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Flo Announce New Album ‘Therapy at the Club’, Share New Song

Flo have announced a new album, Therapy at the Club. The follow-up to 2024’s Access All Areas is out July 24 via Republic. Check out the title track, which was first debuted on their Tiny Desk performance, below.

“We’re incredibly proud to finally share Therapy at the Club, our sophomore album with the world,” Flo said in a press statement. “It’s a body of work that feels super personal to us, it’s been a labour of love. For us, the club is more than just a night out, it’s like therapy. I mean, where else do you feel more understood than in a girls bathroom on a night out…that’s the vibe!”

The group worked with songwriters such as Amy Allen, Steph Jones, Julian Bunetta, and Boy Matthewson on the new record. “We’ve been very hands on with the writing and creation of this project alongside our very special collaborators, and that’s made it even more meaningful to us,” they added. “This album represents where we are right now – honest, evolving, and unafraid to feel everything. We really hope you love it!”

Man on Fire Season 2: Cast, Rumours & Release Date

A retired CIA operative is out for revenge in thriller series Man on Fire, based on the popular novel by A. J. Quinnell.

If that title sounds familiar, it’s because the novel has already been adapted into a 1987 movie starring Scott Glenn, and again in 2004, starring Denzel Washington. This time around, the main character is played by Yahya Abdul-Mateen II, whom you might know from Aquaman, Candyman, or Ambulance.

Turns out, audiences aren’t sick of that enticing premise just yet. Man on Fire is currently the most-watched show on Netflix, with 11 million views this week. It’s also the #1 show in 29 countries. Does that mean a second season is definitely on the way?

Man on Fire Season 2 Release Date

At the time of writing, Netflix hasn’t officially renewed the series for more episodes. With viewership numbers so strong, though, it’s probably just a matter of time.

The title isn’t listed as a limited series on the platform. Moreover, when talking to Screenrant, star Abdul-Mateen II said he could see himself playing the character for a long time.

If everything lines up, Man on Fire season 2 could arrive in 2027 or 2028.

Man on Fire Cast

  • Yahya Abdul-Mateen II as John Creasy
  • Billie Boullet as Poe Rayburn
  • Scoot McNairy as Henry Tappan
  • Alice Braga as Valeria Melo
  • Bobby Cannavale as Paul Rayburn
  • Paul Ben-Victor as Moncrief
  • Thomás Aquino as Prado Soares

What Could Happen in Man on Fire Season 2?

Man on Fire revolves around John Creasy, a former U.S. Special Forces soldier and CIA contractor. He is struggling with PTSD and haunted by a failed mission that killed his entire team.

Creasy is pulled out of isolation by an old friend, Paul Rayburn, for a security job. When a catastrophic bombing kills Rayburn and most of his family, leaving only his daughter Poe alive, Creasy takes it upon himself to protect her. As he hunts those responsible, what starts as a revenge mission becomes a deep dive into a much larger conspiracy.

While action-packed, the series still manages to highlight Creasy’s internal struggle. The seven episodes available lead to an explosive finale that wraps up the main plot, so you don’t have to worry about cliffhangers in that sense. Even so, it also teases that the story is far from over.

Creasy receives an offer to pursue those responsible for killing his team. There’s a good chance a potential Man on Fire season 2 would pick up from there and send the character on a dangerous path to confront past demons.

Are There Other Shows Like Man on Fire?

If you enjoyed Man on Fire, similar series include The Night Agent, Reacher, Bodyguard, The Terminal List, Hijack, and The Night Manager.

The Best-Dressed Stars at the 2026 Met Gala

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Mondays share a secret talent for feeling exactly the same, which usually doesn’t offer much. You drag yourself out of bed, slip back into routine, and start planning your escape to the weekend before noon. Unless, of course, it’s the first Monday of May: Met Gala Monday. The one day New York feels like it’s powered by hairspray fumes and (too) high expectations. Celebrities, designers, and an average of twenty people you’ll never see collaborate to produce every detail of the red carpet look you end up judging online. This time, the evening’s dress code was “Fashion Is Art,” while the exhibition “Costume Art” folded the body into the artwork itself. “Even the nude is never naked,” Andrew Bolton, curator in charge, told Vogue a few months back.

Kylie Jenner at the 2026 Met Gala
@schiaparelli via Instagram

Kylie Jenner in Schiaparelli

Most celebrities aren’t exactly known for subtlety on a red carpet. And with this year’s theme putting the body at the center, everyone expected skin. Kylie Jenner, however, went for a different kind of “naked,” one that wasn’t actually hers. Designed by Daniel Roseberry and built over 11,000 hours of embroidery, the result was a Schiaparelli gown that lands her firmly in our Top 1 best-dressed spot.

Kendall Jenner at the 2026 Met Gala
@gap via Instagram

Kendall Jenner in Gap

Speaking of the Jenners, Kendall was not far off. The model worked with Zac Posen, who created a custom dress inspired by the Winged Victory of Samothrace, the Greek sculpture of the goddess Nike, standing at the top of the Louvre’s most famous staircase, as if greeting you. The duo reworked Gap’s classic T-shirt into a fluid dress, built over a 3D-printed corset.

Kim Kardashian at the 2026 Met Gala
@kimkardashian via Instagram

Kim Kardashian in Allen Jones and Whitaker Malem

The sculpted bodice theme quickly became a family favourite. Kim, a woman whose silhouette has become inseparable from her identity, was the first the public expected to fully commit to it. She teamed up with Allen Jones, who revived his ‘60s tangerine fiberglass body plate, alongside Patrick Whitaker and Keir Malem on the skirt, all guided by Nadia Lee Cohen’s creative direction.

Madonna at the 2026 Met Gala
@voguemagazine via Instagram

Madonna in Saint Laurent

Ever seen Leonora Carrington’s 1945 painting The Temptations of Saint Anthony Fragment II? Madonna has. She showed up in a custom lace-and-satin slip dress by Anthony Vaccarello, naturally paired with a horn instrument, an alarmingly long wig, and a satin headpiece complete with its own ship. The organza cape only added to the impression that the painting’s surreal figures had walked out of the canvas just to attend the Met.

Sabrina Harrison at the 2026 Met Gala
@marieclairenigeria via Instagram

Sabrina Harrison in archival Jean Paul Gaultier

There are those who team up with the first designer who reaches out. Those who go through every possible option before settling on the perfect collaboration. And then there are the few who just walk into their closets. Harrison, a known fashion collector, went for a piece from Jean Paul Gaultier’s 2010 “Mexico” collection, paired with a beating-heart bag by Chris Habana and Cameron Hughes, under the direction of Carlos Alonso Parada.

Emma Chamberlain at the 2026 Met Gala
@muglerofficial via Instagram

Emma Chamberlain in Mugler

Chamberlain is no stranger to the Met Gala, or to Mugler’s universe. Miguel Castro Freitas delivered a look that felt like a living canvas, or an artist’s palette, in this case belonging to Anna Deller-Yee, who hand-painted every little detail. Fringed sleeves included.

Rihanna at the 2026 Met Gala
@maisonmargiela via Instagram

Rihanna in Margiela

Rihanna is one of the Gala’s elite. This time, that meant a walking sculpture made from more than 115,000 crystal beads. Glenn Martens designed the custom gown with the Artisanal 2025 collection in mind, drawing inspiration from the medieval architecture and atmosphere of Flanders. The same influence, apparently, extended to the hair.

Olivia Wilde at the 2026 Met Gala
@thombrowne via Instagram

Olivia Wilde in Thom Browne

The evening carried more corsets than a Victorian palace, yet Thom Browne still finds ways to push the structure elsewhere. Wilde wore a black satin corset dress, accompanied by exposed leather panniers and a petticoat made from 300 meters of off-white tulle. So wrong, and exactly right.

Adut Akech at the 2026 Met Gala
@adutakech via Instagram

Adut Akech in Thom Browne

Thom Browne was a favorite this year, but Adut Akech was one of ours. Inspired by birth and new beginnings, the gown is crafted from lace, silk organza, cut glass beads, and sculptured sequins, see-through in all the right spots. Like the belly, for example, decorated with little pink lily flowers, a stone long linked to May birthdays.

Why FIFA 2026 Is a Big Deal for Malaysian Football Fans

Introduction

The FIFA World Cup has always been one of the most exciting global sporting events, but FIFA 2026 is set to be even bigger. With an expanded format, more matches, and a wider range of teams, this tournament is expected to attract more attention than ever before.

For Malaysian football fans, this is more than just another World Cup. It is an opportunity to experience football in a more connected, interactive, and rewarding way—especially with platforms now offering special event features alongside the tournament.

A Bigger Tournament Means More Excitement

FIFA 2026 will feature more teams compared to previous editions, which means:

  • More matches to watch
  • More underdog stories
  • More unpredictable results
  • Longer tournament duration

For fans in Malaysia, this creates a richer experience. Instead of focusing only on top teams, there is now more variety and more chances to follow different matchups.

This also means fans can stay engaged for a longer period, making the World Cup feel like a continuous event rather than just a short tournament.

Football Is Becoming More Interactive

In the past, fans mainly watched matches and followed results. Today, the experience has evolved. Fans now:

  • Track team performance closely
  • Follow live updates and stats
  • Engage with platforms during matches

This shift has made football more interactive and engaging. It is no longer just about watching—it is about being involved throughout the tournament.

Special FIFA 2026 Event Features on Platforms

With the growing interest in digital engagement, many platforms are introducing special features during FIFA 2026.

On platforms like winbox, users can explore event-based activities designed to enhance the overall experience. These may include mini games, reward systems, and limited-time events tied to the World Cup.

These features give fans something extra beyond just watching matches, making the entire tournament more enjoyable.

Getting Started Is Simple

Winbox Register Process

For new users, the first step is to create an account through the winbox register process. This step is designed to be quick and simple, allowing users to get started without unnecessary steps.

New users can also benefit from a welcome pack, which provides added value when joining during the FIFA 2026 period. This helps users explore features more comfortably at the beginning.

If you’re interested in joining, you can click here to access the registration page and get started.

Winbox Login for Daily Access

Once registered, users can access their accounts through the winbox login system. A smooth login experience is important, especially during major events when users want quick access.

For existing users, there are additional benefits such as daily login rewards, which encourage regular engagement throughout the tournament.

This makes it easier for users to stay connected and not miss out on any ongoing FIFA 2026 activities.

Promotions That Add More Value

Winbox Promotion

During major events like the World Cup, platforms often introduce special offers to enhance user experience. The winbox promotion system may include event-based rewards, bonus features, and limited-time campaigns.

These promotions are designed to make the FIFA 2026 experience more engaging. However, users should always review the details to fully understand how each offer works.

For those who want more information, you can learn more about the available promotions and how they are structured during the event period.

Mobile Experience for Real-Time Action

Most Malaysian users now follow football through mobile devices. Whether at home or on the go, having access to real-time updates is essential.

A mobile-friendly platform allows users to:

  • Check match updates instantly
  • Access their account anytime
  • Participate in event features easily

This flexibility is especially important during FIFA 2026, where matches happen frequently and excitement builds quickly.

Why Malaysian Fans Should Pay Attention

Football has always had a strong following in Malaysia, but FIFA 2026 brings something extra. The combination of a larger tournament and digital engagement creates a more complete experience.

Fans can now:

  • Enjoy more matches than ever before
  • Engage with interactive features
  • Access rewards and promotions
  • Stay connected throughout the event

This makes FIFA 2026 not just a tournament, but a full digital experience.

A Smarter Way to Enjoy FIFA 2026

To fully enjoy the event, users are encouraged to take a structured approach:

  • Complete the winbox register process carefully
  • Use winbox login for secure and regular access
  • Explore features step by step
  • Understand how winbox promotion works

By doing this, users can avoid confusion and make the most of everything the platform offers during the World Cup.

A New Level of Football Experience

FIFA 2026 represents a new level of excitement for football fans. With more matches, more teams, and more ways to engage, the experience is bigger than ever before.

For Malaysian fans, this is a chance to enjoy football in a more connected and interactive way. With features like welcome packs for new users and daily rewards for existing users, platforms like winbox help enhance the overall journey.

In the end, it is not just about watching the World Cup—it is about being part of it.

Getting Offline With Sofia Kavlin, Conceptual Artist Making Space For Unsent Letters and Subway Poetry

You may have heard of Sofia Kavlin, a New York City-based conceptual artist whose work sits at the intersection of poetry and urban installation.

Her “Unsent Letters Mailbox,” founded on Valentine’s Day in 2024, had the artist haul a wooden mailbox into the heart of Washington Square Park in New York City, inviting passersby to submit anonymous letters that they wanted to send to an ex, let’s say, but have not. 

In addition to this, Kavlin allows guests to read someone else’s letter from the mailbox, as a way to let people know they are not alone. 

Over the past two years, Kavlin has organized writing workshops, events and gatherings to help bring together the broken-hearted and give them space to share their story, anonymously. 

It highlights a big city’s emotional underground and creates a living, anonymous archive of our unspoken, inner thoughts. “The Unsent Letter Mailbox” has become a quiet phenomenon across the city, garnering buzz by word of mouth. Since it started, Kavlin has received over 4,000 anonymous letters and had over 50,000 people participate in the project. 

The project has since grown into a fiscally-sponsored multi-disciplinary group underNuyorican Poet’s Cafe, an institution renowned as the birthplace of poetry slams and the launchpad for notable literary careers since 1973. 

This partnership, which started in 2025, provides crucial institutional backing for fundraising and networking, allowing “The Unsent Letter Mailbox” to expand its reach. 

The Unsent Letter Mailbox provides creative engagement through free pop-ups, ticketed events, collaborations with visual and performance artists, and partnerships with institutions and companies. 

“I designed and built the original unsent letter mailbox while completing my studies in Design and Urban Ecologies at Parsons in February 2024, and at the time, I was woodworking and decided to try my hand at creating urban installations,” said Kavlin. “I love the thought of bringing participatory art into the cities, and inviting residents to expand on the original work.” 

“With the addition of award-winning producer Bonnie Edwards to the team, the project has already begun its geographic expansion, notably with programming in Tennessee last October, culminating in a month-long gallery exhibit at Clear Story Arts in January of this year,” said Kavlin, a conceptual artist, performance artist and educator who has performed at PS122 Gallery in New York, has developed a performative and participatory urban practice consisting of alternate reality game design (WNDRLND urban scavenger hunt), a pop-up event series titled “Slow Matters” (2023), temporary urban installations (2023-2024), and a live anonymous letter-writing series titled “The Write to Read” (2024). 

Next up, Kavlin will host an upcoming event, “Subway Mailbox: Pop-up” on June 2nd, followed by an anonymous writing salon on May 29th. The “Unsent Letter Mailbox” activation, complete with a larger-than-life mailbox and writing stations, is designed to transform a subway car (a quintessential New York meeting point) into a collective space for reflection and expression. 

The subsequent writing salons, co-hosted with DASHE mixologists and partnered venues across the city, offer a more curated setting for live anonymous readings, fostering moments of shared catharsis and unexpected human connection around themes like “First Loves.”

“The Unsent Letter Mailbox was designed as an urban activation inviting people to write and read anonymous unsent letters,” she said. “We set up the signature larger-than-life mailbox, a writing table, doodled-tent, and provide pen and paper. I’ve always wanted to activate a subway car, as a space that screams out New York City, and is by default, a place where New Yorkers from all walks of life come together. The anonymous writing salon emerged from this original urban activation as a way to invite people to write and participate in live anonymous readings in a curated and intimate setting. We partner with venues around New York, and a mixologist group called DASHE to create craft cocktails drawing from our chosen theme (the May salon will be around First Loves).” 

She explains how this all ties into the meaning of the project: “What is produced is a moment of shared catharsis, by expressing what you were never allowed to say out loud, as well as unique moments of human connection and belonging where strangers realize that they are much closer to each other than they might think.” 

Beyond public art installations, Kavlin has carved a unique niche by bringing poetry into high-profile commercial and experiential settings. While at Ars Poetica, she closed over $50,400 in contracts within six months, collaborating with brands like Brunello Cucinelli, Glossier, and Soho House. 

These organizations, facing an increasingly AI-driven and mediated world, sought poetry to center what Kavlin describes as “what makes us human — and offers a chance for these organizations to interact with their client base in an intimate, analog and unmediated way.” 

For Valentine’s Day activations, Cucinelli and Glossier used typewriter poetry, while Soho House commissioned a poetry week featuring a slam, a workshop, and an open mic.

“Both Brunello Cucinelli and Glossier wanted poetry to be an essential part of their Valentine’s Day activations, while Soho House brought me in to organize a poetry week for which I designed a poetry slam curating guest writers from the Austin community, and inviting Soho House members to exercise their creative thinking with a poetry workshop followed by an open mic at the slam,” said Kavlin. With AI becoming central to many organizations’ workflows and even acting as a mediator for clients; there are less opportunities for high-profile organizations to center what makes us human.”

Her expertise extends to designing the poetry components for major experiential events, including the 2025 album launch for Gracie Abrams, an artist with over 6 million Instagram followers. Working with Slaack, an experiential production studio, Kavlin designed a live typewriter poetry activation for Abrams’ multi-city pop-ups in Los Angeles, Toronto, and New York City. Fans, drawn to Abrams’ “pop catharsis” narrative style, received on-the-spot poems tailored to their thoughts and feelings, resulting in over 600 bespoke pieces written over two days.

“After aligning on a series of creative decisions including ambiance, palette, and copy we designed the live typewriter poetry activation where guests could receive on-the-spot poems in response to their thoughts and feelings,” she said. “Gracie Abrams’ creative process draws heavily on the narrative arts and poetry offers this cathartic experience for fans in a way that allows them to enter the world of the album, and participate in the creative process in a way that no other activation can mimic.”

“I was honored to receive a Hinge One More Hour grant, which is given to artists and projects creating spaces for in-real-life connection for Gen Z as a way to respond to the U.S Surgeon General’s 2023 advisory on the loneliness epidemic linked to a major decline in social participation,” notes Kavlin. 

“This is a highly competitive grant selecting standout projects that center in-person quality time, and incentivize cost-effective and convenient ways for people to gather. The Unsent Letter Mailbox stood out as a project that is meeting Gen Z where they are; on the streets of major cities, and providing an outlet for them to express real anxieties and longings away from the performative pressure of social media.” 

Similarly, the ArtsBuild grant Kavlin also recognized the project’s capacity to enhance community quality of life and inclusion by bridging social differences through anonymous letter writing, leading to high community participation and economic value in Tennessee.

The ArtsBuild Artist Work grants are awarded to projects that provide access to artistic experiences addressing issues such as quality of life and inclusion,” she said. “The Unsent Letter Mailbox met ArtsBuild’s and the Tennessee Arts Commission’s goal of building a stronger community by creating a unique way to bridge across social differences through the art of anonymous letter writing. The result was an unusually high degree of community participation with over 200letters collected over the course of 3 pop-ups, 13 local artists selected for the exhibition series, and 5 pieces of art sold on opening night creating meaningful cultural and economic value for the community.”

Kavlin holds a BA in Anthropology from the University of Toronto (2018), an MSc in Development Economics from LSE (2019), and an MA in Design and Urban Ecologies from Parsons School of Design (2024). She is the recipient of the Nudge Global Impact Award (2022) and became a Soho House fellow in 2024.

RSVP to her events here: unsentlettermailbox.com.

The Five Best Dispensaries in Lincoln Park: 2026 Buyer’s Guide

If you’re looking for a dispensary in Lincoln Park, you have several good options nearby. Some are built just for speed and convenience and others take a more comprehensive approach. 

Finding the best dispensary depends on how you like to shop. Maybe you know exactly what flower, edible, vape, or pre-roll you want. Maybe you’d rather ask questions and get a little guidance. Either way, a good dispensary should make the process feel easy, comfortable, and worth your time.

Here are five of the best dispensaries in Lincoln Park to consider.

Karma Club

Karma Club takes the top spot because it offers the strongest overall dispensary experience in Lincoln Park. It has the location, menu variety, staff support, and independent feel that make it stand out in a crowded Chicago cannabis market.

Located in Lincoln Park, Karma Club is an independent, recreational dispensary built around cannabis and community. That community angle matters because the shop doesn’t feel like a generic retail stop. It feels more personal, more local, and more welcoming, which can make a big difference when you’re buying cannabis.

The menu gives you plenty of room to find what fits your plans. Karma Club carries flower, pre-rolls, vapes, concentrates, edibles, tinctures, topicals, accessories, and more. That makes it a useful stop whether you’re picking up a quick pre-roll, trying a new edible, or comparing products before a weekend night out.

The staff is another big reason Karma Club ranks first. A dispensary menu can feel overwhelming when there are dozens of strains, formats, potencies, and brands in front of you. Karma Club’s team helps make that process easier. You can ask questions, explain what kind of experience you’re looking for, and get help without feeling rushed.

Karma Club also has a strong practical advantage. It’s easy to reach from different parts of the neighborhood, and the rear parking lot is a welcome detail in Lincoln Park. If you live in Chicago, you already know that parking can change the whole mood of an errand. Having that extra convenience makes Karma Club easier to work into your day.

The daily specials and discounts also help. Cannabis in Illinois can get expensive, so deals on flower, vapes, edibles, and concentrates can make a real difference if you visit regularly. Karma Club also offers discounts for medical patients, veterans, and seniors.

Karma Club is the best overall choice because it balances everything well. You get a broad menu, a friendly local feel, knowledgeable staff, regular specials, and a convenient Lincoln Park location. If you’re only trying one dispensary in the area, this is the best place to start.

ÜMI

ÜMI is one of the more stylish dispensaries in Lincoln Park, and it’s a strong choice if you care about the feel of the shopping experience.

The dispensary leans into a more designed, sensory approach. Instead of feeling like a basic counter-service shop, ÜMI aims to create a more polished environment. That makes it a good fit if you like to browse, take your time, and enjoy a retail experience that feels a little more considered.

ÜMI is especially useful if you’re newer to cannabis or still exploring different product types. A calm, well-organized space can make the process easier when you’re comparing flower, vapes, edibles, concentrates, and pre-rolls. The right setting can help you slow down and make a better choice instead of grabbing the first product that looks familiar.

The dispensary also has a rewards program, which is worth paying attention to if you plan on coming back. Loyalty points and special access days can help you save money over time, especially if ÜMI becomes one of your regular stops.

The main reason ÜMI lands behind Karma Club is that Karma Club offers a stronger all-around mix of neighborhood feel, daily deals, broad appeal, and local identity. Still, ÜMI is a very good option if you want a dispensary that feels modern, stylish, and more experience-driven.

Curaleaf

Curaleaf is a familiar name, and that familiarity can be helpful if you want a straightforward dispensary visit.

The Lincoln Park area location gives you access to a large cannabis retailer with a broad product menu and an easy online ordering process. If you already know what you want, Curaleaf can be a practical stop. You can browse the menu, place an order, and pick it up without making the visit more complicated than it needs to be.

Curaleaf usually carries the main product categories you’d expect, including flower, pre-rolls, vapes, edibles, concentrates, and more. That makes it useful for everyday cannabis needs, especially if you’re looking for a recognizable menu structure and frequent promotions.

It’s also a good option if you like consistency. Larger dispensary groups tend to have more standardized systems, which can make the visit feel predictable. You know what to expect, and that can be a plus when you’re short on time.

The tradeoff is that Curaleaf may not feel as personal or neighborhood-centered as some of the other dispensaries on this list. If you want a warmer local experience, Karma Club has the edge. If you want a convenient chain dispensary with a familiar setup, Curaleaf is worth considering.

Chicago Cannabis Company

Chicago Cannabis Company is a good pick if you want a dispensary with more of a neighborhood identity.

This shop has a local feel, which fits Lincoln Park well. It’s the kind of dispensary that may appeal to you if you prefer independent businesses over larger corporate cannabis retailers. The experience feels more rooted in the city, and that can make the visit more memorable.

Chicago Cannabis Company carries a selection of cannabis staples, including flower, vapes, pre-rolls, edibles, and concentrates. It’s a solid stop if you want to browse a focused menu and support a dispensary that feels connected to the surrounding neighborhood.

The atmosphere is one of the main reasons to consider it. Some dispensaries feel overly clinical. Others feel too busy or too transactional. Chicago Cannabis Company gives you a more approachable middle ground, especially if you want a shop that feels casual and local.

It doesn’t quite match Karma Club’s overall combination of convenience, menu variety, discounts, and welcoming staff support, but it still earns a place among the best dispensaries in Lincoln Park. If you like smaller shops with more local character, it’s worth a visit.

Dr. Greenthumb’s

Dr. Greenthumb’s brings a different type of energy to the Lincoln Park cannabis scene.

The name carries a strong cannabis culture connection, which makes it stand out from more traditional dispensaries. If you like shops with a little more personality and lifestyle appeal, Dr. Greenthumb’s may be a good fit for you.

The dispensary serves the North Side and works well if you’re closer to Ashland, Bucktown, Lakeview, or the western side of Lincoln Park. It may not be the first choice for every Lincoln Park route, but it’s still close enough to be part of the area’s cannabis conversation.

The menu includes familiar cannabis categories such as flower, pre-rolls, vapes, edibles, and concentrates. You can use it for a standard pickup, but the bigger appeal is the shop’s identity. Dr. Greenthumb’s feels more connected to cannabis culture than some of the more polished retail spaces nearby.

It’s a strong option if you want name recognition, a louder personality, and a dispensary that feels less generic. For the best all-around Lincoln Park experience, Karma Club still comes out ahead. But Dr. Greenthumb’s gives you another worthwhile option if you’re exploring dispensaries around the neighborhood.

How To Choose A Dispensary In Lincoln Park

Choosing the right dispensary starts with knowing what matters most to you.

If convenience is the priority, look at location, parking, public transit, and online ordering. A dispensary might have a great menu, but if it’s hard to reach, you probably won’t want to make it your regular spot.

If product selection matters most, check the menu before you go. Look for the categories you actually buy, whether that’s flower, pre-rolls, edibles, vapes, concentrates, tinctures, or topicals. A bigger menu can be useful, but only if it’s organized well enough for you to compare your options.

If you’re newer to cannabis, staff support should be near the top of your list. You want a dispensary where you can ask questions without feeling awkward. A good team can help you understand dosage, product type, onset time, and what kind of experience different formats may offer.

Price also matters. Illinois cannabis can add up quickly, especially with taxes. Daily deals, loyalty programs, and discount categories can help you get more value from each visit.

What To Bring Before You Visit

Bring a valid government-issued ID every time you visit a dispensary. Recreational cannabis in Illinois is for adults 21 and older, and dispensaries will check your ID before you buy.

You should also check the payment options before heading out. Some dispensaries accept debit or cashless payment methods, while others may still be easier with cash. Having a backup payment option can save you from an annoying extra stop.

If you’re placing an online order, wait for confirmation before leaving. Cannabis menus can change quickly, and popular products may sell out. A quick confirmation makes pickup smoother.

Final Thoughts

Lincoln Park has several strong dispensary options, but Karma Club stands out as the best overall choice. It combines a convenient location, a wide product menu, helpful staff, regular specials, and an independent social equity identity that gives the visit more character.

ÜMI is a strong pick if you want a more polished and sensory retail experience. Curaleaf works well if you want a familiar chain dispensary with easy ordering. Chicago Cannabis Company is a good choice for a more local neighborhood feel. Dr. Greenthumb’s adds cannabis culture and personality to the North Side mix.

If you’re looking for the best dispensary in Lincoln Park, start with Karma Club. It gives you the selection you want, the guidance you may need, and the kind of comfortable local experience that makes a dispensary worth returning to.

Artist Interview: Maddy Inez

Maddy Inez utilises ceramics and sculpture to explore themes of healing and ancestral memory, treating clay as both a medium and a metaphor for collective trauma. Her works often evoke plants known for their healing properties or mythological significance, merging the spiritual with the ecological. This approach prompts reflection on humanity’s fragile yet powerful relationship with the natural world. Inez’s artistic practice is deeply influenced by her matrilineal heritage; her mother, Alison Saar, and grandmother, Betye Saar, are both renowned artists whose legacies of Black feminist and spiritual artmaking resonate through her work. This lineage informs Inez’s exploration of intergenerational knowledge and the transformative power of art as a means of healing and remembrance.

Maddy Inez lives and works in Los Angeles and earned a BFA from the Pacific Northwest College of Art in Portland, OR. Her solo exhibitions include “Of Pith and Balm” at Harkawik Gallery, New York, and “Venus Freak” at NOON Projects, Los Angeles. Group exhibitions include “Adornment Artifact” at Crenshaw Plaza and Band of Vices, Los Angeles; “Earth House Hold” at Murmurs, Los Angeles; “Obscurity and the Unknown” at Sebastian Gladstone, Los Angeles; and the Japanese American Cultural and Community Center, Los Angeles; among others.

Maddy Inez: Nascence will be on view May 16 – June 20, 2026 at Megan Mulrooney Gallery in LA.

You come from an extraordinary artistic lineage your grandmother Betye Saar and your mother Alison Saar are both towering figures in sculpture. Was making art ever a question for you or did it feel inevitable? How did it feel to carve out your own artistic identity within that context?

We always say that art making is in the blood. My aunt, grandfather, cousins, brother and dad are all artists as well. Making art is just how I was taught to think critically and process the world. I feel so honoured to be able to create amongst the women in my life. We are all interested in similar topics, whether it be social justice, myth or magic but we all have unique voices and perspectives. I’ve never felt like I need to fight to have my own identity, I was always taught to honour and respect my ancestors. I’m very proud to be an accumulation of the people who raised me. 

Blood Bloom, 2026 Glazed Ceramic 24 1/2 x 16 1/2 x 8 in 62.2 x 41.9 x 20.3 cm (MLE26.003) Courtesy of Megan Mulrooney and the artist. Photo: Paul Salveson

Your practice moves between ceramics and printmaking, two processes that feel quite different in temperament. Do you find yourself in a different emotional or mental state depending on which you’re working in?

They are different in so many ways but they both have long processes and a little bit of alchemy. I used to work mainly in intaglio in print making, and I found the process so meditative. There was preparing the copper plate, applying the hard ground, the etching bath, the aquatint booth, and finally the act of cleaning the ink off with your hand. I found that the processes are what really drew me to printmaking more than the final result. Ceramics is the same in that I’m drawn to the meditative process. I usually coil build, so there is a moment in my studio where I’m rolling a big pile of coils in preparation of making a sculpture. The sensation of rolling a coil feels deeply ritualistic to me. There is something innate and ancient in working in clay that I’m attracted to. 

Each vessel in your upcoming show at the Megan Mulrooney Gallery is an ode to a specific plant brought over during the transatlantic slave trade, including Okra, Sudanese Hibiscus, Black-eyed peas, Palestinian olives. How did you arrive at that one-to-one relationship between vessel and plant?

I work in the shape of the vessel because of the human history ties to it. For as long as humans have had a relationship to clay, we have been making sculptures of bodies. I think there is an unspoken language of understanding when a viewer is looking at a vessel. We see ourselves or our gods in the shape. I think of my sculptures as votives to the spirits of the plants I am researching. 

Za’ atar Pistil, 2026 Glazed Ceramic 16 1/2 x 13 x 8 in 41.9 x 33 x 20.3 cm (MLE26.006) Courtesy of Megan Mulrooney and the artist. Photo: Paul Salveson

Finding your great-great-great grandmother’s midwifery certificate must have been an extraordinary moment. Can you take us back to that discovery and what it unlocked in you? Was it immediately clear that it would influence your work?

I had just recently read Nalo Hopkinsons’s book Salt Roads when I found it. The book is about lineage, suffering, resilience and magic. Making the discovery of a healer in my lineage felt validating, and I knew I wanted to research her experience. That research led me to knowledge about the cycles of colonisation that we are still witnessing today. 

You investigate themes of healing in your artwork, processing trauma through clay and viewing vessels as “votives of ancestral alchemy.” Has making this show been healing for you?

Researching this show has been really heavy. There were moments where I felt hopelessness at the way humanity was progressing. I was frustrated and angry with the patterns of erasure I was witnessing. That’s when I decided to interview farmers, land stewards and educators that share the same ideas as I do. I landed on the idea of gardening as an act of resistance. Having a relationship to land when so much violence is being inflicted on that land and its people is one of the purest examples of reliance. Talking to these people who are planting for a future they believe in was very healing for me. 

Gumbo Rising, 2025 Glazed Ceramic 15 x 9 1/2 x 2 1/2 in 38.1 x 24.1 x 6.3 cm (MLE26.007) Courtesy of Megan Mulrooney and the artist. Photo: Paul Salveson

The show frames gardening as an act of resistance. You volunteer at your local garden in Pasadena, you’ve interviewed farmers and herbalists across LA… How do you view the relationship between art practice and community practice? 

Community work has always been really important to my practice. I worked at this amazing organisation for adult artists with developmental disabilities in Los Angeles called Tierra Del Sol for five years. While teaching there the artists and I processed the Covid pandemic, BLM movement, ICE raids and wars through art. It was the voices and friendships that I made there that made me realise that building community was part of my practice. Hearing stories and learning from the people around me has really helped me grow as a person and as an artist. My community feeds my art practice and I hope my art gives something back in return. 

Clay and soil are both earth, so you’re working with the same element in the studio and in the garden. Do you think about that often? Does one influence how you handle the other?

Yes, absolutely. Until this year, my studio was located in the garage at my parents house in Laurel Canyon. Working alongside my mother’s garden and with the plants I grew up with really informed my practice. I made a lot of work based on the plants in that garden. One of these was Dandelion I made many sculptures based on this plant and drinking tea from its root is part of my everyday life. Sometimes I will buy the plant I’m researching to draw and look at under a microscope, and then it will be placed in my garden. 

Black-eyed Angel, 2026 Glazed Ceramic 26 x 18 x 5 in 66 x 45.7 x 12.7 cm (MLE26.001) Courtesy of Megan Mulrooney and the artist. Photo: Paul Salveson

Do you have any rituals in the studio music, silence, a particular time of day? And do you think the conditions you make art in show up in the work?

I listen to a lot of audio books while working in the studio. I use the LA county library app and borrow a lot of science fiction books, which have influenced my art aesthetically and conceptually. One of the books I was listening to while working on this body of work was Conjuring of America: Mojos, Mermaids, Medicine, and 400 years of Black Women’s Magic by Lindsey Stewart. I learned a lot about the plants I was researching from this book, and there was a really special chapter that mentioned one of my grandmother’s pieces that brought me to tears. At night, when I’m the only person in the studio, I will listen to music and dance around.  

All the It-Girls Have One Red Carpet Thing in Common Right Now — And It’s Ashi Studio

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If you didn’t know about Ashi Studio from the jump (that being 2007 when Saudi Arabian couturier Mohammed Ashi founded the brand), you probably met it the way most people did. Indirectly. The brand has been doing the rounds for years, long before it made its way onto the Paris Haute Couture Week schedule. That institutional validation was followed, almost naturally, by pop culture adoption. Beyoncé leading the charge, Penélope Cruz bringing it onto the red carpet, Billy Porter turning it into performance art, Coco Rocha dragging it onto the model radar, and even Queen Rania of Jordan adding a royal seal of approval. Point is, Ashi Studio isn’t new. But it’s newly unavoidable.

Margot Robbie wears a custom Ashi Studio Couture dress at the Sydney Premiere of Wuthering Heights
@ashistudio via Instagram

The love for Ashi Studio has been building for years, 2026 is when your favorite it-girls all showed up wrapped in it at once. Kylie Jenner made the first headline of the year in a custom silver couture gown at the Golden Globes. Teyana Taylor picked it up at The Rip premiere in New York in a sheer, sculptural Spring 2025 look. Not long after, she returned to Ashi Studio in a wrapped column dress from Spring 2026, before showing up again in a satin bustier piece from the same collection at the NAACP Image Awards.

Anok Yai in Ashi Studio at the TIME 100 Gala
@anokyai via Instagram

Margot Robbie followed with a corseted 18th-century-leaning silhouette for the Wuthering Heights Sydney premiere, before switching into a smaller, tighter version of the same idea for the after-moment mini dress. Zendaya, with Law Roach as always in tow, went for something softer from Spring 2026 at the Euphoria season 3 premiere, soft, at least by comparison. FKA Twigs appeared at Mother Mary in the same collection, but with none of the restraint implied by the word “relaxed.” And Anok Yai closed the loop at the Time 100 Gala, choosing one of the most sculptural pieces from the entire lineup.

Stylists operate with a very specific visibility logic, and red carpets seem to be their favorite algorithm at the moment. But if you see it five times in a week, is it still couture, or just fast fashion for A-listers? Either way, it photographs well. Too well. Whether it swallows the wearer entirely is a different discussion, one the algorithm doesn’t seem interested in having.

Xinhui Wang: Crafting Cinema’s Emotional Core Through Film Editing

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In the world of film and television, one job often goes unnoticed while watching a film: the editing role.

If a film editor is any good at their job, you don’t even notice their work, as it is so seamlessly cut from one scene to the next.

Just as the film editor stands as the unseen architect, shaping stories and sculpting emotions, Los Angeles-based film and TV editor Xinhui Wang is carving out a distinctive niche, recognized for her profound ability to capture the visceral power of human emotion. 

Wang’s journey from China, through South Korea’s Dankook University to USC’s School of Cinematic Arts, has developed a body of work recognized across international film festivals and digital platforms. 

Wang’s recent recognition, including the Micheaux Film Festival selection for “Goodbye Stranger” and the Gasparilla International Film Festival selection and a Grand Jury Award for “The Expiration Date,” alongside her upcoming work on the feature film “Second Hand Sky, further reinforcing her in-demand status as an editor to watch. Currently a staff editor at Dramabox, where her vertical drama series rack up millions of views, Wang is not just keeping pace with the industry’s evolution; she’s helping to define it.

Wang’s unique editing philosophy centers on pacing, a departure from mere narrative assembly. “I approach editing as shaping emotional rhythm rather than just assembling a narrative,” Wang explains. “In today’s fast-paced content landscape, what resonates most is authenticity and emotional clarity. I focus on pacing, silence, and performance, letting moments breathe so the emotion feels earned rather than imposed. That sensitivity is increasingly relevant as films shift toward character-driven storytelling.”

Her style is a masterclass in subtlety, guiding the audience’s perspective without overt manipulation. “I’m also interested in how editing guides perspective—what’s revealed, withheld, or extended can completely reshape how a story is experienced,” she adds. 

“It becomes less about visibility and more about intention. I’m influenced by editors like Thelma Schoonmaker, whose sense of rhythm and character is unmatched, and Joe Walker, who balances precision with emotional depth.” 

“Ultimately,” she adds, “I aim for edits that feel invisible but emotionally present, where the audience isn’t aware of the cuts, only fully immersed in the story.” This philosophy underscores her commitment to serving the story and amplifying its emotional resonance, a quality that makes her work stand out.

One of Wang’s most recent notable achievements is her work on “Goodbye Stranger,” a short film that earned an official selection for the 2025 Micheaux Film Festival.

Her approach to this film exemplifies her collaborative spirit. “My approach was rooted in close collaboration with the director to ensure the edit reflected both the emotional tone and narrative intent of the film,” said Wang. “Early on, we focused on defining the core perspective of the story: what the audience should feel and when – so the editing choices could support that clarity.”

Wang meticulously shaped the pacing around the actors’ performances, allowing pivotal moments to resonate while maintaining the narrative’s forward momentum. 

“Rather than over-structuring, the goal was to preserve a natural rhythm that felt honest to the characters,” she explains. The film’s structure underwent multiple refinements, adjusting scene order and duration to enhance emotional continuity. 

“Communication was key throughout the process, with a shared openness to experimentation,” she said. “That collaborative approach allowed us to find a final cut that felt both precise and emotionally grounded, contributing to the film’s reception at festivals.”

Wang’s meticulous editing has garnered a string of awards for various short films. “Can You Hear Me?” (2025 short film) was officially selected by the LA Shorts International Film Festival, screened at the Regal LA Live theater, and won the Best Fantasy Short Award at the Independent Shorts Awards, along with an Honorable Mention at Vancouver Web Fest. 

Meanwhile, “Resonance” (2023 short film) secured the Best Horror Film at the Marina Del Rey Film Festival and was an official selection at the Atlanta Horror Film Festival, Cindependent Film Festival, Picture’s Up Film Festival, and Loveland Shorts Film Festival, among others.

When asked about the skills that made these films stand out, Wang emphasizes her focus on heightened emotional tension and reinforcement of tone. “For projects like ‘Can You Hear Me?’ and ‘Resonance,’ my focus was on using editing to shape tonal consistency and deepen narrative tension,” she explains. 

“In ‘Can You Hear Me?,’ which leans into fantasy, I worked with pacing and visual rhythm to create a sense of unease while still allowing emotional beats to land,” said Wang. “For ‘Resonance,’ a horror piece, timing was critical, knowing when to hold on a moment versus when to cut was key to building suspense and psychological impact.”

Beyond technical precision, Wang highlights the human element. “Across both projects, I paid close attention to performance, shaping the edit around subtle expressions and reactions to keep the audience connected to the characters,” she said. “Sound and silence also played an important role in guiding tension and release. Ultimately, my goal was to support the director’s vision while elevating the emotional experience, helping the films resonate with audiences.”

Another notable film that Wang has edited is “The Expiration Date” (short film, 2025), which was not only selected by the 19th Annual Gasparilla International Film Festival, 2026, but also received the coveted Grand Jury Award. The film’s power, according to Wang, lies in its ability to ground a high-concept premise in profound human experience.

“The Expiration Date resonated because it takes a high-concept premise and grounds it in something deeply human,” she said. “The idea of marriage as a renewable contract creates an immediate sense of tension, but what makes it powerful is how it reflects real questions about commitment, time, and emotional risk.”

Her editing choices were instrumental in amplifying this emotional depth. “From an editing perspective, the focus was on restraint, allowing space for the performances to carry the weight of those decisions,” said Wang. 

“Rather than overcutting, I leaned into stillness and timing, letting silences and subtle shifts in expression reveal the characters’ internal conflict. That approach helped keep the film intimate despite its conceptual framework. The structure also builds toward a quiet but emotionally loaded turning point, which was important in making the ending feel earned. I think that balance between concept and emotional authenticity is what connected with both audiences and the jury.”

Wang’s versatility extends beyond narrative shorts into the realm of documentary. Her short documentary project, “Journey,” offers an intimate look into a Korean American family’s pursuit of Olympic dreams. The film, a 26-minute documentary centered on a Korean American family raising three sons who are all competitive judo athletes aiming to qualify for the 2028 Olympics, is a story of resilience and inner strength.

“While the film follows their athletic development, it’s equally focused on the family dynamic behind that pursuit—the discipline, pressure, and support system that shape their path,” said Wang, who sifted through hours of footage to find the true gems to highlight the truth and struggle the athletes experience on their competitive journey. “The story explores how ambition operates within a close-knit household, particularly the balance between individual goals and collective expectations. It looks at the physical demands of the sport alongside the emotional weight of representing both family and identity.”

For “Journey,” Wang employed a sophisticated editing strategy to portray the complex family dynamics. “My editing focused on building parallel arcs between the brothers, using repetition and contrast to show how each of them responds differently to pressure, discipline, and expectation,” she said. “Rather than relying on a traditional chronological approach, the edit was designed to weave together training, competition, and quieter domestic moments, allowing the emotional throughline to emerge organically.” This approach allowed the documentary to transcend a mere chronicle of athletic achievement, becoming a poignant exploration of family bonds and individual aspirations.

Beyond the cinematic world, Wang has also lent her expertise to educational and promotional projects. As the lead editor for the Chinese National Center for Nanoscience and Technology (NCNST) promotional/educational videos, she was tasked with outlining the center’s two-decade educational journey, which has seen over 1,200 graduate students trained since 2005.

“As the lead editor on the NCNST promotional and educational videos, the process began with understanding both the scientific context and the institution’s long-term impact,” Wang states. “I reviewed archival materials, prior footage, and key milestones to identify a clear narrative that reflects the center’s evolution over the past two decades.” This meticulous research ensured that the video effectively communicated the center’s significant contributions to science and education, highlighting its legacy and future aspirations.

Currently, Xinhui Wang serves as a staff editor at Dramabox in Los Angeles, an innovative platform specializing in vertical drama series. Here, she applies her keen eye to a rapidly evolving medium,editing series that have collectively amassed over 100 million views, reflecting significant audience reach across global digital platforms, including popular titles like “Craving My Brother’s Best Friend” and “FYI: My Love Ships Sailed Without You.” Dramabox itself has surpassed 100 million downloads on the Google Play Store, underscoring the massive reach of her current work. Her work reflects a growing presence within both independent film circuits and emerging digital formats, positioning her at the intersection of traditional storytelling and evolving audience consumption.

Her future is equally bright, with a significant project on the horizon. Wang will be working on “Second Hand Sky,” a narrative feature film, with post-production slated to commence in January 2028 at LerFilm. This transition to feature-length narrative filmmaking marks an exciting new chapter for an editor whose impact on short films has already been strong.

“The film’s plot follows a recent graduate in Los Angeles who moves into a stranger’s sublet and discovers a box of undeveloped film left behind by the previous tenant,” she said. “As she processes the images, she becomes increasingly drawn into the life of someone she’s never met, until the photographs begin revealing moments that haven’t happened yet.” 

“From an editing perspective, the project is designed to explore perception, memory, and time, using structure and pacing to blur the line between reality and anticipation,” she adds. “Casting details have not been announced at this stage, but I can’t wait to start working on it.”

Visit Xinhui Wang’s website at xinhuiwang.org.

Best Shopify App for Product Images

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Juggling a personal store and online shops on Amazon, eBay, and Etsy is often a strategy businesses use to maximize sales opportunities. In fact, reports show that 67% of sellers are active on four or more marketplaces. But thankfully, they now have Shopify as a central hub for building their online store and managing their business across multiple sales channels. However, this is just one problem on a list that stops entrepreneurs, retailers, and global brands from running and growing their stores. Another major area they should focus on is making sales. And that is where visuals come in.

In any form of selling, a product image is the first salesperson. Before a customer reads a single word of the description, chances are they have already decided based on the photos. That is why a Shopify app for product images, such as Simfa, is a conversion strategy for sellers.

To clarify the increasing adoption of AI tools for product photography, this article discusses why a Shopify app for product images is important, how it supports sellers, and what makes Simfa a preferred choice. Read on to see how implementing these tools can transform your business.

How a Shopify App for Product Images Helps Sellers

For both established brands and smaller merchants, saving time and money is essential. Also, with the requirement to generate images for multiple products across various platforms, bulk photo production has become a necessity. These needs drive Shopify stores to move beyond traditional approaches and adopt AI-driven creative tools for flexible, scalable image production.

While photography still plays a role, AI tools now handle the large portion of product visual creation. With automated processes, brands can instantly produce high-quality product photos that increase click-through rates, improve brand value, reduce return rates, and boost overall conversion rates. More importantly, it gives Shopify users a clear advantage in crowded markets.

With a Shopify app for product images, brands can often:

  • Enhance photos that look dull and of low quality
  • Test multiple ad creatives quickly
  • Improve visual consistency
  • Achieve resource efficiency
  • Launch products faster

Such offerings are especially useful for businesses that need frequent creative updates.

Simfa: A New Standard for Product Images

Shopify app for product images

Step into the ultimate creative lab with Simfa. This app is a toolkit that integrates the power of AI for modern content creation. With capabilities such as image generation, photo enhancement, background removal, and upscaling, it is highly useful for Shopify users looking to upgrade their visuals. It even offers greater creative flexibility, with features like outfit and face swapping. On top of these, users can leave plain white backgrounds in the past and use Simfa’s product staging presets. From fashion, furniture, and jewelry to electronics, food, and beverages, the app has a template for every product category.

By introducing automated processes, Simfa streamlines every editing workflow. Sellers only have to upload a photo. From there, the app does the rest of the work. So instead of spending hours capturing and editing product photos, users can just generate enhanced visuals in one afternoon. Businesses can also forget about paying for professional fees and switch to affordable packages starting at $15 a month, or even customize one that fits their preferences.

Why Simfa Fits in the Shopify Workflow

Yes. Simfa is not exactly a traditional Shopify plugin. But why should it stop sellers from getting an app that aligns strongly with their need for creative solutions? It enables fast image editing and enhancements. It supports lifestyle and contextual imagery. It maintains visual consistency for optimized branding. All of which comes cheaper than expensive photography and software or time-consuming methods.

It is a no-brainer. A Shopify app for product images lets sellers create studio-level content that serves as a dynamic, testable marketing tool. For Shopify store owners, investing in a tool like Simfa is a smart long-term strategy to reduce production costs, improve conversions, and stay ahead of the visual game.