When people aren’t watching sporting action live, they’re often consuming other forms of sports content, such as movies. But aren’t films that take inspiration from sports so much better when they’re based on a true story? They’re certainly more relatable and more emotionally provoking.
Cinderella Man
Cinderella Man, released in 2005 and stars Russell Crowe and Renee Zellweger, is a movie that tells the story of James J. Braddock, a former world heavyweight boxing champion. The Irish-American boxer who hailed from New Jersey was forced out of the ring because of injury. But made a comeback with a knockout victory, much to the surprise of many. And, it will undoubtedly leave some wondering what were the odds on that boxing result. But Braddock’s story gets even better as he becomes the real-life Cinderella Man by claiming the heavyweight title.
Miracle
Miracle is a 2004 movie that tells the story of the US Olympic hockey team of 1980. They were serious underdogs. But, as everyone knows, there are times when underdogs prosper, and it always makes for a great watch. In Miracle, the US Olympic hockey team pull off a miracle by defeating the Soviet Union, one of the best teams at the time. It’s also a film that brings international political tension to the fore, which adds another dimension to the storyline.
Seabiscuit
Believe it or not, some of the best sporting movies out there are based on one of the most traditional sports, horse racing. And many of them are true stories. Seabiscuit, released in 2003, is arguably the go-to in the horse racing movie realm, and it tells the story of a horse called Seabiscuit, as it goes. Seabiscuit, an undersized horse that was often overlooked, rose to the top against the odds. It’s an emotional journey from start to finish, and this is perhaps what really brings the story to life in what is another underdog success.
Remember the Titans
Remember the Titans explores the story of when the first black head coach in a school’s history, Herman Boone, played by Denzel Washington, integrates a high school American football team in Virginia. The merging of an all-black school with an all-white school and how that impacted the football team depicts how diversity and race played out in 1971, spreading an important message. Traditions and football and how many people knew them were really put to the test by the unknown.
Chariots of Fire
We end our list with one of the most iconic sports movies based on a true story in Chariots of Fire. After being released in 1981, it went on to win four Academy Awards, and it has since been named as one of the best British films of all time. Chariots of Fire is a movie that shows the lives of two British sprinters who come from different backgrounds and had different religious beliefs. It documents their journey as athletes and the challenges they face.
William “Poogie” Hart, the lead singer and founding member of the Philadelphia soul outfit the Delfonics, has died. As TMZ reports, Hart was taken to Temple University Hospital in Philadelphia after experiencing trouble breathing and died from complications during surgery on Thursday, July 14. He was 77.
Growing up in Philadelphia, Hart sang in a number of groups as a teenager before forming the Orphonics while still in high school with his brother, Wilbert Hart, and their friends Randy Cain and Richie Daniels. After being introduced to songwriter and producer Thom Bell, the group rebranded as the Delfonics, putting out singles in 1966 and 1967 before scoring a hit in 1968 with ‘La-La (Means I Love You)’, which reached No. 5 on the Billboard Hot 100 and featured on the soundtrack for the 1997 Quentin Tarantino film Jackie Brown. The soundtrack also included ‘Didn’t I (Blow Your Mind This Time)’, which was released in 1969 and won them the Grammy for Best R&B Performance.
After releasing five studio albums between 1968 and 1974, the Delfonics broke up in 1975, splitting into two groups each featuring a different Hart brother. Core members would even switch between groups over the coming decades, and the two versions of the Delfonics continued to tour separately up until William’s death.
The Delfonics’ songs took on new life as they were frequently covered and sampled, particularly in the 1990s. The Fugees sampled their 1968 song ‘Ready or Not Here I Come (Can’t Hide From Love)’ on their 1996 single ‘Ready or Not’, while Missy Elliott sampled the same track on her single ‘Sock It 2 Me’. Notorious B.I.G.’s ‘Playa Hater’ included a sample of the Delfonics’ ‘Hey! Love’, and Prince’s 1996 album Emancipation featured a cover of ‘La-La (Means I Love You)’. In 1996, Hart teamed up with Ghostface Killah to sing backing vocals on the Ironman track ‘After the Smoke Is Clear’.
“You taught me so much and gave so much to the world of music,” Adrian Younge, the producer who collaborated with William Hart on the album Adrian Younge Presents the Delfonics, wrote in a statement. “The master singer…the master writer…the man that created songs that changed the world. You are missed brotha. Love you man.”
Casino gaming is a huge industry, especially considering all the online casino websites available to digital players. With such an abundance of websites to play casino games on, it leaves players in a tough predicament. Online casino players want to play on the best casino websites available, and with so many options like this list of best social casinos for the US, getting sucked into playing on a subpar online casino can be easy.
Although most registered online casinos are quality, some are definitely better than others. To ensure that you have the best online casino gaming experience possible, here’s what to look out for that makes an online casino good.
The Win Rate Of Their Games
An online casino isn’t much fun to play if you keep losing every time you bet. On the same note, if you’re constantly winning, it can also take the fun out of the casino game quickly. The best online casino websites get this balance just right and have a win probability that’s fair and competitive. Despite this, it is important to only bet money you can afford to lose.
The majority of online casinos will still maintain a house edge, meaning that you’re still more likely to lose for each bet than you are to win. However, it’ll be close, and beating this edge makes each win far more rewarding and fun. If you want to find the best casino websites, you can look here to find the best online casinos that payout.
Choice Of Games
As well as the win rate of the games, a good casino is defined by the offerings it has. Of course, game quality is subjective, as someone might prefer a particular slot game over another. However, a good casino will know this and instead offer a wide array of games that can cater to all preferences and gaming styles.
As well as having a wide array of options, the games on a good casino website will also be fast loading, look good visually, and be responsive. To quickly determine if an online casino website is good, look to see if they have games from some of the best online casino game developers.
Safety Of The Website
A good online casino will have safety and security as one of its main priorities. Most online casinos will be registered, meaning that the information stored on the website needs to be secured and encrypted. The best online casinos will display a padlock in the search bar of your web browser. This means that it’s super safe and less likely to be successfully hacked.
Conclusion
When playing casino games online, you only want to play on the best websites available. To help you cut through the noise and find the right sites for you, use these tips to ensure that you end up on a casino website that’s quality and fun.
By focusing on the quality of games, the choice you have, the rate of winning, and the safety of a website, you’re sure to find one that’s super high quality that you’re going to love.
Anyone currently trying to lose weight is probably familiar with the extensive options currently on the market. It seems like virtually everywhere you look, there’s a new cleanse, detox, fad, or program. These programs promise to lose weight effortlessly, yet stubborn pounds don’t want to move. Unfortunately, most diet plans believe in offering a generic program that appeals to everyone, hoping everyone can lose weight similarly. The reality is far from that, as most methods can’t account for every component of a person’s life.
A New Method of Weight Loss
Nutrigenomics is a relatively new scientific method for weight loss. It connects nutrition, genetics, and overall health to your weight loss, understanding how the body works biologically. Genetic testing into the overall health and nutrition allows medical professionals to pinpoint how nutrients and minerals influence the body. The process involves the unique study of DNA mapping with respect to predispositions to health conditions. These gene variants may affect weight loss or general intolerances. From there, it evaluates your genes’ influence on weight loss attempts.
How Do DNA-based Diets Work?
Having a complete picture of your body and how it works is a vital starting point for effective weight loss. While a generic diet plan offers one program for everyone, a DNA-based diet will optimize your program according to your unique genetic structure. These diets often start with a comprehensive scan of the body, building a complete understanding of how you interact with nutrients, diet, micronutrients, minerals, and macronutrients. Then, the supervising medical professional will set a baseline for all participants using hair, blood, saliva, and other biological markers. The review will also encompass positive genes (that may help individuals lose weight) and harmful genes (predisposing people to various medical conditions).
Focus on Nutrigenomic Evaluation
During the initial nutrigenomic evaluation, doctors evaluate nearly 2000 biomarkers. The medical team will also review 150 genes within the individual’s body. After the analysis, the doctor will develop a customized diet plan to match and support these markers. Finally, with a strong focus on optimal health, the medical team will incorporate dietary supplements to maximize an individual’s performance.
The Purpose Behind Supplements on the Nutrigenomic Diet
As a nutrigenomic diet typically focuses on optimal health, many programs believe it’s imperative to heal the body from the inside out. The supplements on a DNA-based diet are custom prescribed, administering only high-quality products to optimize your health and nutrition while following the program. Every individual will receive a custom formulation for their specific health profile. For instance, those with iron deficiencies will receive supplements with iron.
When deciding which supplements to include in a nutrigenomic diet, it is important to comprehend the stages of iron deficiency. Initial stages may show modest symptoms like weariness and pale skin that develop into more serious problems like anemia. By including supplements in a nutrigenomic diet, iron-enhancing foods, such as vitamin C for improved absorption or heme iron for vegetarians, personalized genetic insights guide the selection of iron-enhancing nutrients like vitamin C for better absorption or heme iron for vegetarians. By following to precision nutrition goals for controlling iron deficiency through educated dietary and supplemental techniques, this strategy promotes optimal health outcomes.
Overall Reviews of DNA-Based Diets
Before starting a nutrigenomic diet plan, it’s essential to use a medical professional. Participants following the plan should always seek ongoing medical supervision and evaluation to ensure proper health and safety. For example, many NJ Diet reviews highlight participants’ close contact with their doctor throughout the program. These individuals will receive the contact details for their doctor throughout the 40 days, whether in person, by email, or over the phone. By maintaining close contact during the program, participants are never left struggling on their own.
How Does the NJ Diet Work?
The NJ Diet offers individuals scientific weight loss through DNA-based planning. The diet incorporates nutrigenomic research with customized diet planning and medical supervision. This approach allows significant weight loss by catering the program to individual biomarkers. As participants enroll, they’ll undergo four steps throughout the program, starting with a consultation.
The Consultation
The consultation is $99 but often holds a discounted value online of $27. Most individuals will register for the program and undergo the medical evaluation on-site with their doctor. Patients will give saliva, blood, hair, and bio-energetic balancing scans. This scan will evaluate the various foods within the body you digest quickly, along with any foods your body struggles to utilize. When the scan is complete, individuals will receive a comprehensive portfolio of their overall health.
A Brief Overview of the NJ Diet
After the evaluation, participants will receive a strict dietary, supplement, and exercise list to follow. The plan is 40-days long, geared to heal the gut from the inside out. As the body rids toxins, it will improve its overall functioning. While the NJ diet is a low-calorie plan, many supplements prevent participants from feeling hungry while following the program. The supplements also work to optimize the body while fixing any hormonal imbalances.
Reporting to Medical Professionals
The third step of the NJ diet program will work simultaneously with the second step. Participants will check in with the doctor every ten to fifteen days for evaluation. These appointments are essential for optimal success. The medical team will track your progress, promote body healing, and determine whether your body is burning fat. During these evaluations, a doctor may adjust or shift your diet.
Maintaining the Weight Loss
Finally, the weight loss journey wraps up by teaching participants how to maintain the weight loss achieved in the program. Doctors offer guidance on the foods to avoid, proper calorie intake, and the best foods to keep the weight off. This appointment will ensure your body functions properly to keep the weight off permanently. Patients will undergo further genetic testing and analysis at the time of discharge. Ultimately, these plans set their patients up for success by giving them a complete profile of information to stay happy and healthy in the future.
Paul Ryder, longtime bassist for the “Madchester” band Happy Mondays, has died at the age of 58. Paul’s brother Shaun Ryder, the band’s lead singer, confirmed the bassist’s death on social media. No cause of death has been provided.
The Ryder brothers formed the Happy Mondays in 1980 along with Gary Whelan, Paul Davis, and Mark Day. Mark “Bez” Berry later joined the band on tambourine and percussion, and their father Derek became the band’s tour manager. After signing with Factory Records, the Happy Mondays released their debut EP, Forty Five, in 1985. John Cale produced the group’s first album, 1987’s Squirrel And G-Man Twenty Four Hour Party People Plastic Face Carnt Smile (White Out), which they followed up with two more acclaimed LPs, 1988’s Bummed and their 1990’s Pills ‘n’ Thrills and Bellyaches. With their euphoric mix of funk, punk, psychedelic rock, the band became associated with the rave movement that was taking over the UK at the time, and its influence bled into their sound.
The Happy Mondays broke up in 1993 following the release of Yes Please!, which was recorded in Barbados with Talking Heads’ Tina Weymouth and Chris Frantz and went so far over budget that it drove Factory to bankruptcy. They reunited in 1999, scoring a minor comeback hit with their cover of Thin Lizzy’s ‘The Boys are Back in Town’, but Paul left the group in 2001. He did not contribute to the band’s 2007 comeback album Uncle Dsyfunktional, but he did join the reformed lineup in 2012 and remained a member until his death.
“The Ryder family and Happy Mondays band members are deeply saddened and shocked to say that Paul Ryder passed away this morning,” the band said in a statement. “A true pioneer and legend. He will be forever missed. We thank you for respecting the privacy of all concerned at this time. Long live his funk x.”
Paramore have announced a 12-show run set to take place this fall. The tour will take them across North America, including festival appearances at When We Were Young and Austin City Limits Festival, as well as one show in Toronto, Canada. General on-sale tickets go on sale Friday, July 22 at 10am local time here. Find the list of dates below.
Oct 2 Bakersfield, CA – Mechanics Bank Theater
Oct 4 Magna, UT – The Great SaltAir
Oct 6 Omaha, NE – Orpheum Theater Omaha
Oct 8 Oklahoma City, OK – The Criterion
Oct 9 Austin, TX – Austin City Limits
Oct 11 Chesterfield, MO – The Factory
Oct 14 Bonner Springs, KS – Azura Amphitheater
Oct 16 Austin, TX – Austin City Limits
Oct 22 Las Vegas, NV – When We Were Young Festival
Oct 23 Las Vegas, NV – When We Were Young Festival
Oct 29 Las Vegas, NV – When We Were Young Festival
Nov 7 Toronto, ON – History
Nov 9 Chicago, IL – The Chicago Theatre
Nov 11 Cincinnati, OH – The Andrew J Brady Music Center
Nov 15 Atlanta, GA – Tabernacle
Nov 16 St. Augustine, FL – The St. Augustine Amphitheatre
Nov 19 Mexico City, Mexico – Corona Capital Festival
Superorganism’s ‘Everybody Wants to Be Famous’ presented its main subject more like a tantalizing idea than a reality worth pursuing: “I think that you and I/ Could set the world alight/ ‘Cause we’re all stars tonight,” Orono Noguchi sang with an earnestness that offset its playfully deadpan chorus and lyrics about feeling like a boss. When it was released as the lead single from their self-titled album over four years ago, the UK collective was one of indie pop’s buzziest new bands, but the song wasn’t exactly a reflection of their experience: its music video depicted a fictional band that rose to fame by making original music that resonated with a wide audience, which they subsequently lost by selling out to advertisers. The partial parallels were clear but intentionally blown out. To this day, Superorganism are a uniquely self-aware group who understand their place in the world – their growing influence, sure, but also their smallness in the grand scheme of things – and as familiar as they are with the rise-and-fall narrative that marks a lot of young bands, they remain committed to the goal of interconnectedness without compromising the quality of their music.
Enter World Wide Pop, the group’s much-anticipated second album, which confidently recaptures the infectious energy of their debut, as Orono puts it in one song, in “full screen high definition.” If Superorganism had a collage-like quality – stitching together buoyant hooks, half-spoken melodies, and an eclectic mix of samples and effects that made it feel as refreshingly modern as it did anachronistic – the new record is more filmic, seeking to expand the scale of their sound without sacrificing its homegrown aesthetic. They still sing about cosmic stuff like the stars and aliens and cyborg grilled cheese sandwich machines, the sci-fi themes smoothly fitting the album’s bigger scope – but the extended metaphor also feels like an attempt to grapple with their very real popularity in a crumbling world. Their debut might have sounded like a successful band from the past revitalizing itself through modern-day techniques, but World Wide Pop quite literally immerses us in the story of a band whose dreams have become true, suddenly cast into sharp focus.
Everyone from Orono’s idol Stephen Malkmus to J-pop star Gen Hoshino feature prominently on the record alongside peers like CHAI and Pi Ja Ma, while the first song even samples radio shoutouts from the likes of Elton John, Josh Homme, and NPR’s Bob Boilen. If it all comes off as a bit of a flex, it also encapsulates the disorienting experience of a group that had never even been in the same room when they put out their first album and was now touring the world and hanging out with their heroes. Orono seems more consumed than simply stoked by the overwhelmingness of it all: “Everything is changing, my spaceship’s started crying,” she sings on the song, which is called ‘Black Hole Baby’. The rest of the album similarly circles back and forth between feelings of collective euphoria and crushing loneliness, bubbling into an exhilarating form of chaos. ‘World Wide Pop’ is a straightforward dance anthem urging the people of Earth to just get along, while ‘It’s Raining’ thrives on the cartoonish humour Superorganism made their name on. There’s even a song sung from the perspective of fruit fly, silly and catchy enough to rival the one about being a prawn.
But though the whole album plays like an intergalactic party, it never really distracts from the personal concerns that plague its central character. Following the exuberance of the tite track is ‘On and On’, which is caught in a loop of mindless dissociation. ‘Solar System’, one of the album’s most memorable and charming moments, sees Orono seeking guidance from above – “Solar system, help me out” – placing its endlessness on the same level as her thoughts. But although the widescreen production often leads to more dynamic moments – hear how seamlessly the music in the background of ‘On & On’ mirrors the flow of words, like a montage, the faint throb of club music when she sings about a home party – it’s hard not to miss the intimacy that shined on Superorganism cuts like ‘Nobody Cares’ and ‘Reflections on the Screen’, which is somewhat lost. And while nearly every track on their debut was miraculously punchy and melodic, some of the more vibrant moments on its significantly longer follow-up, like ‘Teenager’ and ‘Flying’, feel a little bit weaker and amorphous.
Mostly, however, it’s a delight to hear Superorganism keeping it down-to-earth while trying to level up their sound and adjust to the terrifying nature of change. ‘Oh Come On’ takes place purely in the moment, focusing not on the realm of dreams or the planetary system but just the way the human brain is wired: “It’s a foreign country and I’m all freaked out,” Orono admits, “Need more serotonin, ramp me up.” It’s a song made for the live show, and even though it loses some of its potency here, it speaks to the band’s evolution from online phenomenon to IRL community. Whether or not you consider World Wide Pop an upgrade, it’s both reassuring and unsurprising that the band’s ethos has stayed intact: burdened by the uncertainty of today but finding ways to bond over it, too, just like they did before things got a little too real.
Omar Apollo has shared a new single, ‘Archetype’, which is set to appear on the just-announced deluxe edition of his debut album IVORY. Check it out below, along with IVORY (Marfil)‘s cover artwork and tracklist.
IVORY, which came out back in April, includes the early singles ‘Invincible’ with Daniel Caesar, ‘Bad Life’ featuring Kali Uchis, and ‘Go Away’.
IVORY (Mafil) Tracklist:
IVORY (Mafil) Tracklist:
1. Ivory
2. Talk
3. No Good Reason
4. Invincible (feat. Daniel Caesar)
5. Endlessly Interlude
6. Killing Me
7. Go Away
8. Waiting On You
9. Petrified
10. Personally
11. En El Olvido
12. Tamagotchi
13. Can’t Get Over You
14. Evergreen
15. Bad Life (feat. Kali Uchis)
16. Mr. Neighbor
17. Endlessly
18. Highlight
19. Archetype
20. Saving All My Love
21. Pretty Boy
black midi are back with their third album, Hellfire, out now via Rough Trade Records. The follow-up to 2021’s Cavalcade was recorded with producer Marta Salogni, who previously recorded Cavalcade‘s opening track ‘John L’ “If Cavalcade was a drama, Hellfire is like an epic action film,” the band’s Geordie Greep said in press materials, adding: “Almost everyone depicted is a kind of scumbag. Almost everything I write is from a true thing, something I experienced and exaggerated and wrote down. I don’t believe in Hell, but all that old world folly is great for songs, I’ve always loved movies and anything else with a depiction of Hell.” Read our review of the album.
beabadoobee has returned with her sophomore album, Beatopia, out now via Dirty Hit. The follow-up to 2020’s Fake It Flowers includes the previously shared singles ‘Talk’, ‘Lovesong’, ‘See You Soon’, and ’10:36′. Made in collaboration with her live guitarist Jacob Bugden and co-produced by Iain Berryman, the record is “about accepting my past and my actions, and seeing it as a part of me,” according to Bea Kristi. “It’s your life and you can do whatever you want, and if you make mistakes, it’s gonna help you for the end result – it’s all gonna mean something at the end. It’s definitely me getting over things about my self-image, and feeling comfortable in a general sense of my life and who I am. I’m still working on it.”
Lizzo’s new album, Special, has arrived via Nice Life/Atlantic. Following 2019’s Cuz I Love You, the record includes the promotional singles ‘About Damn Time’ and ‘Grrrls’. “I think that the music really is going to speak for itself,” Lizzo said of the album in an interview with Zane Lowe on Apple Music 1. “I’m writing songs about love from every direction, and I hope that I can turn a little bit of the fear that’s been running rampant in this world, energetically into love. That’s the point. I had a lot of fear, and I had to do the work on myself, and this music is some of that work in turning that fear into love. I hope that when people listen to this album, it makes their day just a little bit better, a little bit more filled with love.”
Superorganism have followed up their self-titled 2018 debut with a new album called World Wide Pop, out today via Domino. The 13-track LP features collaborations with Stephen Malkmus, CHAI, Pi Ja Ma, Dylan Cartlidge, and actor Gen Hoshino. While their debut was completed before the group – whose current lineup includes Orono, Harry, Tucan, B, and Soul – had all even been in the same room at the same time, many of the songs on World Wide Pop emerged from IRL jam sessions. One of its lyrical themes, according to Orono, is the idea of manifestation: “Thinking I want this and I’m gonna get it does something in your brain — you unconsciously start making decisions to help you get whatever it is that you want. There’s something very powerful about that. It’s kind of like magic, but real.”
Interpol have a new album out: The Other Side of Make-Believe is out now via Matador. The band worked on their seventh LP in London with Alan Moulder and Flood, previewing it with the singles ‘Toni’, ‘Something Changed’, ‘Fables’, and ‘Gran Hotel’. Speaking about the themes of the album, singer Ian Banks said in press materials: “The nobility of the human spirit is to rebound. I could focus on how fucked everything is, but I feel now is the time when being hopeful is necessary, and a still-believable emotion within what makes Interpol Interpol.” Daniel Kessler added: “The process of writing this record and searching for tender, resonant emotions took me back to teenage years; it was transformative, almost euphoric. I felt a rare sensation of purpose biting on the end of my fishing rod and I was compelled to reel it in.”
Launder – the musical project of John Cudlip – has come through with his debut studio album, Happening, via Ghostly. Cudlip’s collaborators on the album include DIIV’s Zachary Cole and Colin Caulfield, bassist Chase Meier, drummer Bryan DeLeon, guitarist Nathan Hawelu, and French artist Soko, who takes on lead vocals on the track ‘Believe’. The record was co-produced by Sonny DiPerri at New Monkey Studio in Van Nuys, California, which was once owned by Elliott Smith. Spanning 13 tracks, Happening follows Launder’s 2018 EP Pink Cloud.
..And You Will Know Us by the Trail of Dead, XI: Bleed Here Now
..And You Will Know Us by the Trail of Dead have put out their first new album in two years, XI: Bleed Here Now, via Dine Alone. It marks the band’s 11th studio album following 2020’s X: The Godless Void and Other Stories and includes the advance tracks ‘No Confidence’ and ‘Salt in Your Eyes’. The 22-track record was produced by the band’s own Conrad Keely and Jason Reece alongside Charles Godfrey, who co-produced their last LP. It features guest spots from Spoon’s Britt Daniel (‘Growing Divide’), Amanda Palmer (‘Millennium Actress’), and the Tosca String Quartet (‘Our Epic Attempts’), among others.
Steve Lacy has dropped his new album, Gemini Rights, which follows 2019’s Apollo XXI. Ahead of its release (via RCA), Lacy unveiled the singles ‘Mercury’, ‘Bad Habits’, and ‘Sunshine’ featuring New York soul artist Fousheé. Talking about the album’s title, Lacy told Zane Lowe: “It’s kind of like a loose theme of Gemini, just how I’m moving through situations in this album. I mean, I’m sure anyone could relate to it, but I think in my brain I was like, ‘This definitely feels very Gemini,’ even the curation of the record and how I speak about certain things. All of the singles, they all have a dual side, they all switch up, so like Mercury’s the first half and then the second half is something else, and then the singles do the same thing. But this is all just happened naturally; I wasn’t really thinking of it that hard when I was making it then.”
Los Angeles indie rock quartet Goon have released their second album, Hour of Green Evening. The band recorded the follow-up to 2019’s Heaven is Humming in Glendale, CA with producer and engineer Phil Hartunian and Spoon’s Alex Fischel, who plays piano and synth across the record. “This definitely is a record we’ve always wanted to create,” vocalist Kenny Becker said in a statement. “It was both a joy and a challenge, and we’re deeply proud of it. And we’re unspeakably excited to finally share it with everyone!” The singles ‘Ochre’, ‘Angelnumber 1210’, and ‘Emily Says’ preceded the LP.
Other albums out today:
Belief, Belief; Arp, New Pleasure; The A’s, Fruit; Lil Silva, Yesterday Is Heavy; Elf Power, Artificial Countrysides; Tami Neilson, Kingmaker; Irreal, Era Electrónica; Rowdy Rebel, Rebel vs. Rowdy; On Man, On Man, Daniel Lanois, Player, Piano; Working Men’s Club, Fear Fear; Vladislav Delay, Isoviha; Lawn, Bigger Sprout; Mabel, About Last Night…; JayWood, Slingshot; Kode9, Escapology; Ozomatli, Marching On; Lera Lynn, Something More Than Love; Helena Celle, Music for Counterflows; Nightlands, Moonshine; Attia Taylor, Space Ghost; j-hope, jack in the box; BKO, Djine Bora; Deaf Havana, The Present Is a Foreign Land; Indian Wells, No One Really Listens to Oscillators.
Calvin Harris has recruited Justin Timberlake, Halsey, and Pharrell for ‘Stay With Me’, the latest single from his recently announced album Funk Wav Bounces Vol. 2. Although Harris previously collaborated with Pharrell on Funk Wav Bounces Vol. 1, this is the first time he’s worked with Timberlake and Halsey. Check out ‘Stay With Me’ below.
Funk Wav Bounces Vol. 2 will be out on August 5 via Columbia. So far, it’s been previewed with ‘Potion’, featuring Dua Lipa and Young Thug, and the 21 Savage collab ‘New Money’.
black midi are back with their third album, 
beabadoobee has returned with her sophomore album, 
Lizzo’s new album, 
Superorganism have followed up their self-titled 2018 debut with a new album called 
Interpol have a new album out: 
Launder – the musical project of John Cudlip – has come through with his debut studio album, 
..And You Will Know Us by the Trail of Dead have put out their first new album in two years, 
Steve Lacy has dropped his new album, Gemini Rights, which follows 2019’s Apollo XXI. Ahead of its release (via 
Los Angeles indie rock quartet Goon have released their second album, 
