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Ralph Lauren’s Spring 2027 Menswear Wants You on a Boat You Don’t Own

Ralph Lauren returned to its old-world Milan headquarters for its Men’s Spring 2027 show, but the brand still seems mentally stuck somewhere near Lake Como. At least that’s what the mahogany speedboat parked on dry ground suggests. The design team appears to have stumbled across a book on 1920s Lake Como and its fondness for Italian businessmen and their racing rituals, a reference that sits in one half of the show. In the world of Ralph Lauren, a menswear runway seems bored when it only has one collection to deal with. Meet Purple Label, an established European man who treats wealth as something best expressed through fashion restraint, disappearing into it from time to time. Polo, his younger cousin, still at an Ivy League university somewhere in the States, looks up to him, yet insists on being more social. Or so his palette and layers suggest.

Ralph Lauren Spring 2027 Menswear
@poloralphlauren via Instagram

“When I began designing menswear, my inspiration came from the ease and traditions of collegiate style and the gentleman athlete. It was about character and camaraderie, a timeless style they made their own. I loved the oldness, the craftsmanship, the utility that wove together an individuality of ease, eclectic mystique, and a romantic sophistication,” said Lauren’s purple-inked show notes, placed on benches across the courtyard, easy for guests like Colman Domingo, Lewis Hamilton, and Tom Hiddlestone to spot. Also in dialogue with him is John Wrasej, senior brand creative director of men’s Polo, Purple Label, RLX and children’s Polo.

Ralph Lauren Spring 2027 Menswear
@ralphlauren via Instagram

That dialogue looks very different for the two lines. As polished as the Purple Label man is, he still finds ways to disrupt his tailoring. Sometimes it’s something small, like fisherman sandals or a bandana tied loosely around the neck. Other times it’s more deliberate, a utility jacket, perhaps even one with sashiko hand-stitching, which travelled to Japan to meet the Sashiko Gals, and back to Italy to settle into its final form. The jackets, in particular, seem to be having fun on the runway. One of them is embroidered with Ralph Lauren’s Como Speed Club, a fictional society built from research into 1920s Lake Como boat racing and its very well-dressed participants.

Ralph Lauren Spring 2027 Menswear
@poloralphlauren via Instagram

Polo, on the other hand, leans much more into securing its sense of fun on the runway. It starts with colour, loud, insistent, and often paired with what passes for neutral, even when it clearly isn’t. Take the orange puffer that could blind you if you stared at it for too long, sitting over camouflage trousers, a reinterpretation of what Lauren wore in Montauk a few decades ago. Elsewhere, madras refuses to settle in one place. When it isn’t occupying full looks, it peeks through blazers, slips under jackets, over jackets, or turns into windbreakers, collars, even bags. Roomy trousers, cricket jackets, rugby shirts, Edwardian neckwear, patchwork details and gingham keep the line-up constantly busy. The cousins keep their distance, but the runway doesn’t seem to notice.

PJ Harvey Returns With New Song ‘Voyager’

PJ Harvey is back with a new single. ‘Voyager’ marks her first new music since 2023’s I Inside the Old Year Dying and serves as “a glimpse into her next artistic chapter.” Check out the celestial track below.

Recorded with a full orchestra at Miraval Studios in Provence, ‘Voyager’ is named after NASA probes launched in 1977. Harvey had already been working on it as part of her next album when physicist Professor Brian Cox invited her to write a song for his ‘Emergence’ tour. “I was excited for the challenge to compose a song in the ‘voice’ of Voyager 2,” she explained in a statement. “I have long been fascinated by the spacecraft and its journey, and asked myself what it might say to us if it could? This was an inspiring route to take to develop the song.”

“The song had already started life as part of the ongoing work towards my new album, so when Professor Brian Cox invited me to write a piece for his new show, I sent him the voice memo of this song to see if it resonated,” she continued. “It immediately made him think of the Voyager craft and the sound of its signal being sent back to Earth. With these ideas as my starting point I let the song develop, and discussed an orchestral accompaniment with Dario Marianelli.”

“I’m very happy with the end result, and it’s wonderful to hear the orchestral score bring such expansiveness to my music,” Harvey concluded. “I thoroughly enjoyed researching the history and journey of Voyager 1 & 2, and was glad to be able to quote the great Carl Sagan within the song, and his famous description of our fragile and beautiful ‘pale blue dot’.”

Leading AI Tools for Background Removal

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Background removal is a task that’s often underestimated. People are quick to advise others to just Photoshop it. But it’s not exactly that straightforward. Using the background eraser means extensive manual effort. Clicking the magic eraser only works well with solid colors. Relying on the quick action leaves jagged edges. While the latest version includes AI features, using Photoshop still entails technical expertise. But not everyone knows how. That’s why AI tools for background removal are truly vital.

They’re more than just convenience features. Design teams. Photographers. Marketers. Online sellers. Every content creator now includes AI tools for background removal as part of everyday workflows. But not all options approach background removal and what comes after the same way.

Taking this into consideration, this guide lists the top picks that throw bad cutouts and hours of editing out the window.

Top Five Best AI Tools for Background Removal

Simfa

AI tools for background removal

Simfa treats background removal as part of a broader visual editing workflow. Not just a standalone utility. Rather than just cutting subjects from an image, this tool helps users quickly transform visuals. With its background-removal feature, users can achieve a clean, professional image in a few clicks. But Simfa takes it one step further. It offers multiple staging presets for electronics, fashion, food and beverage, furniture, and jewelry. It features over 10 dynamic backgrounds. This prepares content for reuse across campaigns and formats.

Key Features:

  • Subject isolation and image cleanup at speed
  • Efficient for creative repurposing workflows
  • Producing visual variations through batch generation and templates

Pricing:

  • Free Package
  • Starter Package – $15 per month
  • Plus Package – $23 per month
  • Simfa+ Package – $99 per month

Real Use Case:

Fashion teams can use Simfa to remove studio backgrounds from apparel photography. Then they can place the subject on an urban night scene, a jungle retreat, or a minimalist concrete room to create seasonal mockups without organizing additional shoots.

Pixelbin

Within this list of AI tools for background removal, Pixelbin focuses heavily on automation and image optimization at scale. This option can accurately and consistently detect objects and cleanly cut them from the background. Using smart AI, it’s able to maintain actual edges, lighting, and shadows. Aside from removing the background, creators can also change it using basic presets or custom images and can enter prompts to render themed backdrops. Pixelbin is a trouble-free solution that helps creatives seeking polished visuals for ads, presentations, websites, or social media.

Key Features:

  • Bulk background removal workflows
  • Multiple file format support
  • Masking and retouching

Pricing:

  • Free Package
  • Creator Package – $10 per month
  • Lite Package – $20 per month
  • Pro Package – $60 per month

Real Use Case:

Pixelbin helps e-commerce teams to process tons of product images for online listings. Like a clothing retailer using it to automatically remove inconsistent studio backgrounds before publishing on marketplaces.

Adobe Express

AI tools for background removal
Image Credit: Adobe Express

Adobe Express shines where Photoshop falls apart. It brings background removal into a more accessible environment. All without requiring professional editing experience. Its offering for what users can do immediately afterward is also promising. After cutting the background, creators can use it to add graphic elements or filters using Adobe templates and stock design assets. Adobe Express helps users of all skill levels produce impactful content. Compared to Photoshop, it’s the quick and easy create-anything option.

Key Features:

  • Quick editing and customizable add-ons with a minimal learning curve
  • Strong for social posts, flyers, and presentations
  • Easy transition from cutout to finished design

Pricing:

  • Free Package
  • Premium Package – $9.99 per month

Real Use Case:

Event organizers can build posters and branded announcements instantly with Adobe Express. This tool lets them isolate subjects or products and paste them onto campaign graphics.

Remove BG

One of the most notable AI tools for background removal is Remove BG. Its strength lies in simplicity and speed. With a single click, this tool removes the background with impeccable accuracy. It works well with products, people, animals, cars, and digital graphics. And without writing any prompts, users can also generate custom backdrops. Remove BG delivers top-tier results for car listings, e-commerce catalogs, and professional headshots.

Key Features:

  • Reliable subject detection for common image types
  • Integration or plug-in use with Zapier, Figma, and Photoshop
  • Bulk editing of up to 500 images

Pricing:

  • Free Package
  • Pay-as-you-go Package – $3 to $1,699 per month
  • Lite Package – $9 per month
  • Pro Package – $39 per month
  • Volume+ Package – $89 to $5,450 per month

Real Use Case:

Remove BG allows Amazon or Etsy sellers to prepare product photos for platforms that require white backgrounds. It makes workflows more efficient for those who market on different platforms.

Claid AI

AI tools for background removal
Image Credit: Claid AI

Claid AI specializes in removing product backgrounds. Using its advanced AI technology, it preserves details. Like product edges and hair strands. Its smart workflow also ensures that no problems are encountered, even with complex shapes and fuzzy textures. While Claid focuses on products, this tool also works for portraits, fashion, cars, and marketing assets. Plus, this option allows resizing and repositioning to meet platform requirements, making it perfect for conversion-focused content.

Key Features:

  • Product-focused image enhancement
  • Hands-on control of every detail
  • Customizable editing for varied looks

Pricing:

  • Free Trial
  • Essentials Package – $15 per month
  • Pro Package – $49 per month
  • Business Package – Custom Pricing

Real Use Case:

Claid AI can help online retailers convert casual product photos into polished storefront assets. It produces images that directly impact sales.

Choosing the Top AI Tools for Background Removal in 2026

When selecting among the leading AI tools for background removal, don’t just focus on which saves time. Because they all do. All five on the list help creators move faster, support high-volume production, and deliver accessibility.

Focus your criteria on how the tool reshapes the process of visual content creation. The best AI background removal tool offers AI-powered accuracy and creativity, as well as a cost-effective solution. In other words, the right choice depends on what happens after the background disappears.

Satire, absurdity and humour: the drawings of Yiğit Özgür

Some of the simplest drawings are often the most powerful. Think of the cartoons in newspapers, and you’ll find artists who satirise the most prominent leaders and celebrities. It can result in their deaths, as we saw in the attacks on the Charlie Hebdo offices in 2015, and the film The Sniper Artists tells us of the artists who risked their lives during the Yugoslav Wars to ensure their drawings went to print. 

The drawings of Yiğit Özgür feature a heavy dose of satire, and this was on show in his exhibition at Versus Arts in East London, curated by İlayda Uzunarslan. It mixed the biting with the bawdy, and the humorous with the surreal. 

The work lampoons modern society as a man confesses that he hates himself after performing the latest dance craze, and the tale of Snow White takes a contemporary turn as she receives seven missed calls instead of from dwarves. These works highlight how absurd modern society can be when a satirist like Özgür turns the lens on it.

At times, there is an absurdist, surreal streak running through his works, such as a man entering hell and asking whether he should leave the door open or closed. Or in the case of a Michael Jackson impersonator at a talent show, he simply lies down because Jackson is now dead. It brings to mind the similar humour found in The Far Side by Gary Larson and the artworks of Glen Baxter, who uses it, though in his case, to take aim at American culture and art history. 

There’s a bawdy streak running through his work as a man agrees with the sound a water cooler makes, when an attractive woman walks past, or when a lap dance turns out to be an excuse to defecate in a man’s lap. 

While many cartoonists work in newspapers, there’s always been a close link between the medium and the fine art we see in galleries and institutions. Roy Lichtenstein often created large-scale reproductions of comic strip images, including his famous ‘Whaam’ piece, and Keith Haring also populated his works with crudely drawn characters. The trend continues today with artists such as Takashi Murakami and KAWS. 

It’s clear that Özgür is always willing to take on a sensitive target, including one mocking the usefulness of therapy for certain individuals, featuring a man who suggests it takes many years of therapy just so he can say he hates himself out loud. 

With stories of political corruption in the world, greater wealth concentration and new inane online trends, there’s clearly still a need for artists with satirical bite, and their potential inspirations seem endless. However, the world evolves, I’m sure Yiğit Özgür will be ready to send it up with his playful, incisive drawings.

Yiğit Özgür: Chronicles of the Everyday was shown at Versus Arts in London from 5-13 June 2026. More information about the artist may be found on his Instagram. 

All images are copyrighted and courtesy of Yiğit Özgür.

The Human Element: Director Richie Ellis on Capturing Identity in Commercials and Indie Shorts

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In an industry where the line between advertising and art is increasingly blurred, New York-based director Richie Ellis has found his footing by erasing it entirely. Across a body of work that spans high-profile campaigns for global giants like Amazon, Sony, and Puma, alongside indie festival shorts, Ellis has built a reputation in the film world for treating every subject with a documentarian’s precision and a cinephile’s eye for scale.

At the core of Ellis’ filmmaking is a deep dive into the forces that shape identity; family, community, culture and the internal narratives people construct to navigate the world. 

Whether observing delivery drivers threading through Manhattan traffic or inside the life of a child carrying the weight of an unstable household, Ellis consistently zeroes in on the quiet, high-stakes tension between the lives people inherit and the paths they ultimately choose to forge.

Ellis’s recent narrative short, Loose Change, has served as a major showcase for this thematic focus, pulling in a string of recent international and domestic festival wins. The film took home Best International Film at the Birmingham Film Festival, Best Drama at the Short.Sweet.Film Fest in New York City, Best American Short at the Best Film Awards New York, and the Audience Choice Award at the Festival of Cinema NYC, where it was also nominated for Best Narrative Short.

“As grateful as I am for the awards, what has stayed with me most has been the audience response,” Ellis says. “Loose Change is a small, intimate story, and you never really know how people are going to connect with that when you first put it out into the world. Hearing audience members share their own experiences after screenings and seeing the emotional reaction the film has generated has been incredibly rewarding. For me, the festival run has reinforced something I’ve always believed: you don’t need a huge story to make an impact. Sometimes the most personal stories are the ones that resonate the furthest.”

The short film Loose Change follows a young boy attempting to anchor his mother through hardships that far exceed his years, an emotional reality that Ellis approached with deliberate restraint.

Director Richie Ellis & Exec Producer Kenta Koga on set ‘ Loose Change’’

“I think audiences connect with Loose Change because, beneath the specifics of the story, it’s really about love,” Ellis notes. “The film follows a young boy trying to help his mother through circumstances that are far beyond what any child should have to carry, and there’s something deeply human about that. Most people know what it feels like to want to save someone they love, even when there’s very little they can actually do.”

“What interested me was exploring that relationship without judging the characters,” he explains. “I never wanted the film to tell the audience what to think or use the story to make a larger statement. My focus was always on the characters and their emotional reality.” 

If there’s anything that Ellis has learned as a filmmaker, it’s that audiences are far more engaged when they’re invited into a story, rather than being lectured by it. “I think the response to the film has come from that place,” he said. “People may walk away with different interpretations, but they’re connecting to the same emotions; love, responsibility, hope, and the sometimes impossible weight of caring for someone who can’t save themselves.”

The film’s trajectory looks to extend beyond the festival circuit. The next screening of Loose Change will be at the 2026 Festival of Cinema NYC, after the film won the Audience Choice Award there last year. “This time, I’ll be returning not only for a Q&A, but also as a juror for the festival itself,” said Ellis. “It’s a rare opportunity to experience the event from both sides and a nice reminder of how quickly things can come full circle in this industry.” 

Beyond the festival circuit, Loose Change has recently received a distribution offer. The filmmaker is currently working through the next phase of the distro process. “The response from audiences throughout its festival run has been incredibly encouraging, and I’m excited by the prospect of bringing the film to a much wider audience in the near future,” he said.

That same non-judgmental, observational style informs Ellis’s commercial work. In a recent campaign for Amazon, he turned his lens on the company’s Delivery Service Partner (DSP) drivers navigating the infrastructure of New York City. Rather than leaning into polished corporate slickness, Ellis treated the project like a street-level documentary.

“What interested me was the opportunity to tell a story about people, rather than a brand,” said Ellis. “The film followed Amazon DSP drivers and delivery crews working across New York City and focused on the human side of the job; the relationships they build with their communities, the challenges they navigate every day, and the role they play in keeping a city like New York moving.”

For context, in New York City, a city with over eight million residents across five boroughs, there are thousands of Amazon DSP delivery drivers and crew buzzing around the city working on tight Prime delivery deadlines. Filming on location, following this high-paced job, required a high degree of adaptability, a skill Ellis attributes to his instincts developed as a documentarian. 

“Going into the project, I had a clear vision for the story I wanted to tell, but once you’re filming on the streets of New York with real people doing real jobs, you have to stay fluid,” he says.

“The environment is constantly changing and some of the best moments are the ones you could never have planned for,” adds Ellis. “Rather than forcing scenes to fit a preconceived idea, we adapted to what was happening around us and allowed the story to evolve through observation.”

This spontaneously is what Ellis enjoys most about documentary-style filmmaking. “You start with an intention, but you have to leave room for discovery,” he said. “In many ways, the project became a collaboration between the people we were filming, the city itself, and the story we set out to tell.”

This balance between real-world observation and narrative structure has also made Ellis a natural fit for advocacy media. He recently directed a short film for the DREAM Charter School in Harlem, aimed at supporting the school’s programming, including its specialized institute designed to prepare 7th-grade public school students for the Specialized High Schools Admissions Test (SHSAT).

“It’s about the journey that led him to the school,” Ellis says of the student at the heart of the film. “What drew me to the project was the opportunity to tell a deeply personal story about family, opportunity, and the moments that can alter the course of a young person’s life.”

“Like any documentary project, I began by listening,” he explains. “The more time I spent with the student and those around him, the more I realized the story wasn’t really about education—it was about belief. It was about what happens when someone sees potential in you before you can see it in yourself. My goal wasn’t to make a fundraising film or deliver a message. It was to create something honest that allowed audiences to connect with a real person and his experience. The film will premiere at DREAM’s annual gala before being released online, reaching audiences both in the room and beyond it. Regardless of where it’s seen, I hope people come away feeling connected to the human story at its center.”

With over a decade experience working in the film industry, Ellis’s dual-track expertise has caught the attention of the wider digital industry. For the past two years, he has served as a judge for the International Academy of Digital Arts and Sciences (IADAS) for the Webby Awards, evaluating work in commercials, film, branded video, and digital storytelling alongside a panel of industry peers. The role has offered him a front-row seat to the output of massive entities like Netflix, National Geographic, and NASA, as well as emergent independent creators.

“Serving as a judge for IADAS and the Webby Awards has given me a unique perspective on where storytelling is heading,” Ellis says. “My judging has focused primarily on commercials, film, branded video, and digital storytelling, and one of the things I enjoy most is seeing work before it enters the wider conversation. The range is remarkable. In the same judging cycle, you might move from a campaign created by a global brand like Nike or Apple to a film from an independent creator experimenting with an entirely new way of telling a story.”

Director Richie Ellis & Cinematographer Daniel St Ours on location Amazon Shoot

“What the experience has reinforced for me is that audiences don’t really care what category a piece of work belongs to,” he notes. “Whether it’s a feature film, a commercial, a music video, or an interactive experience, the work that resonates is usually the work that feels honest. Being part of the judging process has been a constant reminder that great storytelling can come from anywhere, and that the tools may change, but the emotional connection remains the same.”

Looking ahead, Ellis is currently in pre-production on a new narrative short titled Still Lives Through, while simultaneously prepping a summer slate of branded films for clothing label Kangol and developing music videos with local New York musical artists.

“Most of my upcoming work is in the commercial and branded space,” Ellis says. “At this stage of my career, I’m increasingly drawn to projects that align with my sensibilities as a storyteller—work rooted in character, observation, and authentic human experience, regardless of format.” 

The upcoming short film, Still Lives Through, is like a breath of fresh air amidst his packed commercial film schedule. “I enjoy moving between narrative, documentary, and commercial filmmaking,” said Ellis. “To me, they’re all part of the same pursuit: telling emotionally resonant stories and collaborating with people who share a commitment to craft.”

Why the Best Digital Strategies Start with Human Insight (Not Algorithms), According to Rocco Petrarca

Artificial intelligence is everywhere. When it isn’t transforming digital marketing, it’s shaping our shopping habits. In 2026, our algorithms are giving us all hyper-personalized messaging, optimize ads, and are uncovering new business opportunities. 

As tech continues to automate manual tasks, an essential question emerges: What is the role of human intuition in an AI-driven world?

According to Rocco Petrarca, a digital and social media strategist in New York City, it entirely depends on it. We know that AI is an invaluable asset for several industries, increasing operational efficiency exponentially. However, the most successful digital strategies must always begin with human insight.

“AI has completely changed the digital landscape and my work as a whole, mainly because there have been evolutions on so many fronts: creative, workflow, writing, operational, just a lot of different angles, even in terms of brainstorming,” said Petrarca. “My work as a digital and social media strategist is having to adapt; to me, AI is like having a really valuable assistant, like having another person to share information with and get different perspectives.”

The day-to-day responsibilities of digital and social media strategists have undergone a massive shift. According to a recent report from Sprout Social, social and digital media strategists are a booming industry, with global social media ad spend projected to reach $317.33 billion and social commerce revenue pushing toward $1 trillion, mainly because over 5.85 billion people spend an average of 2.5 hours daily across nearly seven different social media platforms. 

By leveraging AI-assisted workflows, automated ideation, branding kits, and marketing platform connectors, marketing pros can streamline backend operations that once consumed significant time. Rather than fully replacing the marketer, Petrarca emphasizes that technology serves to elevate the professional’s role by handling repetitive execution.

“The operational side has decreased, so the manual tasks are much more automated, and that’s great for me: it leaves me a lot more space for the creative part of brainstorming and lateral thinking and to invest more time in strategy creation,” he said.

Why Human Insight Remains Fundamental

Petrarca, whose professional background spans managing multi-channel campaigns, cross-border educational training, and leading strategies for more than 15 international brands across fashion, luxury, B2B, and institutions, argues that data alone cannot capture the essence of a brand. Human insight provides the critical context that algorithms lack.

“Human insight is fundamental at the starting point of digital strategies because, as humans, we often already know the context of many brands, whether they’re established brands or we capture their essence through conversation, active listening with the client or partner,” Petrarca explains.

He highlights that a human strategist brings an organic repository of knowledge that cannot be instantly replicated by a machine: “Human insights mean we already take into account past experiences: experiences with different clients, places we’ve lived, work we’ve done, and we already have a solid background we can apply to the context at hand,” he adds. “That’s the advantage. So, instead of inventing or building from scratch, we already have it, and we can especially leverage our past experiences, critical thinking, and lateral thinking developed over the years, so we can connect the dots.”

AI Is Revolutionizing Social Media and Pitching

It isn’t just about the ROI. Generative AI enhances social media strategy by acting as a collaborative sounding board during the planning and presentation phases. For marketing strategists like Petrarca, these tools drastically accelerate the visual and structural preparation of a campaign when pitching it to a client or CEO.

“I believe AI has revolutionized the way social media strategy jobs are today because when we approach a strategy, and we use AI, generative AI definitely helps provide answers you maybe hadn’t thought of,” Petrarca says. “It all starts from you, from human insight, asking the right questions. At best, AI is additional support and data, because maybe we don’t have all the facts at the exact moment we’re building a strategy.”

This collaborative AI process yields major advantages when presenting concepts to partners. “Undoubtedly, it’s changed in a positive way because we can tap into a lot more real-time data and always cross-checking the sources,” he adds. “It’s definitely an operational help, a support during brainstorming, and a way to enrich what we already bring in terms of human insight.”

Striking a Balance: AI Advice for Business Owners

For business owners who are eager to implement AI without losing the authentic, personal touch that defines their customer relationships, Petrarca has some advice: Be careful and focus on your brand’s strengths.

“Sit down with your team and figure out what your strengths are in relation to the client relationship on digital and social media,” he suggests. “In that sense, identify your strengths and don’t automate them, and if your strengths are tied to the human part of the client relationship, you should not automate or leave it to AI. That would change how the relationship evolves and how clients perceive the company.”

Petrarca values a brand’s unique tone of voice. Getting your clients to trust that voice, and build relationships, is not only invaluable, but a key sales asset. While maintaining a brand’s real, human voice is essential, AI can still play a backend role in supporting these human interactions.

“You can still use AI to support the humanization of social interaction,” he said. “For example, you can prepare pre-set replies; automated replies in the same tone of voice you use with clients. In automation, you can say, ‘Sure, this is an AI bot, but we’re the ones who wrote it, so when we go deeper, we’ll respond personally.’”

Shifting the ROI Paradigm

In an AI-driven market, a business return on investment (ROI) is less about deploying entirely new strategies and more about the speed, clarity, and precision with which performance data is analyzed. Having managed substantial cumulative media spend across social media platforms like Meta, LinkedIn, and TikTok, Petrarca notes that highly customized AI tools allow brands to spot market inefficiencies much faster than before.

“There will be more speed and accuracy in seeing results, overall, and I think the pipeline, the whole funnel from start to finish will be understood more easily, identifying which areas are more profitable or not,” Petrarca says. “ROI-focused strategies will be sharper, potentially delivering higher ROI because you spot issues earlier and waste less time.”

However, he cautions that automated data reading requires strict oversight. “The flip side is AI can also make mistakes, so you need a critical eye, verifying results, knowing the context, and understanding how the AI-driven tool was built, based on the data we feed it. This comes back to the intuition factor and why we need human insight to power AI tools, overall.”

Petrarca recently had a client in the lifestyle and fashion space where he used audience-mapping techniques to expand its online reach. As a result, the campaign successfully reached nuanced consumer segments based on lifestyle traits, rather than rigid industry demographics.

“With AI and Meta’s latest AI tools, there are richer, more nuanced algorithms and the ability to combine cross-domain interests, mapping out a person’s digital life; things we save, share, visit—they signal to the algorithm,” Petrarca explains. “It helped me help this fashion brand to reach the right people by starting with a clear brand DNA, a clear message, a deep knowledge of the audience we wanted to reach, and reaching them.”

The Future of Omnichannel Digital Strategy

Looking ahead to 2027, the evolution of search behavior will require digital strategies to become more integrated, consistent, and visible across non-traditional search channels. Consumers are moving away from standard search engines and increasingly utilizing social media networks and AI platforms to discover brands.

“Digital strategy will change because our way of interacting with digital tools and platforms will evolve,” Petrarca predicts. “Strategies will be richer, more optimized, and faster. At the same time, they’ll need to introduce ways for everything we publish online to be indexed by AI tools/platforms that pull from the platforms we post on.”

The criteria for online visibility is expanding rapidly, forcing brands to optimize content for discovery beyond classic SEO frameworks.

“The challenge won’t just be ranking on Google, but appearing in AI search results when people search for a certain topic on Google Gemini, Chat GPT or Claude. “Today’s marketing includes AI snippets and how to show up in certain places and certain queries,” said Petrarca. 

“We’re in an era where people are changing how they search. AI and social media are more used for immediate searches: brands are checked on Instagram, TikTok, LinkedIn, YouTube. So strategies must also focus on how people interact today. Several touchpoints before making a choice, searching in many places. Digital strategies must be consistent across channels, yet optimized for each platform’s tone of voice and main features.”

Also Known As Africa Returns to Paris in October

Also Known As Africa (AKAA) returns to the Carreau du Temple in Paris for its 11th edition from 23–25 October 2026, continuing its focus on contemporary African and diasporic art and design.

The fair’s 2026 programme will centre on works on paper, following its 2025 emphasis on ceramics, positioning the medium as a site of both material intimacy and conceptual expansion. According to Artistic Director Sitor Senghor, works on paper offer “a field of remarkable creative freedom” where archival traces, personal narratives, symbolism, and contemporary imaginaries coexist through formal experimentation and critical reflection.

A highlight of the 2026 edition is a monumental installation by Senegalese photographer Gabriel Dia, drawn from the series Mother’s Heritage. Presented as an immersive environment, the work incorporates large-scale photographs printed on fabric and suspended throughout the space.

The fair will also host exhibitors from across the world, including galleries such as Arte de Gema (Maputo), LOFT3 Gallery (Harare), Umoja Art Gallery (Kampala), ARTBASE (Wiesbaden and Berlin), and BACKLASH (Paris), testament to its continued transcontinental scope.

Dagmar Van Weeghel. Courtesy THIS IS NOT A WHITE CUBE

Dagmar Van Weeghel. Courtesy THIS IS NOT A WHITE CUBE

18 New Songs Out Today to Listen To: Brennan Wedl, This Is Lorelei, and More

There’s so much music coming out all the time that it’s hard to keep track. On those days when the influx of new tracks is particularly overwhelming, we sift through the noise to bring you a curated list of the most interesting new releases (the best of which will be added to our Best New Songs playlist). Below, check out our track roundup for Tuesday, June 23, 2026.


Brennan Wedl – ‘Pretty Little Fantasy’

Brennan Wedl has announced her self-titled debut album, which is produced by Waxahatchee’s Katie Crutchfield and Brad Cook. Out August 21, it also features contributions from Snail Mail, Colin Croom, and Matt McCaughan. It’s led by the anthemic new single ‘Pretty Little Fantasy’. “The archetype of Daddy is something I’ve been searching for all my life, but turns out, the daddy I’ve been looking for has been me all along,” Wedl said in a statement. “Be your own daddy.”

This Is Lorelei – ‘Billy Came Back’

This Is Lorelei has announced a new album, The Singer in My Band, with the fantastic lead single ‘Billy Came Back’. “‘Billy Came Back’ stewed for months before I picked up a guitar to work it out — I kept forgetting about it but it always came back,” Nate Amos explained. “Finishing the song was the only way to get it to leave me alone.”

Tame Impala – ‘Hummer’ (Smashing Pumpkins Cover)

Sumerian Records is celebrating the 30th anniversary of Smashing Pumpkins’ debut album, Gish, with a new tribute album featuring Alice Glass, Nita Strauss, Yonaka, Des Rocs, Meg Myers, Between the Buried and Me, and more. The first single comes from the record’s most high-profile contributor, Tame Impala, who offered his immersive take on ‘Hummer’ from Siamese Dream.

Julia Holter – ‘Fantasy’

Julia Holter is following up her latest album, Something In the Room She Moves, with a companion LP called Materia. It’s led by the transportive single ‘Fantasy’. “This song of seeming willful abandon was somehow the most laborious undertaking of the entire record — it took over a year and went through various transformations — and I love that contradiction,” Holter explained. “It’s dancey, it feels to me like a kind of conjuring. And amidst the momentum of reverie, there’s the line ‘blink at the light and hope to survive,’ because daydreams in a fascist state can be scary too. I was trying to find the right sanguine tempo.”

Chelsea Wolfe – ‘The Dark’ ‘Death Is Not the End’

Chelsea Wolfe is back with two new songs, ‘The Dark’ and ‘Death is Not the End’, her first new music since 2024’s She Reaches Out to She Reaches Out to She. They’re both starkly alluring, taking the time to fill out the space around them. ‘Death is Not the End’ features guitarist Robin Finck (Nine Inch Nails) and drummer Matt Chamberlain (Tori Amos, Fiona Apple), while ‘The Dark’ features drummer Stella Mozgawa (Warpaint, Courtney Barnett) and bassist Justin Meldal-Johnsen (Air, Beck). According to a press release, they serve as the first glimpse of Wolfe’s ninth studio album.

Jim James – ‘Come Again’

My Morning Jacket’s Jim James has announced his first solo album in eight years, Wowed Out, with the kaleidoscopic ‘Come Again’. “‘Come Again’ came from feeling discouraged by how much things are changing in directions I don’t agree with, but trying to remember that there’s still so much beauty to be experienced,” James explained. “You’ve got to just keep going and keep trying again and again and again to find joy.”

Emily A. Sprague – ‘Sing To’

Florist’s Emily A. Sprague has announced a new album, Cyano, arriving October 12. The hushed, spectral new single ‘Sing To’ follows last month’s ‘Double Moon’, and it’s accompanied by a video from director V Haddad.

Yard Act – ‘New Beginnings’

Yard Act have dropped ‘New Beginnings’, the second single from their upcoming album, You’re Gonna Need A Little Music. It follows lead single ‘Redeemer’, a much loftier track. “‘New Beginnings’ is a bit of light to counteract the dark we led with,” vocalist James Smith commented. “Sometimes we’ve already shed our old skin without even realising it’s happening. Celebrate the new, because you can’t go back.”

Swapmeet – ‘Halfway’

Swapmeet have previewed their debut album with a new track, ‘Halfway’, which is luminous and, naturally, liminal in nature. It comes paired with a Mayah Slayter-directed video.

Frost Children – ‘Satellites’

Frost Children have announced a new EP, Tweaker Poem, which arrives July 10, and shared the exuberant ‘Satellites’. “After dealing with a horrifying stalker in NYC we wanted to self-isolate and make a short project in one sitting fueled by sleep deprivation and discomfort,” Angel Prost shared. “The songs on the EP are tracklisted in the order we made them, from morning until the next morning.”

Fiddlehead – ‘Baby I’ll Change’

Fiddlehead are releasing a new EP called Baby I’ll Change this Friday. Producer Alex Farrar worked on the record, which is led by the strikingly vulnerable title track. It comes paired with a video directed by guitarist Alex Henery.

The Tubs – ‘Who’s Gonna Love You Now?’

Having signed to Merge Records, The Tubs have announced their third LP, Hard Life, which will be out September 11. The jangly lead single ‘Who’s Gonna Love You Now?’ arrives today. In a press release, Owen Williams says the the record combines his familiar persona – “navel gazing about romantic abjection, London squalor, and the indignities of grief and OCD” – with a second one that “doesn’t have much time for the first, often haranguing him for his self-indulgence and immaturity; sometimes fairly, sometimes unfairly.”

Frankie Rose – ‘Can’t Be Wrong’

Frankie Rose has announced a new album, Hila, landing September 18 and led by the glimmering single ‘Can’t Be Wrong’. The Love As Projection follow-up was self-produced, with contributions from drummer Justin Welch (Elastica/Lush).

Quadeca – ‘Baby Steps’

Quadeca has dropped a new single called ‘Baby Steps’, which wrestles with what it means to bring a child into a world that feels like it’s ending. The accompanying video was directed by Quadeca and longtime collaborator Brendon Burton.

Hew – ‘Lie In It’

Houston, Texas emo band Hew have announced their debut album, Your Version, which is out in July. The devastating new song ‘Lie In It’ leads the LP.

Maripool – ‘Crossing’

Maripool is the project of Lisbon-born, London-based singer-songwriter Natacha Simões, whose debut album Rotten Luck drops August 28. The breezily hypnotic lead single ‘Crossing’ is about her “favorite memories as a kid… whenever I crossed that bridge [between Lisbon and Almada] with my parents on a hot summer day.”

Diary – ‘Keep Comin’ Up’

The classically fuzzy ‘Keep Comin’is the latest single from New York-based five-piece Diary’s debut full-length, Spiral Bound, due September 4 via Kanine Records. It follows lead cut ‘Keep Comin’ Up’.

How Medicaid Planning Can Help Protect Family Assets

Marietta is a community where many families focus on building long-term financial security while planning for future generations. As residents prepare for retirement and navigate the realities of aging, conversations about healthcare, long-term care, and preserving family wealth often become increasingly important. While most people spend years accumulating savings, property, and other assets, unexpected medical needs can place significant pressure on those resources if proper planning is not in place.

The rising cost of extended care has led many families to explore ways to protect what they have worked hard to achieve while still ensuring access to necessary support. Understanding available options before a health crisis occurs can make a substantial difference in both financial stability and peace of mind. Medicaid planning is one strategy that allows families to prepare for future care needs while addressing complex eligibility requirements and asset protection concerns. For those seeking guidance through this process, a Medicaid lawyer in Marietta can help evaluate individual circumstances and develop a plan tailored to a family’s long-term goals.

Rising Care Costs

A nursing facility in Georgia can consume retirement funds at an alarming rate. For that reason, families often seek guidance before a stroke, fracture, or dementia diagnosis forces urgent choices. A lawyer can explain asset limits, transfer penalties, estate claims, and filing rules while helping relatives assemble deeds, statements, and medical records before an application reaches state review.

Why Timing Matters

Planning works best before discharge papers arrive or residential placement becomes necessary. Last-minute gifts can trigger penalty periods that postpone payment approval. Earlier action allows time to examine deeds, bank accounts, annuities, and prior transfers. It also gives relatives space to discuss care goals without panic. Calm preparation can reduce conflict, protect remaining funds, and improve decision quality during a stressful chapter in medical care.

Medicaid Basics

Medicaid helps pay for nursing services when medical and financial standards are met. In Georgia, applicants must show limited income, modest countable property, and a level of need that fits program rules. Age alone does not secure approval. Illness by itself is also insufficient. Legal review helps families separate rumor from law, avoid filing errors, and keep deadlines from slipping past unnoticed.

Income and Asset Rules

Eligibility standards divide property into countable and exempt groups. Cash, brokerage balances, and extra land often fall into the first category. Personal belongings, one vehicle, and, in some cases, a primary residence may receive protected treatment. Limits can change, and details matter. A single misclassified account may delay approval, which is why careful review of each holding remains essential before submitting paperwork.

Spend-Down Choices

Spend-down planning does not mean reckless buying. Often, it means using funds for permitted expenses that improve safety, comfort, or clinical support. Examples include unpaid medical invoices, roof repairs, mobility equipment, hearing aids, or debt reduction. Certain legal steps may also reposition resources under state rules. Every move needs close review, because an improper transfer can create a period of ineligibility.

The Five-Year Review

Georgia examines many transfers made during the five years before a Medicaid filing. That rule surprises families that gave money to children, changed a deed, or sold property below fair value. State reviewers may treat those actions as disqualifying transfers. Payment can then be delayed for months. Strong documentation and legal analysis help explain past transactions and reduce the risk of avoidable penalties.

Common Trouble Spots

Problems often start with informal help inside a household. A parent may pay a grandchild’s tuition, or a child may receive a large check during illness. Home title changes also create risk when completed without legal advice. Those steps can look harmless at the time. Later, they may cause lengthy delays, heavier private-pay bills, and pressure on relatives already managing care demands.

Protecting the Family Home

For many households, the house carries financial worth and deep emotional meaning. Medicaid may allow a resident to remain exempt during life if certain conditions are met. After death, estate recovery can still place that property at risk. Planning ahead can address these issues through lawful strategies, title review, and document repair. That work helps preserve housing stability for a spouse or other surviving relatives.

Coordinating Family Decisions

Asset protection depends on more than forms and bank balances. Families also need a shared plan for authority, communication, and daily care choices. Powers of attorney, advance directives, and organized records can prevent confusion during an emergency. Clear roles reduce mistaken withdrawals or poorly timed gifts. Better coordination also helps relatives respond quickly when a facility asks for financial proof or payment details.

Conclusion

Medicaid planning protects more than money. It supports access to care, preserves options, and eases strain during major health changes. By reviewing property, transfer history, income, and legal documents early, families can make steadier choices under rigid state rules. Thoughtful preparation may limit loss, protect a residence, and reduce delays in coverage. For households facing frailty, chronic illness, or memory loss, timing and precision make a meaningful difference.

How Paint By Number Benefits Beginners In Learning Art

Many beginners find learning art a complicated process because it involves coordinating observation, hand control, and creative decision-making simultaneously. Without the right direction, it may be confusing and difficult to get started. 

Such confusion may decrease confidence and delay the initial development in artistic learning. However, this becomes easier when learners have a guided, systematic approach that streamlines the whole process of creating artwork. 

Paint by Number is one such method that helps beginners fill this gap. The image is divided into parts, with each part assigned a specific color, and hence, learners focus on execution rather than planning. 

Thus, this helps to avoid confusion and makes the learning process easier for beginners. So, this guided system ensures that learners can gradually build knowledge in art without strain or confusion.     

Continue to read to understand how the technique can assist beginners in developing the required art skills in a systematic manner

1. Learn Art Through Structured Step-by-Step Guidance 

Paint by Numbers offers a well-structured system in which each section of the composition is numbered. Each number is associated with a certain color, which should be applied in that area. This eliminates ambiguity and enables beginners to take a predefined creative path.  

The step-by-step format helps learners to focus on one section at a time. Rather than being intimidated by the entire picture, they process smaller, less complex visual units. This simplifies the whole process and makes it less daunting.  

Over time, they begin to observe how entire works of art are created from smaller units. They start to recognize visual order and arrangement in designs. This provides a solid basis for the study of artistic composition in future creative production.

2. Understand How Colors Work Through Practical Application

In addition, paint by Number helps the beginner develop a visual sense of tone through direct experience with color placement. Rather than learning theory, beginners can see the effects of various shades on an image’s appearance. This renders the process of learning color more intuitive and interesting.  

As they progress through the artwork, they start to notice the effects of variations in brightness and depth on the overall composition. Repetition helps observe minor differences between colors more easily. This enhances visual consciousness naturally.  

With time, beginners gain skills to select and contrast colors effectively. They start to realize the effects of combinations on harmony in an artwork. The practical exposure enhances their capacity to make considered color selections. 

3. Gain Confidence Without Fear of Starting from Scratch 

Many beginners get confused when faced with a blank canvas because they lack direction or structure to guide them. Paint by Number eliminates this obstacle by offering a fully outlined design that is broken down into numbered sections. This provides a clear starting point for learners and removes the stress of creating an artwork all by themselves.  

With each section, learners see clear progress, which fosters a sense of accomplishment. All these little steps eventually create a full picture, and this encourages one to continue the process. The systematic format facilitates the observation of improvement.  

This guided system also lessens the fear of mistakes since each step is predetermined. Novices can focus on performance rather than decision-making. This support eventually fosters confidence and motivates them to indulge in creative activities more confidently and consistently.

4. Improve Precision and Fine Motor Skills With Every Stroke

Painting in numbered spaces also trains the novice to learn how to master the position of the brush. Each minute detail should be taken into consideration about edges and forms. This establishes the practical coordination between eyesight and hand movement.   

With continued use, beginners get more stable in the use of brush pressure and directional control. They start to adjust the motions according to the size of the space and the need for color. This gradually increases uniformity and reduces inconsistent use. 

This repetitive painting activity contributes to the development ofdfsddfsd long-term attention. Beginners learn to be attentive to details without losing focus. This regular practice consolidates control over small movements and helps improve overall handling skills in art.

5. Experience Completion and Motivation Through Finished Artwork 

Completing the painting gives the beginner a sense of accomplishment. The art transitioned from segmented, numbered pieces to a single visual piece. The outcome is fulfilling as it brings tangible improvements.      

Besides, every part that is added to the whole work is meaningful. They see how the whole picture is created step by step through hard work. This reinforces the understanding of the progressive achievements in creative action.   

Thus, the feeling of creating art helps motivate more people to engage in such activities. Once a project is completed, beginners are encouraged to start other projects. This virtuous circle establishes consistency and brings about long-term interest in creative practice.

Final Thoughts

Paint by Number offers beginners a structured and simple way to learn art without pressure. It breaks complex creative tasks into clear, guided steps that are easy to follow. This helps learners develop essential skills such as color understanding, precision, and focus.

The method also builds confidence by allowing steady progress and completed results. Beginners gain motivation as they see their improvement through finished artwork. Overall, it provides a strong foundation for artistic growth and encourages continued exploration of creativity clearly and enjoyably.