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Foxing Share André De Shields-Starring Video for New Song ‘Draw Down The Moon’

Foxing have released the title track off their upcoming album Draw Down The Moon. The new single arrives with an accompanying video directed by singer Conor Murphy and starring the Tony, Grammy, and Emmy award-winning actor André De Shields. The St. Louis Shakespeare Festival allowed the band to use the set from their recent Shakespeare In The Park production of King Lear, also starring De Shields. Check it out below.

Draw Down The Moon is set for release on August 6 via Hopeless/Grand Paradise. So far, Foxing have previewed the record with the singles ‘Go Down Together’, ‘Where the Lightning Strikes Twice’, and ‘If I Believed In Love’.

Lingua Ignota Shares Video for New Song ‘Perpetual Flame of Centralia’

Kristin Hayter, the classically trained vocalist and multi-instrumentalist known as Lingua Ignota, has shared a new single. ‘Perpetual Flame of Centralia’ is the latest offering from her forthcoming LP Sinner Get Ready, following last month’s ‘Pennsylvania Furnace’. The song’s accompanying video, shot by Emily Birds, is a collaboration with fashion designer and Sargent House artist Ashley Rose Couture. Check it out below.

“I asked her to design a piece indebted to 17th-century Dutch costume, and she returned with a gown with a 20-foot train and a magisterial lace collar exploding with pearls,” Hayter explained in a press release. She continued:

I first saw Ashley’s work long before I was able to wear it, and it spoke to me as a longtime fan of the aesthetics and theory of fashion. Her designs transform the wearer into something outside themselves, armor that allows one to embody fantasy or nightmare. Working collaboratively with Ashley has been a dream, I have been able to explore the ideas of my record with wearable art. I chose to wear her mask on the cover of SINNER GET READY because it held the sharp dichotomy of my music; it was chaste and erotic, exquisite and grotesque. For the PERPETUAL FLAME OF CENTRALIA video, the expressive capacity of her garments are meditated upon in juxtaposition to the stark, desolate quality of my song. It is the material vs. the immaterial, and the result is languid and dreamy and wonderfully claustrophobic.

Rose added:

Upon meeting Kristin, I felt a genuine connection, both personal and creative, which has only grown this past year working together. To watch someone turn so much pain into art and continue to pick themself up and push on over and over again is exactly what this collection is about. I want the person who wears these pieces to feel strong and empowered no matter how overwhelming or suffocating life can become. Even when it continues to return. You can keep fighting or let the fog swallow you.

Sinner Get Ready is out August 6 via Sargent House.

BADBADNOTGOOD Announce New Album ‘Talk Memory’, Release New Song

BADBADNOTGOOD have announced their next album: Talk Memory is out October 8 via XL Recordings. Along with the announcement, they’ve today shared the new single ‘Signal From the Noise’, which is accompanied by a Duncan Loudon-directed video starring Steve Stamp of the BBC sitcom People Just Do Nothing. Check it out below and scroll down for the LP’s cover artwork (courtesy of Virgil Abloh’s design firm Alaska-Alaska™) and tracklist.

Talk Memory includes contributions from Arthur Verocai, Karriem Riggins, Terrace Martin, Laraaji, and harpist Brandee Younger. “It took a year or two of just living life to get to the place where the creative process was exciting again and once we actually went in to the studio it was the most concise recording and writing process we’ve ever had,” the group said in a statement. “We hope that the improvised studio performances bring the listener closer to our live experience.”

Talk Memory Cover Artwork:

Talk Memory Tracklist:

1. Signal From the Noise
2. Unfolding (Momentum 73) [feat. Laraaji]
3. City of Mirrors [feat. Arthur Verocai]
4. Beside April [feat. Karriem Riggins and Arthur Verocai]
5. Love Proceeding [feat. Arthur Verocai]
6. Open Channels [Physical Only]
7. Timid, Intimidating
8. Beside April Reprise [feat. Arthur Verocai]
9. Talk Meaning [feat. Arthur Verocai, Terrace Martin and Brandee Younger]

Gang of Youths Share New Surprise EP ‘total serene’: Listen

Gang of Youths have shared a surprise new EP titled total serene. The three-track project includes the recently released ‘the angel of 8th ave’, which marked the band’s first new material since 2017’s Go Farther In Lightness. Stream the full EP below.

total serene is led by the single ‘unison’. “‘unison’ is a deeply important track for us that really signals where the music is headed on the new record,” frontman David Le’aupepe said in a press release. “I conceived the song in Samoa, my ancestral homeland. Here we sample and introduce the work of David Fanshawe, who travelled to the Pacific Islands in the 1980s and recorded the most extensive library of indigenous Pacific music anywhere in the world.”

The EP also features a cover of Elbow’s ‘Asleep in The Back’, from the 2002 album of the same name. “We love Elbow and we thought it was thematically relevant,” Le’aupepe added. “It couldn’t have been anything other than ‘Asleep In The Back.’”

Album Review: Vince Staples, ‘Vince Staples’

The prospect of a self-titled release from one of the most inscrutable rappers around might seem like a paradoxical one, but for Vince Staples, fulfilling its promise is far from complicated. Over the course of his career, the 28-year-old California rapper has had no issue laying out his grim outlook on life with both incisive detail and economical precision. His worldview and personality came out fully-formed even before he found the right production to match his skillset, and with each of his four proper albums, the experimentation served to accentuate the recurring tensions within his work. Vince Staples isn’t his attempt to cram all these contrasting attributes into a single 22-minute project, but rather to strip things back enough that more of his real self shines through. Unsurprisingly for an artist with little to no regard for industry conventions, his self-titled record isn’t a calculated bid to produce a definitive artistic statement, but purely a personal one.

Neither the content nor the tone of the rapper’s latest LP is all that surprising, either. Staples’ work has never not been personal. Reuniting with his FM! collaborator Kenny Beats, the album finds him revisiting a lot of the same lyrical territory, and though markedly different in presentation, the intention once again seems to be to effectively relay a clearer, more wholistic view of his true character while painting a vivid picture of his life and upbringing in Long Beach, California. Staples sounds no more or less at ease doing that than before, but he does seem entirely uninterested in being anything but himself. There’s no conceptual throughline here, no stylistic throwbacks, and only a single guest, the R&B singer Fousheé, whose presence almost jumps out at you on the plaintive ‘Take Me Home’.

Staples adopts a different approach with every one of his releases, and his self-titled record is no exception. This time, a simple tweak in FM!’s formula is all it seems to have taken to arrive at a new destination: dispensing with the radio format not only makes the project move at an entirely different pace, it also sheds off any layer of artifice. Throughout its 10 short tracks, Staples glides along Beats’ mellow, melancholy beats, which render it his most restrained and downbeat effort to date, but also his least memorable. When highlight ‘Law of Averages’ utilizes a haunting vocal sample reminiscent of James Blake to match Staples’ moody disposition, it ironically – and fittingly – has none of the energy of the rapper’s own collaborations with Blake. If the accessibility of FM!’s instrumentals formed part of the record’s personality, here their sole purpose is to elevate Staples’ thoughtful lyricism.

You could call Vince Staples a restrained, even laid-back affair, but hardly a relaxed one. The sonic palette not only foregrounds the lucidity and focus of Staples’ diaristic writing, it also goes as far as to mirror his characteristically bleak demeanor. An undercurrent of paranoia creeps through every corner of the project as the emcee reflects on his childhood and the lingering effects of violence: “Won’t forget that s*** I saw in my past,” he declares on opener ‘Are You With That?’ before cataloging the ways in which those experiences continue to shape him: “Hangin’ on them corners same as hangin’ from a ceiling fan/ When I see my fans, I’m too paranoid to shake they hands,” he raps on ‘Sundown Town’. Despite the album’s brevity, Staples makes no attempt to offer a simple narrative, only to establish his current perspective and honour his relationship with home: “Been all ’cross this atlas, but keep coming back to this place/ ’Cause they trapped us/ I preach what I practice, these streets all I know/ And there’s no place like home.”

The interludes, too, serve a different purpose than on FM!, a space reserved not for his fellow rappers but the ones closest to him. ‘The Apple & The Tree’ features a voice recording of his mother reflecting on her anger issues, while a childhood friend recounts a story of a party that ended with a homicide on ‘Lakewood Mall’. Staples leaves no room for distraction, and these poignant moments only underscore how central other people have been in shaping his own understanding of himself and the world. It’s why the album never comes off as too alienating or self-involved to be engaging, even if it isn’t his most thrilling work to date. “I don’t know anything about music,” he said in a recent interview. “I just know how to do me.” Here, Vince Staples is all he gives us.

Cinderella Guitarist Jeff LaBar Dead at 58

Jeff LaBar, best known as the guitarist for glam metal band Cinderella, has died at the age of 58. LaBar’s son, Sebastian, confirmed the news in a social media post on Wednesday. “So i just got the call…” Sebastian wrote. “Jeff LaBar, my father, my hero, my idol, passed away today. I’m currently at a loss for words. I love you pop!” No cause of death has been revealed.

Born in Darby, Pennsylvania in 1963, LaBar joined Cinderella in 1985, replacing founding guitarist Michael Schermick shortly before the band signed to Mercury/Polygram Records. Their debut album, Night Songs, came out the following year, featuring the breakthrough single ‘Nobody’s Fool’, which led to tour dates with the likes of Poison, David Lee Roth, and Bon Jovi. Cinderella’s follow-up, 1988’s Long Cold Winter, spawned their biggest hit, the signature power ballad ‘Don’t Know What You Got (Till It’s Gone)’, which reached Number 12 on the Billboard Hot 100. The LP also introduced the blues-rock sound that went on to define the band’s final two albums, 1990’s Heartbreak Station and 1994’s Still Climbing. The latter was delayed due to vocal cord issues experienced by singer Tom Keifer and quickly disappeared from the charts.

The band went on hiatus in 1995, but returned a year later for a tour and a greatest hits compilation. Though they would never record another album of new material, they continued to tour in the 2000s and early 2010s. LaBar remained in the group until 2017, when Keifer announced that Cinderella would not reunite. He also pursued various side projects, including one with Cinderella bandmate Eric Brittingham called Naked Beggars. In 2014, he released his debut solo album, One for the Road, in which he played all of the instruments except the drums.

“Heavy hearts cannot begin to describe the feeling of losing our brother Jeff,” Cinderella bandmates Keifer, Brittingham and Fred Coury said in a statement (via Rolling Stone). “The bond between us over decades of creating music and touring the world is something that we as a band uniquely shared. Those memories with Jeff will be forever alive in our hearts. It’s unimaginable that one of our band brothers has left us. We’re sending his wife Debinique, his son Sebastian, family, and friends our deepest condolences.”

“Jeff’s memory and music will be with us forever. We all… band, family and management appreciate the overwhelming outpouring of love. Rest In Peace Jeff.”

Yves Tumor Surprise Releases New ‘The Asymptotical World’ EP

Yves Tumor has surprise released a new EP titled The Asymptotical World. The 6-track project, which is available to purchase on vinyl as either a 12″ or a 3×7″ box set (via Warp), includes the previously released single ‘Jackie’, as well as a collaboration with NAKED called ‘Tuck’. Stream the full EP below.

The Asymptotical World marks Tumor’s first release since the 2020 LP Heaven to a Tortured Mind.

Caroline Polachek Returns With New Song ‘Bunny Is a Rider’

Caroline Polachek has returned with a new song called ‘Bunny Is a Rider’. Marking her first original music since her 2019 debut PANG, the track was co-produced with frequent collaborator Danny L Harle. Listen to it below.

“‘Bunny Is a Rider” is a summer jam about being unavailable,” Polachek said in a statement. “Bunny is slippery, impossible to get ahold of. Maybe it’s a fantasy, maybe it’s a bad attitude. But anyone can be bunny, at least for three minutes and seventeen seconds. The song features a scorching bass performance from producer Danny L Harle, plus his baby daughter’s first vocal cameo.”

Top 5 Cultural Differences Students Experience in Australia

Any culture contains particular visible and hidden features. Visible cultural elements are traditions, etiquette, social practices, etc. In fact, they take only $10 of people’s cultural identities, while the rest is represented by hidden cultural differences.

Cultural differences is a broad term that involves the system of socially acquired values, rules, and beliefs that impact the behaviors of people in a certain social group. For example, western orientation towards achievement and emphasis on success can be viewed as a culture difference when compared to the Eastern countries.

Generally, cultural differences contribute to one’s relationship with their environment. As social competencies, they may include differences in assertiveness and self-disclosure levels as well as in shared interpersonal style.

If you are considering studying abroad, you must be aware of the cultural differences between your home country and desired destination. This article will highlight the main distinctions of student experience in Australia, so you can prepare yourself before moving there. So keep reading!

Styles of studies

Australian education is famous for its top quality all around the world. In fact, the learning standards are very high and the overall system is quite demanding. A mix of both practical and theoretical lessons ensures gaining deep knowledge and acquiring a large set of skills. However, the workload can be different from what you’re used to in your home country. This can result in increased stress levels and even mental health issues. So if you are not a hard-working person, you will less likely adapt to studying in Australia in a short time.

However, the good news is that instructors in most Australian schools tend to give more attention to international students. They offer a huge variety of tools and materials that can make the period of your adaptation less stressful.

Language barrier

One of the major cultural changes experienced by international students is language. Oftentimes, young people struggle with language fluency while attending lectures and workshops. When it’s not clear what the instructor is talking about, the learning process may become a real pain. If it’s not easy for you to overcome the language barrier, you can turn for help with your studies. While being a student, I frequently asked professional writers to do my assignment in Australia, which helped me to get good grades. In general, I used all the available opportunities to practice speaking until I gained enough confidence. Most importantly, I wasn’t afraid of making mistakes while talking to strangers since this is the only way to develop fluency.

Entertainment

If you are a fan of shopping, you must know that shopping hours in this country may be more limited than at home. Even in city areas, shops usually open at 9 am and close at 5 pm. This can be a big disadvantage if you study full-time. However, sometimes late-night shopping is available because shops may stay open until 9 pm. In terms of other entertainments, Australian people love sports. Most of them are keen on rugby, cricket and tennis, so watching matches is one of the most popular types of leisure activity.

Social diversity

Australian society is very multicultural. This country accepts and celebrates cultural diversity so you can find traditions and food from different parts of the world there. Chinese, French, Japanese, Italian, Indian, Thai, Mexican and many other cultures are represented in Australia. In fact, nearly 25% of its population was born overseas. Hence, Australia offers you the opportunity to experience something brand new and step outside of your comfort zone. No matter where you are from, you will always have the feeling of belonging in the multicultural setting of this country.

Individualism

Australia is an individualistic country. This means that people tend to define themselves rather in terms of ‘I’ than ‘we’. Autonomy and independent thinking are highly valued in Australian society. In contrast to collectivistic nations, personal needs and attitudes are crucial determinants of behavior for Australians. Ties between friends are loose and most individuals are likely to engage in activities alone. The fact that social interactions are quite short and not so intimate may be shocking for you if you come from collectivistic society.

Final thoughts

A lot of young people decide to study overseas to try another lifestyle. While this may be quite beneficial in terms of self-development, such an experience also requires some time and effort to adjust. Chances are, you will notice many more differences between Australia and your home country than mentioned above. But at least, you are aware of the most common cultural features now.

Author’s BIO

Michael Turner is a study coach working with Australian students from top universities. His main goal is to help young people overcome all the study challenges they face while pursuing a degree. In his free time, Michael writes a blog about cultural differences in various countries.

Sharon Van Etten, Iggy Pop, Michael Stipe, St. Vincent, and More to Feature on ‘Velvet Underground & Nico’ Tribute Album

An album-length tribute to The Velvet Underground & Nico is coming out this fall, with contributions from Iggy Pop, Michael StipeSt. Vincent, Kurt Vile and the Violators, Courtney Barnett, the National’s Matt Berninger, Sharon Van Etten and Angel Olsen, Thurston Moore and Bobby Gillespie, Fontaines D.C., and more. Titled I’ll Be Your Mirror: A Tribute to the Velvet Underground & Nico, the record is out September 24 via Verve. Hear Vile’s cover of ‘Run Run Run’ below and scroll down for the album tracklist.

Speaking of his cover, Vile told Rolling Stone: “Lou Reed/the Velvet Underground were probably my earliest classic rock influence. I loved it. The first time I heard them, I’m sure I was probably stoned. When you hear music like that, so organic and raw, but you know, so confident, all those things combined, [it’s] so cool. So unapologetic. It just has an effect on you that you can’t even necessarily detect at the moment.”

I’ll Be Your Mirror: A Tribute to the Velvet Underground & Nico Tracklist:

1. Sunday Morning – Michael Stipe
2. I’m Waiting For The Man – Matt Berninger
3. Femme Fatale – Sharon Van Etten (w/ Angel Olsen on backing vocals)
4. Venus In Furs – Andrew Bird & Lucius
5. Run Run Run – Kurt Vile & the Violators
6. All Tomorrow’s Parties – St. Vincent & Thomas Bartlett
7. Heroin– Thurston Moore feat. Bobby Gillespie
8. There She Goes Again – King Princess
9. I’ll Be Your Mirror – Courtney Barnett
10. The Black Angel’s Death Song – Fontaines D.C.
11. European Son – Iggy Pop & Matt Sweeney