Throughout the week, we update our Best New Songs playlist with the new releases that caught our attention the most, be it a single leading up to the release of an album or a newly unveiled deep cut. And each Monday, we round up the best new songs released over the past week (the eligibility period begins on Monday and ends Sunday night) in this best new music segment.
On this week’s list, we have Yaeji’s hypnotic and immersive With a Hammer single ‘Passed Me By’; Avalon Emerson’s affecting, playfully intimate ‘Karaoke Song’; ‘Turkey Vultures’, a breathtaking highlight from Wednesday’s new album; ‘Guilty’, the first single from Veruca Salt vocalist-guitarist Louise Post’s first solo album, which is both hooky and indignant; Moreish Idols’ fiery, engrossing new single ‘Chum’; and ‘The Way It Was’, the devastatingly spare closing track from Jana Horn’s The Window Is the Dream.
Noname has announced she will be dropping a new album titled Sundial in July. The news arrives ahead of her performance at this year’s Coachella Valley Music & Arts Festival later this month.
Sundial will follow Noname’s 2018 album Room 25. Since putting out that record, the Chicago rapper has shared the tracks ‘Song 31’, ‘Song 32’, and the Madlib-produced ‘Song 33’. She also collaborated with Saba and Smino on ‘Häagen Dazs’, which they released as Ghetto Sage. Her most recent single was 2021’s ‘Rainforest’. At the time of its arrival, it was meant to appear on Noname’s next album, then called Factory Baby, which was later scrapped.
Ian Bairnson, the Scottish musician who played guitar for the Alan Parsons Project and Kate Bush, has died at the age of 69. His wife Leila Bairnson revealed on Instagram that her husband died following a “long battle with dementia.” “Ian was the sweetest, kindest, loving husband I could ever have wished for and I take comfort that he is resting now up there in his very own piece of ‘Blue Blue Sky’,” she wrote. “Although Ian has left us, his musical legacy stays with us and will continue to delight and brighten our lives, as it did his, forever.”
Born in Shetland in 1953, Bairnson learned how to play the guitar when he was six. He worked as a session musician for a few years before joining the band Pilot in 1973, contributing the harmony guitar parts on their hit single ‘Magic’. Their 1974 debut From theAlbum of the Same Name was produced by Alan Parsons, who would later enlist Bairnson for the Alan Parsons Project.
Bairnson also performed on Kate Bush’s first four albums: 1978’s The Kick Inside and Lionheart, 1980’s Never For Ever, and 1982’s The Dreaming. He played the closing guitar solo on ‘Wuthering Heights’. He also worked on albums by Joe Cocker, Mick Fleetwood, and Yes’ Jon Anderson, and toured with Eric Clapton, Sting, and more.
Parsons paid tribute to his longtime friend and collaborator on social media. “I have always considered Ian a musical genius,” Parsons wrote on Facebook. “It was a great pleasure to have him participate on every album by the Alan Parsons Project and several other albums under my name since. He has played with many other talented artists as well throughout his incredible career.”
“He was a true master of the guitar—he knew every possible playable guitar chord and how to describe it,” Parsons continued. “Amazingly, he never took the time to learn conventional musical notation. Another indication of his incredible talent was when he picked up the saxophone and played it like a pro on stage with the British incarnation of the Alan Parsons Live Project, he had only spent a few short weeks of learning the instrument.”
He concluded: “I recommend anyone reading this to play ‘The Very Last Time’ from the album The Time Machine. It’s a beautiful song and was written by Ian to commemorate the death of someone in his personal life. It was sung by Beverly Craven, with whom Ian played many concerts. It now seems incredibly appropriate as a musical obituary to all those who, like me, loved him dearly. Ian will be greatly missed, but never forgotten.”
Car accidents are unfortunate events that can cause significant physical and emotional trauma, as well as financial strain. If you’ve been involved in a car accident, one of the most pressing questions on your mind is likely to be about compensation. This is where Gary Burger could help among other things listed below.
What exactly constitutes good compensation after a car accident?
Is there a standard figure or formula used by insurance companies and courts?
Here, we’ll explore these questions and shed light on what you should expect when it comes to receiving adequate compensation for damages sustained during a car accident.
Getting Covered With Medical Expenses
One of the first things you’ll need to take care of is your medical expenses. Even if you have health insurance, your policy may not cover all of the costs associated with your accident. That’s why it’s important to get covered with medical expenses as soon as possible. There are a few ways to do this. First, you can contact your health insurance provider and let them know about the accident. They may be able to help you file a claim or get coverage for your medical expenses. Another option is to contact the other driver’s insurance company. If they’re at fault for the accident, their insurance should cover your medical expenses. You’ll need to provide them with some basic information about the accident and your injuries, but they should be able to help you get the coverage you need. Finally, you can also contact a personal injury attorney. They can help you understand your rights and options when it comes to getting compensation for your medical expenses. And in some cases, they may even be able to get you a higher settlement from the other driver’s insurance company than you would on your own.
Getting Compensated With Lost Wages
One important factor to consider is whether or not you will be compensated for lost wages. In most cases, if you are unable to work because of your injuries, you are entitled to receive lost wages.
This includes both past and future wages that you would have earned had the accident not occurred. To receive lost wages, you will need to provide documentation of your earnings, such as pay stubs or tax returns. If you are self-employed, things may be a bit more complicated. You will still need to provide documentation of your earnings, but it may be more difficult to prove how much income you would have earned had the accident not occurred. An experienced personal injury attorney can help you navigate the complex issue of self-employment and lost wages. No one wants to miss work because of an injury, but if it does happen, it’s important to know that you may be eligible for lost wages. With the right documentation and legal assistance, you can make sure that you are fairly compensated for all that you’ve lost.
Getting Support From Pain and Suffering
When you’ve been in a car accident, it’s normal to feel pain and suffering. This can be physical pain from the injuries you’ve sustained or emotional pain from the stress of the accident. Either way, it’s important to get support from family and friends during this time. Several organizations can help you cope with pain and suffering after a car accident. The American Psychological Association has a list of resources for dealing with trauma. If you’re struggling to cope with your pain and suffering, don’t hesitate to seek professional help. A therapist or counselor can provide you with support and guidance as you recover from your experience.
Getting Paid for Property Damage
If you’ve suffered property damage as a result of a car accident, you may be wondering how to get compensated. The first thing you should do is file a claim with your insurance company. If your claim is approved, you’ll receive a check for the amount of damage that was done to your property. However, if your insurance company denies your claim or doesn’t offer enough money to cover the damage, you may need to file a lawsuit against the at-fault driver. You can usually recover the cost of repairs or replacement, plus any other out-of-pocket expenses related to the damage (such as rental car costs). If you win your lawsuit, the at-fault driver will be responsible for paying your court-ordered compensation. If they don’t have enough money to pay, you may be able to collect from their assets (such as their home or car).
Affordable Legal Fees
Many people wonder if they will be able to afford the legal fees associated with a car accident. The good news is that there are many options for affordable legal fees. You can find a car accident firm that offers free consultations. This means that you can talk to them about your case and get an idea of what they would charge without having to pay anything upfront. There are also many contingency fee arrangements available. This means that you only have to pay the lawyer if they win your case. Contingency fees are typically a percentage of the total settlement, so you will still need to be prepared to pay something out of pocket if you lose your case. If you are worried about affording legal fees, be sure to ask your lawyer about payment options before hiring them. Many lawyers are willing to work out payment plans or take payments from the settlement itself so that you don’t have to worry about coming up with the money upfront.
Get the Compensation You Deserve After A Car Accident
Car accident victims deserve to be compensated for their damages. Make sure to explore all possible sources of compensation, including insurance claims, after a car accident.
If you have experienced a car accident and feel you may be entitled to financial compensation, contact a qualified attorney as soon as possible. They can evaluate your case and help you get the compensation you deserve.
Gambling at online casinos can be a thrilling and rewarding experience, but it can also be a daunting task for beginners. With a plethora of games to choose from and a wide range of betting options, it can be challenging to navigate the world of online casinos.
However, there are a few tips and tricks that can help you increase your winning odds and Win Big with Online Casinos, even in 2023. In this blog post, we will discuss some of the best ways to improve your chances of winning.
Tip #1 – Choose the Right Online Casino
One of the most important factors that can influence your chances of winning is the choice of the right online casino. You should always look for a reputable and trustworthy platform with a valid license, a good reputation, and a wide selection of games. A good online casino should also offer fair games, secure transactions, and reliable customer support.
Tip #2 – Know Your Games
Before you start playing any casino game, it is essential to understand the rules, strategies, and odds of this game. This can help you make the right decisions and increase your chances of winning. You should also take the time to practice the games and familiarize yourself with the gameplay before betting real money. So, make use of the demo mode provided by gambling platforms.
Tip #3 – Manage Your Bankroll Effectively
You should always set a budget for your gambling activities and stick to it. It is also crucial to avoid chasing losses and never gamble with money you cannot afford to lose. Additionally, you should always pick the games with betting limits that suit your bankroll.
Tip #4 – Take Advantage of Bonuses and Promotions
Online casinos offer a wide range of bonuses and promotions to attract new players and keep existing ones. You should always take advantage of these offers. They can help you increase your bankroll and improve your winning odds. However, you should always read the terms and conditions that are attached to these deals before claiming any bonus or promotion.
Tip #5 – Stay Focused and Avoid Distractions
Gambling requires concentration and focus since distractions can significantly reduce your winning odds. Avoid playing casino games when you are tired, stressed, or distracted. It is also crucial to avoid drinking alcohol or taking drugs while gambling, as they can impair your judgment and affect your gameplay.
Final Words
In conclusion, winning at an online casino requires a combination of luck, skill, and strategy. By following the above tips, you can increase your winning odds and enjoy a more rewarding experience. Remember to always gamble responsibly and never chase losses, as gambling should always be a form of entertainment, not a way to make money.
Wednesday have today dropped their latest album, Rat Saw God. To accompany the album’s release, they’ve also shared a visual for the song ‘Quarry’, which you can check out below.
“I wrote this song when I was messing around with a writing exercise I made up,” frontwoman Karly Hartzman explained in a statement. “I imagined a street and described it house by house. Some of the houses have fictional characters, but others contain real people I know and their stories. We filmed this video with Chris Good in a field in Kansas City. It was cold as hell and I did not wear enough layers! I had hand warmers in my boots.”
Wednesday have released their new album, Rat Saw God, via Dead Oceans. The 10-song LP was written in the months immediately after the completion of 2021’s Twin Plagues and was recorded in a week at Asheville’s Drop of Sun Studios. “I really jumped that hurdle with Twin Plagues where I was not worrying at all really about being vulnerable – I was finally comfortable with it, and I really wanna stay in that zone,” Karly Hartzman said of her lyrical approach, adding, “Everyone’s story is worthy. Literally every life story is worth writing down, because people are so fascinating.” Ahead of its arrival, the band previewed the record with the singles ‘Bull Believer’, ‘Chosen to Deserve’, ‘Bath County’, and ‘TV in the Gas Pump’. Read our five-star review of Rat Saw God.
Yaeji has dropped her debut studio album, With a Hammer. Following her 2020 mixtape What We Drew, the LP includes the previously released singles ‘For Granted’, Done (Let’s Get It)’, and ‘Passed Me By’. “I want to begin this album with intent,” Yaeji wrote in a statement. “I want to take all that I’ve suppressed and let it breathe and live through this process of creation. I want my music to be free. So I started writing a story about me and my hammer. A hammer crafted from my anger.” Read our review of With a Hammer.
Texan songwriter Jana Horn has followed up her debut album, Optimism, with a new LP called The Window Is the Dream, via No Quarter. It was preceded by the tracks ‘The Dream’, ‘After All This Time’, and ‘Days Go By’. “When I was writing Optimism, I was just everywhere all the time, nowhere at the same time – very transient, hopping from house to house, from experience to experience,” Horn explained in our Artist Spotlight interview. “And [The Window Is the Dream] was very much written after a long day of writing and a long day of reading. I was kind of just dumping the day into this, like, ‘I’ll just sit here and I’ll play two chords, and I’ll wind myself down, kind of settle this stirring into something.'”
Daughter are back with their first studio album in seven years. Out now via 4AD, Stereo Mind Game follows 2016’s Not to Disappear and the 2017 video game soundtrack Music from Before the Storm. Ahead of its release, the trio of Elena Tonra, Igor Haefeli, and Remi Aguilella unveiled the songs ‘Be On Your Way’, ‘Party’, and ‘Swim Back’. Haefeli and Tonra co-produced the LP, which was written in various locations including Devon, Bristol and London in the UK, and San Diego, Portland, and Vancouver in the US.
Fire-Toolz, I am upset because I see something that is not there.
I am upset because I see something that is not there. is the latest album by Fire-Toolz, the moniker of producer, composer, and multi-instrumentalist Angel Marcloid. Following 2022’s Eternal Home and the I will not use the body’s eyes today. EP, the collection takes its title from A Course in Miracles, a spiritual self-study program published in the 1970s. According to press materials, I am upset […] reflects “Marcloid’s intense desire to see through the delusions that result from trauma, to perceive reality without distortion or fear, to find union with omni-theological God/Spirit, to experience being fully known and fully loved.”
Billie Marten has unveiled her fourth album, Drop Cherries, via Fiction Records. Featuring the singles ‘Nothing But Mine’, ‘This Is How We Move’, and ‘I Can’t Get My Head Around You’, the follow-up to 2021’s Flora Fauna marks the first time that Marten serves as both a writer and co-producer (with Dom Monks) on one of her records. In press materials, she explained: “Dropping cherries is such a strong, visceral image that I tried to channel throughout recording in Somerset and Wales, to capture the vibrancy, unpredictability, and occasional chaos one experiences within a relationship. Imagine stamping blood-red cherries onto a clean, cream carpet and tell me that’s not how love feels.”
Heather Woods Broderick’s fifth album, Labyrinth, has come out via Western Vinyl. In the lead-up to the release, the singer-songwriter shared the tracks ‘Blood Run Through Me’, ‘Crashing Against the Sun’, ‘Admiration’, and ‘Wherever I Go’. “Many of us yearn for stillness and peace, as an escape from the movement all around us,” Broderick said of the album’s themes. “Yet movement is perpetual, happening all the time on some level. It’s as wild as the wind, yet eternally predictable in its inevitability. It is linear in part, but infinite in its circuitry. Our lives just punctuate it.”
Blondshell, the project of 25-year-old musician Sabrina Teitelbaum, has put out her debut self-titled album. Yves Rothman produced the record, which features the promotional singles ‘Olympus’, ‘Kiss City’, ‘Joiner’, and ‘Salad’. “I always want to make people feel like they have more power and control and peace because I know what it feels like to want that for myself,” Teitelbaum said in a press release. “I know how music has helped me get there. What I’ve realised I need to do is write realistically, and try to not bring shame into the writing. Each song gave me more confidence. I hope the songs help people in that way, too.”
Tim Hecker has issued his latest LP, No Highs, via kranky. Following 2019’s Anoyo, the album features contributions from saxophonist Colin Stetson along with Hecker’s mix of strings, processed electronics, horns, and cathedral keys. According to a press release, “Hecker mentions ‘negation’ as a muse of sorts – the sense of tumult without bombast, tethered ecstasies, an escape from escapism. His is an antagonism both brusque and beguiling, devoid of resolution, beckoning the listener ever deeper into its greyscale alchemies of magisterial disquiet.”
Distant Intervals is the debut full-length by Brooklyn-based cellist and composer Issei Herr. Released today via NNA Tapes, the album was self-recorded entirely in Herr’s bedroom and weaves together layers of overdubbed cello and processed samples. It closes with the previously shared ‘Aveu (The Beginning Is a Farewell)’, a collaboration with Maria BC, while a press bio concludes with the following quote from José Esteban Muñoz’s Cruising Utopia: “We may never touch queerness, but we can feel it as the warm illumination of a horizon imbued with potentiality. We have never been queer, yet queerness exists for us as an ideality that can be distilled from the past and used to imagine a future.”
HMLTD have returned with The Worm, which follows the South London band’s 2020 debut West of Eden. The new LP was created over the course of two years with a cast of 47 musicians, including a gospel choir and a 16-piece string orchestra. Introducing the concept behind The Worm, frontman Henry Spychalski shared: “We’re told to believe that anxiety and depression are purely material and biological – like a parasitic worm that can be removed with the right treatment. I think that really these conditions reflect the world that surrounds us – like colonies that a far bigger Worm has made in each of us – the psychological havoc wreaked by our inescapable capitalist reality and the looming apocalypse it has created.”
Other albums out today:
Thomas Bangalter, Mythologies; Ellie Goulding, Higher Than Heaven; Rae Sremmurd, Sremm 4 Life; FACS, Still Life In Decay; Worriers, Warm Blanket; Desire Marea, On the Romance of Being; Hayden, Are We Good; µ-Ziq, 1977; Ruston Kelly, The Weakness; Mudhoney, Plastic Eternity; Daniel Caesar, NEVER ENOUGH; Susanna Hoffs, The Deep End; Josephine Foster, Domestic Sphere; foil, On the Wing; Nondi_, Flood City Trax.
Labrnith has enlisted Billie Eilish for a new song called ‘Never Felt So Alone’. Listen to it below.
Speaking about the collaboration in an interview with Eddie Francis on Apple Music 1, Labrinth said:
I’ve been a fan of Billie for a long time. I think she’s an amazing artist. I remember Noah [Cyrus] was doing some of the same shows Billie was in that time, and everybody kept on coming back talking about this Billie Eilish girl. Then I think the first time I heard her on a record was ‘bury a friend’. And I was just like, “This is a sick record.” I had met Finneas years before her. We just did the studio session together, and I just loved his vibe. I was like, “I just…” I don’t know. I was like, “I think I’m ready to make this idea into a song.” Once I started piecing the song together, I was just like, “Do you know what? I think this is the moment where I think Billie would be a sick addition.” I just sent it to her and Billie… I didn’t know she’s been a fan for years. She told me. When we spoke, she was like, “Lab, I’ve been listening to your music for years.” I was like, “What?” It was like, “Billie? What? You?” She was like, “Yeah, been a fan.” She was like, “I love this song as well, so I would love to do it with you.” That was big for me because I felt like we both get each other musically. It didn’t feel foreign to me, and I love what she’s done on the record.
Last year, Labrinth shared the singles ‘Lift Off’, ‘Kill for Your Love’, and ‘Iridium’. Eilish’s most recent album, Happier Than Ever, came out in 2021.
Dinner Party – the group comprising Kamasi Washington, Terrace Martin, and Robert Glasper – have announced their sophomore album, Enigmatic Society. The follow-up to their 2020 self-titled debut arrives next Firday, April 14. It includes guest appearances from Tank, Arin Ray, Ant Clemons, and Phoelix. Arin Ray features on the new single ‘For Granted’, which is out today. Check it out and find the album’s cover art and tracklist below.
Following the release of Enigmatic Society, Dinner Party are set to perform at both weeks of Coachella later this month.
Enigmatic Society Cover Artwork:
Enigmatic Society Tracklist:
1. Answered Prayer [feat. Phoelix]
2. Breathe [feat. Arin Ray]
3. Insane [feat. Ant Clemons]
4. Watts Renaissance
5. For Granted [feat. Arin Ray]
6. Secure [feat. Phoelix & Tank]
7. Can’t Go [feat. Phoelix]
8. The Lower East Side
9. Love Love [feat. Arin Ray]
Drake is back with a new song called ‘Search & Rescue’, which he announced on Instagram earlier this week. The Kim Kardashian-sampling track was produced by Noah “40” Shebib, Lil Yachty, Sadpony, Wesley Curtis, and Bnyx. Give it a listen below.
‘Search & Rescue’ follows Drake’s appearance on Popcaan’s ‘We Caa Done’ in January. Last year, he released Honestly, Nevermind and his collaborative LP with 21 Savage, Her Loss.
Wednesday have released their new album, 
Yaeji has dropped her debut studio album, With a Hammer. Following her 2020 mixtape What We Drew, the LP includes the previously released singles 
Texan songwriter Jana Horn has followed up her debut album, Optimism, with a new LP called 
Daughter are back with their first studio album in seven years. Out now via 
I am upset because I see something that is not there. is the latest album by Fire-Toolz, the moniker of producer, composer, and multi-instrumentalist Angel Marcloid. Following 2022’s Eternal Home and the I will not use the body’s eyes today. EP, the collection takes its title from A Course in Miracles, a spiritual self-study program published in the 1970s. According to press materials, I am upset […] reflects “Marcloid’s intense desire to see through the delusions that result from trauma, to perceive reality without distortion or fear, to find union with omni-theological God/Spirit, to experience being fully known and fully loved.”
Billie Marten has unveiled her fourth album, 
Heather Woods Broderick’s fifth album, 
Blondshell, the project of 25-year-old musician Sabrina Teitelbaum, has put out her debut self-titled album. Yves Rothman produced the record, which features the promotional singles ‘Olympus’, ‘Kiss City’, ‘Joiner’, and 
Tim Hecker has issued his latest LP, 
Distant Intervals
HMLTD have returned with 
