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Bingo Nights Out: Fashion Dos and Don’ts for Bingo Events

Hey there, bingo enthusiasts! Are you ready for a fabulous night out at the bingo hall? As you prepare for an evening of excitement and friendly competition, it’s important to consider your fashion choices. 

Bingo nights out offer the perfect opportunity to showcase your personal style and make a statement. In this guide, we’ll explore the fashion dos and don’ts for bingo events, ensuring you look your best while enjoying the thrill of the game. 

So, grab your dabber, find your lucky seat, and dive into the bingo fashion world!

Dress Comfortably: Embrace Casual Chic

When it comes to bingo nights out, comfort is key. Opt for clothing that allows you to move freely and comfortably as you eagerly mark off those winning numbers. Embrace casual chic attire by choosing a stylish yet relaxed outfit. 

Wear jeans or trousers with a comfortable top or a trendy blouse. Layering with a light jacket or cardigan can add a fashionable touch while providing versatility if the venue gets chilly. Remember, you want to be able to enjoy the bingo experience without any wardrobe restrictions.

Show Your Personality: Accessorize with Flair

Bingo events are a great opportunity to showcase your personality and have fun with your accessories. Add a touch of flair to your outfit by incorporating colorful scarves, statement jewelry, or playful hats. These accessories add visual interest to your ensemble and serve as conversation starters among fellow bingo players. 

Express your unique style and let your accessories be an extension of your vibrant personality. Don’t forget to choose accessories that won’t obstruct your view of the bingo cards or interfere with your gameplay.

Consider Bingo Hall Etiquette: Avoid Oversized Accessories

While accessorizing is encouraged, being mindful of others around you is essential. Avoid wearing oversized accessories that could obstruct the view of players sitting behind you. 

Large-brimmed hats, excessive feathered fascinators, or chunky statement necklaces may look stunning, but they could create a visual barrier for those trying to focus on their own bingo cards. Opt for stylish yet reasonably sized accessories, ensuring a clear line of sight for everyone in the bingo hall.

Dress for the Occasion: Follow the Theme

Bingo events occasionally have themes, so it’s always a good idea to check if there’s a specific dress code or theme for the evening. Theme nights can add an extra layer of excitement and camaraderie among participants. 

If there’s a theme, embrace it and let your imagination run wild. Whether it’s a retro ’80s night, a glamorous red carpet event, or a pajama party, go all out and dress up accordingly. Just remember to strike a balance between adhering to the theme and maintaining your personal style.

Dress for Success: Keep It Classy and Respectful

While bingo nights out can be casual and fun, it’s important to maintain an air of class and respectability in your fashion choices. Avoid wearing clothing that may be offensive, overly revealing, or inappropriate for a family-friendly environment. 

Keep it tasteful and considerate of the diverse age groups present at bingo events. A well-put-together outfit with elegance and sophistication will always be a winning choice.

Stay Stylish and Comfortable: Footwear Choices for Bingo Nights

When attending a bingo event, choosing footwear that combines style and comfort is important. Opt for shoes that allow you to move freely and comfortably throughout the venue. Avoid high heels or uncomfortable shoes that may leave you with sore feet by the night’s end. 

Instead, consider fashionable yet practical options like flats, sneakers, or low-heeled boots. If you need extra room for comfort, wide-fit styles — such as men’s 10E ultra-wide shoes — can help reduce pressure and keep your feet comfortable all night. These choices will ensure you can enjoy the excitement of the game without any discomfort or distractions.

Bingo Nights and the Importance of Good Grooming

While fashion choices play a significant role in your bingo night outfit, prioritizing good grooming is equally important. 

Ensure you look polished and put-together by paying attention to details like clean and neatly styled hair, well-maintained nails, and fresh breath. Simple touches like these can make a big difference in your overall appearance and boost your confidence as you engage with fellow bingo enthusiasts. Remember, it’s not just about what you wear but how well you present yourself.

Protect Your Online Experience: The Role of VPNs in Online Bingo

In an increasingly digital world, online bingo has gained popularity, allowing players to enjoy the game from the comfort of their homes. When engaging in online bingo, protecting your privacy and security is essential. 

This is where Virtual Private Networks (VPNs) come into play. A VPN encrypts your internet connection, ensuring that your online activities, including playing bingo, remain private and secure. By masking your IP address and encrypting your data, a VPN prevents unauthorized access and safeguards your personal information. 

So, before embarking on your online bingo adventure, consider using a reliable VPN to enhance your online security and enjoy a worry-free gaming experience. Learn how to install one, cancel your current VPN like it’s covered here – https://www.reddit.com/r/VPNAdvice/comments/14me2d1/how_to_cancel_nordvpn_and_what_other_vpn_do_you/ and what are the best options. 

Conclusion

And there you have it, bingo fashionistas! As you gear up for your next bingo night out, remember these fashion dos and don’ts. Dress comfortably, embrace casual chic, and accessorize with flair to showcase your unique style. 

Be mindful of others and avoid oversized accessories that could obstruct views. If specified, follow any themes or dress codes, and always maintain a classy and respectful appearance.

Armed with these fashion tips, you’re ready to strut your stuff and have a blast at the bingo hall. So, join the bingo fever, connect with fellow players, and enjoy the excitement of the game. And remember, for the best bingo nights out, check out the best bingo sites UK for a fantastic online bingo experience!

Good luck, happy dabbing, and may the numbers ever be in your favor!

Romy Shares Video for New Single ‘The Sea’

Romy has shared the latest single from her debut solo album, Mid Air. Following ‘Strong’, ‘Enjoy Your Life’, and ‘Loveher’, the new song, ‘The Sea’, was produced by Fred again.. and Stuart Price. It arrives with a music video directed by Mollie Mills and featuring Romy and her wife, the director and photographer Vic Lentaigne. Check it out below.

“Romy always evokes this feeling of euphoria — and with this track specifically touching on wrestles of romance — through a queer lens, it intuitively evoked something about this kind of intertwinement of bodies, both in intimacy and in club culture,” Mills explained in a statement. “I had loosely referenced Louise Bourgeois’ sculpture ‘The Couple’ which actualizes that soul-rupturing entanglement of falling in love — and this is what we wanted to feel in these seascape scenes. This light, blissful, euphoric togetherness that happens alongside these memory slices of euro-heaven. There’s a power that can live in the simplicity of these domestic moments between two queer bodies too — when I think back to the loves of summers past, the memories I have are always the small details, a billowing curtain or a lovers hair after they shower.”

Mid Air comes out September 8 via Young.

Lydia Loveless Releases New Song ‘Runaway’

Lydia Loveless has released a new track, ‘Runway’, lifted from the Ohio singer-songwriter’s upcoming album Nothing’s Gonna Stand in My Way Again. It follows lead cut ‘Toothache’, and you can listen to it below.

“This was one of the very first songs I wrote for this record,” Loveless said in a statement. “I hated it, but my friend Amy was giving me assignments and pushing me to write my way through heartache while I was crashing on her couch. She would send me out with a notebook and tell me not to come back until I had something.”

“Eventually, this one grew on me and is now actually my favorite to sing on the whole record,” she continued. “It’s deeply personal and gut-wrenching to perform. It’s about not wanting my relationship to end but knowing things weren’t ever going to improve. I’m especially proud of the instrumentation, particularly the guitar part at the end that had everyone calling me Mark Knopfler when I came out of the booth.”

Nothing’s Gonna Stand in My Way Again arrives September 22 via Bloodshot.

Album Review: Blur, ‘The Ballad of Darren’

On the surface, The Ballad of Darren sounds a little too comfortable for its own good. It whirls by casually in just 36 minutes, containing some of Blur’s most straightforward songs to date. Damon Albarn’s melodies are lush and uniformly mellow, James Ford’s production is polished but not overwrought, the band’s chemistry tight enough to elevate the whole thing. Albarn has called it “the first legit Blur album” since 1999’s 13; their last reunion LP, The Magic Whip, emerged from impromptu sessions while the band was stuck in Singapore after a tour date was cancelled, with Graham Coxon and producer Stephen Street pushing the album to completion over the next couple of years. The Ballad of Darren, meanwhile, came together swiftly and unexpectedly when Blur were offered to play a pair of huge shows at Wembley Stadium; Albarn presented a batch of songs he believed would fit on a new Blur album, and soon all four members gathered in the studio to build them out. In fact, the opening track originated as a demo Albarn first cut all the way back in 2003, and the album takes its name from the band’s longtime security guard, Darren “Smoggy” Evans, who urged him to finish it.

Given the musicians’ various other ventures, there’s something magical and necessary about their ability to recapture the essence of the band in such spontaneous fashion; it’s hard to imagine it happening any other way without crumbling under its own weight. There are tracks that manage to conjure and condense the band’s aesthetic in an instantly familiar yet contained manner, while others reference back to the band’s history without allowing themselves to get too reflexive – lead single ‘The Narcissist’ excels at both. Though the success of that and the other pre-release single, ‘St. Charles Square’, may be tied to the excitement of a comeback, it’s not really the story that binds The Ballad of Darren – but it’s only because they’ve effectively worked through it that the album’s less-than-triumphant qualities shine through. Whatever flickers of nostalgia fans might cling onto here, the feeling of warm melancholy that glides over the record feels strikingly personal and anchored in the present, even as past traumas loom over.

“Well, I know I can’t change the timеs/ I know I’m already breaking when I look into your eyes,” Albarn sings on ‘The Ballad’, a lovely opener that risks sounding a little too much like a solo cut. But as the album progresses, the band finds ways to wrestle with the helplessness and inertia of moving through a breakup – generally the main subject of these songs – that aren’t just gracefully mirroring the dull pain it leaves behind. Rather than feeling contradictory, the shimmering guitar and gently ambling groove on highlight ‘Barbaric’ suggest a shade of sincerity that can only come with time, situating the ultimate confession – “I have lost the feeling that I thought I’d never lose” – away from the immediate aftermath of heartbreak and towards acceptance, or a yearning for it. The album’s elegant presentation gets just the right amount of twisted on ‘Goodbye Albert’, whose gnarly guitar and vocoder vocals swell with a different kind of desperation (“I stayed away/ I gave you time/ Why don’t you talk to me anymore?/ Don’t punish me forever”), while ‘Avalon weaves in orchestral arrangements to gorgeous effect.

But any tension that’s built into The Ballad of Darren sounds deliberately measured, especially as it oscillates between vague hope and middle-age resignation. On ‘The Everglades (For Leonard)’, the line between wispy sentiments and the kind that resonate on a more universal level feels a little too thin. But Blur manage to break the barrier on songs like ‘Russian Strings’ and ‘The Narcissist’, the latter of which fights back against the ego-driven, cynical voices in Albarn’s head by placing everyone who might identify with them on the same stage, subjects to the same ambiguous threat: “I’ll be shining light in your eyes/ You’ll probably shine it back on me.” We get to hear a glimpse of what it sounds like on closer ‘The Heights’, which finds Albarn “Seeing through the coma in our lives/ Something so bright out there you can’t even see it,” before getting swallowed up in a wave of distortion. Their new album shows a band no longer flirting with chaos but eager to find ways to tame it, but staring back in that final moment of destruction, self-inflicted or not, they lean fully into it. That ending you can’t control.

James Murphy Joins Lol Tolhurst, Budgie, and Jacknife Lee on New Single ‘Los Angeles’

Former Cure drummer Lol Tolhurst, ex-Siouxsie and the Banshees drummer Budgie, and producer Garret ‘Jacknife’ Lee have enlisted LCD Soundsytem’s James Murphy for their debut single, ‘Los Angeles’. It’s the title track from the trio’s forthcoming album, which is set to arrive November 3 via Play It Again Sam. It features guest appearances from Primal Scream’s Bobby Gillespie, U2’s The Edge, Modest Mouse’s Isaac Brock, Lonnie Holley, Mary Lattimore, Starcrawler’s Arrow de Wilde, and IDLES’ Mark Bowen. Listen to ‘Los Angeles’ and find the album artwork and tracklist below.

Los Angeles started coming together after Budgie met Tolhurst for lunch while Budgie was passing through Los Angeles as part of John Grant’s touring band. “As we were finishing, Lol turns to me and says, ‘I think we should do something together’,” Budgie recalled. “With these things, I usually go away and forget, but for once in my life I said to myself, ‘Yeah good idea!’”

The pair eventually recorded the album over two weeks with Lee in Topanga. “Lol is very levelling,” Budgie said. “He calls himself a pragmatist, whereas I’m very impetuous, and it was like Garret was bridging the two, in his consultation room.”

Tolhurst added: “Adding some vocalists that we like was obviously going to make it more attractive to people, so over the space of about 18 months to two years, we got a whole bunch of them in, and as far as lyrics went, we just said, ‘You make something up!'”

Los Angeles Cover Artwork:

Los Angeles Tracklist:

1. This Is What It Is (To Be Free) [with Bobby Gillespie]
2. Los Angeles [with James Murphy]
3. Uh Oh [with Arrow de Wilde and Mark Bowen (IDLES)]
4. Ghosted At Home [with Bobby Gillespie]
5. Train With No Station [with The Edge]
6. Bodies [with Lonnie Holley and Mary Lattimore]
7. Everything And Nothing
8. Travel Channel [with Pam Amsterdam]
9. Country of the Blind [with Bobby Gillespie]
10. The Past (Being Eaten)
11. We Got To Move [with Isaac Brock]
12. Noche Oscura [with The Edge]
13. Skins [with James Murphy]

This Week’s Best New Songs: Big Thief, Squirrel Flower, Explosions in the Sky, and More

Throughout the week, we update our Best New Songs playlist with the new releases that caught our attention the most, be it a single leading up to the release of an album or a newly unveiled deep cut. And each Monday, we round up the best new songs released over the past week (the eligibility period begins on Monday and ends Sunday night) in this best new music segment.

On this week’s list, we have Big Thief’s swirling, breathtaking new single ‘Vampire Empiree’, which has been a staple of the band’s live sets for years; ‘Wide Awake’, a hazy, affecting single off Strange Ranger’s new LP; Angel Du$t’s pummeling new single ‘Space Jam’; ‘Do Your Worst’, which folds influences from club music into Vagabon’s indie rock sound; MJ Lenderman’s crunchy, radiant first song for -ANTI, ‘Rudolph’; ‘Full Time Job’, a raucous, cathartic track from Squirrel Flower’s upcoming album; Mali Velasquez’s poignant, beautiful new single ‘Tore’; ‘I Wanted to Be’, a tenderly heartbreaking highlight from Allegra Krieger’s new record; and Explosions in the Sky’s grand, propulsive ‘Ten Billion People’, which leads their latest LP End.

Best New Songs: July 24, 2023

Song of the Week: Big Thief, ‘Vampire Empire’

Strange Ranger, ‘Wide Awake’

Angel Du$t, ‘Space Jam’

Vagabon, ‘Do Your Worst’

MJ Lenderman, ‘Rudolph’

Squirrel Flower, ‘Full Time Job’

Mali Velasquez, ‘Tore’

Allegra Krieger, ‘I Wanted to Be’

Explosions in the Sky, ‘Ten Billion People’

Mitski Announces New Album ‘The Land Is Inhospitable and So Are We’ and New Song Out Wednesday

Mitski has announced a new album titled The Land Is Inhospitable and So Are We. “Hi, this is Mitski, and I’m at Bomb Shelter Studios in Nashville, where we recorded my new album that’s coming out,” Mitski said in a voice memo included in her official newsletter. “It’s called The Land Is Inhospitable and So Are We, and its first single is coming out on Wednesday.” Check out the clip below.

The Land Is Inhospitable and So Are We will mark Mitski’s seventh album, following Laurel Hell, which came out in February 2022. No further information about the new LP is known at this time.

Interview: Andrey Kazantsev

Andrey Kazantsev is a contemporary sculptor whose creations have appeared in numerous art collections worldwide. Represented by Katerina Morgan Horse Polo Art Gallery, Kazantsev works with various metals, including steel and iron, uniting strict geometry with impeccable flat-faced architecture that brings out a distinctive charm. To talk about his work, Andrey joined us for an interview.

Hi, how are you and how is the art world treating you?

Hello, I’m great, thank you. Actually, I consider myself to be both a technical expert and an artist. I try to go beyond just engineering and creating familiar objects in unusual geometric shapes with unique character and personal style.

Your work is characterized by the transformation of flat, cold sheets of metal into three-dimensional, “animated” animals. Can you describe your process and how you imbue these sculptures with unique personalities?

This is how the procedure appears: On the computer, I start by making a 3D design. I’m not really sure how my sculpture will turn out at this point. I just begin moving points about in space and drawing new boundaries and lines. In order to create a pleasing blend of geometric forms, I spin the model and examine it from various angles. These are often big faces that are triangular, quadrilateral, or pentagonal in shape. What I’m attempting to make or observe is difficult for me to define precisely. It’s just that at a certain point I realize that this is it.

After that, I export this model to another application and divide it into components. I consider where the welding will happen, how the assembly will go, and where it is best to bend the metal. In order to have access to all interior corners during assembly, I carefully consider the sequence in which the body components will be welded. I utilize metal sheets ranging in thickness from 1.5 to 3mm, depending on the size of the sculpture. The program takes all of this into consideration to ensure that the components fit together precisely after being laser-cut.

I obtain the laser cutting files as a consequence, and then send them for cutting. A CNC sheet metal bender is used to bend the cut pieces. Then we go on to assembly and welding. After welding, all the seams are ground so that no one could not understand where the joint and where the bend. This is the most painstaking part of the work. The final stage is surface sanding, polishing or painting. I like to experiment with different metals and processings. In addition to regular steel and stainless steel, we work with brass, Corten steel and even titanium.

Each of your sculptures is unique and has a distinct ID found in a model certificate. Can you explain the significance of this ID and how it contributes to the uniqueness of each piece?

Over the past years, both my laboratory and my artwork have experienced tremendous growth. I made a special 3-D model with my own distinctive design, and now I’m working on steel sculptures with the assistance of several artists. Each order demands a lot of work, and we always complete each sculpture with meticulous attention to every little thing.

In my studio, skilled artisans create each sculpture from start to finish. Each sculpture has a unique number that allows me to track the welders and grinders who worked on and the time. A series number is also added to the sculpture if it is intended that it will be manufactured as a limited edition. In addition to the number, each sculpture is stamped with my signature, which means that I personally inspected the sculpture.

Your works blend well with contemporary architecture and outdoor landscapes. How do you consider the environment in which your sculptures will be placed when creating them?

My primary thought when creating a sculpture is not only about the landscape where it’s going to be placed; instead, I mostly concentrate on my feelings of liking or disliking what I see on the computer screen.

Your sculptures are noted for their strict geometry, faultless flat-faced architecture, and simplicity. How do you balance these elements with the need to capture the harmony and beauty of animals?

I might add that I am not trying to exactly replicate and make an exact copy of the object. I try to convey the image with a minimum number of facets. To achieve recognizability by adding small details is too easy. But it’s tricky because too abstract artwork will not be perceived well. So I have to find a balance.

If you could give any advice to any aspiring artists, what would it be?

My biggest piece of advise is to get started doing what you enjoy and to involve others in the process. Don’t think about it, though, and don’t worry about what people will say. The most crucial thing is to have pleasure in the process. It is essential to comprehend what it is that makes you so happy. Something for which you are ready to give up everything and do only this. It’s experimenting for me. When I get an idea, I am prepared to focus solely on it, forgoing food and sleep and losing track of everything else.

Hamilton Watches Featured in Nolan’s Oppenheimer

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With the hype surrounding Oppenheimer capturing the attention of cinema enthusiasts everywhere, the watch community has also been buzzing, particularly regarding the film’s showcase of Hamilton watches. Hamilton boasts an illustrious cinematic history, first gracing the silver screen in Marlene Dietrich’s 1932 film Shanghai Express. Over the years, Hamilton has maintained a robust partnership with Hollywood, appearing in iconic films like Men in BlackJames Bond: Live and Let Die, and 2001: A Space Odyssey, among others.

It’s also worth noting that Hamilton’s collaboration with Nolan isn’t a recent development. Previous films from Nolan, such as Tenet and Interstellar, have prominently featured Hamilton watches. So, before we bore you, let’s delve into the standout watches in Oppenheimer.

Hamilton Cushion B (1930s)

Designed with a distinctive cushion shape, the Hamilton Cushion B is a testament to the brand’s legacy of producing uniquely-crafted timepieces since its inception in 1892. The watch highlighted in the film appears to be a 14k gold, complemented by a leather strap—a design Hamilton originally marketed as the ideal companion for the travelling man. The watch boasts a luminous dial powered by a 981 movement, later updated to the 987 movement around 1926.

In the movie worn by J. Robert Oppenheimer.

Lexington (1940s)

Another timepiece Oppenheimer wears is the Lexington, an Art-deco-like piece with a rounded bezel and a beautiful black dial held together by a grey leather strap.

EndicottEndicott (1940s)

The last of the pieces worn by Oppenheimer is the Endicott which was introduced by Hamilton in 1938 and concluded in 1948. In the movie, the watch features a gold case with gold numerals, bringing out a winning combination. It is also adorned with an exquisite brown leather strap.

Others

Before we finalise the list, quite a few other Hamilton watches are worn in the film. As an example, Kitty Oppenheimer wears a stunning Lady Hamilton, a piece you can still purchase today and which was also featured in Nightmare Alley (worn by Mara Rooney). Lieutenant General Leslie Groves also wears Hamilton in the movie, most prominently the Military Ordonance, a military watch that would fit any modern watch collection, even by today’s standards. Alongside that, Groves wears a Piping Rock (1920s) dress watch that emulates class.

Doss Shares New Single ‘Drugs’

Doss has unveiled a new one-off single, ‘Drugs’. The track has been a longstanding staple of the New York-based producer’s DJ sets, and it’s now got an official release. Check it out below.

‘Drugs’ flips the 2018 Uffie track of the same name.  “‘Drugs’ plays with the relationships between extremes; joy and shame, indulgence and affliction, boredom and euphoria,” Doss said in a statement. “Friends who have left but whose memories live on. Driving around, nothing to do—getting into trouble or good ol’ fun?”

Earlier this month, Doss shared her remix of Caroline Polachek’s ‘Bunny Is a Rider’.