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Artist Spotlight: Thyla

Even at its most melancholic, Thyla’s music pulses with a sense of defiance. The dream pop four-piece – comprised of singer Millie Duthie, bassist Dan Hole, drummer Danny Southwell, and guitarist Mitch Duce – started building up buzz in 2017 with a series of driving singles, especially in their hometown of Brighton, where they all moved for the sole purpose of pursuing a music career. Since then, they’ve managed to keep up the momentum by unleashing their ferocious yet personal debut EP, What’s on Your Mind, in February of last year, which they followed up a year later with the pop-leaning Everything at Once. The band’s latest single, ‘Fade’, finds them continuing that upward trajectory; it’s a soaring slice of alt-rock brilliance that’s among Thyla’s most potent compositions, expertly fusing the propulsive edge of their early material with the aqueous pop textures that they’ve recently been diving more into. Their sound might be shooting for the stars, but their lyrics keep looking inwards – and it’s in striking that perfect balance that Thyla’s music truly shines.

We caught up with Thyla’s Millie Duthie for this edition of our Artist Spotlight series, where we showcase up-and-coming artists and give them a chance to talk about their music.

You met all the way back in 2016 – was there a moment where you realized you were a good fit for each other?

Being at music uni in a hugely musically orientated city meant that each of us played in multiple bands simultaneously. At the start everyone throws themselves into different projects but they don’t all last. After a few failed attempts we found each other and have stuck with each other since. There was definitely a sense of chemistry early on, most importantly we have always got along really well as friends and that’s the key aspect of being in a band.

In what ways has your approach to writing and performing changed since then?

We have grown a lot more confident on stage. We were pretty shy in the early days, but as our sound grew we developed a better sense of identity, performance became less about what people think and more about expressing ourselves and what our music is about with conviction. In terms of the writing process, it’s ever-evolving and there is no specific formula. We have learnt to demo more effectively over the years, Danny has really put the hours in as a home producer and that has given us a lot more freedom to put our ideas across in their early stages.

You released your latest EP back in January. How has the response been?

The response to the campaign was crazy, we couldn’t believe how many people were listening to our music, it was an awesome feeling! When the full EP came out we played a release party at Brighton Electric, performing to a packed out crowd in your hometown is always special and it felt like a real pivotal moment for us. Unfortunately Coronavirus happened and we (along with every new band/artist) lost a lot of momentum but music prevails through the hardest of times so we have faith that the industry will pick itself up and invent new ways of dealing with the crises.

Your new single ‘Fade’ leans even further towards pop-oriented structures. How did that stylistic shift come about? 

It’s our most pop sounding record so far but that’s not to say that our writing has entirely gone that way, we have never shied away from writing pop songs and think of it less as a stylistic shift and more as an expression of that side of us.

I see the song as being about the hard transition to adulthood. What were some of the thoughts and experiences that inspired it? 

‘Fade’ has a pop aesthetic but the lyrics are dark. The nostalgic glossiness of the track is there to set the scene of someone longing for life to be how it was when things were simple; when you didn’t have to be responsible for anyone other than yourself. My family was going through a really tough time and I realised that no-one or nothing was gonna come round the corner and fix it.

What do you hope people get from your music? 

Perspective! You can’t possibly know what someone is going through but you can look at the world with your unique lens and comment on it. Maybe that someone will find meaning in your experience and maybe it’ll help them get through theirs.

What are you most excited about in the future?

Releasing our debut album – we recorded it in January just before the pandemic happened. It’s a body of work we are immensely proud of and we can’t wait to share it with the world.

Clairo Unveils Cover of Carole King’s ‘You’ve Got a Friend’

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Clairo has released a cover of Carole King’s 1971 song ‘You’ve Got a Friend’. Shared via the singer-songwriter’s SoundCloud page, it was recorded in one take and features just piano and vocals. Listen to it below.

Multiple artists have offered their own take on King’s classic Tapestry track, including James Taylor, Dusty Springfield, Michael Jackson, Anne Murray, and more. Clairo’s rendition marks the latest in a series of covers she’s shared over the past few months, following her take on Carly Simon’s ‘Nobody Does It Better’, Johnny Flynn’s ‘Brown Tout Blues’, Anna Domino’s ‘Everyday, I Don’t’, and more.

Earlier this week, Clairo debuted two new songs live during A.G. Cook’s virtual Appleville festival. She released her debut studio album, Immunity, last year.

 

Marika Hackman Announces New Covers Album, Shares Cover of Grimes’ ‘Realiti’

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Marika Hackman has announced a new covers record. Simply titled Covers, it’s set to arrive on November 13 via Transgressive/ Sub Pop. The singer-songwriter has previewed the record with a cover of Grimes’ ‘Realiti’. Listen to it below, and scroll down for the album’s cover artwork and tracklist.

The 10-track LP includes her own takes on songs by Radiohead, Elliott Smith, Beyoncé, Air, and more. “When it comes to covers, I like to pick songs which I have been listening to obsessively for a while,” Hackman said in a statement. “It gives me a natural understanding of the music, and lets me be more innovative with how I transform it.”

Produced by Hackman herself, the album was mixed by David Wrench (Frank Ocean, The xx, Let’s Eat Grandma), who also worked on Hackman’s most recent studio album, 2019’s Any Human Friend.

Covers Cover Artwork:

Covers Tracklist:

  1. You Never Wash Up After Yourself
  2. Phantom Limb
  3. Playground Love
  4. Realiti
  5. Jupiter 4
  6. Pink Light
  7. Between The Bars
  8. Temporary Loan
  9. In Undertow
  10. All Night

Listen to Eddie Vedder’s New Song ‘Cartography’

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Pearl Jam‘s Eddie Vedder has shared a new song called ‘Cartography’. Marking his contribution to Sub Pop Singles Club Vol. 5, the instrumental track originally appeared on the soundtrack for the Robert F. Kennedy documentary Return to Mount Kennedy, which Vedder composed. It’s accompanied by a new version remixed by Yeah Yeah Yeahs guitarist Nick Zinner. All proceeds from the song will be donated to the grassroots voting rights organization Fair Fight. Check out both versions of the track below.

“Listening to the speech delivered by Bobby Kennedy in regards to the assassination of Martin Luther King Jr. 50 years ago, you are reminded that once again we are at a moment in time when our society can and must do better,” Vedder said in a statement. “Voting is our most powerful form of nonviolent protest. And those whom we vote for must be made deeply aware that the issues of equality and justice in America are of the utmost importance and need to be not only restored but taken to the next level. NOW.”

The Mountain Goats Preview New Album with Second Single ‘Get Famous’

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The Mountain Goats have shared a new single from their upcoming album, Getting Into Knivestitled ‘Get Famous’. Listen to it below.

“If I told you all how much fun we had making this one you wouldn’t even believe me, but we hope it comes through,” singer John Darnielle said in a statement. As a press release notes, the jaunty tune finds him singing the chorus – “Get famous! You should be famous/ Go on and get famous/ I want you to be famous” – “as if it were a curse.”

Getting into Knives, which marks the band’s second album of 2020 following Songs for Pierre Chuvin, comes out October 23rd via Merge. The 13-track LP was produced, mixed, and engineered by Matt Ross-Spang and recorded at Sam Phillips Recording in Memphis, Tennessee between March 1–6, with assistance from Wesley Graham. Previously, The Mountain Goats previewed the album with the lead single ‘As Many Candles As Possible’.

Porridge Radio Unveil New Song ‘7 Seconds’

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Porridge Radio have returned with a new song. Titled ‘7 Seconds’, the track is produced by Marta Salogni. Listen to it below.

““7 Seconds” started out sounding really different to how it sounds now,” singer Dana Margolin explained in a statement. “A few years ago I wrote a really slow, long and drawn out song about the end of something that was never right. I was sitting with [drummer] Sam [Yardley] early last year and I played it to him and asked him if he could help me make it less miserable. He wrote the main keyboard riff almost immediately and it came together really quickly after that; we re-structured and re-arranged it and added the end part, which I think of lyrically as a kind of conversation between two different versions of myself.”

Porridge Radio’s sophomore studio effort, Every Bad, arrived in March. It was shortlisted for the Mercury Prize, competing against albums from Charli XCX, Dua Lipa, Stormzy, and more. The winner will be announced on September 24.

Earlier this year, Porridge Radio’s Dana Margolin joined Chicago-based singer-songwriter Lillie West aka Lala Lala for a collaborative track called ‘Good for You’.

The Avalanches Share New Songs, Reveal Album Release Date

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The Avalanches have revealed the release date for their upcoming album: We Will Always Love You comes out December 11 via Astralwerks. The electronic outfit has also unveiled two new songs, ‘Music Makes Me High’ and ‘Take Care in Your Dreaming’, the latter of which features Denzel Curry, Tricky, and Sampa the Great. Check them out below.

Described as “an exploration of the vibrational relationship between light, sound, and spirit”, We Will Always Love You marks the follow-up to 2016’s Wildflower. Throughout 2020, the group have shared a series of collaborative singles, including ‘Running Red Lights’ with Rivers Cuomo and Pink Siifu, ‘We Will Always Love You’ with Blood Orange, and ‘Wherever You Go’ with Jamie xx, Neneh Cherry, and CLYPSO.

Why Online Gaming Is Truly Life Enhancing

One of the major turning points in all of video game history was when gaming on the internet started to really take off. Online gaming has been around for a lot longer than a lot of gamers might tend to think, with text-based “MUD” roleplaying games being among the first. 

Online shooters like Halo and Unreal Tournament, MMORPGs like Runescape and World of Warcraft, and fighting games such as Street Fighter have all come to have their own online scenes and with giants like Fortnite and Minecraft, online connectivity is a huge part of gaming for many people. But why? Here, we will look at some of the many reasons that online gaming can be a truly life-enhancing hobby to get into.

It’s good to see how good you can get

While there are plenty of online games that don’t revolve in conflict with your fellow players, there’s no denying that a lot of people are in it for the competition. The Battle Royale game Fornite probably best exemplifies this, with each match whittling down who is the best player amongst dozens of people all clamoring to take each other out. Competition has real benefits to mental health, such as improving self-esteem and generally encouraging people to try harder to achieve their goals. When we start out in an online video game, rarely are we able to see a win, but with perseverance and practice, we can see the fruits of labor when we finally get that victory.

They’re great team-building exercises

Outside the realms of a personal hobby, some video games are even starting to see some use s a “team-building exercise.” This is because they have clear value in teaching players the value of teamwork. In a lot of games, such as team-based shooters like Overwatch or squad-based strategy games like League of Legends, players have to communicate and understand their role within a team in order to carry each other to victory. This has a huge range of social benefits, but teamwork is a practical skill that can be applied to real life, including through the professional world. The better you can work with others, the happier you tend to be, as a person.

You can socialize in them

There are some people who still have some trepidation about making online friends. That can be a wise instinct, especially when minors are involved. However, in a modern age where people are finding it increasingly difficult to find friends and build meaningful connections, online video games are serving a genuine and valuable purpose. Video games act as social spaces for people of all ages. What can start off as purely practical messages on how to help each other progress in a game can turn into more meaningful conversations and connections with people who can genuinely become your friends.  Given how important socialization is for mental health, with stress, anxiety, depression, and the like, it should be no surprise that this is what many gamers consider the most important part of the online gaming experience.

Real investments that pay off over time

While some online games start and end with a single match, most of them tend to have some kind of long-form progression in order to encourage players to keep coming back. In Monster Hunter, you want to come back for those limited-time event quests to get special armors and weapons. In Fortnite, you want to keep collecting rare skins and gestures to customize your playing experience even further. In some online games, like EVE Online, the fruits of your labor, such as rare ships, can even be worth real-life money. As such, players can find real meaning in the time that they put into online games that won’t simply disappear once they turn the game off.

They can open up your imagination

Since the very dawn of online gaming, roleplaying games have been some of the most popular games that connect people. From MUDs to Runescape to Neverwinter Nights to Final Fantasy XIV. There are people who play these games from a mechanical perspective, enjoying leveling up, getting new loot, and fighting the bosses. However, there are other players who genuinely roleplay, telling stories with their characters, interacting with other characters, and exploring their imagination with the help of a digital fantasy world. For a lot of these people, online roleplaying games offer them a place to express themselves and enjoy playing in their imagination that they simply would not have otherwise.

They’re a quick access to some excitement

Not all of the benefits of playing online games have to be some kind of life-affirming or healthy choice. There’s also the simple fact that people need a way to deal with their boredom. If you find yourself with a little more time than you want on your hands, there are all kinds of online video games that can help you spend some of it. Take a look at the different types of online games to find the one that works best for you. Online shooters, fighting games, roleplaying games, racing, and so on are all there. There are even chill games like Animal Crossing that involve no conflict, but simply living a peaceful life, decorating your home and island, and visiting other people to check out their setups and swap presents.

The stakes are getting real

Had you told anyone twenty years ago that people would be making real money off of video games, they would have probably scoffed at you, but now it’s a reality. There have always been games with real stakes like Thunderstruck 2 online slot that allows people to win real money. These kinds of games have only been growing more popular and varied, supported by things like online poker and other wagered card games. Then there are games that are played at a competitive level with cash prizes. Fighting games and first-person shooters tend to be particularly popular examples of e-sports games, but they’re far from the only ones.

It’s becoming a new form of entertainment

There’s another way that people are playing games online and (sometimes, not always) making some money from it. Twitch may not be the only one, nowadays, but it is the website that popularized the idea of streaming games for an audience. Gamers will play video games, single-player, online, or between, for an audience in a chat room. Streaming has grown to be one of the most popular online gaming pastimes, with thousands upon thousands of broadcasters streaming to millions of viewers. It’s rarely going to make much money for the streamer (fewer than 1% can make a living from it), but it’s revolutionizing how people spend time together online.

They’re building real communtiies

One of the things that Twitch has done has changed how video game communities operate. There have always been communities tied to online video games. They are an easy way to meet like-minded people who share a common interest. How communities organized has evolved from individual chat rooms and friend requests to modern platforms like Discord, forums, social media sites like Reddit, and Twitch communities. A lot of gamers find the people they belong to through online gaming communities. Sharing tips, fan art, opinions and impressions have created a wide variety of rich gaming communities in the online world. They’re not always the most polite of places, but they help people who might otherwise struggle with isolation find peers.

Jiri Kalfar SS21 at Prague Fashion Week

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Jiri Kalfar’s Spring Summer 21 Collection was live-streamed on a scheduled fashion show as part of Mercedes-Benz Prague Fashion Week. Jiri Kalfar has made the decision to present his collection live in Prague, allowing the audience to stream the show online and on social media. For the first time, Jiri Kalfar is showcasing live in virtual reality.

“White is a rebirth, a breath of fresh air. White is a beginning to an end, an everlasting continuation. White is the colour of the first spring flowers. White is pure and simple, white never lies.”

For Spring Summer 2021 Jiri Kalfar dreams of the blank canvas of a new world. Simpler and fair. The Spring Summer 2012 collection is just that. A blank canvas – the entire collection is pure white, created using fully organic and cruelty-free materials such as Buddhist ahimsa silk, vegan leather, pineapple and mushroom leather, vintage lace and banana thread to name just a few. It is important to note that all garments are also made-in-house following a zero-waste policy.

Jiri Kalfar has shown time and time again how luxury, craftsmanship and awareness of environmental responsibility can come together to create incredible collections. He has shown that a fully sustainable and organic collection can be on-trend and beautiful, as well as being a representation of a positive shift in the fashion industry. The world has changed in a matter of months, and it is necessary now more than ever to take responsibility and make a positive change – Jiri continues to stand by the philosophy of ethical and sustainable fashion.

“This is our first show in Prague since 2016, for my previous seasons I have showcased as part of both LFW and NYFW. I have been focussed on the idea of the international audience still being able to be present and immersed in the experience of a real catwalk show. Since the beginning of lockdown, I have explored numerous different options of how to best stay connected and create that immersive experience for my audience. Then the idea of presenting the show in virtual reality came to me as the result – for this collection we have created VR glasses which are compatible with any smartphone and that allow you to be transformed to the venue, have your seat and really watch the show live without the risk of travel. In this ever-changing world, I believe that this is also a step forward to a more sustainable way of showcasing as well.“

Watch the full show here.

 

Album Review: Doves, ‘The Universal Want’

As comeback albums go, The Universal Want hits all the familiar notes. After a decade-long hiatus, Doves’ first album in 11 years following 2009’s Kingdom of Rust is built on the foundations that established the Manchester trio as a well-regarded brit-rock act successfully toeing the line between adventurous production and a knack for writing the occasional catchy hook, even if they never really achieved the mainstream success of their peers. Rather than trying to cater to a new demographic or aiming for that crossover hit they never got, their new album finds them playing to their strengths while tightening up the approach that was starting to wear thin on their last LP. It offers pretty much exactly what any Doves fan could ask for from a band at this stage in their career, which is no small feat.

Though the fact that The Universal Want combines elements from the band’s previous efforts while also overtly relying on the old tricks of nostalgia could easily make it feel dated, the way Doves engage with the concept of time and memory renders it largely affecting. ‘Carousels’, the opening track that also served as the record’s lead single, promises to take you “back to the old fairgrounds”, “where many feels spin ‘round”, and the song might have fallen flat were it not for its stirring instrumental, which spins a Tony Allen sample into a bustling rhythm that, if it doesn’t elicit the emotional response it intends to, at least shines a light on the hollowness that has dominated much of alt-rock radio while Doves have been gone. By comparison, The Universal Want bristles with intensity, even if it does share a lot of the same DNA.

The theme of reminiscing on old times returns on ‘Broken Eyes’, in which Jimi Goodwin sings: “I’ve been dreaming about my past/ Thinking about a friend/ And how we grew up too fast/ Enjoying the years slip past/ You see you’re present, but never here/ It’s been a day, but feels like a year.” The Universal Want somehow achieves the opposite effect: it’s been 11 years, but it feels like more like a day. Doves pick up more or less where they left off, and rather than defying expectations, they make sure to refine their song craft just enough to possibly exceed them. The results are consistently effective, if not always transcendent: ‘Cathedrals of the Mind’, rightly positioned as the record’s centerpiece, is easily its biggest stunner, swirling around dreamy synths and a transportive melody that hinges on the surreal.

The album works best when it subtly invokes the power of subconscious rather than actively trying to recreate a particular memory, when the blurriness of times past is revealed to be more poignant than whatever fragments remain. It’s that kind of slippage that informs ‘For Tomorrow’, which manages to be both haunting and hopeful: “So all our dreams of families/ Slip by into the breeze/ So have we really locked that door?” Goodwin ponders. On the propulsive ‘Prisoners’, the narrator encounters an old friend and remarks that “It’s been a while,” followed by the dour proclamation that “We’re just prisoners of this life”. The details of their relationship are left to linger in the subtext, while a creeping sense of hope slowly rises to the surface.

That lack of specificity sometimes works to the album’s detriment, but Doves mostly make up for it with the inventive stylistic flourishes that colour tracks like the AutoTune-assisted ‘I Will Not Hide’ or the 80s Eurodance-inspired ‘Mother Silverlake’. It also predictably falters towards the second half – ‘Cycle of Hurt’ and the title track add little to an otherwise holistic listen – but The Universal Want ends on a high note, one that’s ultimately less concerned with the past than the future that Doves seem to be cautiously embracing: “New morning’s come soon/ Sunlight’s on your back,” Goodwin sings on the closer.