Have you missed Emilia Clarke? You can catch up with her in Ponies, a Cold War espionage drama that expertly blends tension with dark comedy. Throw in some emotional stakes, and it’s no wonder the show has a 97% score on Rotten Tomatoes.
Ponies premiered back in January in the US and is finally available to watch in the UK via Sky and NOW. One question remains, though: will it return with season 2? Here’s what we know so far.
Ponies Season 2 Release Date
Unfortunately, Ponies hasn’t been renewed for additional episodes yet. The story is far from over, and the showrunners have plans for what’s to come.
“We’re ready to dive into season two as soon as the starting gun goes off and we hope someone fires it soon!” creators Susanna Fogel and David Iserson told Deadline after the first season wrapped up.
Fast-forward four months, and there’s still no official word on whether the series will make a comeback. All we can do for now is keep our fingers crossed. If all goes well, Ponies season 2 could arrive in 2027 or 2028.
Ponies Cast
Emilia Clarke as Beatrice “Bea” Grant
Haley Lu Richardson as Twila Hasbeck
Adrian Lester as Dane Walter
Artjom Gilz as Andrei Vasiliev
Vic Michaelis as Cheryl Szymanski
Nicholas Podany as Ray Szymanski
Petro Ninovskyi as Sasha Shevchenko
What Is Ponies About?
Set in late-1970s Moscow, Ponies follows Bea Grant and Twila Hasbeck, two American embassy wives.
Their lives implode after their CIA-agent husbands supposedly die in a mysterious plane crash. Refusing to accept the official explanation, the women are recruited by the CIA and transformed from overlooked “PONIES” (“Persons of No Interest”) into covert operatives inside the Soviet Union.
Outrageous premise? Sure. If can suspend disbelief, however, the show is a very good time.
Bea is polished and emotionally guarded. Twila, meanwhile, is more impulsive and intuitive. As they work missions across Moscow, they uncover evidence suggesting their husbands’ deaths were connected to a mole inside the CIA itself. The paranoia ramps up, especially once they suspect that almost everyone around them could be compromised.
We won’t give away any spoilers, but the first season ends with multiple cliffhangers, suggesting that the women are nowhere near done with their espionage ways. Ponies season 2 would continue their story, likely with even more chaotic twists meant to keep viewers glued to the screen. We can hardly wait.
If your teenager has been struggling emotionally, you already know how exhausting and frightening the search for the right help can feel. Phoenix has a wide range of teen mental health treatment programs, but not every option fits every family or every situation. Some teens need intensive daily support, while others benefit from flexible outpatient care. The key is understanding what is actually available, what to look for, and how to make the process as manageable as possible. This guide breaks it all down so you can move forward with clarity and confidence.
Types of Teen Mental Health Treatment Programs Available in Phoenix
Phoenix provides several levels of teen mental health care, and the right level depends on the severity of your teen’s condition, their day-to-day functioning, and your family’s circumstances. For example, Avery’s House helps teens struggling with mental health conditions in Phoenixby providing structured, clinically sound treatment tailored to adolescent needs. Understanding the different program types is the first step toward making a well-informed choice. Some teens may need full-time residential care, while others may benefit from outpatient therapy, intensive outpatient programs, or partial hospitalization. Looking at these options side by side can help parents choose support that matches both the teen’s needs and the family’s daily reality.
Residential Treatment Programs
Residential programs provide around-the-clock care in a structured, live-in environment. Teens who attend these programs stay at the facility, receive therapy daily, and follow a structured routine that supports healing. This level of care is best suited for teens with severe depression, trauma, suicidal ideation, or conditions that have made daily life at home or school unsafe.
These programs typically combine individual therapy, group sessions, family therapy, and psychiatric medication management. The goal is not just short-term stabilization but the development of real coping skills that carry into everyday life. Most residential programs in Phoenix last between 30 and 90 days, though the duration depends on the individual teen’s progress.
Intensive Outpatient and Partial Hospitalization Programs
For teens who do not require 24-hour supervision, intensive outpatient programs (IOP) and partial hospitalization programs (PHP) offer a structured middle ground. A PHP typically runs five days a week for several hours each day, while an IOP meets three to five times per week for a shorter daily period. Both allow teens to return home at the end of the day.
These programs work well for teens who are stable enough to live at home but still need more support than a weekly therapy appointment can provide. They are also commonly used as step-down options after a residential stay, helping teens transition back into their routines with ongoing clinical support.
What to Look for When Choosing a Teen Mental Health Program in Phoenix
Not all treatment programs are created equal. Before you commit to any program, there are several factors worth examining closely.
First, look at the clinical staff. A quality program should have licensed therapists, psychiatrists or psychiatric nurse practitioners, and staff who specialize specifically in adolescent mental health. Generalist care is not the same as adolescent-focused care, and that distinction matters significantly during the teenage years.
Second, ask about the treatment approaches used. Evidence-based methods like cognitive behavioral therapy (CBT), dialectical behavior therapy (DBT), and trauma-focused therapy have strong track records with teens. A program that cannot clearly explain its clinical approach should raise concern.
Third, consider family involvement. The most effective teen programs treat the family as part of the recovery process. Look for programs that offer regular family therapy sessions, parent education components, and open communication with caregivers throughout treatment.
Finally, assess the program’s environment and culture. Your teen should feel safe, respected, and understood, not judged or institutionalized. A tour, a consultation call, or a conversation with alumni families can give you a clearer sense of whether the program’s culture aligns with your teen’s needs.
How to Navigate Insurance and Paying for Teen Mental Health Care
Cost is one of the biggest barriers families face, but the financial picture is often more manageable than it first appears.
Start by contacting your insurance provider directly. Ask specifically whether the program you are considering is in-network or out-of-network, and request a clear explanation of your mental health benefits. Under federal law, insurance plans that cover mental health are required to offer coverage comparable to what they provide for physical health conditions. This is known as mental health parity, and it can significantly reduce your out-of-pocket costs.
If your teen requires residential care and your insurance does not fully cover it, ask the treatment program about a pre-authorization process. Many programs have dedicated staff who work directly with insurance companies to obtain coverage approvals. This step alone can save thousands of dollars.
For families without sufficient insurance coverage, there are other options. Arizona’s Children’s Behavioral Health Services provides state-funded mental health care for eligible minors. Some programs also offer sliding-scale fees based on income, and nonprofit organizations may offer financial assistance for families in need. The point is to ask, because there are more resources available than most parents realize.
How to Support Your Teen Before, During, and After Treatment
Your teen’s treatment does not happen in isolation. The support you provide at every stage directly influences their outcomes.
Before treatment: Have an honest, calm conversation with your teen about why you are seeking help. Avoid framing it as punishment or a last resort. Instead, present it as a decision made out of love and concern. Teens who understand the purpose of treatment tend to engage with it more openly.
During treatment: Stay involved without overstepping. Attend family therapy sessions consistently, follow through on any tasks the clinical team assigns you, and keep communication with your teen warm and steady. Resist the urge to minimize their struggles or push for fast results. Recovery has its own pace.
After treatment: The transition home is one of the most delicate phases. Work with the treatment team to build a solid aftercare plan that includes continued therapy, possible medication management, school support accommodations, and a clear plan for what to do if symptoms return. A strong aftercare structure is what separates lasting progress from a short-term fix.
Through each stage, remember that your own well-being matters too. Parents who seek their own support, whether through therapy or peer groups, are better positioned to show up consistently for their teens.
Conclusion
Finding the right teen mental health treatment program in Phoenix takes time and research, but the effort is worth it. You now have a clearer picture of what is available, what questions to ask, and how to support your teen through the process. Trust the clinical professionals around you, stay engaged as a caregiver, and know that with the right support, meaningful recovery is absolutely possible for your teen.
Old School RuneScape’s Bounty Hunter minigame has always attracted players who enjoy PvP combat, competitive gameplay, and exclusive rewards. The minigame offers unique cosmetics, weapons, upgrades, and supplies that can only be obtained through earning Bounty Hunter points. However, many players have increasingly complained that obtaining these points through standard gameplay takes far too long. While the concept behind Bounty Hunter remains popular, the grind attached to the rewards often turns the experience into a frustrating time investment instead of an enjoyable PvP activity.
Why Bounty Hunter Points Feel Slow
One of the biggest complaints surrounding Bounty Hunter is the overall time required to collect enough points for meaningful rewards. Many rewards require a large number of points, but matches themselves do not always provide consistent progress. Players can spend long periods searching for targets, dealing with inactive opponents, or fighting against highly optimized PvP accounts. For casual players especially, this creates a situation where the time invested does not always feel rewarding. Unlike skilling content where progress is constant and predictable, Bounty Hunter progress depends heavily on matchmaking, player activity, and actual PvP success. Even skilled players may experience streaks of bad luck, difficult targets, or long downtimes between kills. As a result, many players feel that the point system is far slower than it should be.
The Competitive Nature of PvP
Another factor contributing to the slow grind is the highly competitive environment inside Bounty Hunter. The minigame attracts experienced PvP players who often use optimized setups, extensive game knowledge, and years of practice. Newer players or PvM-focused players can struggle to consistently win fights. This creates a difficult barrier for players who only want the rewards rather than the PvP experience itself. Losing fights repeatedly means losing time, resources, and opportunities to gain points. For many players, the learning curve becomes frustrating enough that they abandon the grind entirely.
Rewards Locked Behind Long Grinds
Bounty Hunter rewards remain desirable because many of them are useful, rare, or visually impressive. Exclusive ornament kits, cosmetics, and PvP-related items continue to drive player interest. However, the amount of time required to unlock these items often feels disproportionate compared to other content in OSRS. Some players compare the grind to obtaining raid rewards or boss drops, except without the same level of guaranteed progression. A player can spend multiple sessions in Bounty Hunter without making meaningful progress if fights do not go well. This inconsistency is one of the primary reasons why players view the system as overly time consuming.
Time Investment vs Enjoyment
Many players enjoy PvP in small doses but do not want to dedicate dozens of hours solely to earning points. OSRS already contains numerous long-term grinds, including skills, quests, achievement diaries, and bossing goals. Adding another extensive grind on top of those can feel overwhelming. For players with limited playtime, spending several evenings trying to earn a relatively small amount of Bounty Hunter points may simply not feel worthwhile. This becomes even more noticeable for players balancing work, studies, or other in-game goals.
The Impact of Matchmaking and Activity
Bounty Hunter activity levels can also affect the speed of point gain. During quieter hours, players may spend additional time waiting for suitable targets or finding active fights. Some players also avoid fighting certain account builds entirely, leading to more downtime and fewer completed kills. Because of this, progression speed can vary heavily depending on the time of day, player population, and current PvP meta. The unpredictability adds to the feeling that points take too long to obtain compared to more structured activities in the game.
Why Players Purchase Bounty Hunter Point Boosting
Because of the slow progression and competitive nature of the minigame, many players choose to purchase professional Bounty Hunter boosting services instead. These services allow players to save time while still unlocking the rewards they want for their account. For players who mainly care about cosmetics, upgrades, or account progression, boosting can be a far more efficient option than spending countless hours grinding points manually.\ Players looking for a faster and safer way to complete the grind often use OSRS Bounty Hunter point boosting services to avoid the frustration of slow matchmaking, repeated losses, and long point grinds.
Movie fandom doesn’t end when the credits start rolling
There was a time when loving a film meant seeing it once, buying the DVD, and quoting your favorite line at completely random moments. That still happens, obviously. But movie culture has grown into something much bigger, messier, and honestly? Way more fun.
Fans don’t simply watch stories anymore. They carry them around with them.
One weekend might mean dressing up for Comic Con, hunting for rare merch, or waiting in line to meet an actor who played a side character ten years ago and somehow still changed your personality entirely. Another weekend looks completely different – curled up on the sofa rewatching an old favorite because comfort films have their own kind of nostalgic magic.
Gossip Girl? Harry Potter? Classics you come back to time and time again.
Film and TV have become part of everyday culture in ways that feel bigger than cinemas ever did. Stories spill into fashion, conventions, gaming, fandom spaces, and social media conversations that just keep going.
And to be frank? Fans seem perfectly happy about that.
Fans want to stay inside the story a little longer
A great movie leaves something behind.
Sometimes it’s the soundtrack stuck in your head for three days. Sometimes it’s an outfit you suddenly want to recreate. Sometimes it’s a character so ridiculous or brilliant that you end up watching interviews, fan edits, and behind-the-scenes clips long after the film ends.
Convention culture proves this better than anything.
Walk into any fan event, and you’ll find people completely committed to the vibe. Costumes get planned months in advance. Friend groups suddenly become traveling crews for anime conventions. Somebody is always carrying an oversized poster tube like it contains national secrets.
People love feeling close to stories they already care about.
That love usually shows up in familiar places:
Fan conventions packed with cosplay
Movie marathons with friends
Limited-edition collectables
Themed experiences tied to favorite franchises
Online fandom communities that somehow never sleep
It doesn’t really matter if someone is obsessed with fantasy films, superhero stories, historical dramas, or cult horror movies. The fun comes from revisiting familiar worlds and finding new angles to enjoy them.
And lately, film culture has started turning up in some unexpected places too.
Movie slots bring a little cinema energy into entertainment
Film-inspired entertainment has quietly expanded over the years.
Games inspired by movies are nothing new, of course. Big franchises have been jumping into gaming for ages. Still, there’s been a noticeable shift toward entertainment that’s built around atmosphere and familiar themes, instead of simply retelling a film, scene by scene.
That includes online movie slots, which some fans end up stumbling across simply because the themes already feel familiar. Think dramatic visuals, fast-moving action, historical settings, and characters that feel pulled from the same kind of stories people already enjoy watching.
A lot of the best movie slots online lean into cinema-inspired energy in surprisingly playful ways. Some pull from action-film aesthetics – flashy cars, dramatic pacing, oversized personalities. Others go in a completely different direction, borrowing from folklore, historical adventures, or visually rich storytelling.
A Robin Hood-inspired game lands differently from something inspired by Japanese storytelling aesthetics, but the idea feels familiar. Strong visuals, recognizable themes, and a little escapism all wrapped together.
For movie fans, it makes sense. If somebody already enjoys cinematic worlds, chances are, they’ll enjoy seeing those same moods and styles show up somewhere unexpected.
It’s still entertainment at the end of the day – simply wearing a different outfit.
And it’s super easy to get involved with. All you need to do is get clued up on the different rules of the games through (again) video-style content like this:
Familiar stories always find new lives
Movie culture has a funny habit of sticking around.
A film flops when it first releases, then suddenly becomes a cult favorite fifteen years later. A forgotten franchise gets rebooted, and somehow everybody has an opinion. Somebody watches an old movie “for fun” and ends up completely obsessed with a niche fandom they didn’t even know existed.
People return to stories because familiarity feels good.
There’s comfort in revisiting characters you already know. Familiar music hits differently. Certain visuals instantly pull you back to the first time you watched something great.
That same feeling explains why conventions still matter so much. Fans like being around people who understand the reference without needing an explanation. You can spend ten minutes discussing costume details with a stranger and end up feeling like old friends.
Some fans are there for panels. Others want photos, merch, or a reason to wear something wildly impractical in public without judgment.
No one really needs an excuse to stay connected to something they enjoy.
Movie culture keeps finding new spaces
Film fandom looks different now than it did twenty years ago, and honestly, that’s half the fun.
Stories don’t sit quietly inside cinemas anymore. They show up at conventions, in fashion, across gaming, through fan communities, and inside the tiny corners of entertainment people discover by accident.
One person spends the weekend at an anime convention. Another rewatches an old comfort film for the hundredth time. Somebody else finds entertainment inspired by movie aesthetics in a completely unexpected place.
The format changes.
The excitement doesn’t.
People still love getting lost in a good story, staying connected to favorite characters, and finding small ways to keep the experience going long after the screen fades to black.
I’m sure your favorite fashion house is good at selling you handbags. But it’s even better at selling ownership changes, strategic exits, minority stakes, majority stakes, “new chapters,” and press releases written like hostage letters. This week, the cycle lands on Marc Jacobs, Roberto Cavalli, and Giambattista Valli, three very different versions of “everything is fine.”
LVMH just broke up with Marc Jacobs for about $1 billion, as part of its ongoing portfolio cleanup. It’s selling the brand to WHP Global, the New York-based brand management firm behind names like Vera Wang and G-Star. WHP Global is letting G-III Apparel Group in (nearly a decade after they picked up Donna Karan from LVMH), with G-III funding roughly $500 million to take over operations, while the brand’s intellectual property is held elsewhere. Don’t worry though, Marc Jacobs himself isn’t going anywhere, at least for now. I can still hear the music of designer musical chairs playing.
Roberto Cavalli has also been passed into yet another ownership setup, now under Marquee Brands with DAMAC still involved. We’ve seen this before. Take a well-known name, wrap it in a new structure, and try to make it commercially behave again. An entire creative revival story is the last thing a print identity like that needs (Fausto Puglisi stays in place, for better or worse), a steadier future, though, is the polite way of putting it.
Things here might still sound somewhat corporate, but the intent feels a bit less transactional. Giambattista Valli has effectively moved back under the designer’s own control after the exit of Artémis, the Pinault-family investment arm that had previously backed the brand. In a moment where most luxury labels are being split, licensed, or redistributed, this one is being pulled back in.
Sonny Rollins, widely regarded as one of the greatest jazz saxophonists of all time, has died at the age of 95. His publicist Terri Hinte confirmed the news, calling him “one of the most honored and influential figures in American music.” He died at his home in Woodstock, New York on Monday afternoon.
Born and raised in the Harlem district of New York City, Rollins started learning the saxophone when he was seven, inspired by the likes of Louis Jordan and Fats Waller. He took up the alto saxophone in high school, playing with future legends including Jackie McLean, Kenny Drew, and Art Taylor, before switching to tenor at 16. He began making his first recordings in 1948, as a sideman with bebop vocalist Babs Gonzales and under the leadership of pianist Bud Powell, while his first composition, ‘Audubon’, was recorded by J.J. Johnson.
During the 1950s, Rollins went on to play with Art Blakey, Miles Davis, and Thelonious Monk. Later in the decade, his chops as a bandleader shone with a series of iconic records, including Saxophone Colossus,A Night at the Village Vanguard, and Tenor Madness. His fame continued to grow in the 1960s, with albums like 1962’s The Bridge and 1966’s East Broadway Run Down, the latter of which was hailed by Red Hot Chili Peppers bassist Flea as the greatest record ever made. Rollins continued playing and recording throughout his life; his most recent album, Sonny, Please, came out in 2006. He had been struggling with respiratory health issues that kept him from public performance since 2012, when he played his final concert.
The announcement of Rollins’ death was accompanied by a quote of his dating back to 2009: “I think when the creative person ends, he continues in the next existence. I’m a person who believes this life isn’t the be-all and end-all of everything. A spiritual person doesn’t feel like that.”
Scenography today extends far beyond theatrical staging. Across fashion and exhibition design, it has become a language of identity — truly shaping how audiences encounter a brand, artwork, or cultural narrative. Space is no longer merely a backdrop, but oppositely, an active participant in shaping the emotional signatures of a collection.
In fashion, scenography transforms the runway into a total environment. From Jacquemus staging shows against the landscapes of Southern France to Gucci’s recent Cruise Show in Times Square, the runway has increasingly become inseparable from its cultural and geographic setting — a spectacle shaped as much by its place, audience, and atmosphere as by the collection itself, further leaving a cultural mark.
New York–based spatial designer Lea Xu works across fashion production and art exhibitions, crafting immersive runway and exhibition environments shaped by the cultural rhythms and visual vibrancy of the city. Drawing from a background in art history, photography, and spatial design, her expertise is grounded in the belief that temporary spaces can produce lasting emotional and cultural resonance.
Currently collaborating with Bureau Betak, the legendary fashion production house behind some of the industry’s most iconic runway moments, she emphasizes that contemporary scenography has evolved from a theatrical backdrop into a strategic instrument of brand and cultural identity.
“A fashion show may last only twelve to fifteen minutes,” Xu emphasizes, “but the emotional and visual impact of that experience outlives the event itself. Whether it’s the warm tungsten lighting, the polished material surfaces, or the well-designed florals at the arrival moments, these spatial cues shape how audiences perceive and remember a show long after it ends.”
Far beyond presenting garments, scenography constructs an entire world around them: space, lighting, sound, materiality, and movement collectively define the emotional register of a collection. The environment becomes inseparable from the status quo of the brand world, communicating mood, codes, and aesthetic sensibilities before a single look is fully processed on the runway.
Tory Burch FW26 Runway during NYFW 2026; Image Courtesy of Bureau Betak
A minimal intervention evokes intimacy and precision, while monumental gestures heighten spectacle and desire. Through social media and digital images, runway experiences are being tremendously circulated; spatial environments extend beyond the physical venue, reaching global audiences almost instantaneously.
The scenography becomes not simply an experience to observe, yet, a visual language through which brands articulate identities . “Whether staged as a cinematic panorama, an in-situ subway environment, or an indoor beachscape, these scenographic worlds shape how audiences come to recognize, remember, and internalize a brand,” she explains.
Moving with distinct fluency between scenographic environments in fashion and art contexts, Xu’s practice is rooted in a Master of Design in Interior Architecture from Rhode Island School of Design, alongside a rich portfolio of high-profile professional work spanning fashion and cultural sectors – including New York Fashion Week presentations, cultural programming such as NYCxDesign and Collectible Fair, and collaborations with prestigious global clients such as Louis Vuitton, Nike, and Sotheby’s.
Exhibitions, she notes, are similarly adopting comparable scenographic approaches, where space shapes not only how art is displayed, but how it is felt. Rather than overwhelming the work, exhibition scenography often unfolds through subtle and thoughtful orchestrations: tonal material shifts, atmospheric lighting, spatial sequencing, and moments of transition or pause that influence how audiences encounter art, effortlessly.
For her, the goal is more than a beautiful space, “The goal is to establish a form of narrative choreography within,” Xu says, “directing attention, building relationships between viewer and artwork, and shaping the atmosphere through which meaning is experienced.” This approach, combined with aesthetic rigor, distinguishes her practice with boldness, experimentation, and a refined sensitivity to context – qualities that are increasingly central to a generation of designers redefining how cultural experiences are authored in space.
Im Spazio Exhibition, 2025; Image Courtesy of Sotheby’s
“What distinguishes scenography in fashion and art contexts is its ability to create temporary yet culturally lasting experiences,” she says. “Fashion shows and exhibitions may exist only briefly in physical form, but their spatial identities persist through photography, social media, and collective memory – where people mingled, and where the heartfelt moments and the pondering happened.”
Scenography, ultimately, functions as a form of spatial authorship. It shapes not only what is seen, but how something is felt, remembered, and shared later on. Across fashion and exhibitions alike, scenographic environments have become essential instruments for brands — building ephemeral spaces into lasting experiences audiences do not simply observe, but inhabit.
After getting the world hooked on the binge model, Netflix continues to experiment with formats. The platform’s latest move is Mexican short-form series Between Father and Son, which features episodes ranging from 7 to 10 minutes.
Microdramas have been growing in popularity lately, especially thanks to platforms like TikTok, which encourage users to consume bite-sized content. With attention spans shrinking, many are starting to crave a quick entertainment fix.
Whether the success of this type of content will hold remains to be seen. So far, Netflix subscribers seem intrigued. Between Father and Son is currently the #1 show in 12 countries. Could that mean a follow-up is on the way?
Between Father and Son Season 2 Release Date
At the time of writing, there’s no official news available about a potential Between Father and Son season 2.
The title isn’t listed as a limited series on Netflix, but the story does end on a pretty definite note. Plus, this is the kind of premise that’s tricky to stretch across multiple seasons. A follow-up seems unlikely.
Between Father and Son Cast
Pamela Almanza as Bárbara
Erick Elías as Álvaro
Graco Sendel as Iker
Carmen Delgado as Margarita
Natalia Plascencia as Gaby
Ivanna Castro as Leo
What Is Between Father and Son About?
Between Father and Son follows Bárbara, a lawyer who travels to her fiancé Álvaro’s isolated family estate. What begins as an uncomfortable visit eventually spirals into a web of secrets and forbidden attraction.
As the title suggests, Bárbara becomes drawn to Álvaro’s son, Iker. At the same time, she starts investigating the mysterious disappearance of Álvaro’s first wife, Fernanda, whose absence hangs over the family like a ghost. Expect melodrama, romance, suspense, and soap-opera twists. All packed in ultra-short episodes lasting around 8–10 minutes each.
Without giving away major spoilers, viewers find out what happened to Fernanda by the time the show wraps up. The love triangle is also resolved, which makes Between Father and Son season 2 a long shot. Still, if this kind of content proves successful, more microdramas might follow in its wake.
Are There Other Shows Like Between Father and Son?
Creepy Danish series The Chestnut Man is back with a second season, dubbed Hide and Seek. While the mystery is just as engaging as fans expect, it’s also the kind of follow-up likely to divide audiences thanks to a shocking twist.
After two weeks in the Netflix global top 10, the show is still drawing in viewers, with both seasons currently charting on the platform. Is a third one in the cards? Here’s what we know so far.
The Chestnut Man Season 3 Release Date
At the time of writing, Netflix hasn’t released any official news about a potential The Chestnut Man season 3. Nothing is set in stone, as the platform often waits a while to assess viewership before renewing series.
That said, the show takes a turn midway through season 2, which deviates from the source material. If the show continues, it will have to reinvent itself. For now, all we can do is wait and see.
As long as Netflix gives the green light, new episodes could arrive in a few years.
The Chestnut Man Cast
Mikkel Boe Følsgaard as Mark Hess
Danica Curcic as Naia Thulin
David Dencik as Simon Genz
Lars Ranthe as Nylander
Iben Dorner as Rosa Hartung
Liva Forsberg as Le Thulin
Sofie Gråbøl as Marie Holst
Katinka Lærke Petersen as Sandra Lindstrøm
What Is The Chestnut Man About?
Set in Copenhagen, The Chestnut Man follows detectives Naia Thulin and Mark Hess as they investigate complex cases.
In season 1, they’re looking into a string of gruesome murders linked by eerie little figurines made from chestnuts and matchsticks. The investigation becomes even more disturbing when evidence connects the murders to a young girl believed dead for a year.
Season 2, subtitled Hide and Seek, reunites Thulin and Hess for another serial killer case. This time around, the murders revolve around a hide-and-seek rhyme sent to victims before they disappear. The investigation once again connects to the unresolved murder of a girl killed years earlier.
By the time the finale wraps up, viewers get answers about the case. However, the relationship between the detectives is a big part of the plot, and the twist halfway through will severely impact a potential The Chestnut Man season 3. If the show gets renewed, it will not only follow a new investigation but also rework its basic premise.
DJ Koze has shared a mesmerizing seven-minute single called ‘Spiralen’. It’s the title track of the producer’s upcoming double-A-side 12″, which is out June 12 and will follow last year’s Music Can Hear Us. Take a listen below.
