perfect time to indulge. The latest entry in the genre is Off Campus, inspired by Elle Kennedy’s bestselling hockey series that kicks off with The Deal.

Off Campus is currently topping Prime Video’s charts, even surpassing superhero hit The Boys. Does that mean that a second season is inevitable? Here’s what we know so far.

Off Campus Season 2 Release Date

Fans of the new series have no reason to fret. Prime Video has renewed Off Campus for more episodes ahead of the premiere.

In other words, the service is confident not only in the show’s appeal, but also its potential longevity. With multiple books in the extended universe, there’s plenty of original material to draw from.

As a result, we don’t expect the gap between installments to be too long. Scripts for Off Campus season 2 are done, and filming is set to take place this summer. New episodes are likely to drop in spring 2027.

Off Campus Cast

  • Ella Bright as Hannah Wells
  • Belmont Cameli as Garrett Graham
  • Mika Abdalla as Allie Hayes
  • Stephen Kalyn as Dean Di Laurentis
  • Jalen Thomas Brooks as John Tucker
  • Antonio Cipriano as John Logan
  • Josh Heuston as Justin Kohl

What Could Happen in Off Campus Season 2?

Off Campus is set at Briar University and follows a group of students as they fall in lust, love, and everything in between. The first season focuses on music student Hannah and hockey star Garrett.

She is smart, sarcastic, and trying to move forward after a traumatic experience. He is Briar’s charming star athlete who desperately needs help passing a class. They strike a deal: Hannah tutors Garrett and, in return, he helps make another guy jealous by pretending to date her. Naturally, fake dating eventually becomes the real thing.

The show charmingly mixes romance, comedy, and friendship drama. It also follows Garrett’s teammates and their messy love lives. By the end of the first season, Hannah and Garrett seem to be in a good place, but there’s trouble brewing ahead for some of the people in their entourage.

Off Campus season 2 will welcome India Fowler as Grace Ivers, John Logan’s love interest, and Phillipa Soo as Scarlett, a theatre artist.

“Every season is going to have a main love story that’s going to drive the season, but we also want to honor the fact that there’s happily ever afters in these books, and so once there’s a happily ever after, we don’t want to keep tearing them apart and bring them back together,” creator Louisa Levy told Deadline.

So, while the second season will shift the focus to another couple, Hannah and Garrett will still be around. We’re sure the main story will be just as entertaining.

Are There Other Shows Like Off Campus?

If you’re enjoying Off Campus, we recommend checking out other romance shows available on streaming services. Popular titles include The Summer I Turned Pretty, Bridgerton, Heated RivalryEmily in ParisNobody Wants This, and XO, Kitty.

Blondshell Shares New Single ‘Heart Has to Work So Hard’

Blondshell is back with a new single, ‘Heart Has to Work So Hard’. The driving, visceral track was produced by Yves Rothman. Check it out via the accompanying video below.

“This song is really about friendship and betrayal, getting stuck in a dynamic and letting things fester,” Sabrina Teitelbaum said in a press release. “It’s about pain and confusion — no one trains you for the ups and downs of a friendship between two women — but it’s also about a love so enduring that you find compassion no matter what.”

‘Heart Has to Work So Hard’ marks Blondshell’s first new music since last year’s If You Asked For a Picture, which was followed by a companion record, Another Picture, featuring Conor Oberst, Samia, Folk Bitch Trio, and more.

From Season 5: Cast, Rumours & Release Date

The fourth season of horror mystery series From is in full swing, and it’s shaping up to be just as addictive as the previous installments. The closer the characters are to real answers, the more dangerous the town becomes.

Will the residents ever manage to get out? Turns out, we’re going to find out sooner rather than later. Here’s everything we know about From season 5 so far.

From Season 5 Release Date

Last month, news broke that the popular series had been renewed for additional episodes. The sad part? From season 5 will be the show’s last. Production is expected to kick off this summer, so new episodes will likely arrive sometime in mid-2027.

“In full transparency, five seasons was always the goal, but we always wanted to let the story tell us when it was time to end. When we reached the end of season three (…), it felt like we reached the end of the beginning. Similarly, season four very naturally feels like the beginning of the end,” creator and executive producer John Griffin told The Hollywood Reporter.

From Cast

  • Harold Perrineau as Boyd Stevens
  • Catalina Sandino Moreno as Tabitha Matthews
  • Eion Bailey as Jim Matthews
  • David Alpay as Jade Herrera
  • Elizabeth Saunders as Donna Raines
  • Scott McCord as Victor Kavanaugh
  • Ricky He as Kenny Liu
  • Chloe Van Landschoot as Kristi Miller

What Could Happen in From Season 5?

From follows a group of strangers trapped in a small American town no one can escape. Anyone who enters eventually realises the roads loop endlessly, cutting them off from the outside world. During the day, the residents try to maintain some sense of normal life. At night, terrifying human-like creatures emerge from the forest and hunt anyone left outside.

The series centers on Boyd, the town’s reluctant sheriff, and the Matthews family, who become trapped in the nightmare after a road trip gone wrong. As more people arrive and tensions rise, the residents discover evidence that the town may operate according to supernatural rules.

Season 3 ended with a devastating cliffhanger and the introduction of the “Man in Yellow.” The fourth season picks up from there and sees Boyd struggling to hold the town together as he begins to lose hope.

As far as From season 5 is concerned, plot details are naturally being kept under wraps. Still, executive producer Jeff Pinkner hinted that the ending will mostly be character-focused.

“What I’ve learned is as much as the audience is watching for the answers to those questions, if a show is only built around that, there’s going to be dissatisfaction at the end. Either the answers are too elusive and frustrating for the audience, or they were too obvious. Ultimately, then, these shows succeed or fail largely on making you fall in love with the characters and where their journeys end up,” he revealed in the same THR interview.

In other words, saying a proper goodbye to these characters is job one. Until then, season 4 episodes are rolling out weekly. In the UK, you can catch up via Sky and NOW.

Are There Other Shows Like From?

If you’re into From, shows with similar vibes include Lost, Silo, Wayward Pines, Fringe, Evil, Twin Peaks, Stranger Things, Castle Rock, Midnight Mass, and Yellowjackets.

For a fresh mix of horror and comedy, we recommend Widow’s Bay, which recently premiered on Apple TV.